Himmelskönig, sei willkommen, BWV 182
Encyclopedia
Himmelskönig, sei willkommen (King of Heaven, welcome), BWV 182, is a church cantata
by Johann Sebastian Bach
. Bach composed the cantata in Weimar for Palm Sunday
, and first performed it on 25 March 1714.
, this cantata is Bach's first cantata for the court of Weimar, in a series which was meant to cover all Sundays within four years. It preceded Weinen, Klagen, Sorgen, Zagen, BWV 12. Bach first performed it in the Schlosskirche on Palm Sunday, 25 March 1714. Other than in Leipzig, where tempus clausum was observed during Lent
and no cantatas were permitted, Bach could perform in Weimar a cantata especially meant for the Entry of Jesus into Jerusalem
. The prescribed readings for the day were :5–11 or :23–32, and :1–9.
The poetry was written by the court poet Salomon Franck
, although the work is not found in his printed editions. Bach's biographer Philipp Spitta
already concluded this from stylistic comparison and observing a lack of recitative
s between aria
s. The poet derives from the Entry into Jerusalem a similar entry into the heart of the believer, who should prepare himself and will be given heavenly joy in return. The language intensifies the mystical aspects: "Himmelskönig" (King of Heaven), "Du hast uns das Herz genommen" (You have taken our hearts from us), "Leget euch dem Heiland unter" (Lay yourselves beneath the Savior). The closing chorale is the final stanza 33 of Paul Stockmann's Jesu Leiden, Pein und Tod (1633).
A da capo
sign after the last aria in some parts suggests that originally the cantata was meant to be concluded by a repeat of the opening chorus.
As Bach could not perform the cantata in Leipzig on Palm Sunday, he used it on the feast Annunciation
on 25 March 1724, which had coincided with Palm Sunday for the first performance. He performed it in Leipzig two more times.
, tenor
, and bass
soloists, a four-part choir, recorder
, two violin
s, two viola
s and basso continuo.
depicts the arrival of the King. (In his cantata Nun komm, der Heiden Heiland, BWV 61
, for Advent that same year on the same reading, Bach went further and set a chorus in the form of such an overture.) The recorder and a solo violin are accompanied by pizzicato
in the divided violas and the continuo. The first chorus is in da capo form, beginning with a fugue, which leads to a homophonic
conclusion. The middle section contains two similar canon
ic developments.
The following bible quote is set as the only recitative of the cantata. It is given to the bass as the Vox Christi
(voice of Christ) and expands to an Arioso
. The instrumentation of the three arias turns from the crowd in the biblical scene to the individual believer, the first accompanied by violin and divided violas, the second by a lone recorder, the last only by the continuo.
The chorale is arranged in the manner of Pachelbel, every line is first prepared in the lower voices, then the soprano sings the cantus firmus
, while the other voices interpret the words, for example by fast movement on "Freude" (joy). The closing chorus is, according to conductor John Eliot Gardiner
, "a sprightly choral dance that could have stepped straight out of a comic opera of the period".
Bach cantata
Bach cantata became a term for a cantata of the German Baroque composer Johann Sebastian Bach who was a prolific writer of the genre. Although many of his works are lost, around 200 cantatas survived....
by Johann Sebastian Bach
Johann Sebastian Bach
Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity...
. Bach composed the cantata in Weimar for Palm Sunday
Palm Sunday
Palm Sunday is a Christian moveable feast that falls on the Sunday before Easter. The feast commemorates Jesus' triumphal entry into Jerusalem, an event mentioned in all four Canonical Gospels. ....
, and first performed it on 25 March 1714.
History and words
In Weimar, Bach was the court organist of Johann Ernst von Sachsen-Weimar. On 2 March 1714, he was promoted to Konzertmeister, an honour which included a monthly performance of a church cantata in the Schlosskirche. According to Bach scholar Alfred DürrAlfred Dürr
Alfred Dürr was a German musicologist. He was a principal editor of the Neue Bach-Ausgabe, the second edition of the complete works of Johann Sebastian Bach.- Professional career :...
, this cantata is Bach's first cantata for the court of Weimar, in a series which was meant to cover all Sundays within four years. It preceded Weinen, Klagen, Sorgen, Zagen, BWV 12. Bach first performed it in the Schlosskirche on Palm Sunday, 25 March 1714. Other than in Leipzig, where tempus clausum was observed during Lent
Lent
In the Christian tradition, Lent is the period of the liturgical year from Ash Wednesday to Easter. The traditional purpose of Lent is the preparation of the believer – through prayer, repentance, almsgiving and self-denial – for the annual commemoration during Holy Week of the Death and...
and no cantatas were permitted, Bach could perform in Weimar a cantata especially meant for the Entry of Jesus into Jerusalem
Triumphal entry into Jerusalem
In the accounts of the four canonical Gospels, Jesus' triumphal entry into Jerusalem takes place in the days before the Last Supper, marking the beginning of his Passion....
