A Portrait of the Artist as a Young Man
Overview
A Portrait of the Artist as a Young Man is a semi-autobiographical novel by James Joyce
James Joyce
James Augustine Aloysius Joyce was an Irish novelist and poet, considered to be one of the most influential writers in the modernist avant-garde of the early 20th century...

, first serialised in the magazine The Egoist
The Egoist (periodical)
The Egoist was a London literary magazine published from 1914 to 1919, during which time it published important early modernist poetry and fiction. In its manifesto, it claimed to "recognise no taboos," and published a number of controversial works, such as parts of Ulysses...

from 1914 to 1915, and published first in book format in 1916
1916 in literature
The year 1916 in literature involved some significant events and new books.-Events:* The Journal of Negro History is founded by Carter Godwin Woodson, the father of "Black History" and "Negro History Week."...

 by B. W. Huebsch
B. W. Huebsch
B. W. Huebsch was an American publisher settled in New York in the early 20th century. He was the first publisher in the United States of James Joyce and D. H. Lawrence. He also published, in 1919, the first edition of Sherwood Anderson's Winesburg, Ohio . In 1925 he merged his firm with Viking...

, New York. The first English edition was published by the Egoist Press in February 1917. The story describes the formative years of the life of Stephen Dedalus
Stephen Dedalus
Stephen Dedalus is James Joyce's literary alter ego, appearing as the protagonist and antihero of his first, semi-autobiographical novel of artistic existence A Portrait of the Artist as a Young Man and an important character in Joyce's Ulysses...

, a fictional alter ego
Alter ego
An alter ego is a second self, which is believe to be distinct from a person's normal or original personality. The term was coined in the early nineteenth century when dissociative identity disorder was first described by psychologists...

 of Joyce and an allusion
Allusion
An allusion is a figure of speech that makes a reference to, or representation of, people, places, events, literary work, myths, or works of art, either directly or by implication. M. H...

 to the consummate craftsman of Greek mythology
Greek mythology
Greek mythology is the body of myths and legends belonging to the ancient Greeks, concerning their gods and heroes, the nature of the world, and the origins and significance of their own cult and ritual practices. They were a part of religion in ancient Greece...

, Daedalus
Daedalus
In Greek mythology, Daedalus was a skillful craftsman and artisan.-Family:...

.

A novel written in Joyce's characteristic free indirect speech
Free indirect speech
Free indirect speech is a style of third-person narration which uses some of the characteristics of third-person along with the essence of first-person direct speech...

 style, A Portrait is a major example of the Künstlerroman
Künstlerroman
A Künstlerroman , meaning "artist's novel" in German, is a narrative about an artist's growth to maturity. It may be classified as a specific sub-genre of Bildungsroman; such a work, usually a novel, tends to depict the conflicts of a sensitive youth against the values of a bourgeois society of his...

 (an artist's Bildungsroman
Bildungsroman
In literary criticism, bildungsroman or coming-of-age story is a literary genre which focuses on the psychological and moral growth of the protagonist from youth to adulthood , and in which character change is thus extremely important...

) in English literature.
Quotations

— And thanks be to God, Johnny, said Mr Dedalus, that we lived so long and did so little harm.— But did so much good, Simon, said the little old man gravely. Thanks be to God we lived so long and did so much good.

Ch. 2

To merge his life in the common tide of other lives was harder for him than any fasting or prayer, and it was his constant failure to do this to his own satisfaction which caused in his soul at last a sensation of spiritual dryness together with a growth of doubts and scruples.

Ch. 4

Her image had passed into his soul for ever and no word had broken the holy silence of his ecstasy. Her eyes had called him and his soul had leaped at the call. To live, to err, to fall, to triumph, to recreate life out of life! A wild angel had appeared to him, the angel of mortal youth and beauty, an envoy from the fair courts of life, to throw open before him in an instant of ecstasy the gates of all the ways of error and glory. On and on and on and on!

Ch. 4

It wounded him to think that he would never be but a shy guest at the feast of the world's culture.

Ch. 5

When the soul of a man is born in this country there are nets flung at it to hold it back from flight. You talk to me of nationality, language, religion. I shall try to fly by those nets.

Ch. 5

Ireland is the old sow that eats her farrow.

Ch. 5

Pity is the feeling which arrests the mind in the presence of whatsoever is grave and constant in human sufferings and unites it with the sufferer. Terror is the feeling which arrests the mind in the presence of whatsoever is grave and constant in human sufferings and unites it with the secret cause.

Ch. 5

The artist, like the God of the creation, remains within or behind or beyond or above his handiwork, invisible, refined out of existence, indifferent, paring his fingernails.

Ch. 5

His mind, emptied of theory and courage, lapsed back into a listless peace.

Ch. 5

 
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