Thomas S. Hamblin
Encyclopedia
Thomas Sowerby Hamblin was an English
actor
and theatre manager
. He first took the stage in England, then immigrated to the United States in 1825. He received critical acclaim there, and eventually entered theatre management. During his tenure at New York City's
Bowery Theatre
he helped establish working-class
theatre as a distinct form. His policies preferred American actors and playwrights to British ones, making him an important influence in the development of early American drama.
Although he was known as a fair (if shrewd) businessman, Hamblin's reputation was marred by his well known womanising and brawling. He had affairs with several up-and-coming actresses at his theatre, and he assaulted at least two newspaper editors who had published unflattering stories about him. His behavior eventually cost him his first wife and resulted in one conviction for assault.
. He intended to go into business
but changed course after a successful performance as Hamlet
in a school production. By 1815, he had made his professional debut as a ballet
dancer at London's Adelphi Theatre
. He toured the British Isles over the next eight years, performing at venues such as the Drury Lane Theatre
and Sadler's Wells Theatre
. He married Elizabeth Blanchard, a popular actress and daughter of actor William Blanchard and half-sister of actor/playwrightE. L. Blanchard. Hamblin had two children by his first wife: William Henry Hamblin Jr. (stage name "Thomas Hamblin Jr") and Elizabeth Hamblin.
Despite some success he had still not established himself with the London critics when, in 1825, Hamblin and his wife left England for the United States. Hamblin took the stage at New York's
Park Theatre
in early November, where he tackled a number or roles: Hamlet, Macbeth, Othello, Petruchio, Pierre, Rolla, the Stranger, William Tell, and Virginius. Later that month, he appeared opposite Edwin Forrest
at the Albion Theatre.
Critics praised Hamblin; the Albion calling him "a very excellent actor". Theatre historian T. Allston Brown
attributed his success to these factors:
Francis Wemyss disagreed at least in part, saying that Hamblin's acting was "more than balanced by the husky, disagreeable tones of his voice, which always gave the appearance of hard labour to everything he undertook."
Bowery Theatre
with partner James H. Hackett in 1830. Hackett left a month later, and Hamblin obtained the lease and rebuilt when the theatre burnt down later that year. Hamblin catered to the tastes of the rowdy audiences of New York's Bowery district. These "Bowery B'hoys" were working class
, primarily male, and socially conservative
., and Hamblin accordingly staged blackface
performances, circus
acts, English farce
, American melodrama
, and Shakespeare
to please them. Hamblin himself preferred upper-class entertainments like ballet and opera; nevertheless, he relegated these to infrequent bookings. Under Hamblin, American working-class theatre, emphasising brilliant spectacle and plot-based narrative, emerged as a form in its own right.
Perhaps Hamblin's greatest influence was in his incubation of American talent. He helped start the careers of many young unknowns, and he was not shy about exerting his influence over those who relied upon his patronage. His Bowery featured many big-name talents, including Junius Brutus Booth
, Frank Chanfrau
, George Washington Dixon
, Louisa Lane Drew
, Edwin Forrest
, Josephine Clifton
, Louisa Medina, James B. Phillips, Thomas D. Rice
, and Charles W. Taylor. In 1831, he renamed the playhouse "the American Theatre, Bowery" after an anti-British riot
at the Park Theater. The message was clear: The Bowery was the theatre of native American drama.
Hamblin was careful to cultivate good favor with his patrons outside of the theatre, as well. He regularly provided space to the fire department for their annual ball, for example. On another occasion, he loaned the Bowery's in-house orchestra to a local militia group for one of their functions.
Hamblin's success can also be attributed to his hard-nosed business practices. He advertised
extensively, and he pioneered the concept of allowing productions to run for periods as long as a month. In the spring of 1834, he began purchasing shares of the theatre from its owners, the New York Association; within 18 months, he owned a majority. When the Bowery Theatre burnt down in 1836, it was the most popular playhouse in New York City. Hamblin bought out the remaining shares and rented the property to W. E. Dinneford and Thomas Flynn
. They oversaw the theatre's reconstruction while Hamblin acted in various venues and took care of his debts. Hamblin rebuilt yet again after a fire in 1838 and returned to active management with a bigger Bowery in May 1839.