. The prescribed readings for the day were :5–11 or :23–32, and :1–9.
The poetry was written by the court poet Salomon Franck
Salomon Franck
Salomon Franck, 6 March 1659 – 11 July 1725), was a German lawyer, scientist, and gifted poet.His name is widely associated with some of Johann Sebastian Bach's best-known cantatas, mainly those composed as of 1714 in Weimar.-Biography:Franck was born in Weimar...
, although the work is not found in his printed editions. Bach's biographer Philipp Spitta
Philipp Spitta
Julius August Philipp Spitta was a German music historian and musicologist best known for his 1873 biography of Johann Sebastian Bach.-Biography:...
already concluded this from stylistic comparison and observing a lack of recitative
Recitative
Recitative , also known by its Italian name "recitativo" , is a style of delivery in which a singer is allowed to adopt the rhythms of ordinary speech...
s between aria
Aria
An aria in music was originally any expressive melody, usually, but not always, performed by a singer. The term is now used almost exclusively to describe a self-contained piece for one voice usually with orchestral accompaniment...
s. The poet derives from the Entry into Jerusalem a similar entry into the heart of the believer, who should prepare himself and will be given heavenly joy in return. The language intensifies the mystical aspects: "Himmelskönig" (King of Heaven), "Du hast uns das Herz genommen" (You have taken our hearts from us), "Leget euch dem Heiland unter" (Lay yourselves beneath the Savior). The closing chorale is the final stanza 33 of Paul Stockmann's Jesu Leiden, Pein und Tod (1633).
A da capo
Da capo
Da Capo is a musical term in Italian, meaning from the beginning . It is often abbreviated D.C. It is a composer or publisher's directive to repeat the previous part of music, often used to save space. In small pieces this might be the same thing as a repeat, but in larger works D.C...
sign after the last aria in some parts suggests that originally the cantata was meant to be concluded by a repeat of the opening chorus.
As Bach could not perform the cantata in Leipzig on Palm Sunday, he used it on the feast Annunciation
Annunciation
The Annunciation, also referred to as the Annunciation to the Blessed Virgin Mary or Annunciation of the Lord, is the Christian celebration of the announcement by the angel Gabriel to Virgin Mary, that she would conceive and become the mother of Jesus the Son of God. Gabriel told Mary to name her...
on 25 March 1724, which had coincided with Palm Sunday for the first performance. He performed it in Leipzig two more times.
Scoring and structure
The cantata is scored for altoAlto
Alto is a musical term, derived from the Latin word altus, meaning "high" in Italian, that has several possible interpretations.When designating instruments, "alto" frequently refers to a member of an instrumental family that has the second highest range, below that of the treble or soprano. Hence,...
, tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
, and bass
Bass (voice type)
A bass is a type of male singing voice and possesses the lowest vocal range of all voice types. According to The New Grove Dictionary of Opera, a bass is typically classified as having a range extending from around the second E below middle C to the E above middle C...
soloists, a four-part choir, recorder
Recorder
The recorder is a woodwind musical instrument of the family known as fipple flutes or internal duct flutes—whistle-like instruments which include the tin whistle. The recorder is end-blown and the mouth of the instrument is constricted by a wooden plug, known as a block or fipple...
, two violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
s, two viola
Viola
The viola is a bowed string instrument. It is the middle voice of the violin family, between the violin and the cello.- Form :The viola is similar in material and construction to the violin. A full-size viola's body is between and longer than the body of a full-size violin , with an average...
s and basso continuo.
- 1. Sonata
- 2. Coro: Himmelskönig, sei willkommen
- 3. Recitativo (bass): Siehe, ich komme, im Buch ist von mir geschrieben
- 4. Aria (bass, violin, two violas): Starkes Lieben
- 5. Aria (alto, recorder): Leget euch dem Heiland unter
- 6. Aria (tenor): Jesu, laß durch Wohl und Weh
- 7. Chorale: Jesu, deine Passion ist mir lauter Freude
- 8. Coro: So lasset uns gehen in Salem der Freuden
Music
The cantata is intimately scored,to match the church building. An instrumental Sonata in the rhythm of a French OvertureFrench overture
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in styles , and the first ends with a half-cadence that requires an answering structure with a...
depicts the arrival of the King. (In his cantata Nun komm, der Heiden Heiland, BWV 61
Nun komm, der Heiden Heiland, BWV 61
Nun komm, der Heiden Heiland , BWV 61, is a church cantata by Johann Sebastian Bach. He composed it in Weimar for the for the first Sunday in Advent and first performed it on 2 December 1714.-History and words:...
