A Bill of Divorcement
Encyclopedia
A Bill of Divorcement is a 1932 American
drama film, directed by George Cukor
and starring John Barrymore
and Katharine Hepburn
in her movie debut. It is based on the British play of the same name, written by Clemence Dane
as a reaction to a law passed in Britain in the early 1920s that allowed insanity as grounds for a woman divorcing her husband. It was the second adaptation of the play, having previously been made into a British silent film
in 1922.
); her daughter Sydney (Hepburn
); Sydney's fiancé Kit Humphreys (Manners
); Meg's fiancé Gray Meredith (Cavanagh
); and Meg's husband Hilary (Barrymore
), who regains his sanity after spending almost twenty years in a mental hospital. After the family discusses Hilary's genetic predisposition toward psychiatric problems, which Sydney seems to have inherited, Hilary and Sydney give up Meg and Kit in order to avoid passing this trait to future generations.
The film begins on Christmas Eve as Meg gives a party in her comfortable English manor. In addition to dancing and listening to Christmas carols, Sydney and Kit happily discuss their future together, as do Meg and Gray. The only unpleasant moment of the evening occurs when the singers dedicate their performance of God Bless the Master of This House to Gray. Hilary's sister Hester objects to this because she considers Hilary to be the master of the house even though he is psychotic and institutionalized.
On Christmas morning, while Meg and Gray are at church, the asylum telephones to say that Hilary has gone missing, and Hester unintentionally reveals to Sydney that insanity runs in their family. The family's official explanation of Hilary's troubles has been that he experienced shell shock
while fighting in World War I, but another family member had similar problems in the past.
Hester and Sydney discuss Hilary's talent as a composer, and Sydney sits down at the piano to play an unfinished sonata that Hilary wrote before going to war. A few minutes later, Hilary returns home, having suddenly come to his senses and escaped from the asylum. He meets Sydney and they chat comfortably, except for a heated argument that serves to further display their similarities as sensitive, free-spirited individuals.
When Meg returns from church, she reacts to Hilary's presence with shock. She has not loved him for years, is frightened by him, and has been counting on her upcoming marriage to Gray, who helped her obtain a divorce on account of Hilary's insanity. However, Hilary is caught up in his own sudden recovery and assumes that she will welcome him back. He fails to understand and accept that her life with him ended long ago until his doctor arrives from the asylum and explains the situation to him, saying, "Face it, man! One of you must suffer. Which is it to be? A healthy woman with her life before her, or a man whose children ought never to have been born?" The doctor says this in Sydney's presence.
This prompts Sydney to begin contemplating her own plans with Kit. After the doctor tells Sydney that any children she has would be at risk of inheriting Hilary's problems, she breaks her engagement to Kit and sends him away. Meanwhile, Hilary vacillates between accepting Meg's love for Gray and pleading with her to change her mind. Meg gives in to his pressure, but he spies her talking with Gray and sees how much she loves Gray and how miserable she feels.
Finally, Hilary regains his will to do what is best, and he has Sydney send Meg and Gray away. When Sydney returns to Hilary, she tearfully embraces him and they agree that they will live together. The film ends as they sit together at the piano, cheerfully experimenting with new endings to his sonata.
and George Cukor
, who had disagreed about casting Hepburn. Cukor had seen Hepburn's screen test
and was impressed by the 24-year-old, but Selznick did not like the way she looked and was afraid she would not be well-received by audiences. Cukor cast her anyway (beginning what would be a lifelong professional and personal relationship between the two), and Hepburn was declared "a new star on the cinema horizon" by The Hollywood Reporter
.
