Scherzo No. 3 (Chopin)
Encyclopedia
The Scherzo
No. 3 (opus
39) by Frédéric Chopin
begins in the key of C-sharp minor, then moves to D-flat major, and returns to C-sharp minor, concluding in C-sharp major. It was completed in 1839. The composition opens with an almost Lisztian introduction, leading to a subject in octaves of pent-up energy. The key changes to D-flat major, with a chorale-like subject, interspersed with delicate falling arpeggios. Louis Kentner thinks of it as "a Wagnerian melody of astonishing beauty, recalling the sound of tubas, harps and all the apocalyptic orchestra of Valhalla." This is the most terse, ironic, and tightly constructed of the four scherzos, with an almost Beethovenian grandeur.
s. The elements of this lyrical section repeat themselves a few times and the piece then moves back into the main theme.
Scherzo
A scherzo is a piece of music, often a movement from a larger piece such as a symphony or a sonata. The scherzo's precise definition has varied over the years, but it often refers to a movement which replaces the minuet as the third movement in a four-movement work, such as a symphony, sonata, or...
No. 3 (opus
Opus number
An Opus number , pl. opera and opuses, abbreviated, sing. Op. and pl. Opp. refers to a number generally assigned by composers to an individual composition or set of compositions on publication, to help identify their works...
39) by Frédéric Chopin
Frédéric Chopin
Frédéric François Chopin was a Polish composer and virtuoso pianist. He is considered one of the great masters of Romantic music and has been called "the poet of the piano"....
begins in the key of C-sharp minor, then moves to D-flat major, and returns to C-sharp minor, concluding in C-sharp major. It was completed in 1839. The composition opens with an almost Lisztian introduction, leading to a subject in octaves of pent-up energy. The key changes to D-flat major, with a chorale-like subject, interspersed with delicate falling arpeggios. Louis Kentner thinks of it as "a Wagnerian melody of astonishing beauty, recalling the sound of tubas, harps and all the apocalyptic orchestra of Valhalla." This is the most terse, ironic, and tightly constructed of the four scherzos, with an almost Beethovenian grandeur.
Structure
This piece begins with an introduction similar to Chopin's second scherzo. It then progresses into the fierce main theme. This is particularly difficult to perform, due to the technique needed to accurately and quickly execute the running octave patterns. The scherzo then moves into a transition section that leads back to the main theme. The following, singing style (cantabile) section is in D-flat major. The main theme and its sequences begin with strong chords that hold the melody followed by a downward flutter of notes. There follows a brief section consisting of a series of arpeggioArpeggio
An arpeggio is a musical technique where notes in a chord are played or sung in sequence, one after the other, rather than ringing out simultaneously...
s. The elements of this lyrical section repeat themselves a few times and the piece then moves back into the main theme.