Otakar Hostinský
Encyclopedia
Otakar Hostinský was a Czech
historian, musicologist, and professor of musical aesthetics. He is known primarily for his support of composer
Bedřich Smetana
and his contributions to Czech aesthetic theory, which influenced many cultural figures in early twentieth-century Prague, including Zdeněk Nejedlý
, Otakar Zich
, and Vladimír Helfert
. He also the opera
libretto
s to Zdeněk Fibich
's masterpiece, The Bride of Messina
, and Josef Rozkošný's Cinderella.
Art and Nationality, 1869
Wagnerianism and Czech National Identity, 1870
On "Program" Music, 1873
Das Musikalisch-Schöne und das Gesamtkunstwerk vom Standpunkte der formalen Aesthetik, 1877
On the Contemporary State and Direction of Czech Music, 1880
On Czech Musical Declamation, 1882
On Melodrama, 1885
A Brief Overview of the History of Music, 1885
On Artistic Realism, 1890
Herbarts Aesthetik, 1891
Volkslied und Tanz der Slaven, 1893
On Progress in Art, 1894
On Folksong, 1897
On Experimental Aesthetics, 1900
B. Smetana and his Struggle for Modern Czech Music, 1901
On the Socialization of Art, 1903
Art and Society, 1907
Czech Music, 1864-1904, 1909
Czech people
Czechs, or Czech people are a western Slavic people of Central Europe, living predominantly in the Czech Republic. Small populations of Czechs also live in Slovakia, Austria, the United States, the United Kingdom, Chile, Argentina, Canada, Germany, Russia and other countries...
historian, musicologist, and professor of musical aesthetics. He is known primarily for his support of composer
Composer
A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...
Bedřich Smetana
Bedrich Smetana
Bedřich Smetana was a Czech composer who pioneered the development of a musical style which became closely identified with his country's aspirations to independent statehood. He is thus widely regarded in his homeland as the father of Czech music...
and his contributions to Czech aesthetic theory, which influenced many cultural figures in early twentieth-century Prague, including Zdeněk Nejedlý
Zdenek Nejedlý
Zdeněk Nejedlý was a Czech musicologist, music critic, author, and politician whose ideas dominated the cultural life of what is now the Czech Republic for most of the twentieth century...
, Otakar Zich
Otakar Zich
Otakar Zich was a distinguished Czech composer and aesthetician.- Biography :...
, and Vladimír Helfert
Vladimír Helfert
Vladimír Helfert was an important Czech musicologist in the interwar period. Although his early career as a music critic was clouded by the negative influence of his teacher, Zdeněk Nejedlý, with whom he studied at Charles University...
. He also the opera
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
libretto
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
s to Zdeněk Fibich
Zdenek Fibich
Zdeněk Fibich was a Czech composer of classical music. Among his compositions are chamber works , symphonic poems, three symphonies, at least seven operas , melodramas including the substantial trilogy Hippodamia,...
's masterpiece, The Bride of Messina
The Bride of Messina (opera)
The Bride of Messina is a tragic opera in three acts, op. 18, by composer Zdeněk Fibich. The Czech language libretto by Otakar Hostinský is based on Friedrich Schiller's play Die Braut von Messina...
, and Josef Rozkošný's Cinderella.
Selected writings
(German titles given in the original; Czech titles translated into English)Art and Nationality, 1869
Wagnerianism and Czech National Identity, 1870
On "Program" Music, 1873
Das Musikalisch-Schöne und das Gesamtkunstwerk vom Standpunkte der formalen Aesthetik, 1877
On the Contemporary State and Direction of Czech Music, 1880
On Czech Musical Declamation, 1882
On Melodrama, 1885
A Brief Overview of the History of Music, 1885
On Artistic Realism, 1890
Herbarts Aesthetik, 1891
Volkslied und Tanz der Slaven, 1893
On Progress in Art, 1894
On Folksong, 1897
On Experimental Aesthetics, 1900
B. Smetana and his Struggle for Modern Czech Music, 1901
On the Socialization of Art, 1903
Art and Society, 1907
Czech Music, 1864-1904, 1909