Yesterday's Enterprise (TNG episode)
Encyclopedia
"Yesterday's Enterprise" is the fifteenth episode of the third season of the science fiction television show Star Trek: The Next Generation
. The episode first aired in syndication the week of February 19, 1990. In the plot, the crew of the USS Enterprise-D
must decide whether to send the time-travelling Enterprise-C
back through a temporal rift to its certain destruction in order to protect the timeline.
The plot for "Yesterday's Enterprise" came from the uniting of two story ideas; one which featured the crew of the time-travelling Enterprise-C, and another episode which featured the return of Denise Crosby
, whose character had been killed in the show's first season. Trent Christopher Ganino and Eric A. Stillwell rewrote the story to more prominently feature the character of Guinan, and the script was completed by a team of five writers.
Filming of the episode lasted a week; some planned elements, including death scenes for many of the characters, were either too time-intensive or costly to film. In syndication, "Yesterday's Enterprise" outperformed most of the third season's episodes with a 13.1 ranking, the third-highest number for the series at the time. The episode is cited as a favorite by members of the crew and by reviewers.
encounters a rift in space-time while on a routine mission. As they monitor the anomaly, the heavily damaged USS Enterprise-C
, a ship believed destroyed more than two decades earlier, emerges. At that occurrence, the Enterprise-D undergoes a sudden and radical change: it is now a warship and the Federation
is at war with the Klingon
s. Worf
has disappeared and Tasha Yar
mans the tactical station. None of the crew notice the change, but Guinan senses that reality has changed, and has a meeting with Captain Picard
. She says, for example, that there are supposed to be children on the ship, leaving Picard greatly surprised. She suggests that the Enterprise-C does not belong in their time and should return to the past. Picard, who knows that this would be a suicide mission, refuses to give such an order on Guinan's intuition alone.
Captain Rachel Garrett of the Enterprise-C and her crew learn they have travelled into the future. Garrett explains that they were responding to a distress call from the Klingon outpost on Narendra III, and were attacked by Romulan warbirds. While the crew works to repair the Enterprise-C and tend to the crew's injuries, Picard and his command staff discuss whether or not the ship should return to the past. Riker argues that their deaths would be meaningless, but Data suggests that it would be considered an honorable act by the Klingons. Picard discusses the situation with Garrett, who tells him that her crew will serve the Federation in the present. Picard quietly reveals to her that the Federation is on the verge of defeat and the presence of one ship will make no difference, but if the Enterprise-C were to return to the past they may prevent the war from ever starting. Garrett agrees and announces to her crew that they will return through the anomaly, but at that moment, the two ships are ambushed by a Klingon Bird of Prey. Garrett is killed, and her helmsman, Richard Castillo, takes command. During the repair efforts, Yar becomes close to Castillo, but is unnerved by tense interactions with Guinan. Guinan reveals to Yar that she knows that Yar dies a meaningless death in the alternate timeline, and the two never should have met. Yar requests a transfer to the Enterprise-C based on Guinan's advice, to which Picard agrees.
As the Enterprise-C prepares to return through the anomaly, three Klingon battlecruisers attack. With the anomaly becoming unstable, Picard orders the Enterprise-D to cover the Enterprise-C's withdrawal. The Enterprise-D suffers major crew losses under the Klingon barrage, including the death of Commander Riker. The Klingons contact the Enterprise-D and demand its surrender. The bridge aflame, Picard defiantly says "That will be the day" before he leaps to the tactical station and manually fires on the Klingons. The Enterprise-C travels back through the anomaly, which causes the timeline to return to normal. Guinan, still subtly aware of the events, asks La Forge
to tell her more about Yar.
became the series' head writer. Among the changes he implemented was to open the submission process for stories to non-professional writers, or those not represented by agents; though the studio resisted the effort, The Next Generation became the first show in Hollywood to allow such writers to submit their scripts. As soon as word got out, the studio was swamped with scripts — more than 5,000 would arrive in a single year.
Among the scripts submitted by freelance or aspiring writers was one by Trent Christopher Ganino. Ganino completed a third draft of his speculative script in April 1989 and submitted it to the office of pre-production associate Eric A. Stillwell. Ganino's script, titled "Yesterday's Enterprise", ran 106 pages, far longer than the usual 65 page submission guideline, but a special allowance was made since the script was double-spaced. The story involved the Enterprise-D's response to a crisis in the Golecian sector and the discovery of the Enterprise-C, which had been destroyed 18 years before. The crew of the Enterprise-C is in awe of the newer ship's technology, but Picard is confronted with revealing to their guests their ultimate fate. An Enterprise-C ensign accidentally discovers the fate of his vessel and panics; Worf and Riker must capture him after he attempts to escape. When Golecian warships attack, Picard defends the Enterprise-C using the same maneuver that caused the vessel's destruction in the past. The ensign is hypnotized and returned to his ship, which returns to the past to its certain destruction.
