Ärgre dich, o Seele, nicht, BWV 186
Encyclopedia
Ärgre dich, o Seele, nicht (Do not be confounded, o soul), BWV 186, is a church cantata
by Johann Sebastian Bach
. It was written originally in Weimar
in 1716 for Advent
, BWV 186a, and expanded in 1723 in Leipzig
for the seventh Sunday after Trinity
, where it was first performed on 11 July 1723.
of Ludwig Helmbold
. Bach composed the music, BWV 186a, in 1716 in Weimar
, where it was first performed 13 December 1716.
A reconstruction of the cantata by Diethard Hellmann
was published in 1963.
s, changed the words of the aria
s slightly, replaced the closing chorale by verse 11 of the chorale Es ist das Heil uns kommen her
(1523) of Paul Speratus
, and added verse 12 of that chorale to close part 1 of the cantata.
The prescribed readings for the Sunday are from the Epistle to the Romans
, , "the wages of sin is death; but the gift of God is eternal life", and from the Gospel of Mark
, , the feeding of the 4000. The recitatives mention that by stressing terms as Hunger or schmecket und sehet (taste and see).
s, taille (tenor oboe), two violin
s, viola
and basso continuo including bassoon
. Its eleven movements are in two parts, movements 1 to 6 to be performed before the sermon, the others after the sermon.
form, A B A B A. Section A treats the first line of the poem, section B lines 2 to 4. Section A is a complex combination of instrumental and vocal composition. The instruments open with a sinfonia of 8 measures, followed by a short vocal "Devise" (statement) which is repeated by the orchestra, and only then a fugal
development begins, the vocal parts sometimes embedded in material from the sinfonia. The first repeat of section A is shortened in the sinfonia, the second repeat starts with the fugal part right away. In great contrast section B is set a cappella
(only accompanied by the continuo) and partly homophonic
.
The scoring of the four arias shows increasing complexity and also a rise from the lowest voice to the higher one, soprano and alto coming in only in the second part. The first aria is accompanied only by the continuo, the two next ones in a trio setting, and the final aria is a duet with orchestra. It resembles a Gigue
, and the voices, saying Laß, Seele, kein Leiden von Jesu dich scheiden (My soul, let no sorrow separate you from Jesus), illustrate the meaning by mostly parallel movement.
The four recitatives all end as an arioso
.
The chorale movements 6 and 11, ending the two parts of the cantata, are the same music, a chorale fantasy. The chorale is embedded in a concerto of the orchestra, the cantus firmus
is given to the soprano, whereas the lower voices sing counterpoint in faster movement, sometimes in imitation.
Bach cantata
Bach cantata became a term for a cantata of the German Baroque composer Johann Sebastian Bach who was a prolific writer of the genre. Although many of his works are lost, around 200 cantatas survived....
by Johann Sebastian Bach
Johann Sebastian Bach
Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity...
. It was written originally in Weimar
Weimar
Weimar is a city in Germany famous for its cultural heritage. It is located in the federal state of Thuringia , north of the Thüringer Wald, east of Erfurt, and southwest of Halle and Leipzig. Its current population is approximately 65,000. The oldest record of the city dates from the year 899...
in 1716 for Advent
Advent
Advent is a season observed in many Western Christian churches, a time of expectant waiting and preparation for the celebration of the Nativity of Jesus at Christmas. It is the beginning of the Western liturgical year and commences on Advent Sunday, called Levavi...
, BWV 186a, and expanded in 1723 in Leipzig
Leipzig
Leipzig Leipzig has always been a trade city, situated during the time of the Holy Roman Empire at the intersection of the Via Regia and Via Imperii, two important trade routes. At one time, Leipzig was one of the major European centres of learning and culture in fields such as music and publishing...
for the seventh Sunday after Trinity
Trinity Sunday
Trinity Sunday is the first Sunday after Pentecost in the Western Christian liturgical calendar, and the Sunday of Pentecost in Eastern Christianity...
, where it was first performed on 11 July 1723.
Weimar
The cantata is based on a cantata text written by Salomo Franck for the Third Sunday of Advent, published in Evangelische Sonn- und Fest-Tages-Andachten in 1717. His lyrics contained movements 1, 3, 5, 8, 10 of the later work and a different closing choraleChorale
A chorale was originally a hymn sung by a Christian congregation. In certain modern usage, this term may also include classical settings of such hymns and works of a similar character....
of Ludwig Helmbold
Ludwig Helmbold
Ludwig Helmbold was a poet of Lutheran chorales.- Biography :Helmbold was born in Mühlhausen. He became a professor of Philosophy an der Erfurt University in 1554...
