Clément Janequin
Encyclopedia
Clément Janequin was a French
composer of the Renaissance
. He was one of the most famous composers of popular chanson
s of the entire Renaissance, and along with Claudin de Sermisy
, was hugely influential in the development of the Paris
ian chanson
, especially the programmatic
type. The wide spread of his fame was made possible by the concurrent development of music printing
.
, Vienne
. His career was highly unusual for his time, in that he never had a regular position with a cathedral or an aristocratic court. Instead he held a series of minor positions, often with important patronage. He was born in Châtellerault
, near Poitiers
, though no documents survive which establish any details of his early life or training. In 1505 he was employed as a clerk in Bordeaux, to Lancelot du Fau, who eventually became Bishop of Luçon; he retained this position until du Fau's death in 1523, at which time he took a position with the Bishop of Bordeaux. Around this time he became a priest, though his appointments were rarely lucrative; indeed he always complained about money.
After 1530 Janequin held a succession of posts in Anjou
, beginning with singing teacher to the choirboys at the cathedral at Auch
, and progressing to maître de chapelle at the singing school at Angers Cathedral. Around this time he attracted the attention of Jean de Guise, the patron of Erasmus, Clement Marot
, and Rabelais; it was a welcome career boost, and, in 1548, with the additional assistance of Charles de Ronsard (the brother of poet Pierre de Ronsard
), he became curate at Unverre
, not far from Chartres
. During this time he lived in Paris. By 1555 he was listed as a "singer ordinary" of the king's chapel, and shortly thereafter became "composer ordinary" to the king: only one composer (Sandrin
, also known as Pierre Regnault) had previously had this title. In his will, dated January 1558, he left a small estate to charity, and he complained again of age and poverty in a dedication to a work published posthumously in 1559. He died in Paris.
s were well-loved and widely sung. The Paris printer Pierre Attaingnant
printed five volumes with his chansons. La bataille, which vividly depicts the sounds and activity of a battle, is a perennial favorite of a cappella
singing groups even in the present day.
Janequin wrote very little liturgical music: only two masses
and a single motet
are attributed to him, though more may have been lost. His 250 secular chansons and his 150 psalm settings and chansons spirituelles — the French equivalent of the Italian madrigale spirituale
— were his primary legacy.
The programmatic chansons for which Janequin is famous were long, sectional pieces, and usually cleverly imitated natural or man-made sounds. Le chant des oiseaux imitates bird-calls; La chasse the sounds of a hunt; and La bataille (Escoutez tous gentilz), probably the most famous, and almost certainly written to celebrate the French victory over the Swiss Confederates at the Battle of Marignano
in 1515, imitates battle noises, including trumpet calls, cannon fire and the cries of the wounded. Onomatopoeic effects such as these became a commonplace in later 16th century music, and carried over into the Baroque
era; indeed "battle music" was to become a cliché, but it first came into prominence with Janequin.
In addition to the programmatic chansons for which he is most famous, he also wrote short and refined compositions more in the style of Sermisy. For these he set texts by some of the prominent poets of the time, including Clément Marot
. Late in his life he wrote many simple sacred chansons which used traditional Calvinist
tunes. While there is no documentary evidence of Janequin's being a Protestant, his use of Marot's poetry, Calvinist tunes, and the extraordinary simplicity of the music (especially in contrast to the complex polyphonic
and programmatic style he cultivated earlier in life) are suggestive at the least.
—, Le caquet des femmes. Rouart, Paris 1925
—, Les cris de Paris, Florilège du concert vocal de la Renaissance. (3) 1928
—, Quinze chansons du XVIe siècle. 1926
—, Un psaumes à quatre voix. Dans "Cauchie Maurice, "Mélanges de musicologie offerts à M. Lionel de La Laurencie", Droz, Paris 1933
—, chansons (Attaingnant 1528). dans "Maîtres musiciens de la Renaissance française" (VII) 1898
—, 31 chansons d'Attaingnant. dans "Maîtres musiciens de la Renaissance française" ( V), Paris 1897 [5 chansons]
—, La Fleur des musiciens de P. de Ronsard. Paris 1923 [trois chansons ; édité précédemment par Jean Tiersot dans "Sammelbände der Internationalen Musikgesellschaft (IV) 1902 / 1903, p. 119-128]
—, L'alouette (avec les 5 voix de Claude Le Jeune). Leduc, Paris 1900
—, Répertoire populaire de la musique de Renaissance. Senart, Paris 1914 [ Hélas mon dieu]
—, Messe La Bataille. Salabert, Paris 1947
—, Florilège du concert vocal de la Renaissance. (1) 1928 (4 chansons)
—, Anthologie de la chansons parisienne au XVIe. Éditions de l'Oiseau-Lyre
; Monaco 1952 [5 chansons]
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
composer of the Renaissance
Renaissance music
Renaissance music is European music written during the Renaissance. Defining the beginning of the musical era is difficult, given that its defining characteristics were adopted only gradually; musicologists have placed its beginnings from as early as 1300 to as late as the 1470s.Literally meaning...
. He was one of the most famous composers of popular chanson
Chanson
A chanson is in general any lyric-driven French song, usually polyphonic and secular. A singer specialising in chansons is known as a "chanteur" or "chanteuse" ; a collection of chansons, especially from the late Middle Ages and Renaissance, is also known as a chansonnier.-Chanson de geste:The...
s of the entire Renaissance, and along with Claudin de Sermisy
Claudin de Sermisy
Claudin de Sermisy was a French composer of the Renaissance. Along with Clément Janequin he was one of the most renowned composers of French chansons in the early 16th century; in addition he was a significant composer of sacred music...
, was hugely influential in the development of the Paris
Paris
Paris is the capital and largest city in France, situated on the river Seine, in northern France, at the heart of the Île-de-France region...
ian chanson
Chanson
A chanson is in general any lyric-driven French song, usually polyphonic and secular. A singer specialising in chansons is known as a "chanteur" or "chanteuse" ; a collection of chansons, especially from the late Middle Ages and Renaissance, is also known as a chansonnier.-Chanson de geste:The...
, especially the programmatic
Program music
Program music or programme music is a type of art music that attempts to musically render an extra-musical narrative. The narrative itself might be offered to the audience in the form of program notes, inviting imaginative correlations with the music...
type. The wide spread of his fame was made possible by the concurrent development of music printing
Printing
Printing is a process for reproducing text and image, typically with ink on paper using a printing press. It is often carried out as a large-scale industrial process, and is an essential part of publishing and transaction printing....
.
Life
Janequin was born in ChâtelleraultChâtellerault
Châtellerault is a commune in the Vienne department in the Poitou-Charentes region in France.It is located to the north of Poitou, and the residents are called Châtelleraudais.-Geography:...
, Vienne
Vienne
Vienne is the northernmost département of the Poitou-Charentes region of France, named after the river Vienne.- Viennese history :Vienne is one of the original 83 departments, established on March 4, 1790 during the French Revolution. It was created from parts of the former provinces of Poitou,...
. His career was highly unusual for his time, in that he never had a regular position with a cathedral or an aristocratic court. Instead he held a series of minor positions, often with important patronage. He was born in Châtellerault
Châtellerault
Châtellerault is a commune in the Vienne department in the Poitou-Charentes region in France.It is located to the north of Poitou, and the residents are called Châtelleraudais.-Geography:...