Due to the backlog of scripts, processing all the drafts could take anywhere from weeks to a year. Ganino's script was "logged" on May 2 and first read later that month by Richard Manning, a co-producer on the writing staff. Manning commented that the draft was "not horrible, not particularly original, but good in spots, lousy in others"; while not the review Ganino had hoped for, it was enough to keep the script in circulation.
Meanwhile, Ganino and Stillwell had struck up a friendship and began to develop ideas for other episodes. Gene Roddenberry
had distributed a memo that suggested that though it would be unlikely to feature Leonard Nimoy
as Spock
on the series due to financial considerations, he suggested a reasonable alternative would be to feature Mark Lenard
, who played Spock's father, Sarek
. Stillwell also met Denise Crosby, who had played Tasha Yar in the show's first season, at a 1989 fan convention in San Jose. Over dinner, Crosby admitted she missed being part of the show and suggested that Stillwell could write a script to bring her character back, who had been killed off in the episode "Skin of Evil". Ganino and Stillwell began to work on script ideas that would involve both Yar and Sarek.
In the meantime, executive story editor Melinda Snodgrass read Ganino's spec script for "Yesterday's Enterprise" in June and attached a post-it note that declared that the story was an "interesting idea". A "coverage" of the script, which outlined the plot and provided creative feedback, was written in August. The coverage's analysis called the script a "good effort by an unrepresented writer", and considered the script's weak characterization and plot issues correctable. The main issue was whether the producers wanted to do a show with time travel or not.
Ganino and Stillwell were particular fans of two episodes from the original Star Trek
series, "Mirror, Mirror" and "The City on the Edge of Forever", and wanted to combine elements from them for a Next Generation episode. The foundation of their episode involved a team of Vulcans
investigating the Guardian of Forever
. In the past, the founder of modern Vulcan logic, Surak
, is killed, causing massive changes to the timeline. The Romulans and Vulcans joined forces to attack the Federation; Worf is no longer a crewmember on the Enterprise and Tasha Yar remains alive. Sarek and the Vulcans on the surface are the only people not affected by the timeline change, and in the end Sarek returns to the past to take Surak's place and restore the timeline. Satisfied with the story, the writers decided to pitch the idea to Piller.
Piller read "Yesterday's Enterprise" and suggested to producer Rick Berman
that the story, not the script, be bought from Ganino. In a meeting, Piller told Ganino that he wanted to make changes to the story, which included the addition of Tasha Yar. Fearing that what they considered a better story was to be lost if the changes to "Yesterday's Enterprise" were undertaken, Stillwell talked to Piller and pitched their Guardian of Forever story. While intrigued by elements, Piller felt the use of the Guardian was a "gimmick" and wanted The Next Generation to stand on its own. Instead, Piller suggested that they merge the two stories, with Stillwell and Ganino to share a writing credit. In meetings with the writers, Piller suggested that the Enterprise crew immediately undergo changes due to the presence of the older Enterprise, and that Guinan be integral to the realization that something was wrong. Ganino and Stillwell were ultimately given two weeks to complete their new story.
minimum of $2400.
Meanwhile, production of the episode was moved up from January 1990 to December 1989, as this was the only time both Crosby and Whoopi Goldberg
would be available for filming. The task of writing and polishing the new treatment in half the time fell upon writer Ronald D. Moore
, who submitted his first draft on November 9. Moore's script made the alternate universe militaristic, with the Federation at war with the Klingons, and the alien probe was removed. The writing staff sat down in mid-November to "break" the story, and turn the treatment into a rough script outline. Some characters, such as Troi, appeared only briefly at the beginning of the episode in order to offer more screen time to the guest characters of Guinan, Yar, Garrett, and Castillo. The beat sheet for the episode, which detailed characters and scenes, was distributed on November 27.
Because of the lack of time before production needed to start, a team of writers was assigned to the task of writing the teleplay. In addition to the story credit to Ganino and Stillwell, Moore, Ira Steven Behr
, Hans Beimler and Richard Manning would work on the teleplay with Piller to provide a final polish — a total of seven writers. Some of the staff were convinced that with so many writers, the script would be a disaster. Because the Writers Guild would not allow more than three staff writers to appear in the credits (four after a special waiver was granted), Piller agreed not to feature his name in the credits. A partial first draft was turned in on November 30 so that preproduction for the episode could commence. The altered timeline provided the chance to show the Enterprise crew in a much more dramatic and human light than would be allowable in a normal episode; since the original timeline was to be restored, Behr explained, the writers had the freedom to include more action. "Even though it was an alternate universe, [Moore] and I got all excited because we realized we were going to kill everyone on screen!" he said. Michael Okuda
and Rick Sternbach
submitted technical memos on what kind of anomaly might drag the Enterprise-C through time, and suggested interstellar, super-dense strings as a possibility. The first draft teleplay was completed by December 4, and a preproduction meeting was held the same day; the various departments argued over costs and what items could be cut to reduce the budget. The final draft was finished and turned in on December 8.