. Bach composed the music, BWV 186a, in 1716 in Weimar
Weimar
Weimar is a city in Germany famous for its cultural heritage. It is located in the federal state of Thuringia , north of the Thüringer Wald, east of Erfurt, and southwest of Halle and Leipzig. Its current population is approximately 65,000. The oldest record of the city dates from the year 899...
, where it was first performed 13 December 1716.
- 1. Chorus: Ärgre dich, o Seele, nicht (1. of BWV 186)
- 2. Aria: Bist du, der da kommen soll (3.)
- 3. Aria: Messias läßt sich merken (5.)
- 4. Aria: Die Armen will der Herr umarmen (8.)
- 5. Aria: Laß Seele, kein Leiden (10.)
- 6. Chorale: Darum, ob ich schon dulde
A reconstruction of the cantata by Diethard Hellmann
Diethard Hellmann
Diethard Hellmann was a German Kantor and an academic in Leipzig, Mainz and Munich.-Professional career:...
was published in 1963.
Leipzig
As Leipzig observed tempus clausum (time of silence, literally: closed time) from Advent II to Advent IV, Bach could not perform the cantata there in Advent and expanded it to a cantata in two parts for the seventh Sunday after Trinity, as he had expanded Herz und Mund und Tat und Leben, BWV 147 just before for 2 July 1723. He added recitativeRecitative
Recitative , also known by its Italian name "recitativo" , is a style of delivery in which a singer is allowed to adopt the rhythms of ordinary speech...
s, changed the words of the aria
Aria
An aria in music was originally any expressive melody, usually, but not always, performed by a singer. The term is now used almost exclusively to describe a self-contained piece for one voice usually with orchestral accompaniment...
s slightly, replaced the closing chorale by verse 11 of the chorale Es ist das Heil uns kommen her
Es ist das Heil uns kommen her
Es ist das Heil uns kommen her , BWV 9, is a church cantata by Johann Sebastian Bach. He composed the chorale cantata in Leipzig for the sixth Sunday after Trinity between 1732 and 1735.-History and words:...
(1523) of Paul Speratus
Paul Speratus
Paul Speratus was a Catholic priest who became a Protestant preacher and song-writer. In 1523, he helped Martin Luther to create the First Lutheran hymnal, published in 1524 and called Achtliederbuch.-Early life:...
, and added verse 12 of that chorale to close part 1 of the cantata.
The prescribed readings for the Sunday are from the Epistle to the Romans
Epistle to the Romans
The Epistle of Paul to the Romans, often shortened to Romans, is the sixth book in the New Testament. Biblical scholars agree that it was composed by the Apostle Paul to explain that Salvation is offered through the Gospel of Jesus Christ...
, , "the wages of sin is death; but the gift of God is eternal life", and from the Gospel of Mark
Gospel of Mark
The Gospel According to Mark , commonly shortened to the Gospel of Mark or simply Mark, is the second book of the New Testament. This canonical account of the life of Jesus of Nazareth is one of the three synoptic gospels. It was thought to be an epitome, which accounts for its place as the second...
, , the feeding of the 4000. The recitatives mention that by stressing terms as Hunger or schmecket und sehet (taste and see).
Scoring and structure
The cantata is scored for four soloists and a four-part choir, two oboeOboe
The oboe is a double reed musical instrument of the woodwind family. In English, prior to 1770, the instrument was called "hautbois" , "hoboy", or "French hoboy". The spelling "oboe" was adopted into English ca...
s, taille (tenor oboe), two violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
s, viola
Viola
The viola is a bowed string instrument. It is the middle voice of the violin family, between the violin and the cello.- Form :The viola is similar in material and construction to the violin. A full-size viola's body is between and longer than the body of a full-size violin , with an average...
and basso continuo including bassoon
Bassoon
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers, and occasionally higher. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band and chamber music literature...
. Its eleven movements are in two parts, movements 1 to 6 to be performed before the sermon, the others after the sermon.