, for Advent that same year on the same reading, Bach went further and set a chorus in the form of such an overture.) The recorder and a solo violin are accompanied by pizzicato
Pizzicato
Pizzicato is a playing technique that involves plucking the strings of a string instrument. The exact technique varies somewhat depending on the type of stringed instrument....
in the divided violas and the continuo. The first chorus is in da capo form, beginning with a fugue, which leads to a homophonic
Homophony
In music, homophony is a texture in which two or more parts move together in harmony, the relationship between them creating chords. This is distinct from polyphony, in which parts move with rhythmic independence, and monophony, in which all parts move in parallel rhythm and pitch. A homophonic...
conclusion. The middle section contains two similar canon
Canon (music)
In music, a canon is a contrapuntal composition that employs a melody with one or more imitations of the melody played after a given duration . The initial melody is called the leader , while the imitative melody, which is played in a different voice, is called the follower...
ic developments.
The following bible quote is set as the only recitative of the cantata. It is given to the bass as the Vox Christi
Vox Christi
Vox Christi, Latin for Voice of Christ, is a term for the bass voice representing Jesus in the music of Johann Sebastian Bach and others. This part appears prominently in Bach's Passions...
(voice of Christ) and expands to an Arioso
Arioso
In classical music, arioso is a style of solo opera singing between recitative and aria. Literally, arioso means airy. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato....
. The instrumentation of the three arias turns from the crowd in the biblical scene to the individual believer, the first accompanied by violin and divided violas, the second by a lone recorder, the last only by the continuo.
The chorale is arranged in the manner of Pachelbel, every line is first prepared in the lower voices, then the soprano sings the cantus firmus
Cantus firmus
In music, a cantus firmus is a pre-existing melody forming the basis of a polyphonic composition.The plural of this Latin term is , though the corrupt form canti firmi is also attested...
, while the other voices interpret the words, for example by fast movement on "Freude" (joy). The closing chorus is, according to conductor John Eliot Gardiner
John Eliot Gardiner
Sir John Eliot Gardiner CBE FKC is an English conductor. He founded the Monteverdi Choir , the English Baroque Soloists and the Orchestre Révolutionnaire et Romantique...
, "a sprightly choral dance that could have stepped straight out of a comic opera of the period".
Recordings
- Les Grandes Cantates de J.S. Bach Vol. 9, Fritz WernerFritz WernerFritz Werner was a German choral conductor, church music director, conductor, organist and composer...
, Heinrich-Schütz-Chor Heilbronn, Pforzheim Chamber OrchestraPforzheim Chamber OrchestraPforzheim Chamber Orchestra, full German name: Südwestdeutsches Kammerorchester Pforzheim, full English name South West German Chamber Orchestra Pforzheim, is an internationally known German chamber orchestra based in Pforzheim.- History :...
, Claudia HellmannClaudia HellmannClaudia Hellmann is a German contralto singer in opera and concert.- Biography :Claudia Hellmann studied voice in Berlin with Erika Garski....
, Helmut KrebsHelmut KrebsHelmut Krebs was a distinguished German tenor in opera and concert, who sang a wide range of roles from Baroque to contemporary works.-Professional career:...
, Erich Wenk, EratoErato RecordsErato Records is a record label founded in 1953 to promote French classical music. In 1992 it became part of Warner Bros. Records. In 1999 Erato launched a subsidiary Detour Records....
1961 - J.S. Bach: Kantaten 106 · 182, Jürgen JürgensJürgen JürgensJürgen Jürgens was a German conductor. In 1955 he founded the Monteverdi-Chor Hamburg with whom he made a series of Monteverdi recordings for Archiv Produktion during the 1970s....
, Monteverdi-Chor Hamburg, Leonhardt Consort, Julia Falk, Bert van t'Hoff, Jacques Villisech, TelefunkenTelefunkenTelefunken is a German radio and television apparatus company, founded in Berlin in 1903, as a joint venture of Siemens & Halske and the Allgemeine Elektricitäts-Gesellschaft...
1963 - Bach Cantatas Vol. 2 - Easter, Karl Richter, Münchener Bach-ChorMünchener Bach-ChorMünchener Bach-Chor is a mixed choir for concert and oratorio in Munich. Performances, international tours and recordings with Karl Richter and the Münchener Bach-Orchester made the choir internationally known.- Heinrich-Schütz-Kreis :...