In the 1840s, increased competition in New York City prompted Hamblin to stage even more spectacular melodramas and to book more variety entertainment such as minstrel show
s and circus acts. After a fire in 1845, Hamblin tried to build a new theatre on Broadway
, but local residents opposed the plan. Instead, he rebuilt the Bowery once more. Tastes were becoming more upscale, and Hamblin turned over active management to A. W. Jackson. He faced health problems, and his acting career stalled as his style became outmoded. The Albion reported that
He attempted to extend his revenues by buying the lease to the Park Theatre in the summer of 1848. He renovated the building and reopened in September to mixed reviews. The building burnt down in December.
s. In 1831, his wife filed for divorce after returning from a tour in Europe; this was finalised in 1834 with the condition that Hamblin was not to remarry as long as his ex-wife lived. Hamblin continued his womanising undaunted; he saw a young actress named Naomi Vincent for a time, and she even came to be known as "Mrs. Hamblin". When she died in childbirth in July 1835, Hamblin entered a relationship with playwright Louisa Medina.
He was also a notorious pugilist. He got into a barroom brawl in October 1834, and he once assaulted the editor of the New York Herald
, James Gordon Bennett, Sr.
, in his offices. This latter fight led to a two-day trial and Hamblin's conviction in February 1837.
In 1838, newspaper editor and blackface performer George Washington Dixon
wrote in his Polyanthos that Hamblin was having an affair with a teen-aged starlet at the Bowery named Miss Missouri. The girl was found dead within ten days of publication from "inflammation of the brain caused by the violent misconduct of Miss Missouri's mother and the publication of an abusive article in The Polyanthos." The allegation was not out of character, and many people believed it. Hamblin reacted in his usual fashion:
Hamblin's ex-wife died in 1849, and he married actress Elizabeth Mary Ann Trewar Shaw. She bore him four more children: Alla, Constance, Edith, and William Snowden Hamblin. Thomas Hamblin died of a "brain fever" (probably cerebral meningitis or cerebral syphilis) in his Broome Street home on 8 January 1853. He left eight heirs, each of whom received $10,000 from his estate. He was buried at Ocean Hill, Greenwood. His family maintained ownership of the Bowery Theatre until 1867.
English people
The English are a nation and ethnic group native to England, who speak English. The English identity is of early mediaeval origin, when they were known in Old English as the Anglecynn. England is now a country of the United Kingdom, and the majority of English people in England are British Citizens...
actor
Actor
An actor is a person who acts in a dramatic production and who works in film, television, theatre, or radio in that capacity...
and theatre manager
Actor-manager
An actor-manager is a leading actor who sets up their own permanent theatrical company and manages the company's business and financial arrangements, sometimes taking over the management of a theatre, to perform plays of their own choice and in which they will usually star...
. He first took the stage in England, then immigrated to the United States in 1825. He received critical acclaim there, and eventually entered theatre management. During his tenure at New York City's
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
Bowery Theatre
Bowery Theatre
The Bowery Theatre was a playhouse in the Bowery neighborhood of New York City. Although it was founded by rich families to compete with the upscale Park Theatre, the Bowery saw its most successful period under the populist, pro-American management of Thomas Hamblin in the 1830s and 1840s...
he helped establish working-class
Working class
Working class is a term used in the social sciences and in ordinary conversation to describe those employed in lower tier jobs , often extending to those in unemployment or otherwise possessing below-average incomes...
theatre as a distinct form. His policies preferred American actors and playwrights to British ones, making him an important influence in the development of early American drama.
Although he was known as a fair (if shrewd) businessman, Hamblin's reputation was marred by his well known womanising and brawling. He had affairs with several up-and-coming actresses at his theatre, and he assaulted at least two newspaper editors who had published unflattering stories about him. His behavior eventually cost him his first wife and resulted in one conviction for assault.
Early life and stage career
Hamblin was born in LondonLondon
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
. He intended to go into business
Business
A business is an organization engaged in the trade of goods, services, or both to consumers. Businesses are predominant in capitalist economies, where most of them are privately owned and administered to earn profit to increase the wealth of their owners. Businesses may also be not-for-profit...
but changed course after a successful performance as Hamlet
Hamlet
The Tragical History of Hamlet, Prince of Denmark, or more simply Hamlet, is a tragedy by William Shakespeare, believed to have been written between 1599 and 1601...
in a school production. By 1815, he had made his professional debut as a ballet
Ballet
Ballet is a type of performance dance, that originated in the Italian Renaissance courts of the 15th century, and which was further developed in France and Russia as a concert dance form. The early portions preceded the invention of the proscenium stage and were presented in large chambers with...
dancer at London's Adelphi Theatre
Adelphi Theatre
The Adelphi Theatre is a 1500-seat West End theatre, located on the Strand in the City of Westminster. The present building is the fourth on the site. The theatre has specialised in comedy and musical theatre, and today it is a receiving house for a variety of productions, including many musicals...
