God's Bits of Wood
Encyclopedia
God's Bits of Wood is a 1960 novel by the Senegal
ese author Ousmane Sembène
that concerns a railroad strike in colonial Senegal
of the 1940s. It was written in French under the title Les bouts de bois de Dieu. The book deals with several ways that the Senegalese and Mali
ans responded to colonialism
. There are elements that tend toward accommodation, collaboration, or even idealization of the French colonials. At the same time the story details the strikers who work against the mistreatment of the Senegalese people. The novel was translated into English
in 1962 and published by William Heinemann
.
, Thiès
, and Dakar
. The map at the beginning shows the locations and suggests that the story is about a whole country and all of its people. There is a large cast of characters associated with each place. Some are featured players—Fa Keita, Tiemoko, Maimouna, Ramatoulaye, Penda, Deune, N'Deye, Dejean, and Bakayoko. Others part of the populace. The fundamental conflict is captured in two people, Dejean (the French manager and colonialist) and Bakayoko (the soul and spirit of the strike). In another sense, however, the main characters of the novel are the people as a collective, the places they inhabit, and the railroad.
The evolution of the strike causes an evolution in the self-perceptions of the Africans themselves, one that is most noticeable in the women of Bamako, Thiès, and Dakar. These women go from seemingly standing behind the men in their lives, to walking alongside them and eventually marching ahead of them. When the men are able to work the jobs that the train factory provides them, the women are responsible for running the markets, preparing the food, and rearing the children. But the onset of the strike gives the role of bread-winner—or perhaps more precisely bread scavenger—to the women. Women go from supporting the strike to participating in the strike. Eventually it is the women that march on foot, over four days from Thiès to Dakar. Many of the men originally oppose this women's march, but it is precisely this show of determination from those (the wives marching) that the French had dismissed as "concubines" that makes clear the strikers' relentlessness. The women's march causes the French to understand the nature of the willpower that they are facing, and shortly after the French agree to the demands of the strikers.
The book also highlights the oppression faced by women in the precolonial era. They were deprived of their ability to speak on matters including the society as a whole. Ousmane, however, tries to raise women to a higher spectrum by considering them as equally important.
Senegal
Senegal , officially the Republic of Senegal , is a country in western Africa. It owes its name to the Sénégal River that borders it to the east and north...
ese author Ousmane Sembène
Ousmane Sembène
Ousmane Sembène , often credited in the French style as Sembène Ousmane in articles and reference works, was a Senegalese film director, producer and writer...
that concerns a railroad strike in colonial Senegal
Senegal
Senegal , officially the Republic of Senegal , is a country in western Africa. It owes its name to the Sénégal River that borders it to the east and north...
of the 1940s. It was written in French under the title Les bouts de bois de Dieu. The book deals with several ways that the Senegalese and Mali
Mali
Mali , officially the Republic of Mali , is a landlocked country in Western Africa. Mali borders Algeria on the north, Niger on the east, Burkina Faso and the Côte d'Ivoire on the south, Guinea on the south-west, and Senegal and Mauritania on the west. Its size is just over 1,240,000 km² with...
ans responded to colonialism
Colonialism
Colonialism is the establishment, maintenance, acquisition and expansion of colonies in one territory by people from another territory. It is a process whereby the metropole claims sovereignty over the colony and the social structure, government, and economics of the colony are changed by...
. There are elements that tend toward accommodation, collaboration, or even idealization of the French colonials. At the same time the story details the strikers who work against the mistreatment of the Senegalese people. The novel was translated into English
English language
English is a West Germanic language that arose in the Anglo-Saxon kingdoms of England and spread into what was to become south-east Scotland under the influence of the Anglian medieval kingdom of Northumbria...
in 1962 and published by William Heinemann
William Heinemann
William Heinemann was the founder of the Heinemann publishing house in London.He was born in 1863, in Surbiton, Surrey. In his early life he wanted to be a musician, either as a performer or a composer, but, realising that he lacked the ability to be successful in that field, he took a job with...
.
Plot summary
The action takes place in several locations—primarily in BamakoBamako
Bamako is the capital of Mali and its largest city with a population of 1.8 million . Currently, it is estimated to be the fastest growing city in Africa and sixth fastest in the world...
, Thiès
Thiès
Thiès is the third largest city in Senegal with a population officially estimated at 320,000 in 2005. It lies 60 km east of Dakar on the N2 road and at the junction of railway lines to Dakar, Bamako and St-Louis...
, and Dakar
Dakar
Dakar is the capital city and largest city of Senegal. It is located on the Cap-Vert Peninsula on the Atlantic coast and is the westernmost city on the African mainland...
. The map at the beginning shows the locations and suggests that the story is about a whole country and all of its people. There is a large cast of characters associated with each place. Some are featured players—Fa Keita, Tiemoko, Maimouna, Ramatoulaye, Penda, Deune, N'Deye, Dejean, and Bakayoko. Others part of the populace. The fundamental conflict is captured in two people, Dejean (the French manager and colonialist) and Bakayoko (the soul and spirit of the strike). In another sense, however, the main characters of the novel are the people as a collective, the places they inhabit, and the railroad.
The evolution of the strike causes an evolution in the self-perceptions of the Africans themselves, one that is most noticeable in the women of Bamako, Thiès, and Dakar. These women go from seemingly standing behind the men in their lives, to walking alongside them and eventually marching ahead of them. When the men are able to work the jobs that the train factory provides them, the women are responsible for running the markets, preparing the food, and rearing the children. But the onset of the strike gives the role of bread-winner—or perhaps more precisely bread scavenger—to the women. Women go from supporting the strike to participating in the strike. Eventually it is the women that march on foot, over four days from Thiès to Dakar. Many of the men originally oppose this women's march, but it is precisely this show of determination from those (the wives marching) that the French had dismissed as "concubines" that makes clear the strikers' relentlessness. The women's march causes the French to understand the nature of the willpower that they are facing, and shortly after the French agree to the demands of the strikers.
The book also highlights the oppression faced by women in the precolonial era. They were deprived of their ability to speak on matters including the society as a whole. Ousmane, however, tries to raise women to a higher spectrum by considering them as equally important.