Ce qu'on entend sur la montagne
Encyclopedia
Ce qu'on entend sur la montagne (S.95), sometimes referred to as 'Bergsymphonie', is the first of thirteen symphonic poem
s by Hungarian composer Franz Liszt
. It is an orchestral work inspired by the poem "Feuilles d'automne" (1831) by Victor Hugo
.
The French title means "What one hears on the mountain", so the alternative title in German is the "Mountain Symphony".
The piece, like many of Liszt's works, was revised a number of times before reaching the final version known today. It was originally composed in the years 1848–9 and subsequently revised in 1850, with the final form being produced in 1854.
It is also the longest of Liszt's symphonic poems; a typical performance averages over half an hour in length.
Symphonic poem
A symphonic poem or tone poem is a piece of orchestral music in a single continuous section in which the content of a poem, a story or novel, a painting, a landscape or another source is illustrated or evoked. The term was first applied by Hungarian composer Franz Liszt to his 13 works in this vein...
s by Hungarian composer Franz Liszt
Franz Liszt
Franz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...
. It is an orchestral work inspired by the poem "Feuilles d'automne" (1831) by Victor Hugo
Victor Hugo
Victor-Marie Hugo was a Frenchpoet, playwright, novelist, essayist, visual artist, statesman, human rights activist and exponent of the Romantic movement in France....
.
The French title means "What one hears on the mountain", so the alternative title in German is the "Mountain Symphony".
The piece, like many of Liszt's works, was revised a number of times before reaching the final version known today. It was originally composed in the years 1848–9 and subsequently revised in 1850, with the final form being produced in 1854.
It is also the longest of Liszt's symphonic poems; a typical performance averages over half an hour in length.