. He toured the British Isles over the next eight years, performing at venues such as the Drury Lane Theatre
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane is a West End theatre in Covent Garden, in the City of Westminster, a borough of London. The building faces Catherine Street and backs onto Drury Lane. The building standing today is the most recent in a line of four theatres at the same location dating back to 1663,...
and Sadler's Wells Theatre
Sadler's Wells Theatre
Sadler's Wells Theatre is a performing arts venue located in Rosebery Avenue, Clerkenwell in the London Borough of Islington. The present day theatre is the sixth on the site since 1683. It consists of two performance spaces: a 1,500 seat main auditorium and the Lilian Baylis Studio, with extensive...
. He married Elizabeth Blanchard, a popular actress and daughter of actor William Blanchard and half-sister of actor/playwrightE. L. Blanchard. Hamblin had two children by his first wife: William Henry Hamblin Jr. (stage name "Thomas Hamblin Jr") and Elizabeth Hamblin.
Despite some success he had still not established himself with the London critics when, in 1825, Hamblin and his wife left England for the United States. Hamblin took the stage at New York's
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
Park Theatre
Park Theatre (Manhattan)
The Park Theatre, originally known as the New Theatre, was a playhouse in New York City, located at 21, 23, and 25 Park Row, about east of Ann Street and backing Theatre Alley. The location, at the north end of the city, overlooked the park that would soon house City Hall...
in early November, where he tackled a number or roles: Hamlet, Macbeth, Othello, Petruchio, Pierre, Rolla, the Stranger, William Tell, and Virginius. Later that month, he appeared opposite Edwin Forrest
Edwin Forrest
Edwin Forrest was an American actor.-Early life:Forrest was born in Philadelphia, Pennsylvania, of Scottish and German descent. His father died and he was brought up by his mother, a German woman of humble origins. He was educated at the common schools in Philadelphia, and early evinced a taste...
at the Albion Theatre.
Critics praised Hamblin; the Albion calling him "a very excellent actor". Theatre historian T. Allston Brown
T. Allston Brown
Thomas Allston Brown was an American theater critic, newspaper editor, talent agent and manager, and theater historian, best known for his History of the American Stage, published in 1872. Brown was born in Newburyport, Massachusetts...
attributed his success to these factors:
As an actor, he possessed the valuable accessories of a fine person, a good voice, and careful education. . . . In person he was tall and commanding, but so admirably proportioned as in a measure to conceal his almost towering height. Deep set eyes as black as jet were surmounted by a lofty brow, crowned by clusters of curling dark hair in such rich profusion as is seldom seen, except in some of the models which have been handed down to us from remote antiquity. To see him dressed for Brutus, Coriolanus, or Virginius was a study for a painter.
Francis Wemyss disagreed at least in part, saying that Hamblin's acting was "more than balanced by the husky, disagreeable tones of his voice, which always gave the appearance of hard labour to everything he undertook."
The Bowery Theatre
Hamblin began his tenure as manager of New York'sNew York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
Bowery Theatre
Bowery Theatre
The Bowery Theatre was a playhouse in the Bowery neighborhood of New York City. Although it was founded by rich families to compete with the upscale Park Theatre, the Bowery saw its most successful period under the populist, pro-American management of Thomas Hamblin in the 1830s and 1840s...
with partner James H. Hackett in 1830. Hackett left a month later, and Hamblin obtained the lease and rebuilt when the theatre burnt down later that year. Hamblin catered to the tastes of the rowdy audiences of New York's Bowery district. These "Bowery B'hoys" were working class
Working class
Working class is a term used in the social sciences and in ordinary conversation to describe those employed in lower tier jobs , often extending to those in unemployment or otherwise possessing below-average incomes...
, primarily male, and socially conservative
Conservatism
Conservatism is a political and social philosophy that promotes the maintenance of traditional institutions and supports, at the most, minimal and gradual change in society. Some conservatives seek to preserve things as they are, emphasizing stability and continuity, while others oppose modernism...
., and Hamblin accordingly staged blackface
Blackface
Blackface is a form of theatrical makeup used in minstrel shows, and later vaudeville, in which performers create a stereotyped caricature of a black person. The practice gained popularity during the 19th century and contributed to the proliferation of stereotypes such as the "happy-go-lucky darky...
performances, circus
Circus
A circus is commonly a travelling company of performers that may include clowns, acrobats, trained animals, trapeze acts, musicians, hoopers, tightrope walkers, jugglers, unicyclists and other stunt-oriented artists...
acts, English farce
Farce
In theatre, a farce is a comedy which aims at entertaining the audience by means of unlikely, extravagant, and improbable situations, disguise and mistaken identity, verbal humour of varying degrees of sophistication, which may include word play, and a fast-paced plot whose speed usually increases,...