- 1. Chorus: Ärgre dich, o Seele, nicht
- 2. Recitativo (bass): Die Knechtsgestalt, die Not, der Mangel
- 3. Aria (bass): Bist du, der mir helfen soll
- 4. Recitativo (tenor): Ach, daß ein Christ so sehr
- 5. Aria (tenor, oboe and violins): Mein Heiland läßt sich merken
- 6. Chorale: Ob sichs anließ, als wollt er nicht
- after the sermon:
- 7. Recitativo (tenor): Es ist die Welt die große Wüstenei
- 8. Aria (soprano, violins): Die Armen will der Herr umarmen
- 9. Recitativo (alto): Nun mag die Welt mit ihrer Lust vergehen
- 10. Aria (soprano, alto, violins, oboes and taille): Laß, Seele, kein Leiden
- 11. Chorale: Die Hoffnung wart' der rechten Zeit
Music
The opening chorus is in rondoRondo
Rondo, and its French equivalent rondeau, is a word that has been used in music in a number of ways, most often in reference to a musical form, but also to a character-type that is distinct from the form...
form, A B A B A. Section A treats the first line of the poem, section B lines 2 to 4. Section A is a complex combination of instrumental and vocal composition. The instruments open with a sinfonia of 8 measures, followed by a short vocal "Devise" (statement) which is repeated by the orchestra, and only then a fugal
Fugue
In music, a fugue is a compositional technique in two or more voices, built on a subject that is introduced at the beginning in imitation and recurs frequently in the course of the composition....
development begins, the vocal parts sometimes embedded in material from the sinfonia. The first repeat of section A is shortened in the sinfonia, the second repeat starts with the fugal part right away. In great contrast section B is set a cappella
A cappella
A cappella music is specifically solo or group singing without instrumental sound, or a piece intended to be performed in this way. It is the opposite of cantata, which is accompanied singing. A cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato...
(only accompanied by the continuo) and partly homophonic
Homophony
In music, homophony is a texture in which two or more parts move together in harmony, the relationship between them creating chords. This is distinct from polyphony, in which parts move with rhythmic independence, and monophony, in which all parts move in parallel rhythm and pitch. A homophonic...
.
The scoring of the four arias shows increasing complexity and also a rise from the lowest voice to the higher one, soprano and alto coming in only in the second part. The first aria is accompanied only by the continuo, the two next ones in a trio setting, and the final aria is a duet with orchestra. It resembles a Gigue
Gigue
The gigue or giga is a lively baroque dance originating from the British jig. It was imported into France in the mid-17th century and usually appears at the end of a suite...
, and the voices, saying Laß, Seele, kein Leiden von Jesu dich scheiden (My soul, let no sorrow separate you from Jesus), illustrate the meaning by mostly parallel movement.
The four recitatives all end as an arioso
Arioso
In classical music, arioso is a style of solo opera singing between recitative and aria. Literally, arioso means airy. The term arose in the 16th century along with the aforementioned styles and monody. It is commonly confused with recitativo accompagnato....
.
The chorale movements 6 and 11, ending the two parts of the cantata, are the same music, a chorale fantasy. The chorale is embedded in a concerto of the orchestra, the cantus firmus
Cantus firmus
In music, a cantus firmus is a pre-existing melody forming the basis of a polyphonic composition.The plural of this Latin term is , though the corrupt form canti firmi is also attested...
is given to the soprano, whereas the lower voices sing counterpoint in faster movement, sometimes in imitation.
Recordings
- Die Bach Kantate Vol. 43, Helmuth RillingHelmuth RillingHelmuth Rilling is an internationally known German choral conductor, founder of the Gächinger Kantorei , the Bach-Collegium Stuttgart , the Oregon Bach Festival , the Internationale Bachakademie Stuttgart and other Bach Academies worldwide, and the "Festival Ensemble Stuttgart"...
, Gächinger KantoreiGächinger KantoreiGächinger Kantorei is an internationally known German mixed choir, founded by Helmuth Rilling in 1954 in Gächingen and still conducted by him. A "Kantorei" is a choir of high standard dedicated mostly, but not exclusively, to sacred music. The ensemble operates in Stuttgart now and is therefore...
, Bach-Collegium StuttgartBach-Collegium StuttgartBach-Collegium Stuttgart is an internationally known German instrumental ensemble, founded by Helmuth Rilling in 1965 to accompany the Gächinger Kantorei in choral music with orchestra...
, Arleen AugérArleen AugerJoyce Arleen Auger was an American soprano singer, admired for her coloratura voice and interpretations of works by Bach, Handel, Haydn, Monteverdi, Gluck, and Mozart.-Biography:...
, Helen WattsHelen WattsHelen Watts CBE was a Welsh contralto. She was born at Wales in Milford Haven and educated at the School of S. Mary and S. Anne, Abbots Bromley and the Royal Academy of Music. She began her career with the Glyndebourne Festival Chorus, and was a regular broadcaster on the Welsh Home Service...