, near Poitiers
Poitiers
Poitiers is a city on the Clain river in west central France. It is a commune and the capital of the Vienne department and of the Poitou-Charentes region. The centre is picturesque and its streets are interesting for predominant remains of historical architecture, especially from the Romanesque...
, though no documents survive which establish any details of his early life or training. In 1505 he was employed as a clerk in Bordeaux, to Lancelot du Fau, who eventually became Bishop of Luçon; he retained this position until du Fau's death in 1523, at which time he took a position with the Bishop of Bordeaux. Around this time he became a priest, though his appointments were rarely lucrative; indeed he always complained about money.
After 1530 Janequin held a succession of posts in Anjou
Anjou
Anjou is a former county , duchy and province centred on the city of Angers in the lower Loire Valley of western France. It corresponds largely to the present-day département of Maine-et-Loire...
, beginning with singing teacher to the choirboys at the cathedral at Auch
Auch
Auch is a commune in southwestern France. Located in the region of Midi-Pyrénées, it is the capital of the Gers department. Auch is the historical capital of Gascony.-The Ausci:...
, and progressing to maître de chapelle at the singing school at Angers Cathedral. Around this time he attracted the attention of Jean de Guise, the patron of Erasmus, Clement Marot
Clément Marot
Clément Marot was a French poet of the Renaissance period.-Youth:Marot was born at Cahors, the capital of the province of Quercy, some time during the winter of 1496-1497. His father, Jean Marot , whose more correct name appears to have been des Mares, Marais or Marets, was a Norman from the Caen...
, and Rabelais; it was a welcome career boost, and, in 1548, with the additional assistance of Charles de Ronsard (the brother of poet Pierre de Ronsard
Pierre de Ronsard
Pierre de Ronsard was a French poet and "prince of poets" .-Early life:...
), he became curate at Unverre
Unverre
Unverre is a commune in the Eure-et-Loir department in northern France.-Population:-External links:*...
, not far from Chartres
Chartres
Chartres is a commune and capital of the Eure-et-Loir department in northern France. It is located southwest of Paris.-Geography:Chartres is built on the left bank of the Eure River, on a hill crowned by its famous cathedral, the spires of which are a landmark in the surrounding country...
. During this time he lived in Paris. By 1555 he was listed as a "singer ordinary" of the king's chapel, and shortly thereafter became "composer ordinary" to the king: only one composer (Sandrin
Sandrin
Sandrin was a French composer of the Renaissance. He was a prolific composer of chansons in the middle of the 16th century, some of which were extremely popular and widely distributed.-Life:...
, also known as Pierre Regnault) had previously had this title. In his will, dated January 1558, he left a small estate to charity, and he complained again of age and poverty in a dedication to a work published posthumously in 1559. He died in Paris.
Music and influence
Few composers of the Renaissance were more popular in their lifetimes than Janequin. His chansonChanson
A chanson is in general any lyric-driven French song, usually polyphonic and secular. A singer specialising in chansons is known as a "chanteur" or "chanteuse" ; a collection of chansons, especially from the late Middle Ages and Renaissance, is also known as a chansonnier.-Chanson de geste:The...
s were well-loved and widely sung. The Paris printer Pierre Attaingnant
Pierre Attaingnant
Pierre Attaingnant was a French music printer, active in Paris.-Life:Attaingnant is considered to be first large-scale publisher of single-impression movable type for music-printing, thus making it possible to print faster and cheaper than predecessors such as Ottaviano Petrucci...
printed five volumes with his chansons. La bataille, which vividly depicts the sounds and activity of a battle, is a perennial favorite of a cappella
A cappella
A cappella music is specifically solo or group singing without instrumental sound, or a piece intended to be performed in this way. It is the opposite of cantata, which is accompanied singing. A cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato...
singing groups even in the present day.
Janequin wrote very little liturgical music: only two masses
Mass (music)
The Mass, a form of sacred musical composition, is a choral composition that sets the invariable portions of the Eucharistic liturgy to music...
and a single motet
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...
are attributed to him, though more may have been lost. His 250 secular chansons and his 150 psalm settings and chansons spirituelles — the French equivalent of the Italian madrigale spirituale
Madrigale spirituale
A madrigale spirituale is a madrigal, or madrigal-like piece of music, with a sacred rather than a secular text...
— were his primary legacy.
The programmatic chansons for which Janequin is famous were long, sectional pieces, and usually cleverly imitated natural or man-made sounds. Le chant des oiseaux imitates bird-calls; La chasse the sounds of a hunt; and La bataille (Escoutez tous gentilz), probably the most famous, and almost certainly written to celebrate the French victory over the Swiss Confederates at the Battle of Marignano
Battle of Marignano
The Battle of Marignano was fought during the phase of the Italian Wars called the War of the League of Cambrai, between France and the Old Swiss Confederacy. It took place on September 13 and 15, 1515, near the town today called Melegnano, 16 km southeast of Milan...
in 1515, imitates battle noises, including trumpet calls, cannon fire and the cries of the wounded. Onomatopoeic effects such as these became a commonplace in later 16th century music, and carried over into the Baroque
Baroque music
Baroque music describes a style of Western Classical music approximately extending from 1600 to 1760. This era follows the Renaissance and was followed in turn by the Classical era...
era; indeed "battle music" was to become a cliché, but it first came into prominence with Janequin.
In addition to the programmatic chansons for which he is most famous, he also wrote short and refined compositions more in the style of Sermisy. For these he set texts by some of the prominent poets of the time, including Clément Marot
Clément Marot
Clément Marot was a French poet of the Renaissance period.-Youth:Marot was born at Cahors, the capital of the province of Quercy, some time during the winter of 1496-1497. His father, Jean Marot , whose more correct name appears to have been des Mares, Marais or Marets, was a Norman from the Caen...
. Late in his life he wrote many simple sacred chansons which used traditional Calvinist
Calvinism
Calvinism is a Protestant theological system and an approach to the Christian life...
tunes. While there is no documentary evidence of Janequin's being a Protestant, his use of Marot's poetry, Calvinist tunes, and the extraordinary simplicity of the music (especially in contrast to the complex polyphonic
Polyphony
In music, polyphony is a texture consisting of two or more independent melodic voices, as opposed to music with just one voice or music with one dominant melodic voice accompanied by chords ....
and programmatic style he cultivated earlier in life) are suggestive at the least.
Manuscripts
- 2 chansons in ms. 125-123, Bibliothèque Municipale, CambraiCambraiCambrai is a commune in the Nord department in northern France. It is a sub-prefecture of the department.Cambrai is the seat of an archdiocese whose jurisdiction was immense during the Middle Ages. The territory of the Bishopric of Cambrai, roughly coinciding with the shire of Brabant, included...
, FranceFranceThe French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France... - 3 chansons in ms. 204; 1508; 1516, Bayerische Staatsbibliothek, MunichMunichMunich The city's motto is "" . Before 2006, it was "Weltstadt mit Herz" . Its native name, , is derived from the Old High German Munichen, meaning "by the monks' place". The city's name derives from the monks of the Benedictine order who founded the city; hence the monk depicted on the city's coat...
