António José da Silva
Encyclopedia
António José da Silva was a Portuguese
-Brazil
ian dramatist, known as "the Jew" (O Judeu). The Brazilian spelling of his first name is Antônio.
, but went to mainland Portugal
at the age of eight.
His parents, João Mendes da Silva and Lourença Coutinho, were descended from Portuguese Jews who had emigrated to Colonial Brazil
to escape the Inquisition
, but in 1702 that tribunal began to persecute the Marranos or anyone of Jewish descent in Rio, and in October 1712 Lourença Coutinho became a victim. Her husband and children accompanied her to Portugal, where she figured among the "reconciled" in the auto-da-fé
of July 9, 1713, after undergoing the torment only.
Her husband, having then acquired a fixed domicile in Lisbon
, settled down to advocacy with success, and he was able to send António to the University of Coimbra, where he matriculated in the faculty of law. In 1726 António was suddenly imprisoned along with his mother on August 8; on the 16th he suffered the first interrogation, and on September 23 he was put to the torment, with the result that three weeks later he could not sign his name. He confessed to having followed the practices of the Mosaic law
, and this saved his life.
He went through the great auto-da-fé held on October 23 in the presence of King John V and his court, abjured his errors, and was set at liberty. His mother was only released from prison in October 1729, after she had undergone torture and figured as a penitent in another auto-da-fé.
Meanwhile António had gone back to Coimbra
, and finishing his course in 1728–1729 he returned to Lisbon and became associated with his father as an advocate. He found an ignorant and corrupt society ruled by an immoral yet fanatical monarch, who wasted millions on unprofitable buildings though the country was almost without roads and the people had become the most backward in Europe. As his plays show, the spectacle struck António's observation, but he had to criticize with caution.
He produced his first play or opera in 1733, and the next year he married his cousin, D. Leonor Maria de Carvalho, whose parents had been burnt by the Inquisition, while she herself had gone through an auto-da-fé in Spain and been exiled on account of her religion. They had their first daughter in 1734, but the years of their happiness and of Silva's dramatic career were few, for on October 5, 1737 husband and wife were both imprisoned on the charge of "judaizing." A slave of theirs had denounced them to the Holy Office. Though the details of the accusation against them seemed trivial and contradictory, and some of his friends testified about his Catholic piety and observation, António was condemned to death. On October 18, like those who wanted to die in the Catholic faith, he was first strangled and after had his body burnt in an auto-da-fé.
wit. The characters are well drawn and the dialogue full of comic strength, the scenes knit together and the plot skillfully worked out. Moreover Silva possessed a knowledge of stagecraft, and, if he had lived, he might have emancipated the drama in Portugal from its dependence on foreign writers; but the triple licence of the Palace, the Ordinary and the Inquisition, which a play required, crippled spontaneity and freedom. Even so, he showed some boldness in exposing types of the prevailing charlatanism and follies, though his liberty of speech is far less than that of Gil Vicente
. His comedies give a truthful and interesting picture of 18th century society, especially his best comedy, the Alecrim e Mangerona, in which he treats of the fidalgo pobre, a type fixed by Vicente and Francisco Manuel de Melo.
His works bear the title "operas" because, though written mainly in prose, they contain songs which Silva introduced in imitation of the true operas which then held the fancy of the public. He was also a lyric poet of real merit, combining correctness of form with a pretty inspiration and real feeling. His plays were published in the first two volumes of a collection entitled Theatro comico portuguez, which went through at least five editions in the 18th century, while the Alecrim e Mangerona appeared separately in some seven editions. This comedy and the Don Quixote have been reprinted in a critical edition with a life of Silva by Mendes dos Remedios (Coimbra, 1905).
Ferdinand Denis, in his Chefs-d'œuvre du théâtre portugais (pp. 365–496, Paris, 1823), prints liberal extracts, with a French translation, from the Vida de Dom Quixote, and F. Wolf likewise gives selections from Silva's various compositions. Silva is the subject also of several laudatory poems and dramas, one or two of which were composed by Brazilian compatriots.
