Li zite 'ngalera
Encyclopedia
Li zite 'ngalera is a commedia per musica
Opera buffa
Opera buffa is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ‘commedia in musica’, ‘commedia per musica’, ‘dramma bernesco’, ‘dramma comico’, ‘divertimento giocoso' etc...

 in three acts by the Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...

 composer Leonardo Vinci
Leonardo Vinci
Leonardo Vinci was an Italian composer, best known for his operas.He was born at Strongoli and educated at Naples under Gaetano Greco in the Conservatorio dei Poveri di Gesù Cristo. He first became known for his opere buffe in Neapolitan dialect in 1719; he also composed many opere serie...

. The libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...

, by Bernardo Saddumene, is written in Neapolitan dialect
Neapolitan language
Neapolitan is the language of the city and region of Naples , and Campania. On October 14, 2008 a law by the Region of Campania stated that the Neapolitan language had to be protected....

. The opera was first performed at the Teatro dei Fiorentini, Naples
Naples
Naples is a city in Southern Italy, situated on the country's west coast by the Gulf of Naples. Lying between two notable volcanic regions, Mount Vesuvius and the Phlegraean Fields, it is the capital of the region of Campania and of the province of Naples...

 on 3 January 1722.

Roles

Cast Voice type Premiere cast
Ciomma soprano
Soprano
A soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...

Rosa Cirillo
Federico Mariani tenor
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...

Belluccia soprano Ippolita Costa
Ciccariello soprano (en travesti
En travesti
Travesti is a theatrical term referring to the portrayal of a character in an opera, play, or ballet by a performer of the opposite sex. Some sources regard 'travesti' as an Italian term, some as French. Depending on sources, the term may be given as travesty, travesti, or en travesti...

)
Carlo soprano (en travesti) Giacomina Ferrari
Titta contralto
Contralto
Contralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...

Filippo Calandra
Rapisto bass Giovanni Romaniello
Meneca tenor Simone de Farco
Colagnolo tenor
Assan bass
Schiava (slave girl) soprano Laura Monti

Synopsis

The young man Carlo abandons his old love Belluccia in favour of a new one, Ciomma. Disguised as a man, Belluccia pursues Carlo. She manages to make several local ladies, including Ciomma herself, fall in love with her. When Belluccia's father, the galley captain Federico, arrives, he threatens Carlo with death, but Belluccia takes pity on him and the couple are reconciled and married.

Recording

Li zite 'ngalera Soloists, Cappella della Pietà de' Turchini
Cappella della Pietà de' Turchini
The Cappella della Pietà de' Turchini is an early music ensemble based in Naples and dedicated to the recovery of Neapolitan musical heritage, primarily from the baroque era....

, conducted by Antonio Florio (Opus 111, 1999) cuts to 2CD

Sources

The source of this article is wikipedia, the free encyclopedia.  The text of this article is licensed under the GFDL.
 
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