, GermanyGermanyGermany , officially the Federal Republic of Germany , is a federal parliamentary republic in Europe. The country consists of 16 states while the capital and largest city is Berlin. Germany covers an area of 357,021 km2 and has a largely temperate seasonal climate... - La Bataille in the archives of Puebla CathedralPuebla CathedralPuebla Cathedral is a Roman Catholic cathedral in the city of Puebla, in Puebla, Mexico. It is a colonial cathedral, and is the see of the Roman Catholic Archdiocese of Puebla de los Angeles. The cathedral's bishop is Víctor Sánchez Espinosa...
, PueblaPuebla, PueblaThe city and municipality of Puebla is the capital of the state of Puebla, and one of the five most important colonial cities in Mexico. Being a planned city, it is located to the east of Mexico City and west of Mexico's main port, Veracruz, on the main route between the two.The city was founded...
, MexicoMexicoThe United Mexican States , commonly known as Mexico , is a federal constitutional republic in North America. It is bordered on the north by the United States; on the south and west by the Pacific Ocean; on the southeast by Guatemala, Belize, and the Caribbean Sea; and on the east by the Gulf of... - A chanson in ms. 74 H. 7, Koninklijke Bibliotheek, The HagueThe HagueThe Hague is the capital city of the province of South Holland in the Netherlands. With a population of 500,000 inhabitants , it is the third largest city of the Netherlands, after Amsterdam and Rotterdam...
, NetherlandsNetherlandsThe Netherlands is a constituent country of the Kingdom of the Netherlands, located mainly in North-West Europe and with several islands in the Caribbean. Mainland Netherlands borders the North Sea to the north and west, Belgium to the south, and Germany to the east, and shares maritime borders... - 3 chansons in ms. Ashb. 1058 Biblioteca Laurenziana, Florence (The part of the tenor is in ms. Cons. Rés. 255, Bibliothèque nationale de FranceBibliothèque nationale de FranceThe is the National Library of France, located in Paris. It is intended to be the repository of all that is published in France. The current president of the library is Bruno Racine.-History:...
, Paris) - 5 chansons in ms. Bourdeney-Pasche, Bibliothèque nationale de France, Paris, vers 1605
- 2 chansons in Ms. A. R. 940/41, Proske-Bibliothek, RegensburgRegensburgRegensburg is a city in Bavaria, Germany, located at the confluence of the Danube and Regen rivers, at the northernmost bend in the Danube. To the east lies the Bavarian Forest. Regensburg is the capital of the Bavarian administrative region Upper Palatinate...
, Germany
Historical publications
- c. 1528
- Chansons de maistre C. Janequin nouvellement et correctement imprimeez. Attaingnant, Paris sd. [c.1528] [Chant des oiseaux, La Guerre, La Chasse, L'alouette, Las povre cœur]
- A chanson à quatre voix in "6 Gaillardes et six Pavanes avec 13 chansons" Attaingnant, Paris s.d., [c. 1528]
- A chanson in "34 chansons". Attaingnant, Paris c. 1528
- A chanson in "37 chansons". Attaingnant, Paris d.d. [c. 1528]
- A chanson in "chansons nouvelles en musique". Attaingnant, Paris 1528
- 1529
- 5 chansons in "31 chansons". Attaingnant, Paris 1529
- 2 chansons in "34 chansons". Attaingnant, Paris 1529
- 1530
- A chanson in "29 chansons". Attaingnant, Paris 1530
- A chanson in "36 chansons" Attaingnant, Paris 1530
- 1531
- La Bataille in "Canzoni frottole et capitoli da diversi", V. Dorich, RomeRomeRome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
1531 - A chanson in "25 chansons". Attaingnant, Paris, February 1531
- La Bataille in "Canzoni frottole et capitoli da diversi", V. Dorich, Rome
- 1533
- Vingt et quatre chansons musicales ... composées par maistre Cl. Janequin. Attaingnant, Paris, after 1533
- 1534
- 4 chansons in "28 chansons". Attaingnant, Paris, October 1534
- 7 chansons in "28 chansons". Attaingnant, Paris, March 1534
- 1535
- A chansons in "Del secondo libro delle canzoni franzese". O. Scotto, VeniceVeniceVenice is a city in northern Italy which is renowned for the beauty of its setting, its architecture and its artworks. It is the capital of the Veneto region...
s.d. (c. 1535) - 4 chansons in "Livre 1er contenant 29 chansons". Attaingnant, Paris 1535
- A chansons in "Del secondo libro delle canzoni franzese". O. Scotto, Venice
- 1536
- 13 chansons (3 anonymous) in "Tiers livre contenant XXXI chansons musicales ... composeez par Jennequin et Passereau". Attaingnant, Paris, May 1536
- A chanson in "Second livre contenant 25 chansons". Attaingnant, Paris 1536
- A chanson in "Second livre contenant 31 chansons...". Attaingnant, Paris 1536
- 1537
- Les chansons de la Guerre, la chasse, le chant des oyseaux, l'alouette, le rossignol composees par maistre Clement Jennequin. Attaingnant, Paris, May 1537
- A chanson in "Second livre contenant 30 chansons vieilles esleues". Attaingnant, Paris 1537*
- A chanson in "Tiers livre". Attaingnant, Paris 1537
- 1538
- Congregati sunt, motet à quatre voix in "Liber cantus triginta novem motetos", J. de Buglhat, FerraraFerraraFerrara is a city and comune in Emilia-Romagna, northern Italy, capital city of the Province of Ferrara. It is situated 50 km north-northeast of Bologna, on the Po di Volano, a branch channel of the main stream of the Po River, located 5 km north...
1538 - 2 chansons in "Second livre contenant 26 chansons". Attaingnant, Paris, 1538; 1540 (second edition)
- 10 chansons in "Venticinque canzoni francesi a 4 di C. Janequin e di altri ... Lib. I". Gardane, Venice 1538
- A chanson in "Le Parangon des chansons Second livre". Jacques ModerneJacques ModerneJacques Moderne was an Italian-born music publisher active in France in the Renaissance Era....
, Paris 1538 : 1540 (second édition) - A chanson in "Le Parangon des chansons Tiers livre". Jacques Moderne, Paris 1538 ; 1543 (second édition)
- Congregati sunt, motet à quatre voix in "Liber cantus triginta novem motetos", J. de Buglhat, Ferrara
- 1539
- A chanson in "6e livre". Attaingnant, Paris 1539
- 1540 (before 1540), Missa super La Bataille à 4 voix in "Liber decem missarum", LyonLyonLyon , is a city in east-central France in the Rhône-Alpes region, situated between Paris and Marseille. Lyon is located at from Paris, from Marseille, from Geneva, from Turin, and from Barcelona. The residents of the city are called Lyonnais....
undated; Jacques Moderne 1540 (second édition); ms. 1550, National bibliothek ViennaViennaVienna is the capital and largest city of the Republic of Austria and one of the nine states of Austria. Vienna is Austria's primary city, with a population of about 1.723 million , and is by far the largest city in Austria, as well as its cultural, economic, and political centre...