The script called for the creation of a new ship, the Enterprise-C. In the first season, illustrator Andrew Probert
, who had designed the Enterprise-D, was interested in the design lineage of the ship from James T. Kirk
's Enterprise-A, seen in the motion pictures, to The Next Generations much larger ship. Like most others, Probert assumed that the Enterprise-B was an Excelsior-class vessel (the Ds observation lounge featured such a ship in relief among the other ships named Enterprise.) Probert reasoned that the C would share design elements with its predecessor and what came after it. The artist produced a small color sketch of his craft, but left at the end of the season; with his absence, no one knew what the drawing was intended to be.
When Rick Sternbach took over Probert's duties, he believed the sketch was a rejected concept for the Enterprise-D, but the ship's design stayed with him. When he learned about the ship requirement for "Yesterday's Enterprise", he followed a thought process similar to Probert and built off the old sketch. Probert's version had a highly curved engineering hull reminiscent of a sailing ship, but Sternbach was worried a design with so many compound curves would prove difficult to fabricate in the available time, so he made the hull entirely circular. A set of orthographic views were created and sent to Greg Jein
, who fabricated the shooting model; the model cost more than $10,000 to produce.
The crew took several steps to differentiate the alternate universe from the original one. A "military log" is substituted for a captain's log, "combat date" rather than stardate, and the absence of a counselor. The expanded budget allowed the bridge to be entirely redressed, something that would normally be infeasible. Steps replaced the bridge's ramps, and the captain's chair was elevated and made more throne-like. Longer, more military-looking tables were substituted for the usual decor in the Ten-Forward lounge. While enlisted crew aboard the darker Enterprise wore variations of the Season 1–2 uniforms, the senior officers wore slightly modified versions of the uniforms added that season. The Enterprise-C officers wore feature film costumes due to the expense and time-consuming nature of creating more than a half-dozen or so new uniforms for each episode. Costume designer Robert Blackman
's solution to change their appearance was to remove the turtleneck collars underneath the red tunics.
, who had only helmed one other episode before "Yesterday's Enterprise" was shot. Carson felt that his relative lack of experience helped because he had no preconceptions about how things should be done. Since much of the episode took place in the darker alternate universe, Carson wanted to emphasize the effect decades of war had on the crew and the bridge. "Picard really looked tired and worn and like a battle-weary commander, and that's what we wanted the bridge to look like--a battle weary bridge. I had lots of thoughts about making it as strong as possible using a lot of low lights, a lot of dark blues, making it very much more moody," he said. In order to heighten the impact of the physical set changes, Carson took a different approach to how he constructed shots. "It was my intention to make it as much like a submarine
as possible and to use low-angle lighting; basically, to do everything the opposite way that the Enterprise was normally shot." The cameras were equipped with longer lenses than usual in order to reduce the depth of the scenes and provide a grittier feel. The use of low angles forced the lighting to be modified in order to prevent the scene from looking "like a hotel lobby", in Carson's words.
Two new roles needed to be filled for the production: Garrett and Castillo. The actors selected were both Star Trek fans. Chris McDonald
was picked for Castillo. "What impressed me about [McDonald]," Carson remembers, "was that he wasn't just your romantic leading man; he was actually a very impressive actor." Tricia O'Neil
was cast for similar reasons; the actress was not the normal Star Trek commander type. Carson was also pleased to work with Crosby and Goldberg. The main cast enjoyed the opportunity to play their characters differently. The result was an unusual degree of friction between characters. This provoked some concern with the producers; Berman was afraid that the episode was pushing the timeline too far.
Ganino and Stillwell visited the set frequently during filming. Members of the main cast approached Stillwell with questions about the nature of the altered universe and if they were still the same character. Goldberg asked Ganino about changing a piece of dialogue on set; since Ganino was not the author of the teleplay, he deferred to Stillwell, who notified the production office. When Berman found out that Ganino and Stillwell were on set and talking to the actors, he banned them from setting foot on the sets again. Due to time constraints many planned elements were never filmed; Moore had hoped for an extended battle scene in which Data would be electrocuted, and Wesley blown up in an explosion. Production of the episode wrapped on December 19.
Screenwriters John Logan
and Roberto Orci
, writers for the 2002 film Star Trek Nemesis and the 2009 reboot Star Trek, respectively, cite "Yesterday's Enterprise" as one of their favorite episodes and influences.
"Yesterday's Enterprise" was also included as one of four episodes (along with "The Best of Both Worlds, Parts I and II" and "The Measure of a Man") in a DVD collection entitled "The Best of Star Trek: The Next Generation". Critic Marc Bernardin described the episode as Star Treks "smartest time-travel experiment" and a fan favorite. The Toronto Star
listed The Next Generations time-shifting episodes, including "Yesterday's Enterprise" as one of twenty of the best elements of the show.
Star Trek: The Next Generation
Star Trek: The Next Generation is an American science fiction television series created by Gene Roddenberry as part of the Star Trek franchise. Roddenberry, Rick Berman, and Michael Piller served as executive producers at different times throughout the production...