, American melodrama
Melodrama
The term melodrama refers to a dramatic work that exaggerates plot and characters in order to appeal to the emotions. It may also refer to the genre which includes such works, or to language, behavior, or events which resemble them...
, and Shakespeare
Shakespeare's plays
William Shakespeare's plays have the reputation of being among the greatest in the English language and in Western literature. Traditionally, the 37 plays are divided into the genres of tragedy, history, and comedy; they have been translated into every major living language, in addition to being...
to please them. Hamblin himself preferred upper-class entertainments like ballet and opera; nevertheless, he relegated these to infrequent bookings. Under Hamblin, American working-class theatre, emphasising brilliant spectacle and plot-based narrative, emerged as a form in its own right.
Perhaps Hamblin's greatest influence was in his incubation of American talent. He helped start the careers of many young unknowns, and he was not shy about exerting his influence over those who relied upon his patronage. His Bowery featured many big-name talents, including Junius Brutus Booth
Junius Brutus Booth
Junius Brutus Booth was an English actor. He was the father of John Wilkes Booth , Edwin Booth , and Junius Brutus Booth, Jr., an actor and theatre manager...
, Frank Chanfrau
Frank Chanfrau
Francis "Frank" S. Chanfrau was an American actor and theatre manager in the 19th century. He began his career playing bit parts and doing impressions of star actors such as Edwin Forrest and of ethnic groups. In 1848, he appeared as a Bowery b'hoy named Mose in A Glance at New York...
, George Washington Dixon
George Washington Dixon
George Washington Dixon was an American singer, stage actor, and newspaper editor. He rose to prominence as a blackface performer after performing "Coal Black Rose", "Zip Coon", and similar songs...
, Louisa Lane Drew
Louisa Lane Drew
Louisa Lane Drew was a British actress and theater owner.She and her third husband John Drew were the parents of Louisa Drew , John Drew, Jr. and Georgie Drew . She had no children from her first two marriages...
, Edwin Forrest
Edwin Forrest
Edwin Forrest was an American actor.-Early life:Forrest was born in Philadelphia, Pennsylvania, of Scottish and German descent. His father died and he was brought up by his mother, a German woman of humble origins. He was educated at the common schools in Philadelphia, and early evinced a taste...
, Josephine Clifton
Josephine Clifton
Josephine Clifton was a stage actress who became known as "the first American actress to star in London".-Life and career:The early years of Josephine Clifton seem to be lost, what little information exists is controversial...
, Louisa Medina, James B. Phillips, Thomas D. Rice
Thomas D. Rice
Thomas Dartmouth Rice was a white performer and playwright who used African American vernacular speech, song, and dance to become one of the most popular minstrel show entertainers of his time.-Background:...
, and Charles W. Taylor. In 1831, he renamed the playhouse "the American Theatre, Bowery" after an anti-British riot
Riot
A riot is a form of civil disorder characterized often by what is thought of as disorganized groups lashing out in a sudden and intense rash of violence against authority, property or people. While individuals may attempt to lead or control a riot, riots are thought to be typically chaotic and...
at the Park Theater. The message was clear: The Bowery was the theatre of native American drama.
Hamblin was careful to cultivate good favor with his patrons outside of the theatre, as well. He regularly provided space to the fire department for their annual ball, for example. On another occasion, he loaned the Bowery's in-house orchestra to a local militia group for one of their functions.
Hamblin's success can also be attributed to his hard-nosed business practices. He advertised
Advertising
Advertising is a form of communication used to persuade an audience to take some action with respect to products, ideas, or services. Most commonly, the desired result is to drive consumer behavior with respect to a commercial offering, although political and ideological advertising is also common...
extensively, and he pioneered the concept of allowing productions to run for periods as long as a month. In the spring of 1834, he began purchasing shares of the theatre from its owners, the New York Association; within 18 months, he owned a majority. When the Bowery Theatre burnt down in 1836, it was the most popular playhouse in New York City. Hamblin bought out the remaining shares and rented the property to W. E. Dinneford and Thomas Flynn
Thomas Flynn
The Most Reverend Thomas Flynn is an Irish Roman Catholic clergyman who served as Bishop of Achonry from 1976 to 2007.Born in Ballaghaderreen, County Roscommon, Ireland, on 8 July 1931, he was ordained a priest for the Diocese of Achonry on 17 June 1956. He was appointed Bishop of Achonry by the...