; "Nach-druck f. A. v. Ysenburg, Graf zu Büdingen" without place of production 1560- 8e livre contenant XIX chansons nouvelles ... de la facture et composition de maistre Cl. Jennequin. Attaingnant, Paris 1540
- 4 chansons in "5e livre". Attaingnant, Paris 1540
- 5 chansons in "Le parangon des chansons 7e livre. Jacques Moderne, Paris, 1540
- A chanson in "Le Parangon des chansons 6e livre". Jacques Moderne, Paris 1540
- A chanson in "Le Parangon des chansons 5e livre". Jacques Moderne, Paris, undated
- 1541
- 30 chansons in Di Festa libro primo de madrigali a tre voci [...] Aggiuntovi simil-mente trenta canzoni francese di Janequin. A. Gardane, Venice 1541; 1543 [with annotations]
- A chanson in "Le Parangon des chansons 9e livre" Jacques Moderne, Paris 1540
- 1543
- 2 chansons in "14e livre". Attaingnant Paris, 1543
- 8 chansons in "13e livre". Attaingnant, Paris 1543
- A chanson in "12e livre". Attaingnant, Paris 1543
- 1544
- 4 chansons in "15e livre". Attaingnant Paris 1544
- A chanson in "Le difficile des chansons Second livre". Jacques Moderne, Paris 1544
- 1545
- 2 chansons in "22e livre". Attaingnant, Paris 1545
- 2 chansons in "16e livre". Attaingnant, Paris 1545
- 2 chansons in "18e livre". Attaingnant, Paris 1545
- 6 chansons in "17e livre". Attaingnant, Paris 1545
- Clément Janequin ... Libro primo. Gardane, Venezia 1545 [La Bataille, l'Alouette, les Cris de Paris, le Chant des oiseaux, le Rossignol] ; reprinted in "Le premier livre de Clement Janequin". H. Scotto, Venice 1550
- Le 10e livre contenant la Bataille a 4 de C. Janequin avecq la 5e partie de Ph. Verdelot si placet. Tielman SusatoTielman SusatoTielman — or Tylman — Susato was a Renaissance composer, instrumentalist and publisher of music in Antwerp.-Biography:...
, Antwerp 1545
- 1547
- 7 chansons in "23e livre". Attaingnant, Paris 1547
- 5 chansons in "25e livre". Attaingnant, Paris 1547
- 4 chansons in "24e livre". Attaingnant, Paris 1547
- 1548
- A chanson in "26e livre". Attaingnant, Paris 1548
- 8 chansons in "Secondo libro di canzoni francese à quatre voix del divino et eccellente musico Clement Janequin et altri autori". Gardane, Venezia 1548 ; Scotto, Venice (second édition); Gardane Venice 1560 (third édition)
- 1549
- 6 chansons in "30e livre". Attaingnant, Paris 1549
- 31e livre contenant XXX chansons nouvelles ... de la facture et composition de maistre Cl. Jennequin. Attaingnant, Paris, May 1549
- 5 chansons in "33e livre". Attaingnant, Paris 1549
- 3 chansons in "Second livre". Nicolas Du Chemin, Paris, 1549
- 1er livre contenant 28 Pseaulmes de David traduictz ... par M. Cl. Marot. Du Chemin, Paris 1549 (1 édition comprising 2 volumes and 1 édition comprising 4 volumes)
- 2 chansons in "1er livre contenant 25 chansons". Nicolas Du Chemin, Paris 1549
- A chanson in "Tiers livre". Nicolas Du Chemin, Paris 1549
- A chanson in "34e livre". Attaingnant, Paris 1549
- A chanson in "Quart livre", Nicolas Du Chemin, Paris 1549
- 1550
- 4 chansons in "8e livre". Nicolas Du Chemin, Paris
- 2 chansons in "9e livre". Nicolas Du Chemin, Paris 1551
- 4 chansons in "7e livre". Nicolas Du Chemin, Paris 1550
- 7 chansons in "6e livre". Nicolas Du Chemin, Paris
- 6 chansons in "5e livre". Nicolas Du Chemin, Paris 1550
- 1552
- 2 chansons à trois voix in "La Fleur de chansons et 6e livre". Susato, Antwerp undated [1552]
- 7 chansons à trois voix in "La Fleur de chansons et 5e livre à trois parties". Susato, Antwerp 1552
- 5 chansons in "10e livre", Nicolas Du Chemin, Paris 1552 ; 1554 (second édition)
- 3 chansons in "Les Amours de P. de Ronsard". Veuve de La Porte, Paris 1552; 1553 (second édition)
- A chanson in "Tiers livre des chansons". Phalèse, LeuvenLeuvenLeuven is the capital of the province of Flemish Brabant in the Flemish Region, Belgium...
1552
- 1554
- 3 chansons in "11e livre", 1554
- Missa super L'Aveuglé dieu à 4 voix in "Missae duodecim cum 4 voci", Du Chemin, Paris 1554
- 1555
- Second livre des inventions musicales de M. Cl. Janequin. Contenant le chant des oyseaux, le chant de l'alouette, le chant du rossignol, la prise de Boulongne, la réduction de Boulongne, la meusnière de Vernon, Un jour voyant, Herbes et fleurs le tout à quatre parties nouvellement reveu. Nicolas Du Chemin, Paris August 1555
- Le caquet des femmes à 5 parties [...] nouvellement reveu et corrigé. Nicolas Du Chemin, Paris 1555
- 1er livre des inventions musicales de M. Cl. Janequin. Contenant la Guerre, la Bataille de Metz, la Jalouzie. Le tout à 5 parties nouvellement reveu, corrigé. Nicolas Du Chemin, Paris, July 1555
- La Vénerie autrement dit la chasse [...] à 4 et à 7 parties, nouvellement reveue et corrigée par luy. Nicolas Du Chemin, Paris, September 1555
- Second livre de chansons et cantiques spirituels ... à quatre parties. Du Chemin, Paris, 1555
- 1556
- Premier livre contenant plusieurs chansons spirituelles, avec les lamentations de Jérémie. Adrian Le RoyAdrian Le RoyAdrian Le Roy was an influential French music publisher, lutenist, guitarist, composer and music educator.-Life:Le Roy was born in the town of Montreuil-sur-Mer in northern France to a wealthy family...
& Robert BallardRobert BallardRobert Duane Ballard is a former United States Navy officer and a professor of oceanography at the University of Rhode Island who is most noted for his work in underwater archaeology. He is most famous for the discoveries of the wrecks of the RMS Titanic in 1985, the battleship Bismarck in 1989,...
, Paris 1556 - 5 chansons in "6e livre de chansons nouvellement composées". Adrian Le Roy & Robert Ballard 1556; 4 in the second édition of 1559 ; 3 in the third édition of 1569; 4 in the fourth édition of 1578
- 2 chansons in "1er livre de chansons nouvellement mises en musique". M. Fezandat, Paris 1556
- 2 chansons in "8e livre de chansons nouvellement composées". Adrian Le Roy & Robert Ballard, Paris 1556; 1557 (second édition); 1 in the third édition of 1559; 1572 (fourth édition); 1573 (fifth édition); 1575 (sixth édition)
- 3 chansons in "7e livre de chansons nouvellement composées". Adrian Le Roy & Robert Ballard, Paris 1556; 4 in the second édition of 1565
- A chanson in "5e livre de chansons nouvellement composées". Adrian Le Roy & Robert Ballard, 1556
- A chanson in "Second livre". M. Fezandat, Paris 1556
- Premier livre contenant plusieurs chansons spirituelles, avec les lamentations de Jérémie. Adrian Le Roy
- 1557
- 2 chansons in "12e livre". Nicolas Du Chemin, Paris 1557
- 3 chansons in "Musica de diversi autori La Bataglia francese et la Canzon delli ucelli [...]. A. Gardane, Venice 1577 **[La Bataille, le Chant des oiseaux, Martin menoyt]
- A chanson in "1er livre de chansons nouvellement mises en musique". Nicolas Du Chemin, Paris 1557
- 1558
- Proverbes de Salomon mis en cantiques et rime françoise selon la verité hébraïque ... à quatre parties. Le Roy & Ballard, Paris 1558
- 1559
- Octante deux pseaumes de David traduits en rithme françoise par Cl. Marot et autres avec plusieurs cantiques, ebda. 1559 (m. Brief dans Vs. an die Königin); 2 chansons spirituelles à quatre voix dans Le 1er livre de chansons spirituelles, mises en musique par divers autheurs et excellens musiciens, LyonLyonLyon , is a city in east-central France in the Rhône-Alpes region, situated between Paris and Marseille. Lyon is located at from Paris, from Marseille, from Geneva, from Turin, and from Barcelona. The residents of the city are called Lyonnais....