. The episode first aired in syndication the week of February 19, 1990. In the plot, the crew of the USS Enterprise-D
USS Enterprise (NCC-1701-D)
The USS Enterprise is a 24th century starship in the Star Trek fictional universe and the principal setting of the Star Trek: The Next Generation television series...
must decide whether to send the time-travelling Enterprise-C
USS Enterprise (NCC-1701-C)
The USS Enterprise is a fictional starship that appears in the Star Trek: The Next Generation episode "Yesterday's Enterprise". This Ambassador-class starship, under the command of Captain Rachel Garrett , is the fourth Federation starship to carry the name Enterprise...
back through a temporal rift to its certain destruction in order to protect the timeline.
The plot for "Yesterday's Enterprise" came from the uniting of two story ideas; one which featured the crew of the time-travelling Enterprise-C, and another episode which featured the return of Denise Crosby
Denise Crosby
Denise Michelle Crosby is an American actress best known for portraying Security Chief Tasha Yar on Star Trek: The Next Generation...
, whose character had been killed in the show's first season. Trent Christopher Ganino and Eric A. Stillwell rewrote the story to more prominently feature the character of Guinan, and the script was completed by a team of five writers.
Filming of the episode lasted a week; some planned elements, including death scenes for many of the characters, were either too time-intensive or costly to film. In syndication, "Yesterday's Enterprise" outperformed most of the third season's episodes with a 13.1 ranking, the third-highest number for the series at the time. The episode is cited as a favorite by members of the crew and by reviewers.
Plot
The Enterprise-DUSS Enterprise (NCC-1701-D)
The USS Enterprise is a 24th century starship in the Star Trek fictional universe and the principal setting of the Star Trek: The Next Generation television series...
encounters a rift in space-time while on a routine mission. As they monitor the anomaly, the heavily damaged USS Enterprise-C
USS Enterprise (NCC-1701-C)
The USS Enterprise is a fictional starship that appears in the Star Trek: The Next Generation episode "Yesterday's Enterprise". This Ambassador-class starship, under the command of Captain Rachel Garrett , is the fourth Federation starship to carry the name Enterprise...
, a ship believed destroyed more than two decades earlier, emerges. At that occurrence, the Enterprise-D undergoes a sudden and radical change: it is now a warship and the Federation
United Federation of Planets
The United Federation of Planets, also known as "The Federation" is a fictional interplanetary federal republic depicted in the Star Trek television series and motion pictures...
is at war with the Klingon
Klingon
Klingons are a fictional warrior race in the Star Trek universe.Klingons are recurring villains in the 1960s television show Star Trek: The Original Series, and have appeared in all five spin-off series and eight feature films...
s. Worf
Worf
Worf, played by Michael Dorn, is a main character in Star Trek: The Next Generation and in seasons four to seven of Star Trek: Deep Space Nine. He also appears in the films based on The Next Generation. Worf is the first Klingon main character to appear in Star Trek, and has appeared in more Star...
has disappeared and Tasha Yar
Tasha Yar
Lieutenant Natasha "Tasha" Yar, played by Denise Crosby, is a character in Star Trek: The Next Generation. In the fictional series, the character served as chief of security aboard the USS Enterprise-D for the first season....
mans the tactical station. None of the crew notice the change, but Guinan senses that reality has changed, and has a meeting with Captain Picard
Jean-Luc Picard
Captain Jean-Luc Picard is a Star Trek character portrayed by Patrick Stewart. He appears in the television series Star Trek: The Next Generation and the feature films Star Trek Generations, Star Trek: First Contact, Star Trek: Insurrection, and Star Trek Nemesis...
. She says, for example, that there are supposed to be children on the ship, leaving Picard greatly surprised. She suggests that the Enterprise-C does not belong in their time and should return to the past. Picard, who knows that this would be a suicide mission, refuses to give such an order on Guinan's intuition alone.
Captain Rachel Garrett of the Enterprise-C and her crew learn they have travelled into the future. Garrett explains that they were responding to a distress call from the Klingon outpost on Narendra III, and were attacked by Romulan warbirds. While the crew works to repair the Enterprise-C and tend to the crew's injuries, Picard and his command staff discuss whether or not the ship should return to the past. Riker argues that their deaths would be meaningless, but Data suggests that it would be considered an honorable act by the Klingons. Picard discusses the situation with Garrett, who tells him that her crew will serve the Federation in the present. Picard quietly reveals to her that the Federation is on the verge of defeat and the presence of one ship will make no difference, but if the Enterprise-C were to return to the past they may prevent the war from ever starting. Garrett agrees and announces to her crew that they will return through the anomaly, but at that moment, the two ships are ambushed by a Klingon Bird of Prey. Garrett is killed, and her helmsman, Richard Castillo, takes command. During the repair efforts, Yar becomes close to Castillo, but is unnerved by tense interactions with Guinan. Guinan reveals to Yar that she knows that Yar dies a meaningless death in the alternate timeline, and the two never should have met. Yar requests a transfer to the Enterprise-C based on Guinan's advice, to which Picard agrees.
