Bartolomé de Escobedo
Encyclopedia
Bartolomé de Escobedo was a Spanish
composer of the Renaissance
. He was born in Zamora, studied at Salamanca where he was a singer, and in 1536 joined the papal choir in Rome
as only the second Spaniard to be admitted after Cristóbal de Morales
. He remained in Rome until 1554, interrupted by a short return to his home in 1541-5. When he left the papal choir he returned to Spain, taking a non-resident prebend at the cathedral in Segovia
.
He had his share of difficulties while in Rome, mostly due to his short temper and illness. Records from the Vatican
, the Diarii Sistini, show that he was fined on two occasions for calling a fellow singer an "ass" and a "fat pig", and that he was inexplicably excommunicated for one day in 1546. Despite this, he was well regarded as a theorist and was famously involved in judging the public debate of 1551 between Nicola Vicentino
and Vicenzo Lusitano over the relevance of ancient Greek
modes
to 16th century music.
Escobedo has been speculated to be the teacher of Tomás Luis de Victoria
, but no firm evidence of this has been uncovered.
Of his music only two masses
, six motet
s and one villancico
survive.
Motets:
Villancico:
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...
composer of the Renaissance
Renaissance music
Renaissance music is European music written during the Renaissance. Defining the beginning of the musical era is difficult, given that its defining characteristics were adopted only gradually; musicologists have placed its beginnings from as early as 1300 to as late as the 1470s.Literally meaning...
. He was born in Zamora, studied at Salamanca where he was a singer, and in 1536 joined the papal choir in Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
as only the second Spaniard to be admitted after Cristóbal de Morales
Cristóbal de Morales
Cristóbal de Morales was a Spanish composer of the Renaissance. He is generally considered to be the most influential Spanish composer before Victoria.- Life :...
. He remained in Rome until 1554, interrupted by a short return to his home in 1541-5. When he left the papal choir he returned to Spain, taking a non-resident prebend at the cathedral in Segovia
Segovia Cathedral
Segovia Cathedral is a Roman Catholic religious building in Segovia, Spain. It is located in the main square of the city, the Plaza Mayor, and is dedicated to the Virgin Mary....
.
He had his share of difficulties while in Rome, mostly due to his short temper and illness. Records from the Vatican
Holy See
The Holy See is the episcopal jurisdiction of the Catholic Church in Rome, in which its Bishop is commonly known as the Pope. It is the preeminent episcopal see of the Catholic Church, forming the central government of the Church. As such, diplomatically, and in other spheres the Holy See acts and...
, the Diarii Sistini, show that he was fined on two occasions for calling a fellow singer an "ass" and a "fat pig", and that he was inexplicably excommunicated for one day in 1546. Despite this, he was well regarded as a theorist and was famously involved in judging the public debate of 1551 between Nicola Vicentino
Nicola Vicentino
Nicola Vicentino was an Italian music theorist and composer of the Renaissance. He was one of the most visionary musicians of the age, inventing, among other things, a microtonal keyboard, and devising a practical system of chromatic writing two hundred years before the rise of equal...
and Vicenzo Lusitano over the relevance of ancient Greek
Ancient Greek
Ancient Greek is the stage of the Greek language in the periods spanning the times c. 9th–6th centuries BC, , c. 5th–4th centuries BC , and the c. 3rd century BC – 6th century AD of ancient Greece and the ancient world; being predated in the 2nd millennium BC by Mycenaean Greek...
modes
Musical mode
In the theory of Western music since the ninth century, mode generally refers to a type of scale. This usage, still the most common in recent years, reflects a tradition dating to the middle ages, itself inspired by the theory of ancient Greek music.The word encompasses several additional...
to 16th century music.
Escobedo has been speculated to be the teacher of Tomás Luis de Victoria
Tomás Luis de Victoria
Tomás Luis de Victoria, sometimes Italianised as da Vittoria , was the most famous composer of the 16th century in Spain, and one of the most important composers of the Counter-Reformation, along with Giovanni da Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an...
, but no firm evidence of this has been uncovered.
Of his music only two masses
Mass (music)
The Mass, a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy to music...
, six motet
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...
s and one villancico
Villancico
The villancico was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. With the decline in popularity of the villancicos in the 20th century, the term became reduced to mean merely "Christmas carol"...
survive.
Works
Masses:- Missa Ad te levavi (a6)
- Missa Philippus Rex Hispanie (a6)
Motets:
- Domme non secundum (a5)
- Erravi stcut ovis (a4)
- Exurge quare obdormis (a4)
- Hodie completi sunt (a5)
- Immutetnur habitu (a4)
- Magna opera Domini (a4)
Villancico:
- Ay, ay, ay, quien se queja (a6)