Cinema of the United States
The cinema of the United States, also known as Hollywood, has had a profound effect on cinema across the world since the early 20th century. Its history is sometimes separated into four main periods: the silent film era, classical Hollywood cinema, New Hollywood, and the contemporary period...
drama film, directed by George Cukor
George Cukor
George Dewey Cukor was an American film director. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO and later MGM, where he directed What Price Hollywood? , A Bill of Divorcement , Dinner at Eight , Little Women , David Copperfield , Romeo and Juliet and...
and starring John Barrymore
John Barrymore
John Sidney Blyth , better known as John Barrymore, was an acclaimed American actor. He first gained fame as a handsome stage actor in light comedy, then high drama and culminating in groundbreaking portrayals in Shakespearean plays Hamlet and Richard III...
and Katharine Hepburn
Katharine Hepburn
Katharine Houghton Hepburn was an American actress of film, stage, and television. In a career that spanned 62 years as a leading lady, she was best known for playing strong-willed, sophisticated women in both dramas and comedies...
in her movie debut. It is based on the British play of the same name, written by Clemence Dane
Clemence Dane
Clemence Dane was the pseudonym of Winifred Ashton , an English novelist and playwright.-Life and career:...
as a reaction to a law passed in Britain in the early 1920s that allowed insanity as grounds for a woman divorcing her husband. It was the second adaptation of the play, having previously been made into a British silent film
Silent film
A silent film is a film with no synchronized recorded sound, especially with no spoken dialogue. In silent films for entertainment the dialogue is transmitted through muted gestures, pantomime and title cards...
in 1922.
Plot
A Bill of Divorcement describes a day in the lives of a middle-aged British woman named Margaret "Meg" Fairfield (BurkeBillie Burke
Mary William Ethelbert Appleton "Billie" Burke was an American actress. She is primarily known to modern audiences as Glinda the Good Witch of the North in the musical film The Wizard of Oz. She was nominated for an Academy Award for her performance as Emily Kilbourne in Merrily We Live...
); her daughter Sydney (Hepburn
Katharine Hepburn
Katharine Houghton Hepburn was an American actress of film, stage, and television. In a career that spanned 62 years as a leading lady, she was best known for playing strong-willed, sophisticated women in both dramas and comedies...
); Sydney's fiancé Kit Humphreys (Manners
David Manners
David Manners was a Canadian - American film actor.Born Rauff de Ryther Daun Acklom in Halifax, Nova Scotia, Manners came to Hollywood at the beginning of the talking films revolution after studying acting with Eva Le Gallienne, and acting on stage with Helen Hayes...
); Meg's fiancé Gray Meredith (Cavanagh
Paul Cavanagh
Paul Cavanagh was an English film actor. He appeared in over 100 films between 1928 and 1959. He was born in Chislehurst and died in London from a heart attack....
); and Meg's husband Hilary (Barrymore
John Barrymore
John Sidney Blyth , better known as John Barrymore, was an acclaimed American actor. He first gained fame as a handsome stage actor in light comedy, then high drama and culminating in groundbreaking portrayals in Shakespearean plays Hamlet and Richard III...
), who regains his sanity after spending almost twenty years in a mental hospital. After the family discusses Hilary's genetic predisposition toward psychiatric problems, which Sydney seems to have inherited, Hilary and Sydney give up Meg and Kit in order to avoid passing this trait to future generations.
The film begins on Christmas Eve as Meg gives a party in her comfortable English manor. In addition to dancing and listening to Christmas carols, Sydney and Kit happily discuss their future together, as do Meg and Gray. The only unpleasant moment of the evening occurs when the singers dedicate their performance of God Bless the Master of This House to Gray. Hilary's sister Hester objects to this because she considers Hilary to be the master of the house even though he is psychotic and institutionalized.
On Christmas morning, while Meg and Gray are at church, the asylum telephones to say that Hilary has gone missing, and Hester unintentionally reveals to Sydney that insanity runs in their family. The family's official explanation of Hilary's troubles has been that he experienced shell shock
Shell Shock
Shell Shock, also known as 82nd Marines Attack was a 1964 film by B-movie director John Hayes. The film takes place in Italy during World War II, and tells the story of a sergeant with his group of soldiers....
while fighting in World War I, but another family member had similar problems in the past.
Hester and Sydney discuss Hilary's talent as a composer, and Sydney sits down at the piano to play an unfinished sonata that Hilary wrote before going to war. A few minutes later, Hilary returns home, having suddenly come to his senses and escaped from the asylum. He meets Sydney and they chat comfortably, except for a heated argument that serves to further display their similarities as sensitive, free-spirited individuals.