As the Enterprise-C prepares to return through the anomaly, three Klingon battlecruisers attack. With the anomaly becoming unstable, Picard orders the Enterprise-D to cover the Enterprise-C's withdrawal. The Enterprise-D suffers major crew losses under the Klingon barrage, including the death of Commander Riker. The Klingons contact the Enterprise-D and demand its surrender. The bridge aflame, Picard defiantly says "That will be the day" before he leaps to the tactical station and manually fires on the Klingons. The Enterprise-C travels back through the anomaly, which causes the timeline to return to normal. Guinan, still subtly aware of the events, asks La Forge
Geordi La Forge
Lieutenant Commander Geordi La Forge is a regular character in the television series Star Trek: The Next Generation and its feature films, played by LeVar Burton...
to tell her more about Yar.
Development
At the beginning of Star Trek: The Next Generations third season, Michael PillerMichael Piller
Michael Piller was an American television scriptwriter and producer, who was most famous for his contributions to the Star Trek franchise.-Early life and career:Piller was born in Port Chester, New York...
became the series' head writer. Among the changes he implemented was to open the submission process for stories to non-professional writers, or those not represented by agents; though the studio resisted the effort, The Next Generation became the first show in Hollywood to allow such writers to submit their scripts. As soon as word got out, the studio was swamped with scripts — more than 5,000 would arrive in a single year.
Among the scripts submitted by freelance or aspiring writers was one by Trent Christopher Ganino. Ganino completed a third draft of his speculative script in April 1989 and submitted it to the office of pre-production associate Eric A. Stillwell. Ganino's script, titled "Yesterday's Enterprise", ran 106 pages, far longer than the usual 65 page submission guideline, but a special allowance was made since the script was double-spaced. The story involved the Enterprise-D's response to a crisis in the Golecian sector and the discovery of the Enterprise-C, which had been destroyed 18 years before. The crew of the Enterprise-C is in awe of the newer ship's technology, but Picard is confronted with revealing to their guests their ultimate fate. An Enterprise-C ensign accidentally discovers the fate of his vessel and panics; Worf and Riker must capture him after he attempts to escape. When Golecian warships attack, Picard defends the Enterprise-C using the same maneuver that caused the vessel's destruction in the past. The ensign is hypnotized and returned to his ship, which returns to the past to its certain destruction.
Due to the backlog of scripts, processing all the drafts could take anywhere from weeks to a year. Ganino's script was "logged" on May 2 and first read later that month by Richard Manning, a co-producer on the writing staff. Manning commented that the draft was "not horrible, not particularly original, but good in spots, lousy in others"; while not the review Ganino had hoped for, it was enough to keep the script in circulation.
Meanwhile, Ganino and Stillwell had struck up a friendship and began to develop ideas for other episodes. Gene Roddenberry
Gene Roddenberry
Eugene Wesley "Gene" Roddenberry was an American television screenwriter, producer and futurist, best known for creating the American science fiction series Star Trek. Born in El Paso, Texas, Roddenberry grew up in Los Angeles, California where his father worked as a police officer...
had distributed a memo that suggested that though it would be unlikely to feature Leonard Nimoy
Leonard Nimoy
Leonard Simon Nimoy is an American actor, film director, poet, musician and photographer. Nimoy's most famous role is that of Spock in the original Star Trek series , multiple films, television and video game sequels....
as Spock
Spock
Spock is a fictional character in the Star Trek media franchise. First portrayed by Leonard Nimoy in the original Star Trek series, Spock also appears in the animated Star Trek series, two episodes of Star Trek: The Next Generation, seven of the Star Trek feature films, and numerous Star Trek...
on the series due to financial considerations, he suggested a reasonable alternative would be to feature Mark Lenard
Mark Lenard
Mark Lenard was an American actor, primarily in television.-Biography:Lenard was born Leonard Rosenson in Chicago, Illinois, the son of a Russian Jewish immigrant, Abraham, and his wife, Bessie...
, who played Spock's father, Sarek
Sarek
Sarek is a fictional character in the Star Trek media franchise. He is a Vulcan astrophysicist, the Vulcan ambassador to the United Federation of Planets, and father of Spock...
. Stillwell also met Denise Crosby, who had played Tasha Yar in the show's first season, at a 1989 fan convention in San Jose. Over dinner, Crosby admitted she missed being part of the show and suggested that Stillwell could write a script to bring her character back, who had been killed off in the episode "Skin of Evil". Ganino and Stillwell began to work on script ideas that would involve both Yar and Sarek.
In the meantime, executive story editor Melinda Snodgrass read Ganino's spec script for "Yesterday's Enterprise" in June and attached a post-it note that declared that the story was an "interesting idea". A "coverage" of the script, which outlined the plot and provided creative feedback, was written in August. The coverage's analysis called the script a "good effort by an unrepresented writer", and considered the script's weak characterization and plot issues correctable. The main issue was whether the producers wanted to do a show with time travel or not.