. They oversaw the theatre's reconstruction while Hamblin acted in various venues and took care of his debts. Hamblin rebuilt yet again after a fire in 1838 and returned to active management with a bigger Bowery in May 1839.
In the 1840s, increased competition in New York City prompted Hamblin to stage even more spectacular melodramas and to book more variety entertainment such as minstrel show
Minstrel show
The minstrel show, or minstrelsy, was an American entertainment consisting of comic skits, variety acts, dancing, and music, performed by white people in blackface or, especially after the Civil War, black people in blackface....
s and circus acts. After a fire in 1845, Hamblin tried to build a new theatre on Broadway
Broadway (New York City)
Broadway is a prominent avenue in New York City, United States, which runs through the full length of the borough of Manhattan and continues northward through the Bronx borough before terminating in Westchester County, New York. It is the oldest north–south main thoroughfare in the city, dating to...
, but local residents opposed the plan. Instead, he rebuilt the Bowery once more. Tastes were becoming more upscale, and Hamblin turned over active management to A. W. Jackson. He faced health problems, and his acting career stalled as his style became outmoded. The Albion reported that
The dignity, the finished and elaborated elocution, and the high artistical execution of that school were occasionally brought most vividly to our remembrance in Mr. HAMBLIN's delineation of Hamlet, weakened however at times . . . by a dash of the melo-dramatic style and the laboured pompousness he has acquired by long practice of his art at the Bowery.
He attempted to extend his revenues by buying the lease to the Park Theatre in the summer of 1848. He renovated the building and reopened in September to mixed reviews. The building burnt down in December.
Personal life
Hamblin's personal life was controversial. Although he was "noted for his correct business habits, promptitude, and open-heartedness", he was a well-known philanderer. Newspapers and rumors alleged that he had many sexual affairAffair
Affair may refer to professional, personal, or public business matters or to a particular business or private activity of a temporary duration, as in family affair, a private affair, or a romantic affair.-Political affair:...
s. In 1831, his wife filed for divorce after returning from a tour in Europe; this was finalised in 1834 with the condition that Hamblin was not to remarry as long as his ex-wife lived. Hamblin continued his womanising undaunted; he saw a young actress named Naomi Vincent for a time, and she even came to be known as "Mrs. Hamblin". When she died in childbirth in July 1835, Hamblin entered a relationship with playwright Louisa Medina.
He was also a notorious pugilist. He got into a barroom brawl in October 1834, and he once assaulted the editor of the New York Herald
New York Herald
The New York Herald was a large distribution newspaper based in New York City that existed between May 6, 1835, and 1924.-History:The first issue of the paper was published by James Gordon Bennett, Sr., on May 6, 1835. By 1845 it was the most popular and profitable daily newspaper in the UnitedStates...
, James Gordon Bennett, Sr.
James Gordon Bennett, Sr.
James Gordon Bennett, Sr. was the founder, editor and publisher of the New York Herald and a major figure in the history of American newspapers.-Biography:...
, in his offices. This latter fight led to a two-day trial and Hamblin's conviction in February 1837.
In 1838, newspaper editor and blackface performer George Washington Dixon
George Washington Dixon
George Washington Dixon was an American singer, stage actor, and newspaper editor. He rose to prominence as a blackface performer after performing "Coal Black Rose", "Zip Coon", and similar songs...
wrote in his Polyanthos that Hamblin was having an affair with a teen-aged starlet at the Bowery named Miss Missouri. The girl was found dead within ten days of publication from "inflammation of the brain caused by the violent misconduct of Miss Missouri's mother and the publication of an abusive article in The Polyanthos." The allegation was not out of character, and many people believed it. Hamblin reacted in his usual fashion:
- George Washington Buffalo Dixon has this day [28 July 1838] . . . received a most tremendous quilting, at the hands of Thos. S. Hamblin. I have heard no particulars, except that Buff, as editor of The Polyanthos, was severely beaten by Arbaces. It is the only way in which his feelings can be reached.
Hamblin's ex-wife died in 1849, and he married actress Elizabeth Mary Ann Trewar Shaw. She bore him four more children: Alla, Constance, Edith, and William Snowden Hamblin. Thomas Hamblin died of a "brain fever" (probably cerebral meningitis or cerebral syphilis) in his Broome Street home on 8 January 1853. He left eight heirs, each of whom received $10,000 from his estate. He was buried at Ocean Hill, Greenwood. His family maintained ownership of the Bowery Theatre until 1867.