Salisbury Cathedral from the Bishop's Grounds
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Salisbury Cathedral from the Bishop's Grounds is an 1823 painting by the nineteenth-century landscape painter John Constable
John Constable
John Constable was an English Romantic painter. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his home—now known as "Constable Country"—which he invested with an intensity of affection...

 (1776–1837). This timeless image of England's most famous medieval church
Salisbury Cathedral
Salisbury Cathedral, formally known as the Cathedral Church of the Blessed Virgin Mary, is an Anglican cathedral in Salisbury, England, considered one of the leading examples of Early English architecture....

 is one of his most celebrated works, and was commissioned by one of his closest friends, John Fisher
John Fisher (Anglican bishop)
John Fisher , D.D. was a 19th-century Church of England bishop, serving as Bishop of Exeter then Bishop of Salisbury.-Life:...

, The Bishop of Salisbury. Constable visited Salisbury in 1820 and made a series of oil sketches of the cathedral, which served as the model for this composition. The artist selected a viewpoint from the bishop's garden and included figures of Dr. Fisher and his wife at the bottom left. Following its exhibition at the 1823 Royal Academy, Constable observed: "My Cathedral looks very well....It was the most difficult subject in Landscape I ever had upon my Easel. I have not flinched at the work of the windows, buttresses, &c. - but I have as usual made my escape in the Evanescence of the Chiaro-Oscuro". His patron took exception to the dark cloud over the cathedral, and when he commissioned a smaller replica, requested "a more serene sky".

The painting embodies the full range of qualities of a quintessentially British landscape painting – the clouds, trees, a water meadow, cattle drinking at the edge of the pasture and the glorious architecture of a medieval cathedral – but all on a human scale. Paintings like this one have so conditioned our view of rural Britain that it is now difficult to imagine a time when the countryside and country life were not held in such high regard.

A version of the painting also resides at the Frick Collection in New York City. It is slightly different in that in employs a different usages of light. Whereas this version depicts the cathedral with an overcast sky, the version in Frick's collection shows the cathedral with a clear, bright sky.
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