Ganino and Stillwell were particular fans of two episodes from the original Star Trek
Star Trek: The Original Series
Star Trek is an American science fiction television series created by Gene Roddenberry, produced by Desilu Productions . Star Trek was telecast on NBC from September 8, 1966, through June 3, 1969...
series, "Mirror, Mirror" and "The City on the Edge of Forever", and wanted to combine elements from them for a Next Generation episode. The foundation of their episode involved a team of Vulcans
Vulcan (Star Trek)
Vulcans, or sometimes Vulcanians, are an extraterrestrial humanoid species in the Star Trek universe who evolved on the planet Vulcan, and are noted for their attempt to live by reason and logic with no interference from emotion. They were the first extraterrestrial species in the Star Trek...
investigating the Guardian of Forever
Guardian of Forever
The Guardian of Forever is a time portal portrayed in the fictional universe of Star Trek.-Fictional origins:In the Star Trek universe, analysis of the ruins on the Guardian's home world suggests it may be billions of years old but no one knows who built the Guardian...
. In the past, the founder of modern Vulcan logic, Surak
Surak
Surak is a fictional character in the backstory of the Star Trek television series and franchises. He is portrayed as the most important philosopher in the history of the planet Vulcan...
, is killed, causing massive changes to the timeline. The Romulans and Vulcans joined forces to attack the Federation; Worf is no longer a crewmember on the Enterprise and Tasha Yar remains alive. Sarek and the Vulcans on the surface are the only people not affected by the timeline change, and in the end Sarek returns to the past to take Surak's place and restore the timeline. Satisfied with the story, the writers decided to pitch the idea to Piller.
Piller read "Yesterday's Enterprise" and suggested to producer Rick Berman
Rick Berman
Richard Keith “Rick” Berman is an American television producer. He is most famous for his work as the executive producer of several of the Star Trek series, Star Trek: The Next Generation, Star Trek: Deep Space Nine, and Star Trek: Voyager; and, several of the Star Trek theatrical productions, and...
that the story, not the script, be bought from Ganino. In a meeting, Piller told Ganino that he wanted to make changes to the story, which included the addition of Tasha Yar. Fearing that what they considered a better story was to be lost if the changes to "Yesterday's Enterprise" were undertaken, Stillwell talked to Piller and pitched their Guardian of Forever story. While intrigued by elements, Piller felt the use of the Guardian was a "gimmick" and wanted The Next Generation to stand on its own. Instead, Piller suggested that they merge the two stories, with Stillwell and Ganino to share a writing credit. In meetings with the writers, Piller suggested that the Enterprise crew immediately undergo changes due to the presence of the older Enterprise, and that Guinan be integral to the realization that something was wrong. Ganino and Stillwell were ultimately given two weeks to complete their new story.
Writing
Ganino and Stillwell managed to complete their new combined story in slightly over a week; the two writers spent hours each day at Stillwell's apartment working over every detail. They were under pressure to write a story Piller would find acceptable, as they wanted to have the opportunity to write the teleplay. The story treatment was turned in on October 10. Piller immediately decided to purchase the story, and distributed the treatment to the writing staff while he discussed changes. Piller felt Data's romantic feelings for Tasha Yar were over-the-top, and that the alien probe that served as a central part of the story felt like a cheat in terms of resolving Picard's dilemma. The writer wanted Ganino and Stillwell to beef up Guinan's role and find another character arc for Tasha Yar. A revised treatment was submitted on October 29, which incorporated Piller's changes, but the writers learned that they would not be involved in development of the teleplay; each was paid the Writers GuildWriters Guild of America, west
Writers Guild of America, West is a labor union representing film, television, radio, and new media writers. The Guild was formed in 1954 from five organizations representing writers, which include the Screen Writers Guild...
minimum of $2400.
Meanwhile, production of the episode was moved up from January 1990 to December 1989, as this was the only time both Crosby and Whoopi Goldberg
Whoopi Goldberg
Whoopi Goldberg is an American comedian, actress, singer-songwriter, political activist, author and talk show host.Goldberg made her film debut in The Color Purple playing Celie, a mistreated black woman in the Deep South. She received a nomination for the Academy Award for Best Actress and won...
would be available for filming. The task of writing and polishing the new treatment in half the time fell upon writer Ronald D. Moore
Ronald D. Moore
Ronald Dowl Moore is an American screenwriter and television producer best known for his work on Star Trek and the re-imagined Battlestar Galactica miniseries and television series, for which he won a Peabody Award for creative excellence in 2005 and an Emmy Award in 2008.-Early life and...
, who submitted his first draft on November 9. Moore's script made the alternate universe militaristic, with the Federation at war with the Klingons, and the alien probe was removed. The writing staff sat down in mid-November to "break" the story, and turn the treatment into a rough script outline. Some characters, such as Troi, appeared only briefly at the beginning of the episode in order to offer more screen time to the guest characters of Guinan, Yar, Garrett, and Castillo. The beat sheet for the episode, which detailed characters and scenes, was distributed on November 27.
