Z213: Exit
Encyclopedia
Z213: Exit is a book by the Greek writer Dimitris Lyacos
. The book is the first installment in the “Poena Damni” trilogy.
ambient. The identity of the fugitive or that of his pursuers is never identified in the course of the journey, nor the reasons why he was kept in confinement in the first place. The environment seems to allude to a decadent futuristic state of a totalitarian kind. The journey is not delineated in realistic terms, but expressionistically, creating a feeling of imminent doom which can also be observed in the other two books of the Poena Damni trilogy. This mood is enhanced by the overriding waste-land setting, which could be (it is never explicit) the result of a war that has left the landscape in ruins. The general impression is reminiscent of a spiritual quest or an eschatological experience.
Dimitris Lyacos
Dimitris Lyacos is a contemporary Greek poet and playwright. He was born and raised in Athens where he studied Law. From 1988-1991 he lived in Venice, then moved to London, studied philosophy at University College London and stayed there for thirteen years...
. The book is the first installment in the “Poena Damni” trilogy.
Synopsis
The work recounts, in what reads like a personal journal, in verse form or postmodern poetic prose, the wanderings of a man who escapes from a guarded building in a nightmarish version of a post-ArmageddonArmageddon
Armageddon is, according to the Bible, the site of a battle during the end times, variously interpreted as either a literal or symbolic location...
ambient. The identity of the fugitive or that of his pursuers is never identified in the course of the journey, nor the reasons why he was kept in confinement in the first place. The environment seems to allude to a decadent futuristic state of a totalitarian kind. The journey is not delineated in realistic terms, but expressionistically, creating a feeling of imminent doom which can also be observed in the other two books of the Poena Damni trilogy. This mood is enhanced by the overriding waste-land setting, which could be (it is never explicit) the result of a war that has left the landscape in ruins. The general impression is reminiscent of a spiritual quest or an eschatological experience.