1561, Straton, Lyon 2/1568, B. Rigaud.
- Octante deux pseaumes de David traduits en rithme françoise par Cl. Marot et autres avec plusieurs cantiques, ebda. 1559 (m. Brief dans Vs. an die Königin); 2 chansons spirituelles à quatre voix dans Le 1er livre de chansons spirituelles, mises en musique par divers autheurs et excellens musiciens, Lyon
- 1564
- Verger de musique contenant partie des plus excellents labeurs de M. C. Janequin, à 4 et 5 parties [...] reveuz et corrigez par luy mesme. Premier livre, Adrian Le Roy & Robert Ballard, Paris 1559
- A chanson in "Second recueil des recueils". Adrian Le Roy & Robert Ballard, Paris 1564
- 1573
- A chanson in "4e livre de chansons". Adrian Le Roy & Robert Ballard, Paris 1573
- une chansons "11e livre de chansons". Adrian Le Roy & Robert Ballard, Paris 1573.
- 1578
- 2 chansons à trois voix in "Second livre de chansons à trois parties" Le Roy & Ballard, Paris 1578
- Undated
- Le difficile des chansons 1er livre contenant XXII chansons nouvelles [...] de la facture et composition de Me Cl. Janequin. Jacques Moderne, Paris undated
Modern publications
- Bordes Charles (1863–1909), Chansonnier du XVIe siècle. Paris 1905 [4 chansons]
- Brennecke Wilfried (*1926, éditeur), Carmina germanica et gallica (I). Bärenreiter-Verlag Kassel 1956 [une chanson].
- Cauchie Maurice (1882–1963, éditeur), Clément Janequin. 30 chansons à 3 et 4 voix. Rouart, Paris 1928
—, Le caquet des femmes. Rouart, Paris 1925
—, Les cris de Paris, Florilège du concert vocal de la Renaissance. (3) 1928
—, Quinze chansons du XVIe siècle. 1926
—, Un psaumes à quatre voix. Dans "Cauchie Maurice, "Mélanges de musicologie offerts à M. Lionel de La Laurencie", Droz, Paris 1933
- Eitner Robert (1832–1905, éditeur), 60 chansons zu 4 Stimme. Publikationen der Gesellschaft für Musikforschung, herausgegeben (23) 1899 [deux chansons]
- Expert Isidore-Norbert-Henry (1863–1952, éditeur), Extraits des maîtres musiciens de la Renaissance française (18-21, 23, 28-30). 1905 [huit chansons]
—, chansons (Attaingnant 1528). dans "Maîtres musiciens de la Renaissance française" (VII) 1898
—, 31 chansons d'Attaingnant. dans "Maîtres musiciens de la Renaissance française" ( V), Paris 1897 [5 chansons]
—, La Fleur des musiciens de P. de Ronsard. Paris 1923 [trois chansons ; édité précédemment par Jean Tiersot dans "Sammelbände der Internationalen Musikgesellschaft (IV) 1902 / 1903, p. 119-128]
—, L'alouette (avec les 5 voix de Claude Le Jeune). Leduc, Paris 1900
—, Répertoire populaire de la musique de Renaissance. Senart, Paris 1914 [ Hélas mon dieu]
—, Messe La Bataille. Salabert, Paris 1947
—, Florilège du concert vocal de la Renaissance. (1) 1928 (4 chansons)
- Indy Vincent d' (arrangeur), La guerre de Renty (ajout d'une voix). Rouart, Paris 1916
- Lesure François (1923–2001, éditeur), Motet Congregati sunt. Éditions de l'Oiseau-LyreÉditions de l'Oiseau-LyreÉditions de l'Oiseau-Lyre is a music publishing company financed and established in Paris in 1932 by Louise Dyer , an Australian pianist and philanthropist....
, Monaco 1950
—, Anthologie de la chansons parisienne au XVIe. Éditions de l'Oiseau-Lyre
Éditions de l'Oiseau-Lyre
Éditions de l'Oiseau-Lyre is a music publishing company financed and established in Paris in 1932 by Louise Dyer , an Australian pianist and philanthropist....
; Monaco 1952 [5 chansons]
- Merritt Arthur Tillman (1902–1998), Édition monumantale des chansons polyphoniques de Clémant Janequin [6 v. ; en collaboration avec Françoi Lesure]. 1971
- Motet Congregati sunt dans "Sixteenth-Century Motet" (14) 1995
List of chansons
- A ce joly minimoys [Merritt, III, 97]
- A toy, mon Dieu, mon coeur morte [1549 ; 1559]
- A toy, o Dieu, qui es le haut [1559]
- Ainsi que la bische rée [1559]
- Aller m'y fault [Merritt, I, 7]
- Allons, fuyons, buvons [Merrit, II, 45]
- Alors qu'affliction me pese [1559]
- Alors que de captivité [1559]
- Amour ayant de ma grand passion [Merrit, IV [121]
- Amour cruel, mon Dieu*$ [Merritt VI, 246]
- Amour cruel de sa nature (M. de Saint-Gelais) [Merrit, II, 72]
- Amour et moy avons faict [Merrit, IV [133]
- Amour vainc tout [Merrit, VI, 231]
- Après avoir constamment attendu [1559]
- Assouvy suis [Merritt, I, 8]
- Au cri du povre délaissé [1558]
- Au despartir triste deul [Merrit, II, 29]
- Au joly jeu du pousse avant [Merritt, I [12]
- Au moins mon Dieu ne m'abandonne [1556]
- Au premier jour du joly moys [Merrit, IV [115]
- Au verd boys je m'en iray [Merritt, I [132]
- Aussi tost que je voy m'amye [Merrit, IV [156]
- Aux parolles que je veux dire [1549 ; 1559]
- Avant que partiez de ce lieu [Merrit, V, 202]
- Ayé pitié du grant mal (Claude Chappuys) [Merrit, II, 27]
- Baisez moy tost [Merritt, III, 83]
- Bel aubépin verdissant (P. de Ronsard) [Merrit, VI, 251]
- Bien heureux est la personne [1559]
- Bien heureux est quiconques sert à Dieu [1559]
- Branlez vos piques (La guerre de Renty) [Merrit, VI, 254]
- Ca, ces beaulx yeux [Merrit, IV [149]
- Ce disoit une jeune dame [Merrit, IV [168]
- Ce faux amour [Merrit, VI, 245]
- Ce may nous dit la verdure [Merrit, V, 214]
- Ce moys de may [Merritt, I [10]
- Ce n'est pas moy [Merrit, VI, 239]
- Ce n'est point moy mon oeil [Merrit, V [194]
- Ce petit dieu qui vole [Merrit, V, 213]
- Ce sont gallans [Merrit, II, 57]
- Ce tendron est si doulce [Merritt, III, 96]
- Celle qui veit son mari [Merrit, II, 71]
- Celuy qui du moqueur [1558]
- Cent baysers au despartir [Merrit, V [180]