Portugal
Portugal , officially the Portuguese Republic is a country situated in southwestern Europe on the Iberian Peninsula. Portugal is the westernmost country of Europe, and is bordered by the Atlantic Ocean to the West and South and by Spain to the North and East. The Atlantic archipelagos of the...
-Brazil
Brazil
Brazil , officially the Federative Republic of Brazil , is the largest country in South America. It is the world's fifth largest country, both by geographical area and by population with over 192 million people...
ian dramatist, known as "the Jew" (O Judeu). The Brazilian spelling of his first name is Antônio.
Life
He was born in colonial Rio de JaneiroRio de Janeiro
Rio de Janeiro , commonly referred to simply as Rio, is the capital city of the State of Rio de Janeiro, the second largest city of Brazil, and the third largest metropolitan area and agglomeration in South America, boasting approximately 6.3 million people within the city proper, making it the 6th...
, but went to mainland Portugal
Portugal
Portugal , officially the Portuguese Republic is a country situated in southwestern Europe on the Iberian Peninsula. Portugal is the westernmost country of Europe, and is bordered by the Atlantic Ocean to the West and South and by Spain to the North and East. The Atlantic archipelagos of the...
at the age of eight.
His parents, João Mendes da Silva and Lourença Coutinho, were descended from Portuguese Jews who had emigrated to Colonial Brazil
Colonial Brazil
In the history of Brazil, Colonial Brazil, officially the Viceroyalty of Brazil comprises the period from 1500, with the arrival of the Portuguese, until 1815, when Brazil was elevated to kingdom alongside Portugal as the United Kingdom of Portugal, Brazil and the Algarves.During the over 300 years...
to escape the Inquisition
Portuguese Inquisition
The Portuguese Inquisition was formally established in Portugal in 1536 at the request of the King of Portugal, João III. Manuel I had asked for the installation of the Inquisition in 1515 to fulfill the commitment of marriage with Maria of Aragon, but it was only after his death that the Pope...
, but in 1702 that tribunal began to persecute the Marranos or anyone of Jewish descent in Rio, and in October 1712 Lourença Coutinho became a victim. Her husband and children accompanied her to Portugal, where she figured among the "reconciled" in the auto-da-fé
Auto-da-fé
An auto-da-fé was the ritual of public penance of condemned heretics and apostates that took place when the Spanish Inquisition or the Portuguese Inquisition had decided their punishment, followed by the execution by the civil authorities of the sentences imposed...
of July 9, 1713, after undergoing the torment only.
Her husband, having then acquired a fixed domicile in Lisbon
Lisbon
Lisbon is the capital city and largest city of Portugal with a population of 545,245 within its administrative limits on a land area of . The urban area of Lisbon extends beyond the administrative city limits with a population of 3 million on an area of , making it the 9th most populous urban...
, settled down to advocacy with success, and he was able to send António to the University of Coimbra, where he matriculated in the faculty of law. In 1726 António was suddenly imprisoned along with his mother on August 8; on the 16th he suffered the first interrogation, and on September 23 he was put to the torment, with the result that three weeks later he could not sign his name. He confessed to having followed the practices of the Mosaic law
Halakha
Halakha — also transliterated Halocho , or Halacha — is the collective body of Jewish law, including biblical law and later talmudic and rabbinic law, as well as customs and traditions.Judaism classically draws no distinction in its laws between religious and ostensibly non-religious life; Jewish...
, and this saved his life.
He went through the great auto-da-fé held on October 23 in the presence of King John V and his court, abjured his errors, and was set at liberty. His mother was only released from prison in October 1729, after she had undergone torture and figured as a penitent in another auto-da-fé.
Meanwhile António had gone back to Coimbra
Coimbra
Coimbra is a city in the municipality of Coimbra in Portugal. Although it served as the nation's capital during the High Middle Ages, it is better-known for its university, the University of Coimbra, which is one of the oldest in Europe and the oldest academic institution in the...
, and finishing his course in 1728–1729 he returned to Lisbon and became associated with his father as an advocate. He found an ignorant and corrupt society ruled by an immoral yet fanatical monarch, who wasted millions on unprofitable buildings though the country was almost without roads and the people had become the most backward in Europe. As his plays show, the spectacle struck António's observation, but he had to criticize with caution.
