Vilém Blodek was a Czech

Czech Republic

The Czech Republic is a landlocked country in Central Europe. The country is bordered by Poland to the northeast, Slovakia to the east, Austria to the south, and Germany to the west and northwest....

 composer

Composer

A composer is a person who creates music, either by musical notation or oral tradition, for interpretation and performance, or through direct manipulation of sonic material through electronic media...

, flautist

Flautist

A flautist or flutist is a musician who plays an instrument in the flute family. See List of flautists.The choice of "flautist" versus "flutist" is the source of dispute among players of the instrument...

, and pianist

Pianist

A pianist is a musician who plays the piano. A professional pianist can perform solo pieces, play with an ensemble or orchestra, or accompany one or more singers, solo instrumentalists, or other performers.-Choice of genres:...

.

Biography

Blodek was born into a poor family and was educated at a German Piarist school in Prague. After studying with Dreyschock (piano) and at the Prague Conservatory

Prague Conservatory

Prague Conservatory, sometimes also Prague Conservatoire, in Czech Pražská konzervatoř, is a Czech secondary school in Prague dedicated to teaching the arts of music and theater acting.- Instruction :...

 (1846–52) with Antonín Eiser (flute) and Johann Friedrich Kittl (composition), he became a music teacher in Lubycza, Galicia (1853–5). On returning to Prague, he worked as a concert pianist and music teacher and, briefly, as second conductor of the Prague Männergesangverein, for which he wrote a number of patriotic choruses. In 1860 he succeeded Eiser as professor of flute at the conservatory, and, as a basis for teaching, he wrote his own flute tutor (1861). He was active as a writer of incidental music for the German and Czech theatres: from 1858 onwards he wrote music for 60 plays and collaborated with Smetana on music for the tableaux for the 1864 Shakespeare celebrations. In 1865 he married his pupil Marie Doudlebská. Overwork caused a nervous breakdown, and after a spell in a mental home in 1870, he returned there permanently in May 1871.

Style

Blodek began composing at the conservatory at the age of 13 (wind sextet, 1847) in a style that owed much to his teacher Kittl, to Mendelssohn, and to the early German Romantics. His Symphony in D minor (1858–9), his most ambitious work at the time. His Flute Concerto (1862) is a brilliant and attractive flute work.

Blodek’s best-known work is his one-act opera V studni (In the Well), first performed at the Provisional Theater in November 1867. One of several comic village operas written to Sabina

Karel Sabina

Karel Sabina , was a Czech writer and journalist.- Life :...

 librettos (The Bartered Bride is the most famous), it has a cast of four characters and is made up of a handful of closed numbers: five solos, two duets, one quartet, an overture and an intermezzo, and three brief ensembles for chorus and soloists. It was the first Czech comic opera to replace spoken dialogue with recitative. Blodek’s opera is often considered to be one of the most ‘Czech’ operas after those of Smetana – it was written shortly after the première of The Bartered Bride. Blodek’s next opera, Zítek, again to a Sabina libretto (a historical comedy set in the 14th century), was a more ambitious work both in its musical vocabulary and in its operatic form. A full-length three-act opera with a large cast, it made some attempt to break down the divisions between the closed numbers of its predecessor, using arioso and a chorus more integrated into the action. Blodek completed only one act and part of the second before his death; Smetana, already ill, declined to finish it, but it was eventually completed by F.X. Vaňa and was performed for the first time in 1934 on the 100th anniversary of Blodek’s birth.

Works

Stage

• Mlhavé obrazy [Misty Pictures] (incidental music to J. Brandeis’s play), Prague, 1859
• Clarissa (op), 1861, unfinished
• Chorista (vaudeville, F. Hainiš-Zdobnický), 1861, Prague, 22 March 1862, lost
• Hudba k slavnosti Shakespeareově [Music for the Shakespeare Celebrations], Prague, 23 April 1864
• V studni [In the Well] (comic op. 1, K. Sabina), Prague, Provisional, 17 Nov 1867
• Svatojánská pouť [St John’s Pilgrimage] (incidental music to F.F. Šamberk’s play), Prague, 1868
• Zítek (comic op. 3, Sabina), 1868–9, unfinished, completed by F.X. Váňa, Prague, National, 3 Oct 1934
• Incidental music to 60 plays

Vocal

• Die Kapelle
• Písně milostné [Love Songs] (Prague, 1909)
• 6 mužských sborů [6 Male-Voice Choruses], 1859,
• K bratrům [To the Brothers]
• 20 choruses for male voices, some to German texts by Joseph von Eichendorff, Heinrich Heine
  Heinrich Heine
  Christian Johann Heinrich Heine was one of the most significant German poets of the 19th century. He was also a journalist, essayist, and literary critic. He is best known outside Germany for his early lyric poetry, which was set to music in the form of Lieder by composers such as Robert Schumann...
  
  , and Adalbert von Chamisso, and to Czech texts by Václav Hanka
  Václav Hanka
  Wenceslaus Hanka Czech: Václav Hanka was a Czech philologist.-Biography:He was born at Hořiněves near Hradec Králové . He was sent in 1807 to school at Hradec Králové, to escape the conscription, then to the University of Prague, where he founded a society for the cultivation of the Czech language...
  
  , J. V. Jahn, J. Pick, and Karel Sabina
  Karel Sabina
  Karel Sabina , was a Czech writer and journalist.- Life :...
  
  ; several published, including Ach ty Labe tiché [O quiet Elbe], 1865; Pijácká (Společná) [A Drinking-Song (A Social Song)], 1867; Pochod [March], 1867
• Sacred: Solemn Mass, D, 1853; Ave Maria, C, mixed choir, 1863 (Prague, 1888); Otče náš [Our Father], F, male voices, 1863; Veni Creator, C, mixed voices, 1863; Off, C, 1863, inc.; Mass, D, 1865

Instrumental

Orchestral:

• Concert overture., C, op.2, 1850
• Overture., D, 1854
• Symphony, d, 1858–9
• Concert Overture, E, 1859
• Overture, e, 1862
• Flute Concerto, D, 1862, edited by J. Kàan (Prague, 1903)
• Skladba [Composition], A, 2 flutes and orchestra, ?1862

Chamber:

• Sextet, D, flute, 2 violins, oboe, horn, trombone, 1847
• Salon Piece, C, violin, piano, 1850
• Grand Solo, D, flute, piano, op.1, 1851
• Allegro di bravura, D, flute, piano, 1852
• Fantasie e Capriccio, F, flute, piano, 1863
• Andante cantabile, D, flute, piano, 1863

Principal publishers: Urbánek, Vilímek, E. Starý, J.A. Christophe & Kuhé, Český hudební fond

External links