- Cent mille foys [Merrit, V [175]
- C'est a bon droit [Merrit, II, 28]
- C'est a moy qu'en veult [Merrit, V [188]
- C'est gloire à Dieu [1558]
- C'est mon amy [Merrit, VI, 229]
- Chantons, sonnons, trompettes [Merritt, I [17]
- Chasse rigueur loing de toy [Merrit, V, 208]
- Christ est-il mort (Le devis chrestien) [1556]
- Comment se sied seulette et désolée (Lamentations de Jérémie) [1556]
- Comment se sied le Seigneur [1556]
- Comment sont ils noz Roys [1556
- De tes doulx yeulx [Merrit, II, 30]
- De céans jusques chez m'amye [Merrit, V, 204]
- De labourer je suys cassé [Merrit, II [19]
- De pleurs la nuict [1556]
- De son amour me donne [Merrit, VI, 225]
- De ta bouche tant vermeille [Merrit, V, 215]
- De tout mon cueur t'exalteray [1549 ; 1559]
- De vostre amour je suys deshérité [Merrit, II, 36]
- De vray amour [Merrit, II, 52]
- Deba contre mes debateurs [1559]
- Des eaux la claire liqueur [1558]
- Des ma jeunesse ils m'ont fait mille assaux [1559]
- Des qu'adversité nous offense [1559]
- D'estre subject [Merrit, II, 47]
- Di moy, ma soeur [Merrit, V, 216]
- Dictes sans peur (François I) [Merrit, II, 24]
- Dictes moy doncq* [Merrit, VI, 228]
- Dieu doint le bonjour [Merrit, IV [157]
- Donne secours, Seigneur, il en est l'heure [1549 ; 1559]
- Donnez au Seigneur gloire [1559]
- Don't vient cela, Seigneur, je te supply [1549]
- Don't vient que ce beau temps [Merrit, IV [170]
- D'où vient cela Seigneur [1559]
- Doulens regretz, ennuys [Merrit, VI, 241]
- Du malin les faits vicieux [1549 ; 1559]
- Du hault rocher d'éternelle puissance [1556]
- Du fons de ma pensée [1559]
- D'un seul soleil [Merrit, V, 205]
- Dur acier et diamant [Merrit, IV [150]
- Elle craint cela [Merrit, II, 33]
- Elle mérite pour ses grâces [Merrit, IV [166]
- Elle voyant approcher [Merrit, IV [169]
- En amour y a du plaisir [Merrit, V [198]
- En attendant son heureuse présence [Merrit, II, 21]
- En escoutant le chant mélodieulx (Le chant du rossignol
- En fut il onc [Merritt, III [105]
- En la prison les ennuys [Merrit, VI, 242]
- En luy seul gist ma fiance parfaitte [1559]
- En me baisant [Merrit, V [177]
- En m'en venant de veoir [Merritt, III, 98]
- Escoutez tous gentilz (La bataille de Marignan, La guerre), 5 voix [Merrit, VI, 234]
- Escoutez tous gentilz (La bataille de Marignan, La guerre), 4 voix [Merritt, I, 3]
- Espars sur moi de ton jardin [1556]
- Estans assis aux rives aquatiques [1559]
- Estant oisif (Le caquet des femmes) [Merritt, III [108]
- Est-il possible, o ma maistresse [Merrit, IV [153]
- Et vray Dieu qu'il m'ennuye [Merrit, IV [152]
- Faictes le moy [Merritt, I [16]
- Faisons le dire mensonger [Merrit, IV [164]
- Frapper en la roye [Merrit, II, 40]
- Frere Frappart troussé [Merrit, V, 207]
- Frere Lubin revenant (L. Jamet) [Merritt, III, 99]
- Frere Thibault (C. Marot) [Merrit, II, 70]
- Fy fy metez les hors [Merrit, II, 44]
- Fy fy cela est trop maigre [Merrit, II, 59]
- Fyez vous y si vous voulés [Merrit, II, 58]
- Gentilz veneurs (La chasse) [Merritt, I, 4]
- Grâces à toi, mon seigneur tout puissant [1556]
- Gros Jehan menoit [Merrit, IV [126]
- Guillot un jour [Merritt, III, 78]
- Hélas mon Dieu, y a il (Saint-Gelais) [Merrit, IV [135]
- Helas, amy, ta loyauté* [Merrit, VI, 253]
- Hellas, mon Dieu, ton ire (G. Guéroult) [Merritt, III [111]
- Herbes et fleurs [Merrit, VI, 237]
- Ho le meschant [Merrit, V [182]
- Honneur, vertu et action de grâces [1556]
- Il est permis trouver [Merrit, V [192]
- Il estoit une fillette [Merritt, III, 77]
- Il faut que de tous mes esprits [1559]
- Il feroit bon planter le may [Merrit, V [176]
- Il me suffit du temps passé [Merrit, II [18]
- Il n'est plaisir ne passe temps [Merrit, II, 46]
- Il s'en va tard [Merrit, IV [159]
- Incessamment je suis* [Merrit, VI, 227]
- Incontinent que j'en ouy [1559]
- Jamais ne cesseray de magnifier le Seigneur [1559]
- J'atens le temps [Merritt, III, 89]
- J'ay d'un costé l'honneur [Merrit, V, 206]
- J'ay dict, j'ay faict [Merritt, III [103]
- J'ay dit en moy de pres je visoroy [1559]
- J'ay double dueil [Merrit, IV [119]
- J'ay mis en toy mon esperance [1559]
- J'ay trop soubdainement aymé [Merrit, VI, 222]
- J'ay veu le temps [Merrit, II, 62]
- Je demande comme tout esbahy [Merrit, VI, 220]
- Je liz au cueur de m'amye [Merrit, IV [158]
- Je me veulx tant a son vouloir [Merrit, IV [155]
- Je ne congnois femme [Merrit, V [172]
- Je ne fus jamais si aise [Merritt, I [13]
- Je n'eu jamais de grandz biens [Merrit, IV [143]
- Je n'ose estre content (François I) [Merrit, II, 37]
- Je suis a vous [Merrit, IV [147]
- Je t'aymeray en tout obéissance [1549 ; 1559]
- Je veulx que m'amye soit telle (Saint-Romard) [Merrit, IV [125]
- Jehanneton fut l'aultre jour [Merritt, III, 75]
- J'endure tout, c'est bien raison [Merrit, V [190]
- Jusques à quand as estably [1549 ; 1559]
- La chasse, voir Gentilz veneurs
- La bataille de Marignan, voir Escoutez tous gentilz
- La bataille de Mets, voir Or sus branslés
- La fausse balance [1558]
- La femme sage édifie [1558]
- La guerre de Renty, voir Branlez vos piques
- La guerre, voir Escoutez tous gentilz
- La jalouzie, voir Madame voulés vous scavoir
- La meusniere de Vernon [Merrit, V, 211]
- La mort plus tost [Merrit, IV [136]
- La plus belle de la ville [Merrit, II, 23]
- La prise de Boulongne, voir Pour toy ton prince
- La sapience a basty sa maison [1558]
- La sapience esleve hault sa voix [1558]
- La terre au Seigneur appartient [1549 ; 1559]