When Meg returns from church, she reacts to Hilary's presence with shock. She has not loved him for years, is frightened by him, and has been counting on her upcoming marriage to Gray, who helped her obtain a divorce on account of Hilary's insanity. However, Hilary is caught up in his own sudden recovery and assumes that she will welcome him back. He fails to understand and accept that her life with him ended long ago until his doctor arrives from the asylum and explains the situation to him, saying, "Face it, man! One of you must suffer. Which is it to be? A healthy woman with her life before her, or a man whose children ought never to have been born?" The doctor says this in Sydney's presence.
This prompts Sydney to begin contemplating her own plans with Kit. After the doctor tells Sydney that any children she has would be at risk of inheriting Hilary's problems, she breaks her engagement to Kit and sends him away. Meanwhile, Hilary vacillates between accepting Meg's love for Gray and pleading with her to change her mind. Meg gives in to his pressure, but he spies her talking with Gray and sees how much she loves Gray and how miserable she feels.
Finally, Hilary regains his will to do what is best, and he has Sydney send Meg and Gray away. When Sydney returns to Hilary, she tearfully embraces him and they agree that they will live together. The film ends as they sit together at the piano, cheerfully experimenting with new endings to his sonata.
Cast
- John BarrymoreJohn BarrymoreJohn Sidney Blyth , better known as John Barrymore, was an acclaimed American actor. He first gained fame as a handsome stage actor in light comedy, then high drama and culminating in groundbreaking portrayals in Shakespearean plays Hamlet and Richard III...
as Hilary Fairfield - Billie BurkeBillie BurkeMary William Ethelbert Appleton "Billie" Burke was an American actress. She is primarily known to modern audiences as Glinda the Good Witch of the North in the musical film The Wizard of Oz. She was nominated for an Academy Award for her performance as Emily Kilbourne in Merrily We Live...
as Meg Fairfield - David MannersDavid MannersDavid Manners was a Canadian - American film actor.Born Rauff de Ryther Daun Acklom in Halifax, Nova Scotia, Manners came to Hollywood at the beginning of the talking films revolution after studying acting with Eva Le Gallienne, and acting on stage with Helen Hayes...
as Kit Humphreys - Katharine HepburnKatharine HepburnKatharine Houghton Hepburn was an American actress of film, stage, and television. In a career that spanned 62 years as a leading lady, she was best known for playing strong-willed, sophisticated women in both dramas and comedies...
as Sydney Fairfield - Paul CavanaghPaul CavanaghPaul Cavanagh was an English film actor. He appeared in over 100 films between 1928 and 1959. He was born in Chislehurst and died in London from a heart attack....
as Gray Meredith - Henry StephensonHenry StephensonHenry Stephenson , sometimes credited as Harry Stephenson, was a British character actor....
as Dr. Alliot - Gayle Evers as Bassett
- Elizabeth PattersonElizabeth Patterson (actress)Elizabeth Patterson was an American film and television character actress remembered for her portrayal of elderly neighbor Matilda Trumbull on I Love Lucy.-Career:...
as Aunt Hester Fairfield
Production
The film was produced by David O. SelznickDavid O. Selznick
David O. Selznick was an American film producer. He is best known for having produced Gone with the Wind and Rebecca , both of which earned him an Oscar for Best Picture.-Early years:...
and George Cukor
George Cukor
George Dewey Cukor was an American film director. He mainly concentrated on comedies and literary adaptations. His career flourished at RKO and later MGM, where he directed What Price Hollywood? , A Bill of Divorcement , Dinner at Eight , Little Women , David Copperfield , Romeo and Juliet and...
, who had disagreed about casting Hepburn. Cukor had seen Hepburn's screen test
Screen test
A screen test is a method of determining the suitability of an actor or actress for performing on film and/or in a particular role. The performer is generally given a scene, or selected lines and actions, and instructed to perform in front of a camera to see if they are suitable...
and was impressed by the 24-year-old, but Selznick did not like the way she looked and was afraid she would not be well-received by audiences. Cukor cast her anyway (beginning what would be a lifelong professional and personal relationship between the two), and Hepburn was declared "a new star on the cinema horizon" by The Hollywood Reporter
The Hollywood Reporter
Formerly a daily trade magazine, The Hollywood Reporter re-launched in late 2010 as a unique hybrid publication serving the entertainment industry and a consumer audience...
.