, Münchener Bach-Orchester, Alto: Anna ReynoldsAnna Reynolds (singer)Anna Reynolds is an English classical mezzo-soprano and contralto singer in opera and concert.- Professional career :Ann Reynolds first studied piano, then voice at the Royal Academy of Music...
, Peter SchreierPeter SchreierPeter Schreier is a German tenor and conductor.-Early life:Schreier was born in Meissen, Saxony, and spent his first years in the small village of Gauernitz, near Meissen, where his father was a teacher, cantor and organist...
, Theo AdamTheo AdamTheo Adam is a distinguished German classical bass-baritone who had an active international career in operas, concerts, and recitals from the 1940s through the 1990s. He particularly excelled in portraying roles from the operas of Richard Wagner...
, Archiv ProduktionArchiv ProduktionArchiv Produktion is a subsidiary label of Deutsche Grammophon founded in 1948.The first head of Archiv from 1948–1957, was Fred Hamel, a musicologist who set out the early Archiv releases according to 12 research periods from 1. Gregorian Chant to 12. Mannheim and Vienna...
1975 - Die Bach Kantate Vol. 29, Helmuth RillingHelmuth RillingHelmuth Rilling is an internationally known German choral conductor, founder of the Gächinger Kantorei , the Bach-Collegium Stuttgart , the Oregon Bach Festival , the Internationale Bachakademie Stuttgart and other Bach Academies worldwide, and the "Festival Ensemble Stuttgart"...
, Gächinger KantoreiGächinger KantoreiGächinger Kantorei is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen and still conducted by him. A "Kantorei" is a choir of high standard dedicated mostly, but not exclusively, to sacred music. The ensemble operates in Stuttgart now and is therefore...
, Bach-Collegium StuttgartBach-Collegium StuttgartBach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra...
, Doris SoffelDoris SoffelDoris Soffel is a German mezzo-soprano.Doris Soffel first played the violin, then switched to singing at the Munich Conservatory. She was member of the Stuttgart Opera ensemble from 1973 to 1982. Her international breakthrough was as Sesto in Mozart's La clemenza di Tito at the Royal Opera House,...
, Aldo Baldin, Philippe HuttenlocherPhilippe HuttenlocherPhilippe Huttenlocher is a Swiss baritone.He was born in Neuchâtel, Switzerland. He first studied violin at the conservatory in Neuchâtel, and then voice in Fribourg...
, HänsslerHänssler ClassicHänssler Classic is a German classical record label based in Holzgerlingen.Friedrich Hänssler Senior founded Musikverlag Hänssler in 1919 to publish church music. Since 1972 Hänssler Classic has also published contemporary and jazz music...
1975 - J.S. Bach: Das Kantatenwerk - Sacred Cantatas Vol. 9, Nikolaus HarnoncourtNikolaus HarnoncourtNikolaus Harnoncourt is an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble in the 1950s, and became a pioneer of the Early Music movement...
, Tölzer KnabenchorTölzer KnabenchorThe Tölzer Knabenchor is a boys' choir with roots in the Bavarian town of Bad Tölz.The choir group is still led by director and singing master Gerhard Schmidt-Gaden, who founded the choir in 1956 when he was only nineteen years old. The founder was once a student of Carl Orff's and worked with him...
, Concentus Musicus WienConcentus Musicus WienConcentus Musicus Wien is a baroque music ensemble founded by Nikolaus and Alice Harnoncourt in 1953. It generated the now well-established movement in performance and recordings to play early music on period instruments....
, Paul EsswoodPaul EsswoodPaul Esswood is an English countertenor. He is best known for his singing in Bach cantatas and the operas of Handel and Monteverdi. Along with his countrymen Alfred Deller and James Bowman, he led the revival of countertenor singing in modern times.Esswood was born in West Bridgford, England. He...
, Kurt EquiluzKurt EquiluzKurt Equiluz is an Austrian classical tenor in opera and concert, known for recording works of Johann Sebastian Bach with Nikolaus Harnoncourt and Helmuth Rilling, a member of the Vienna State Opera as a tenor buffo from 1957 until 1983.- Professional career :Kurt Equiluz was an alto soloist of...
, Robert Holl, TeldecTeldecThe Teldec is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group.-History:...
1988 - J.S. Bach: Complete Cantatas Vol. 2, Ton KoopmanTon KoopmanTon Koopman is a conductor, organist and harpsichordist.Koopman had a "classical education" and then studied the organ , harpsichord and musicology in Amsterdam...
, Amsterdam Baroque Orchestra & ChoirAmsterdam Baroque Orchestra & ChoirThe Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam.The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Choir in...