- La, mon amy [Merrit, II, 48]
- Laissez cela [Merritt, I [15]
- L'alouette, voir Or sus, vous dormés trop
- Lamentations de Jeremie, voir Comment se sied seulette et désolée
- L'amour, la mort et la vie [Merritt, III, 87]
- Las on peult juger [Merritt, III [107]
- Las qu’on congneust (François I) [Merritt, III, 86]
- Las que crains tu, amy [Merrit, II, 38]
- Las si tu as plaisir [Merrit, IV [145]
- Las! en ta fureur aiguë [1549 ; 1559]
- Las, povre coeur [Merritt, I, 6]
- Las, si je n'ay si hault bien [Merrit, II, 36bis
- Las, si tu veulx en aultre part [Merrit, IV [154]
- Las, viens moy secourir [Merrit, IV [142]
- L'aultre jour de bon matin [Merritt, III [112]
- L'aveuglé dieu qui partout vole [Merrit, V, 209]
- Le caquet des femmes, voir Estant oisif
- Le chant des oiseaux, voir Réveillez vous, cueurs endormis
- Le chant du rossignol, voir En escoutant le chant mélodieulx
- Le devis chrestien, voir Christ est-il mort
- Le Dieu, le fort, l'éternel parlera [1559]
- Le fol malin en son cuer dit [1549 ; 1559]
- Le fruict de vie estoit vif [1556]
- Le jeu m'ennuye, jouez m'amye [Merrit, IV [127]
- Le lendemain des nopces [Merrit, IV [123]
- Le rossignol) [Merrit, II, 68]
- Le rossignol, voir En escoutant le chant mélodieulx
- Le sage enfant recoit [1558]
- Le Seigneur est la clarté [1559]
- Le Seigneur ta priere entende [1559]
- L'ermaphrodite est estrange [Merrit, II, 34]
- Les cieux en chacun lieu [1549 ; 1559]
- Les cris de Paris, voir Voulez ouir les cris de Paris
- Les gens entrés en ton héritage [1559]
- L'espoir confus [Merritt, III, 76]
- L'espoux à la premiere nuict (Marot) [Merrit, IV [122]
- L'homme en son coeur [1558]
- L'homme meschant s'enfuit [1558]
- L'omnipotent a mon Seigneur [1559]
- Loué soit Dieu qui ma main dextre [1556]
- Ma fille, ma mère [Merrit, II, 20]
- Ma peine n'est pas grande [Merritt, III [110]
- Madame voulés vous scavoir (La jalouzie) [Merritt, III [109]
- Madame a soy non aux aultres [Merrit, II, 22]
- Maintenant resjouyssons nous [Merrit, II, 43]
- Mais en quel ciel [Merrit, IV [140]
- Mais ma mignonne [Merrit, II, 39]
- Mais que ce fust secretement [Merrit, II, 61]
- Maistre Ambrelin confesseur (M. Guyet) [Merrit, V [186]
- Malade si fust ma mignonne [Merrit, IV [163]
- M'amye a eu de Dieu [Merritt, III, 84]
- Martin menoit son porceau (Marot) [Merrit, II, 60]
- M'en allé veoir la belle [Merrit, VI, 221]
- Mieux vaut un morceau [1558]
- Mieux vaut bonne renommée [1558]
- Misericorde au povre vicieux [1559]
- Mon Dieu, mon roy, ma foy [1556]
- Mon confesseur m'a dict [Merrit, II, 53]
- Mon ami est en grâce [Merrit, V [197]
- Mon Dieu me paist sous sa puissance [1549 ; 1559]
- Mon Dieu preste moy l'aureille [1559]
- Mon Dieu, j'ay en toy esperance [1549 ; 1559]
- Mon Dieu, mon Dieu, pourquoy m'as tu laissé [1549 ; 1559]
- Mon fils ne te glorifie [1558]
- Mon père m'a tant batu [3e livre de tabulature de leut … Guillaume Morlaye. Paris 1558]
- My levay par ung matin [Merritt, I, 9]
- Nature ornant la dame (Ronsard) [Merrit, V, 218]
- Ne sois fasché si durant ceste vie [1549 ; 1559]
- Ne veuillés pas, o Sire [1549 ; 1559]
- Ne vous faschez si me voyez [Merrit, IV [165]
- N'ensuy le train des malins [1558]
- Non feray, je n'en feray rien (Saint-Gelais) [Merrit, VI, 244]
- Non point a nous, Seigneur [1559]
- Nous sommes en semblable affaire, 3 voix [1556]
- O bien heureux celuy dont les commises [1549 ; 1559]
- O bien heureux qui juge sagement [1559]
- O combien est plaisant et souhaitable [1559]
- O cruaulté logée (Marot) [Merrit, II, 73]
- O de Sion les enfans tant aimez [1556]
- O Dieu qui es ma forteresse [1559]
- O doulx aignel de la divinité [1556]
- O doulx regard, o parler [Merrit, IV [138]
- O dur amour [Merrit, IV [118]
- O fortune n’estois tu pas contente [Merritt, III, 88]
- O mal d'aymer [Merritt, III [104]
- O nostre Dieu et Seigneur amiable [1549 ; 1559]
- O peuple heureux, o terre bien partie [1556]
- O Seigneur! que de gens [1549 ; 1559]
- O, sotes gens qui s'en vont (Saint-Gelais), M iv, n.137]
- On a beau sa maison bastir [1559]
- On dict qu'amour n'a plus [Merrit, IV [129]
- On dit que vous la voulés [Merrit, II, 55]
- On vous est allé rapporter [Merrit, IV [124]
- Or sus tous humains [1559]
- Or as tu bien raison [Merrit, IV [160]
- Or avons nous de noz aureilles [1559]
- Or ne différez donc [Merrit, IV [162]
- Or peut bien dire Israel [1559]
- Or sus branslés (La bataille de Mets) [Merrit, VI, 235]
- Or sus pas je ne veuls [Merrit, V, 200]
- Or sus serviteurs du Seigneur [1559]
- Or sus vous dormés trop (L'alouette) [Merritt, I, 5]
- Or veit mon cueur [Merritt, III [102]
- Or vien ca, vien, m'amye [Merrit, II, 41]
- Ou cherchez vous du dieu d'amour* [Merrit, VI, 247]
- Ou mettra l'on ung baiser (Saint-Gelais) [Merritt, III, 92]
- Ouvrez moy l'huys [Merritt, III [100]
- Par mes haultz cris [Merrit, V [171]
- Pareille au feu* [Merrit, VI, 252]
- Passant au champ [1558]
- Petit jardin à Vénus consacré [Merrit, V [179]
- Petite nymphe folastre (Ronsard) [Merrit, V, 219]
- Petite damoyselle [Merrit, IV [146]
- Piteuse echo* (J. Du Bellay) [Merrit, VI, 240]
- Pleust a Dieu que feusse arondelle [Merrit, VI, 233]
- Plus ne suys ce que j’ay (Marot) [Merritt, III, 82]
- Pour certain je suis l'homme [1556]
- Pour loyaulment servir [Merrit, IV [131]
- Pour toy ton prince (La prise de Boulongne) [Merrit, V, 210]
- Pourquoy font bruit et s'assemblent les gens [1549 ; 1559]
