Chronique d'un été
Encyclopedia
Chronique d'un été is a documentary film
made during the summer of 1960 by sociologist Edgar Morin
and anthropologist and filmmaker Jean Rouch
, with the esthetic collaboration of director cameraman Michel Brault
. The film begins with a discussion between Rouch and Morin on whether or not it is possible to act sincerely in front of a camera. A cast of real life individuals are then introduced and are led by the filmmakers to discuss topics on the themes of French society and happiness in the working class. At the end of the movie, the filmmakers show their subjects the compiled footage and have the subjects discuss the level of reality that they thought the movie obtained.
This feature was filmed in Paris
and Saint-Tropez
France
It is widely regarded as an experimental and structurally innovative film and an example of cinéma vérité
.
. It is Brault who brought a new technique of filming that we had not known and that we copied ever since. In fact, truly, there is a "brauchitis" spreading, it is certain. Even the people who consider that Brault is a nuisance, or were jealous, are forced to recognize it."
Original text «Il faut le dire, tout ce que nous avons fait en France dans le domaine du cinéma-vérité vient de l'ONF (Canada). C'est Brault qui a apporté une technique nouvelle de tournage que nous ne connaissions pas et que nous copions tous depuis. D'ailleurs, vraiment, on a la "brauchite", ça, c'est sûr; même les gens qui considèrent que Brault est un emmerdeur ou qui étaient jaloux sont forcés de le reconnaître.»" Jean Rouch
, June 1963 Cahiers du Cinéma
No.144.
Documentary film
Documentary films constitute a broad category of nonfictional motion pictures intended to document some aspect of reality, primarily for the purposes of instruction or maintaining a historical record...
made during the summer of 1960 by sociologist Edgar Morin
Edgar Morin
Edgar Morin is a French philosopher and sociologist born Edgar Nahoum in Paris on July 8, 1921. He is of Judeo-Spanish origin. He is known for the transdisciplinarity of his works.- Biography :...
and anthropologist and filmmaker Jean Rouch
Jean Rouch
Jean Rouch was a French filmmaker and anthropologist.He is considered to be one of the founders of the cinéma vérité in France, which shared the aesthetics of the direct cinema spearheaded by Richard Leacock, D.A. Pennebaker and Albert and David Maysles...
, with the esthetic collaboration of director cameraman Michel Brault
Michel Brault
Michel Brault, OQ is a Quebec cinematographer, cameraman, film director, screenwriter and film producer. He is a leading figure of Direct Cinema, characteristic of the French branch of the National Film Board of Canada in the 1960s...
. The film begins with a discussion between Rouch and Morin on whether or not it is possible to act sincerely in front of a camera. A cast of real life individuals are then introduced and are led by the filmmakers to discuss topics on the themes of French society and happiness in the working class. At the end of the movie, the filmmakers show their subjects the compiled footage and have the subjects discuss the level of reality that they thought the movie obtained.
This feature was filmed in Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
and Saint-Tropez
Saint-Tropez
Saint-Tropez is a town, 104 km to the east of Marseille, in the Var department of the Provence-Alpes-Côte d'Azur region of southeastern France. It is also the principal town in the canton of Saint-Tropez....
France
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
It is widely regarded as an experimental and structurally innovative film and an example of cinéma vérité
Cinéma vérité
Cinéma vérité is a style of documentary filmmaking, combining naturalistic techniques with stylized cinematic devices of editing and camerawork, staged set-ups, and the use of the camera to provoke subjects. It is also known for taking a provocative stance toward its topics.There are subtle yet...
.
Quote
"It must be said, all that we have done in France in the area of cinéma-vérité comes from the National Film Board of CanadaNational Film Board of Canada
The National Film Board of Canada is Canada's twelve-time Academy Award-winning public film producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary, animation, alternative drama and digital media productions...
. It is Brault who brought a new technique of filming that we had not known and that we copied ever since. In fact, truly, there is a "brauchitis" spreading, it is certain. Even the people who consider that Brault is a nuisance, or were jealous, are forced to recognize it."
Original text «Il faut le dire, tout ce que nous avons fait en France dans le domaine du cinéma-vérité vient de l'ONF (Canada). C'est Brault qui a apporté une technique nouvelle de tournage que nous ne connaissions pas et que nous copions tous depuis. D'ailleurs, vraiment, on a la "brauchite", ça, c'est sûr; même les gens qui considèrent que Brault est un emmerdeur ou qui étaient jaloux sont forcés de le reconnaître.»" Jean Rouch
Jean Rouch
Jean Rouch was a French filmmaker and anthropologist.He is considered to be one of the founders of the cinéma vérité in France, which shared the aesthetics of the direct cinema spearheaded by Richard Leacock, D.A. Pennebaker and Albert and David Maysles...
, June 1963 Cahiers du Cinéma
Cahiers du cinéma
Cahiers du Cinéma is an influential French film magazine founded in 1951 by André Bazin, Jacques Doniol-Valcroze and Joseph-Marie Lo Duca. It developed from the earlier magazine Revue du Cinéma involving members of two Paris film clubs — Objectif 49 and...
No.144.