, Kai WesselKai WesselKai Wessel is a German countertenor and a teacher at the Hochschule für Musik Köln.- Professional career :Kai Wessel started singing in school choirs and as a boy soprano at the Christus-Kirche of Hamburg-Wandsbek and received lessons on piano, organ and oboe...
, Christoph PrégardienChristoph PrégardienChristoph Prégardien is a German lyric tenor whose career is closely associated with the roles in Mozart operas, as well as performances of Lieder, oratorio roles, and Baroque music...
, Klaus MertensKlaus MertensKlaus Mertens is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach.-Professional career:Klaus Mertens took singing lessons while attending school...
, Antoine Marchand 1995 - J.S. Bach: Christ lag in Todesbanden; Lobet den Herrn; Himmelskönig sei willkommen, Philippe Pierlot, Choeur de Chambre de Namur, Ricercar ConsortRicercar ConsortThe Ricercar Consort is a Belgian instrumental ensemble founded in 1980 together with the record label of Jérôme Lejeune.The founding members were François Fernandez, Bernard Foccroulle, and Philippe Pierlot. The initial repertoire was focussed on the German Baroque, and the Consort was closely...
, Steve Dugardin, Ian Honeyman, Max van EgmondMax van EgmondMax van Egmond is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach.- Professional career :...
, Ricercar 1995 - Cantata BWV 182, Masaaki SuzukiMasaaki Suzukiis a Japanese organist, harpsichordist and conductor, and the founder and musical director of the Bach Collegium Japan.He was born in Kobe to parents who were both Christians and amateur musicians...
, Bach Collegium JapanBach Collegium JapanBach Collegium Japan is composed of an orchestra and a chorus specialising in Baroque music, playing with period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque music. Suzuki still remains its music director...
, Yoshikazu MeraYoshikazu Meraborn May 21, 1971, in Miyazaki, Japan, is a Japanese countertenor. His range is three and a half octaves.Originally wanting to become a pop singer, Mela now primarily sings classical music from the West but also classical Japanese music...
, Makoto Sakurada, Peter KooyPeter KooyPeter Kooy is a Dutch bass singer specialized in baroque music.- Biography :Peter Kooy started his musical career at 6 years as a choir boy. However he started his musical studies as a violin student...
, BISBIS RecordsBIS Records is a record label founded in 1973 by Robert von Bahr. It is located in Åkersberga, Sweden.BIS focuses on classical music, both contemporary and early, especially works that are not already well represented by existing recordings....
1996 - Bach Cantatas Vol. 21: Cambridge/Walpole St Peter, John Eliot GardinerJohn Eliot GardinerSir John Eliot Gardiner CBE FKC is an English conductor. He founded the Monteverdi Choir , the English Baroque Soloists and the Orchestre Révolutionnaire et Romantique...
, Monteverdi ChoirMonteverdi ChoirThe Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the Monteverdi Vespers in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conviction and extensive repertoire, encompassing music from the early...
, English Baroque SoloistsEnglish Baroque SoloistsThe English Baroque Soloists is a chamber orchestra playing on period instruments, formed in 1978 by English conductor Sir John Eliot Gardiner. Its repertoire comprises music from the early Baroque period to the Classical period...
, Nathalie StutzmannNathalie StutzmannNathalie Stutzmann is a contemporary opera singer, renowned for her contralto voice.Born in Suresnes, France, 1965, she first studied with her mother , then at Nantes Conservatoire and later, at the Ecole d’Art Lyrique de l’Opéra de Paris, focusing on lied, under Hans Hotter's tutelage...
, James GilchristJames Gilchrist (tenor)James Gilchrist is a British tenor specialising in recital and oratoria singing. He began his working life as a doctor, turning to a full-time music career in 1996...
, Peter Harvey, Soli Deo GloriaSoli Deo Gloria (label)Founded in 2004 in order to release the recordings made during the Bach Cantata pilgrimage that took place in the year 2000. Following its launch in 2005, Soli Deo Gloria has established itself as one of the leading independent record labels....
2000
External links
- Cantata BWV 182 Himmelskönig, sei willkommen on bach-cantatas.com
- German text and English translation, Emmanuel MusicEmmanuel MusicEmmanuel Music is a Boston-based collective group of singers and instrumentalists founded in 1970 by Craig Smith. It was created specifically to perform the complete cycle of over 200 sacred cantatas of J.S. Bach in the liturgical setting for which they were intended, an endeavor twice completed...
- Himmelskönig, sei willkommen on the Bach website (in German)
- BWV 182 Himmelskönig, sei willkommen on uvm.edu