Symphony No. 5 (Bax)
Encyclopedia
The Symphony No. 5 by Arnold Bax
was completed in 1932 and dedicated to Jean Sibelius
. It is in many ways heavily influenced by Sibelius.
It is scored for two piccolo
s, three flute
s, two oboe
s, English horn, three clarinet
s, bass clarinet
, two bassoon
s, double bassoon, four horns, three trumpet
s, three trombone
s, tuba
, timpani
, bass drum
, tenor drum
, snare drum
, tambourine
, cymbal
s, gong
, glockenspiel
, harp
and string
s.
It is in three movements:
It opens with a five note motif that is used throughout the entire poco lento section, which is heavily reminiscent of Sibelius Symphony No. 4. The allegro con fuoco section that follows however is highly Baxian, and all the features of his composition style are evident here. The second subject sees the return of Sibelian moods, but Bax's comprehensive musical technique is noticeable. The recapitulation is particularly exciting, making it one of the most energetic opening movements of all Bax's symphonies.
The second movement is majestic and a relatively short slow movement for Bax, but makes good use of brass and the percussion section. It ends calmly as to ensure a contrast between this movement and the one that follows.
The finale begins with strong, repeated chords from the strings and woodwinds which quickly gives way to a fast, fiery and energetic allegro section. In this section the influences of Russian composers is evident. The epilogue of this movement isn't the same as those of the previous symphonies, this time being bold and majestic.
Arnold Bax
Sir Arnold Edward Trevor Bax, KCVO was an English composer and poet. His musical style blended elements of romanticism and impressionism, often with influences from Irish literature and landscape. His orchestral scores are noted for their complexity and colourful instrumentation...
was completed in 1932 and dedicated to Jean Sibelius
Jean Sibelius
Jean Sibelius was a Finnish composer of the later Romantic period whose music played an important role in the formation of the Finnish national identity. His mastery of the orchestra has been described as "prodigious."...
. It is in many ways heavily influenced by Sibelius.
It is scored for two piccolo
Piccolo
The piccolo is a half-size flute, and a member of the woodwind family of musical instruments. The piccolo has the same fingerings as its larger sibling, the standard transverse flute, but the sound it produces is an octave higher than written...
s, three flute
Flute
The flute is a musical instrument of the woodwind family. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening...
s, two oboe
Oboe
The oboe is a double reed musical instrument of the woodwind family. In English, prior to 1770, the instrument was called "hautbois" , "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca...
s, English horn, three clarinet
Clarinet
The clarinet is a musical instrument of woodwind type. The name derives from adding the suffix -et to the Italian word clarino , as the first clarinets had a strident tone similar to that of a trumpet. The instrument has an approximately cylindrical bore, and uses a single reed...
s, bass clarinet
Bass clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B , but it plays notes an octave below the soprano B clarinet...
, two bassoon
Bassoon
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers, and occasionally higher. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band and chamber music literature...
s, double bassoon, four horns, three trumpet
Trumpet
The trumpet is the musical instrument with the highest register in the brass family. Trumpets are among the oldest musical instruments, dating back to at least 1500 BCE. They are played by blowing air through closed lips, producing a "buzzing" sound which starts a standing wave vibration in the air...
s, three trombone
Trombone
The trombone is a musical instrument in the brass family. Like all brass instruments, sound is produced when the player’s vibrating lips cause the air column inside the instrument to vibrate...
s, tuba
Tuba
The tuba is the largest and lowest-pitched brass instrument. Sound is produced by vibrating or "buzzing" the lips into a large cupped mouthpiece. It is one of the most recent additions to the modern symphony orchestra, first appearing in the mid-19th century, when it largely replaced the...
, timpani
Timpani
Timpani, or kettledrums, are musical instruments in the percussion family. A type of drum, they consist of a skin called a head stretched over a large bowl traditionally made of copper. They are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet...
, bass drum
Bass drum
Bass drums are percussion instruments that can vary in size and are used in several musical genres. Three major types of bass drums can be distinguished. The type usually seen or heard in orchestral, ensemble or concert band music is the orchestral, or concert bass drum . It is the largest drum of...
, tenor drum
Tenor drum
A tenor drum is a cylindrical drum that is higher pitched than a bass drum.In a symphony orchestra's percussion section, a tenor drum is a low-pitched drum, similar in size to a field snare, but without snares and played with soft mallets or hard sticks. Under various names, the drum has been used...
, snare drum
Snare drum
The snare drum or side drum is a melodic percussion instrument with strands of snares made of curled metal wire, metal cable, plastic cable, or gut cords stretched across the drumhead, typically the bottom. Pipe and tabor and some military snare drums often have a second set of snares on the bottom...
, tambourine
Tambourine
The tambourine or marine is a musical instrument of the percussion family consisting of a frame, often of wood or plastic, with pairs of small metal jingles, called "zils". Classically the term tambourine denotes an instrument with a drumhead, though some variants may not have a head at all....
, cymbal
Cymbal
Cymbals are a common percussion instrument. Cymbals consist of thin, normally round plates of various alloys; see cymbal making for a discussion of their manufacture. The greater majority of cymbals are of indefinite pitch, although small disc-shaped cymbals based on ancient designs sound a...
s, gong
Gong
A gong is an East and South East Asian musical percussion instrument that takes the form of a flat metal disc which is hit with a mallet....
, glockenspiel
Glockenspiel
A glockenspiel is a percussion instrument composed of a set of tuned keys arranged in the fashion of the keyboard of a piano. In this way, it is similar to the xylophone; however, the xylophone's bars are made of wood, while the glockenspiel's are metal plates or tubes, and making it a metallophone...
, harp
Harp
The harp is a multi-stringed instrument which has the plane of its strings positioned perpendicularly to the soundboard. Organologically, it is in the general category of chordophones and has its own sub category . All harps have a neck, resonator and strings...
and string
String instrument
A string instrument is a musical instrument that produces sound by means of vibrating strings. In the Hornbostel-Sachs scheme of musical instrument classification, used in organology, they are called chordophones...
s.
It is in three movements:
- Poco lento - Allegro con fuoco
- Poco lento - Molto tranquillio
- Poco moderato - Allegro - Epilogue
It opens with a five note motif that is used throughout the entire poco lento section, which is heavily reminiscent of Sibelius Symphony No. 4. The allegro con fuoco section that follows however is highly Baxian, and all the features of his composition style are evident here. The second subject sees the return of Sibelian moods, but Bax's comprehensive musical technique is noticeable. The recapitulation is particularly exciting, making it one of the most energetic opening movements of all Bax's symphonies.
The second movement is majestic and a relatively short slow movement for Bax, but makes good use of brass and the percussion section. It ends calmly as to ensure a contrast between this movement and the one that follows.
The finale begins with strong, repeated chords from the strings and woodwinds which quickly gives way to a fast, fiery and energetic allegro section. In this section the influences of Russian composers is evident. The epilogue of this movement isn't the same as those of the previous symphonies, this time being bold and majestic.