, Kurt EquiluzKurt EquiluzKurt Equiluz is an Austrian classical tenor in opera and concert, known for recording works of Johann Sebastian Bach with Nikolaus Harnoncourt and Helmuth Rilling, a member of the Vienna State Opera as a tenor buffo from 1957 until 1983.- Professional career :Kurt Equiluz was an alto soloist of...
, Philippe HuttenlocherPhilippe HuttenlocherPhilippe Huttenlocher is a Swiss baritone.He was born in Neuchâtel, Switzerland. He first studied violin at the conservatory in Neuchâtel, and then voice in Fribourg...
, HänsslerHänssler ClassicHänssler Classic is a German classical record label based in Holzgerlingen.Friedrich Hänssler Senior founded Musikverlag Hänssler in 1919 to publish church music. Since 1972 Hänssler Classic has also published contemporary and jazz music...
1977 - J.S. Bach: Das Kantatenwerk - Sacred Cantatas Vol. 10, Nikolaus HarnoncourtNikolaus HarnoncourtNikolaus Harnoncourt is an Austrian conductor, particularly known for his historically informed performances of music from the Classical era and earlier. Starting out as a classical cellist, he founded his own period instrument ensemble in the 1950s, and became a pioneer of the Early Music movement...
, Tölzer KnabenchorTölzer KnabenchorThe Tölzer Knabenchor is a boys' choir with roots in the Bavarian town of Bad Tölz.The choir group is still led by director and singing master Gerhard Schmidt-Gaden, who founded the choir in 1956 when he was only nineteen years old. The founder was once a student of Carl Orff's and worked with him...
, Concentus Musicus WienConcentus Musicus WienConcentus Musicus Wien is a baroque music ensemble founded by Nikolaus and Alice Harnoncourt in 1953. It generated the now well-established movement in performance and recordings to play early music on period instruments....
, Helmut Wittek (soloist of the Tölzer Knabenchor), Paul EsswoodPaul EsswoodPaul Esswood is an English countertenor. He is best known for his singing in Bach cantatas and the operas of Handel and Monteverdi. Along with his countrymen Alfred Deller and James Bowman, he led the revival of countertenor singing in modern times.Esswood was born in West Bridgford, England. He...
, Kurt EquiluzKurt EquiluzKurt Equiluz is an Austrian classical tenor in opera and concert, known for recording works of Johann Sebastian Bach with Nikolaus Harnoncourt and Helmuth Rilling, a member of the Vienna State Opera as a tenor buffo from 1957 until 1983.- Professional career :Kurt Equiluz was an alto soloist of...
, Robert Holl, TeldecTeldecThe Teldec is a German record label in Hamburg, Germany. Today the label is a property of Warner Music Group.-History:...
1989 - J.S. Bach: Complete Cantatas Vol. 6, Ton KoopmanTon KoopmanTon Koopman is a conductor, organist and harpsichordist.Koopman had a "classical education" and then studied the organ , harpsichord and musicology in Amsterdam...
, Amsterdam Baroque Orchestra & ChoirAmsterdam Baroque Orchestra & ChoirThe Amsterdam Baroque Orchestra & Choir is a Dutch early-music group based in Amsterdam.The Amsterdam Baroque Orchestra & Choir was created in two stages by the conductor, organist and harpsichordist Ton Koopman. He founded the Amsterdam Baroque Orchestra in 1979 and the Amsterdam Baroque Choir in...
, Ruth ZiesakRuth Ziesak- Biography :Ruth Ziesak studied voice at the Frankfurt University of Music and Performing Arts with Elsa Cavelti and Christoph Prégardien. She has been a member of the Municipal Theatre Heidelberg since 1988 and the Deutsche Oper am Rhein in 1990....
, Elisabeth von MagnusElisabeth von MagnusElisabeth von Magnus is an Austrian classical mezzo-soprano.- Family :...
, Paul AgnewPaul AgnewPaul Agnew is a Scottish operatic tenor.Agnew read music as a Choral Scholar at Magdalen College, Oxford. He became associated with the Consort of Musicke, the Tallis Scholars, the Sixteen and the Gothic Voices, before embarking on a solo career in the early 1990s.Closely associated with William...
, Klaus MertensKlaus MertensKlaus Mertens is a German bass and bass-baritone singer who is known especially for his interpretation of the complete works of Johann Sebastian Bach.-Professional career:Klaus Mertens took singing lessons while attending school...
, Antoine Marchand 1997 - J.S. Bach: Cantatas Vol. 10 - Cantatas from Leipzig 1723 III, Masaaki SuzukiMasaaki Suzukiis a Japanese organist, harpsichordist and conductor, and the founder and musical director of the Bach Collegium Japan.He was born in Kobe to parents who were both Christians and amateur musicians...