He produced his first play or opera in 1733, and the next year he married his cousin, D. Leonor Maria de Carvalho, whose parents had been burnt by the Inquisition, while she herself had gone through an auto-da-fé in Spain and been exiled on account of her religion. They had their first daughter in 1734, but the years of their happiness and of Silva's dramatic career were few, for on October 5, 1737 husband and wife were both imprisoned on the charge of "judaizing." A slave of theirs had denounced them to the Holy Office. Though the details of the accusation against them seemed trivial and contradictory, and some of his friends testified about his Catholic piety and observation, António was condemned to death. On October 18, like those who wanted to die in the Catholic faith, he was first strangled and after had his body burnt in an auto-da-fé.
Legacy
Slight as these sketches are, they show considerable dramatic talent and an AristophanicAristophanes
Aristophanes , son of Philippus, of the deme Cydathenaus, was a comic playwright of ancient Athens. Eleven of his forty plays survive virtually complete...
wit. The characters are well drawn and the dialogue full of comic strength, the scenes knit together and the plot skillfully worked out. Moreover Silva possessed a knowledge of stagecraft, and, if he had lived, he might have emancipated the drama in Portugal from its dependence on foreign writers; but the triple licence of the Palace, the Ordinary and the Inquisition, which a play required, crippled spontaneity and freedom. Even so, he showed some boldness in exposing types of the prevailing charlatanism and follies, though his liberty of speech is far less than that of Gil Vicente
Gil Vicente
Gil Vicente , called the Trobadour, was a Portuguese playwright and poet who acted in and directed his own plays. Considered the chief dramatist of Portugal he is sometimes called the "Portuguese Plautus,"[3] often referred to as the "Father of Portuguese drama" and as one of Western literature's...
. His comedies give a truthful and interesting picture of 18th century society, especially his best comedy, the Alecrim e Mangerona, in which he treats of the fidalgo pobre, a type fixed by Vicente and Francisco Manuel de Melo.
His works bear the title "operas" because, though written mainly in prose, they contain songs which Silva introduced in imitation of the true operas which then held the fancy of the public. He was also a lyric poet of real merit, combining correctness of form with a pretty inspiration and real feeling. His plays were published in the first two volumes of a collection entitled Theatro comico portuguez, which went through at least five editions in the 18th century, while the Alecrim e Mangerona appeared separately in some seven editions. This comedy and the Don Quixote have been reprinted in a critical edition with a life of Silva by Mendes dos Remedios (Coimbra, 1905).
Ferdinand Denis, in his Chefs-d'œuvre du théâtre portugais (pp. 365–496, Paris, 1823), prints liberal extracts, with a French translation, from the Vida de Dom Quixote, and F. Wolf likewise gives selections from Silva's various compositions. Silva is the subject also of several laudatory poems and dramas, one or two of which were composed by Brazilian compatriots.
Works
His dramatic works, which were produced at the Bairro Alto theatre between 1733 and 1738, include the following comedies, all played by marionettes:- Vida do Grande Dom Quixote de la Mancha e do Gordo Sancho Pança (1733)
- Esopaida (1734)
- Os Encantos de Medea (1735)
- Amphitrião (May 1736)
- Labyrintho de Creta (November 1736)
- Guerras do Alecrim e Mangerona (carnival of 1737)
- As Variedades de ProteuAs Variedades de ProteuAs Variedades de Proteu is a play by António José da Silva that deals with the intricacies of marriage and love. It uses the mythological characters of Proteus and Nereus and includes curious characters such as the witty Caranguejo . The play was staged for the first time in 1737 in Lisbon....
(May 1737), set as a marionette opera by António TeixeiraAntónio TeixeiraAntónio Teixeira was a Portuguese composer.Born and died in Lisbon. He was a royal scholar in Rome from 1714 to 1728, and on 11 June of that year was elected chaplain-singer of Lisbon Cathedral and examiner in plainchant for the Lisbon patriarchy...
. - Precipicio de Faetonte (1738)