Because of the lack of time before production needed to start, a team of writers was assigned to the task of writing the teleplay. In addition to the story credit to Ganino and Stillwell, Moore, Ira Steven Behr
Ira Steven Behr
Ira Steven Behr born 23 October 1953, in New York City, New York, USA is an American television producer and screenwriter, most known for his work on Star Trek, especially Star Trek: Deep Space Nine, on which he served as showrunner and executive producer...
, Hans Beimler and Richard Manning would work on the teleplay with Piller to provide a final polish — a total of seven writers. Some of the staff were convinced that with so many writers, the script would be a disaster. Because the Writers Guild would not allow more than three staff writers to appear in the credits (four after a special waiver was granted), Piller agreed not to feature his name in the credits. A partial first draft was turned in on November 30 so that preproduction for the episode could commence. The altered timeline provided the chance to show the Enterprise crew in a much more dramatic and human light than would be allowable in a normal episode; since the original timeline was to be restored, Behr explained, the writers had the freedom to include more action. "Even though it was an alternate universe, [Moore] and I got all excited because we realized we were going to kill everyone on screen!" he said. Michael Okuda
Michael Okuda
- Work in Star Trek :In the mid-1980s, he designed the look of animated computer displays for the Enterprise-A bridge in Star Trek IV: The Voyage Home. This led to a staff position on Star Trek: The Next Generation in 1987 as a scenic artist, adding detail to set designs and props...
and Rick Sternbach
Rick Sternbach
Richard Michael Sternbach is an illustrator who is best known for his space illustrations and his work on the Star Trek television series.- Early years :...
submitted technical memos on what kind of anomaly might drag the Enterprise-C through time, and suggested interstellar, super-dense strings as a possibility. The first draft teleplay was completed by December 4, and a preproduction meeting was held the same day; the various departments argued over costs and what items could be cut to reduce the budget. The final draft was finished and turned in on December 8.
Design
After everyone had read the script, the studio decided to spend a little more on the episode than average (at that time, Daily Variety estimated an average cost of $1.2 million.) This gave the production departments added liberties beyond what had been expected in the script. Among the reasons for the increase in budget was that "Yesterday's Enterprise" would air during February sweeps, an important time for the studio to attract solid ratings. As The Next Generation was syndicated directly by the studio, the episode's performance would impact advertising revenue for the future.The script called for the creation of a new ship, the Enterprise-C. In the first season, illustrator Andrew Probert
Andrew Probert
Andrew Probert is an artist who is best known for designing the USS Enterprise for Star Trek: The Motion Picture and the Enterprise-D for Star Trek: The Next Generation....
, who had designed the Enterprise-D, was interested in the design lineage of the ship from James T. Kirk
James T. Kirk
James Tiberius "Jim" Kirk is a character in the Star Trek media franchise. Kirk was first played by William Shatner as the principal lead character in the original Star Trek series. Shatner voiced Kirk in the animated Star Trek series and appeared in the first seven Star Trek movies...
's Enterprise-A, seen in the motion pictures, to The Next Generations much larger ship. Like most others, Probert assumed that the Enterprise-B was an Excelsior-class vessel (the Ds observation lounge featured such a ship in relief among the other ships named Enterprise.) Probert reasoned that the C would share design elements with its predecessor and what came after it. The artist produced a small color sketch of his craft, but left at the end of the season; with his absence, no one knew what the drawing was intended to be.
When Rick Sternbach took over Probert's duties, he believed the sketch was a rejected concept for the Enterprise-D, but the ship's design stayed with him. When he learned about the ship requirement for "Yesterday's Enterprise", he followed a thought process similar to Probert and built off the old sketch. Probert's version had a highly curved engineering hull reminiscent of a sailing ship, but Sternbach was worried a design with so many compound curves would prove difficult to fabricate in the available time, so he made the hull entirely circular. A set of orthographic views were created and sent to Greg Jein
Greg Jein
Greg Jein is a model designer who creates miniatures for use in the special effects portions of many films and TV shows. He has been doing so since the 1970s.-References:...
, who fabricated the shooting model; the model cost more than $10,000 to produce.
The crew took several steps to differentiate the alternate universe from the original one. A "military log" is substituted for a captain's log, "combat date" rather than stardate, and the absence of a counselor. The expanded budget allowed the bridge to be entirely redressed, something that would normally be infeasible. Steps replaced the bridge's ramps, and the captain's chair was elevated and made more throne-like. Longer, more military-looking tables were substituted for the usual decor in the Ten-Forward lounge. While enlisted crew aboard the darker Enterprise wore variations of the Season 1–2 uniforms, the senior officers wore slightly modified versions of the uniforms added that season. The Enterprise-C officers wore feature film costumes due to the expense and time-consuming nature of creating more than a half-dozen or so new uniforms for each episode. Costume designer Robert Blackman
Robert Blackman
Robert John Blackman , better known as Bob Blackman, is a Conservative Party politician in the United Kingdom who has been the Member of Parliament for Harrow East since 2010...
