Tod und Verklärung
Encyclopedia
Death and Transfiguration (), Op. 24, is a tone poem for large orchestra by Richard Strauss
. Strauss began composition in the late summer of 1888 and completed the work on November 18, 1889. The work is dedicated to the composer's friend Friedrich Rosch.
Unusual for a composer of 25 years of age, the music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter
as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven".
Festival (on the same program with the premiere of his Burleske in D minor for piano and orchestra). He also conducted this work for his first appearance in England, at the Wagner Concert with the Philharmonic Society on 15 June 1897 at the Queen's Hall
in London.
described this as music to which one would not want to die or awaken. "It is too spectacular, too brilliantly lit, too full of pageantry of a crowd; whereas this is a journey one must make very quietly, and alone".
A typical performance lasts about 25 minutes.
, Strauss poignantly quotes the "transfiguration theme" from his tone poem of 60 years earlier, during and after the soprano's final line, "Ist dies etwa der Tod?" (Could this then be death?).
Just before his own death, he remarked that his music was absolutely correct; his feelings mirrored those of the artist depicted within; Strauss said to his daughter-in-law as he lay on his deathbed in 1949: "It's a funny thing Alice, dying is just the way I composed it in Tod und Verklärung."
Richard Strauss
Richard Georg Strauss was a leading German composer of the late Romantic and early modern eras. He is known for his operas, which include Der Rosenkavalier and Salome; his Lieder, especially his Four Last Songs; and his tone poems and orchestral works, such as Death and Transfiguration, Till...
. Strauss began composition in the late summer of 1888 and completed the work on November 18, 1889. The work is dedicated to the composer's friend Friedrich Rosch.
Unusual for a composer of 25 years of age, the music depicts the death of an artist. At Strauss's request, this was described in a poem by the composer's friend Alexander Ritter
Alexander Ritter
Alexander Sascha Ritter was a German composer and violinist.He was born in Narva, Estonia. He studied in Frankfurt am Main under Joachim Raff. In 1854 he married Wagner's niece Franziska...
as an interpretation of Death and Transfiguration, after it was composed. As the man lies dying, thoughts of his life pass through his head: his childhood innocence, the struggles of his manhood, the attainment of his worldly goals; and at the end, he receives the longed-for transfiguration "from the infinite reaches of heaven".
Performance history
Strauss conducted the premiere on 21 June 1890 at the EisenachEisenach
Eisenach is a city in Thuringia, Germany. It is situated between the northern foothills of the Thuringian Forest and the Hainich National Park. Its population in 2006 was 43,626.-History:...
Festival (on the same program with the premiere of his Burleske in D minor for piano and orchestra). He also conducted this work for his first appearance in England, at the Wagner Concert with the Philharmonic Society on 15 June 1897 at the Queen's Hall
Queen's Hall
The Queen's Hall was a concert hall in Langham Place, London, opened in 1893. Designed by the architect T.E. Knightley, it had room for an audience of about 2,500 people. It became London's principal concert venue. From 1895 until 1941, it was the home of the promenade concerts founded by Robert...
in London.
Critical reaction
English music critic Ernest NewmanErnest Newman
Ernest Newman was an English music critic and musicologist. Grove's Dictionary of Music and Musicians describes him as "the most celebrated British music critic in the first half of the 20th century." His style of criticism, aiming at intellectual objectivity in contrast to the more subjective...
described this as music to which one would not want to die or awaken. "It is too spectacular, too brilliantly lit, too full of pageantry of a crowd; whereas this is a journey one must make very quietly, and alone".
Structure
There are four parts (with Ritter's poetic thoughts condensed):- Largo (The sick man, near death)
- Allegro molto agitato (The battle between life and death offers no respite to the man)
- Meno mosso (The dying man's life passes before him)
- Moderato (The sought-after transfiguration)
A typical performance lasts about 25 minutes.
Instrumentation
The work is scored for a large orchestra of the following forces:- woodwindWoodwind instrumentA woodwind instrument is a musical instrument which produces sound when the player blows air against a sharp edge or through a reed, causing the air within its resonator to vibrate...