- Pourquoy tournés vous voz yeux (Ronsard) [Merrit, VI, 250]
- Pourquoy voulés vous [Merrit, II, 54]
- Propos exquis et profondes parolles [1558]
- Propos exquis fault que de mon coeur saute [1549 ; 1559]
- Puisque je n'ay pour dire [Merrit, IV [167]
- Puisque mon cueur [Merrit, IV [120]
- Puisque vers vous aller [Merrit, IV [151]
- Quand contremont verras [Merrit, IV [148]
- Quand Israel hors d'Egypte sortit [1559]
- Quand j'ay esté quinze heures [Merrit, V [189]
- Quand je t'invoque, helas! escoute [1549 ; 1559]
- Quand je voy ma mignonne [Merrit, V [191]
- Quand ne te veoy [Merrit, VI, 223]
- Quel Dieu du ciel [Merrit, V [174]
- Quelque frapart [Merritt, III [114]
- Quelqu'un me disoit l'aultre jour [Merrit, V, 201]
- Qu'est ce d'amour (François I) [Merrit, II, 26]
- Qu'est ce que fait celuy [Merrit, V [187]
- Qui trouvera la femme vertueuse? [1558]
- Qui au conseil des malings n'a esté [1549 ; 1559 ; Cauchie 1933, 50]
- Qui ayme la doctrine [1558]
- Qui diable nous a faict [Merrit, V [193]
- Qui en la garde du haut Dieu [1559]
- Qui est-ce qui conversera [1549 ; 1559]
- Qui souhaittez d'avoir tout [Merrit, V [183]
- Qui veult d'amour scavoir [Merritt, III [106]
- Qui veult scavoir [Merrit, V [178]
- Qui vouldra voir (Ronsard) [Merrit, V, 217]
- Réconfortez le petit cueur [Merritt, I [1]
- Rendés à Dieu louange et gloire [1559]
- Response douce appaise [1558]
- Resveillez vous, c'est trop dormy [Merrit, II, 69]
- Reveillez vous, chascun fidelle [1549 ; 1559]
- Réveillez vous, cueurs endormis (Le chant des oiseaux), 5 voix [Merritt, I, 2]
- Réveillez vous, cueurs endormis (Le chant des oiseaux), 4 voix [Merrit, II, 67]
- Revenés souvent, m'amye [Merrit, II, 56]
- Revenge moy, prens la querelle [1549 ; 1559]
- Rions, chantons, passons temps [Merrit, II, 42]
- Robin couché a mesme terre [Merrit, V, 203]
- Sans l'espargner par sa forte puissance [1556]
- Sans y penser ne vouloir [Merrit, IV [134]
- Scavez vous quand je suis bien aise [Merrit, IV [144]
- Secouez moy [Merritt, III, 79]
- Seigneur Dieu, oy l'oraison mienne [1559]
- Seigneur je n'ay point le cueur fier [1559]
- Seigneur entens a mon bon droit [1559]
- Seigneur garde mon droit [1559]
- Seigneur le roy s'esjouira [1559]
- Seigneur puisque m'as retiré [1559]
- Si est-ce que Dieu est tres doux [1559]
- Si a te veoir n'ay ausé [Merrit, IV [161]
- Si celle la qui oncques (G. Colin) [Merritt, III, 85]
- Si come il chiaro [Merritt, III, 91]
- Si de bon cueur [Merritt, III, 93]
- Si Dieu vouloit pour chose [Merrit, VI, 240]
- Si Dieu vouloit que je feusse [Merrit, VI, 232]
- Si d'ung petit de vostre bien [Merrit, II, 31]
- Si en aymant je pourchasse [Merrit, II, 25]
- Si j'ay esté vostre amy [Merrit, II, 64]
- Si je me plains du mal [Merrit, IV [139]
- Si je m'y plain [Merrit, VI, 230]
- Si le coqu en ce moys [Merrit, IV [141]
- Si m'amie a de fermeté [Merrit, V [195]
- Si me voyez face triste [Merrit, V [173]
- Si tu as veu que pour ton feu [Merrit, V [199]
- Si vous l'avez rendez le moy [Merrit, V [185]
- S'il est si doulx, 3 voix [Merrit, VI, 226]
- S'il est si doulx, 4 voix [Merrit, II, 26bis
- Souffrés ung peu [Merrit, II, 51]
- Souvienne toy, Seigneur et maistre [1556]
- Soy moy seigneur ma garde [1559]
- Suivez tousjours l'amoureuse entreprise [Merrit, II, 32]
- Sur l'aubépin qui est en fleur [Merrit, V [196]
- Sus approchez ces levres [Merrit, IV [132]
- Sus loués Dieu mon ame en toute chose [1559]
- Sus, sus mon ame il te faut dire bien [1559]
- Tant ay gravé au cueur (Saint-Gelais) [Merrit, II, 49]
- Tes jugemens, Dieu veritable [1559]
- Tétin refaict plus blanc (Marot) [Merrit, II, 66]
- Tout bellement s'en est allé* [Merrit, VI, 243]
- Tout honneur, louenge et gloire [1556]
- Tout mal et travail nous aborde, 3 voix [1556]
- Toute homme qui son esperance en Dieu asseurera [1559]
- Toutes les nuictz [Merrit, IV [130]
- Toy Cupido qui as toute puissance [Merrit, VI, 224]
- Tresves d'amours [Merrit, II, 65]
- Triste et marry [Merrit, V [178]
- Tu as esté, Seigneur, notre retraicte [1559]
- Tu as tout seul Jhan (Marot) [Merrit, IV [128]
- Un frais matin* [Merrit, VI, 248]
- Un gros prieur (Marot) [Merrit, V [181]
- Un jour voyant ma mignonne* [Merrit, VI, 236]
- Une belle jeune espousée (Saint-Gelais) [Merritt, III, 80]
- Une nonnain fort belle (Marot) [Merritt, III [113]
- Ung pélerin que les Turcs [Merrit, IV [117]
- Ung compaignon joly [Merritt, III, 95]
- Ung coup d'essay [Merrit, II, 50]
- Ung gay bergier [Merritt, III, 74]
- Ung jour Catin venant [Merrit, IV [116]
- Ung Jour Colin (Colin) [Merrit, II, 63]
- Ung jour que madame (Saint-Gelais) [Merritt, III [101]
- Ung jour Robin (Marot) [Merritt, III, 81]
- Ung mari se voulant coucher (Saint-Gelais) [Merritt, III, 94]
- Ung viellart amoureux [Merrit, II, 35]
- Va rossignol [Merritt, III, 90]
- Veillés, Seigneur, estre secors [1559]
- Ventz hardis et légiers [Merrit, V, 212]
- Vers les monts j'ay levé mes yeux [1559]
- Veu que du tout en Dieu mon cueur [1549 ; 1559]
- Vivons folastres (J.-A. de Baïf) [Merrit, VI, 238]
- Voulez ouir les cris de Paris (Les cris de Paris) [Merritt, I [14]
- Vouloir m'est pris de mettre [1559]
External links
- Free scores at the Mutopia ProjectMutopia projectThe Mutopia Project is a volunteer-run effort to create a library of free content sheet music, in a way similar to Project Gutenberg's library of public domain books.The music is reproduced from old scores that are out of copyright...