, Bach Collegium JapanBach Collegium JapanBach Collegium Japan is composed of an orchestra and a chorus specialising in Baroque music, playing with period instruments. It was founded in 1990 by Masaaki Suzuki with the purpose of introducing Japanese audiences to European Baroque music. Suzuki still remains its music director...
, Miah PerssonMiah PerssonMiah Persson, born 27 May 1969 in Örnsköldsvik, is a Swedish soprano, active internationally and in recordings.-Career:Miah Persson grew up in Hudiksvall, singing in choirs and taking part in amateur drama productions...
, Robin BlazeRobin Blaze- Childhood and education :The son of a professional golfer Peter, Robin Blaze grew up in Shadwell, near Leeds and was educated at Leeds Grammar School, Uppingham School, and Magdalen College, Oxford....
, Makoto Sakurada, Peter KooyPeter KooyPeter Kooy is a Dutch bass singer specialized in baroque music.- Biography :Peter Kooy started his musical career at 6 years as a choir boy. However he started his musical studies as a violin student...
, BISBIS RecordsBIS Records is a record label founded in 1973 by Robert von Bahr. It is located in Åkersberga, Sweden.BIS focuses on classical music, both contemporary and early, especially works that are not already well represented by existing recordings....
1999 - Bach Edition Vol. 12 - Cantatas Vol. 6, Pieter Jan LeusinkPieter Jan LeusinkPieter Jan Leusink is a Dutch conductor of classical music.He studied organ in Zwolle at the Municipal Conservatory and took conducting lessons from Gottfried van der Horst...
, Holland Boys Choir, Netherlands Bach Collegium, Ruth HoltonRuth Holton-Training:Holton won a choral exhibition at Clare College, Cambridge and studied music there. Her later musical studies were with Elizabeth Lane, Nancy Long and Julie Kennard.-Career:...
, Sytse BuwaldaSytse BuwaldaSytse Buwalda is a Dutch counter-tenor.Buwalda studied at the Sweelinck School of Music in Amsterdam and has worked with conductors such as Frans Brüggen, Gustav Leonhardt, Sigiswald Kuijken and Sir David Willcocks...
, Knut Schoch, Bas Ramselaar, Brilliant Classics 1999 - J.S. Bach: Cantatas Vol. 4, John Eliot GardinerJohn Eliot GardinerSir John Eliot Gardiner CBE FKC is an English conductor. He founded the Monteverdi Choir , the English Baroque Soloists and the Orchestre Révolutionnaire et Romantique...
, Monteverdi ChoirMonteverdi ChoirThe Monteverdi Choir was founded in 1964 by Sir John Eliot Gardiner for a performance of the Monteverdi Vespers in King's College Chapel, Cambridge. A specialist Baroque ensemble, the Choir has become famous for its stylistic conviction and extensive repertoire, encompassing music from the early...
, English Baroque SoloistsEnglish Baroque SoloistsThe English Baroque Soloists is a chamber orchestra playing on period instruments, formed in 1978 by English conductor Sir John Eliot Gardiner. Its repertoire comprises music from the early Baroque period to the Classical period...
, Katharine Fuge, Richard Wyn Roberts, Kobie van RensburgKobie van RensburgKobie van Rensburg is a South African tenor and opera director.- Life :Van Rensburg studied singing with Werner Nel at the Northwest University of South Africa, but also law and international politics at Potchefstroom University for Christian Higher Education..He made his debut in 1991 at the age...
, Stephan Loges, Soli Deo GloriaSoli Deo Gloria (label)Founded in 2004 in order to release the recordings made during the Bach Cantata pilgrimage that took place in the year 2000. Following its launch in 2005, Soli Deo Gloria has established itself as one of the leading independent record labels....
2000
External links
- Cantata BWV 186 Ärgre dich, o Seele, nicht on the bach cantatas website
- Cantata BWV 186a Ärgre dich, o Seele, nicht on the bach cantatas website
- German text and English translation, Emmanuel MusicEmmanuel MusicEmmanuel Music is a Boston-based collective group of singers and instrumentalists founded in 1970 by Craig Smith. It was created specifically to perform the complete cycle of over 200 sacred cantatas of J.S. Bach in the liturgical setting for which they were intended, an endeavor twice completed...
- Ärgre dich, o Seele, nicht on the Bach website (in German)
- Entries for BWV 186 on WorldCatWorldCatWorldCat is a union catalog which itemizes the collections of 72,000 libraries in 170 countries and territories which participate in the Online Computer Library Center global cooperative...