: 3 fluteFluteThe flute is a musical instrument of the woodwind family. Unlike woodwind instruments with reeds, a flute is an aerophone or reedless wind instrument that produces its sound from the flow of air across an opening...
s, 2 oboeOboeThe oboe is a double reed musical instrument of the woodwind family. In English, prior to 1770, the instrument was called "hautbois" , "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca...
s, English horn, 2 clarinetClarinetThe clarinet is a musical instrument of woodwind type. The name derives from adding the suffix -et to the Italian word clarino , as the first clarinets had a strident tone similar to that of a trumpet. The instrument has an approximately cylindrical bore, and uses a single reed...
s in B-flat, bass clarinetBass clarinetThe bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B , but it plays notes an octave below the soprano B clarinet...
, 2 bassoonBassoonThe bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers, and occasionally higher. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band and chamber music literature...
s, contrabassoonContrabassoonThe contrabassoon, also known as the double bassoon or double-bassoon, is a larger version of the bassoon, sounding an octave lower... - brassBrass instrumentA brass instrument is a musical instrument whose sound is produced by sympathetic vibration of air in a tubular resonator in sympathy with the vibration of the player's lips...
: 4 hornHorn (instrument)The horn is a brass instrument consisting of about of tubing wrapped into a coil with a flared bell. A musician who plays the horn is called a horn player ....
s in F, 3 trumpetTrumpetThe trumpet is the musical instrument with the highest register in the brass family. Trumpets are among the oldest musical instruments, dating back to at least 1500 BCE. They are played by blowing air through closed lips, producing a "buzzing" sound which starts a standing wave vibration in the air...
s in F and C, 3 tromboneTromboneThe trombone is a musical instrument in the brass family. Like all brass instruments, sound is produced when the player’s vibrating lips cause the air column inside the instrument to vibrate...
s, tubaTubaThe tuba is the largest and lowest-pitched brass instrument. Sound is produced by vibrating or "buzzing" the lips into a large cupped mouthpiece. It is one of the most recent additions to the modern symphony orchestra, first appearing in the mid-19th century, when it largely replaced the... - percussionPercussion instrumentA percussion instrument is any object which produces a sound when hit with an implement or when it is shaken, rubbed, scraped, or otherwise acted upon in a way that sets the object into vibration...
: timpaniTimpaniTimpani, or kettledrums, are musical instruments in the percussion family. A type of drum, they consist of a skin called a head stretched over a large bowl traditionally made of copper. They are played by striking the head with a specialized drum stick called a timpani stick or timpani mallet...
, tam-tam - stringsString sectionThe string section is the largest body of the standard orchestra and consists of bowed string instruments of the violin family.It normally comprises five sections: the first violins, the second violins, the violas, the cellos, and the double basses...
: 2 harpHarpThe harp is a multi-stringed instrument which has the plane of its strings positioned perpendicularly to the soundboard. Organologically, it is in the general category of chordophones and has its own sub category . All harps have a neck, resonator and strings...
s, violinViolinThe violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
s i, ii, violaViolaThe viola is a bowed string instrument. It is the middle voice of the violin family, between the violin and the cello.- Form :The viola is similar in material and construction to the violin. A full-size viola's body is between and longer than the body of a full-size violin , with an average...
s, celloCelloThe cello is a bowed string instrument with four strings tuned in perfect fifths. It is a member of the violin family of musical instruments, which also includes the violin, viola, and double bass. Old forms of the instrument in the Baroque era are baryton and viol .A person who plays a cello is...
s, double bassDouble bassThe double bass, also called the string bass, upright bass, standup bass or contrabass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra, with strings usually tuned to E1, A1, D2 and G2...
es.
Quoted
In one of Strauss's last compositions, "Im Abendrot" from the Four Last SongsFour Last Songs
The Four Last Songs for soprano and orchestra were the final completed works of Richard Strauss, composed in 1948 when the composer was 84. Strauss did not live to hear the premiere, given at the Royal Albert Hall in London on 22 May 1950 by the soprano Kirsten Flagstad accompanied by the...
, Strauss poignantly quotes the "transfiguration theme" from his tone poem of 60 years earlier, during and after the soprano's final line, "Ist dies etwa der Tod?" (Could this then be death?).
Just before his own death, he remarked that his music was absolutely correct; his feelings mirrored those of the artist depicted within; Strauss said to his daughter-in-law as he lay on his deathbed in 1949: "It's a funny thing Alice, dying is just the way I composed it in Tod und Verklärung."
Discography
Conductor | Orchestra | Recorded |
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193? |
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1937 |
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1942 |
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1950 |
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1952 |
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1956 |
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