's solution to change their appearance was to remove the turtleneck collars underneath the red tunics.
Filming and casting
Filming began on Monday, December 11, 1989 and lasted for seven days. The episode was directed by David CarsonDavid Carson
David Carson may refer to:*David Carson , American graphic designer*David Carson , British television director*David Carson , British climatologist...
, who had only helmed one other episode before "Yesterday's Enterprise" was shot. Carson felt that his relative lack of experience helped because he had no preconceptions about how things should be done. Since much of the episode took place in the darker alternate universe, Carson wanted to emphasize the effect decades of war had on the crew and the bridge. "Picard really looked tired and worn and like a battle-weary commander, and that's what we wanted the bridge to look like--a battle weary bridge. I had lots of thoughts about making it as strong as possible using a lot of low lights, a lot of dark blues, making it very much more moody," he said. In order to heighten the impact of the physical set changes, Carson took a different approach to how he constructed shots. "It was my intention to make it as much like a submarine
Submarine
A submarine is a watercraft capable of independent operation below the surface of the water. It differs from a submersible, which has more limited underwater capability...
as possible and to use low-angle lighting; basically, to do everything the opposite way that the Enterprise was normally shot." The cameras were equipped with longer lenses than usual in order to reduce the depth of the scenes and provide a grittier feel. The use of low angles forced the lighting to be modified in order to prevent the scene from looking "like a hotel lobby", in Carson's words.
Two new roles needed to be filled for the production: Garrett and Castillo. The actors selected were both Star Trek fans. Chris McDonald
Christopher McDonald
Christopher McDonald is an American actor. He is known for his roles as Shooter McGavin in Happy Gilmore, Tappy Tibbons in Requiem for a Dream, and Mel Allen in the HBO film 61*.-Personal life:...
was picked for Castillo. "What impressed me about [McDonald]," Carson remembers, "was that he wasn't just your romantic leading man; he was actually a very impressive actor." Tricia O'Neil
Tricia O'Neil
Tricia O'Neil is an American actress.Born in Shreveport, Louisiana, O'Neil began her career as a model and cover girl before turning to acting. She first appeared in television commercials, then was cast many popular television series. She played Dr...
was cast for similar reasons; the actress was not the normal Star Trek commander type. Carson was also pleased to work with Crosby and Goldberg. The main cast enjoyed the opportunity to play their characters differently. The result was an unusual degree of friction between characters. This provoked some concern with the producers; Berman was afraid that the episode was pushing the timeline too far.
Ganino and Stillwell visited the set frequently during filming. Members of the main cast approached Stillwell with questions about the nature of the altered universe and if they were still the same character. Goldberg asked Ganino about changing a piece of dialogue on set; since Ganino was not the author of the teleplay, he deferred to Stillwell, who notified the production office. When Berman found out that Ganino and Stillwell were on set and talking to the actors, he banned them from setting foot on the sets again. Due to time constraints many planned elements were never filmed; Moore had hoped for an extended battle scene in which Data would be electrocuted, and Wesley blown up in an explosion. Production of the episode wrapped on December 19.
Release and reception
"Yesterday's Enterprise" was first broadcast the week of February 19, 1990. Because The Next Generation aired in syndication, "Yesterday's Enterprise" did not air on a specific day or time slot. The episode received a 13.1 rating for the time period from February 19 to March 4 — the third highest rating for the series, and the highest for the entire season. While the season had averaged 9,817,000 households, "Yesterday's Enterprise" attracted 12,070,000 households.Screenwriters John Logan
John Logan (writer)
John David Logan is an American screenwriter, playwright and film producer.-Personal life:Logan was born in San Diego on September 24, 1961. His parents emigrated to the US from Northern Ireland via Canada. The youngest of three children, he has an older brother and sister...
and Roberto Orci
Roberto Orci
Roberto Gaston Orci is a Mexican-American film producer, television producer, and screenwriter.-Biography:Orci was born in Mexico City to a Mexican father and a Cuban mother. His mother had left Cuba for Mexico after Fidel Castro came to power. He is the older brother of screenwriter-producer J....
, writers for the 2002 film Star Trek Nemesis and the 2009 reboot Star Trek, respectively, cite "Yesterday's Enterprise" as one of their favorite episodes and influences.
"Yesterday's Enterprise" was also included as one of four episodes (along with "The Best of Both Worlds, Parts I and II" and "The Measure of a Man") in a DVD collection entitled "The Best of Star Trek: The Next Generation". Critic Marc Bernardin described the episode as Star Treks "smartest time-travel experiment" and a fan favorite. The Toronto Star
Toronto Star
The Toronto Star is Canada's highest-circulation newspaper, based in Toronto, Ontario, Canada. Its print edition is distributed almost entirely within the province of Ontario...
listed The Next Generations time-shifting episodes, including "Yesterday's Enterprise" as one of twenty of the best elements of the show.