Abner Dean
Encyclopedia
Abner Dean born Abner Epstein, was an American
cartoonist
who was the nephew of sculptor Jacob Epstein
. In allegorical or surrealist situations, Dean often depicted extremes of human behavior amid grim, decaying urban settings or barren landscapes. His artwork prompted Clifton Fadiman
to comment, "His pictures are trick mirrors in which we catch sight of those absurd fragments of ourselves that we never see in the smooth glass of habit."
Graduating from Dartmouth in 1931, Dean studied at the National Academy of Design
. He worked as a commercial illustrator, contributing to The New Yorker
, Esquire (magazine)
and other publications. His work for Life
included illustrations of George Orwell's 1984
for a Life article on Orwell.
His first book, It's a Long Way to Heaven (Farrar and Rinehart, 1945) had an introduction by Philip Wylie. Chris Lanier, in "Abner Dean Made This: An Appreciation," analyzed the approach Dean took in the book:
Seven more Dean collections were published over the next 16 years. As indicated by the title of his Naked People (1963), his more personal work portrayed most often unclothed
people in a variety of absurdist
situations, reflecting the themes of disillusionment, self-delusion, yearning and the meaninglessness of modern life
. Despite this, he usually drew in a very slick, professional and cleanly drawn, even cute style. Dean's vision expressed a darkness atypical of cartoon work of his time. He has begun to accumulate a posthumous cult following
of admirers.
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
cartoonist
Cartoonist
A cartoonist is a person who specializes in drawing cartoons. This work is usually humorous, mainly created for entertainment, political commentary or advertising...
who was the nephew of sculptor Jacob Epstein
Jacob Epstein
Sir Jacob Epstein KBE was an American-born British sculptor who helped pioneer modern sculpture. He was born in the United States, and moved to Europe in 1902, becoming a British citizen in 1911. He often produced controversial works which challenged taboos on what was appropriate subject matter...
. In allegorical or surrealist situations, Dean often depicted extremes of human behavior amid grim, decaying urban settings or barren landscapes. His artwork prompted Clifton Fadiman
Clifton Fadiman
Clifton P. "Kip" Fadiman was an American intellectual, author, editor, radio and television personality.-Literary career:...
to comment, "His pictures are trick mirrors in which we catch sight of those absurd fragments of ourselves that we never see in the smooth glass of habit."
Graduating from Dartmouth in 1931, Dean studied at the National Academy of Design
National Academy of Design
The National Academy Museum and School of Fine Arts, founded in New York City as the National Academy of Design – known simply as the "National Academy" – is an honorary association of American artists founded in 1825 by Samuel F. B. Morse, Asher B. Durand, Thomas Cole, Martin E...
. He worked as a commercial illustrator, contributing to The New Yorker
The New Yorker
The New Yorker is an American magazine of reportage, commentary, criticism, essays, fiction, satire, cartoons and poetry published by Condé Nast...
, Esquire (magazine)
Esquire (magazine)
Esquire is a men's magazine, published in the U.S. by the Hearst Corporation. Founded in 1932, it flourished during the Great Depression under the guidance of founder and editor Arnold Gingrich.-History:...
and other publications. His work for Life
Life (magazine)
Life generally refers to three American magazines:*A humor and general interest magazine published from 1883 to 1936. Time founder Henry Luce bought the magazine in 1936 solely so that he could acquire the rights to its name....
included illustrations of George Orwell's 1984
Nineteen Eighty-Four
Nineteen Eighty-Four by George Orwell is a dystopian novel about Oceania, a society ruled by the oligarchical dictatorship of the Party...
for a Life article on Orwell.
His first book, It's a Long Way to Heaven (Farrar and Rinehart, 1945) had an introduction by Philip Wylie. Chris Lanier, in "Abner Dean Made This: An Appreciation," analyzed the approach Dean took in the book:
- The characters in these drawings are modestly sexless, but they reveal all sorts of things about themselves through their activities. Their guiding star is folly, and when they act in groups, it’s always under the direction of a collective id... Some of the drawings are under the sway of a symbolism that suggests a simplified modern version of the instructive images Bosch or Bruegel composed — there are men turning into birds, or mushrooms turning into men, and people with portentous objects affixed to their pates — eggs, books, irons. Of course, when the rest of you is naked, even a hat becomes a portentous object: a naked man wearing a policeman’s hat is not simply a man wearing a hat. But even in the most hermetic and perplexing cartoons, you feel there might be some unacknowledged part of yourself acting out its pet obsession in some corner of the diorama.
- At first these pictures look like gag cartoons (there’s a funny drawing, and then a caption that might provide a laugh) but on closer examination they reveal themselves to be a different animal. In a gag strip, the caption usually puts the image to a full stop — the joke has been released from the image, and so the image has been “used up” — disposable as the burnt rind of a firecracker. With some of Dean’s images, the caption can indeed provide a laugh, but the image, instead of coming to a full stop, begins to spool out in disquieting directions... But even the drawings that are closer to gags, like “Double Thinking,” showing a man who has a doll doppelganger of himself strapped to his back (a woman is embracing the doppelganger, while the man himself is observing her and taking notes), are drawn with such an atmosphere of blasted loneliness that what you take away from them, more than the laugh or the cleverness, is a sense of chilly disconnect. In Heaven, Dean situates his scenes in landscapes, even when he doesn’t strictly need a wider environment to sell the situation — and most of the landscapes are barren, showing empty hills or dead cracked trees, piles of jagged rocks, horizons stretching out the promise of more nothingness.
Seven more Dean collections were published over the next 16 years. As indicated by the title of his Naked People (1963), his more personal work portrayed most often unclothed
Nudity
Nudity is the state of wearing no clothing. The wearing of clothing is exclusively a human characteristic. The amount of clothing worn depends on functional considerations and social considerations...
people in a variety of absurdist
Absurdism
In philosophy, "The Absurd" refers to the conflict between the human tendency to seek value and meaning in life and the human inability to find any...
situations, reflecting the themes of disillusionment, self-delusion, yearning and the meaninglessness of modern life
Modernity
Modernity typically refers to a post-traditional, post-medieval historical period, one marked by the move from feudalism toward capitalism, industrialization, secularization, rationalization, the nation-state and its constituent institutions and forms of surveillance...
. Despite this, he usually drew in a very slick, professional and cleanly drawn, even cute style. Dean's vision expressed a darkness atypical of cartoon work of his time. He has begun to accumulate a posthumous cult following
Cult following
A cult following is a group of fans who are highly dedicated to a specific area of pop culture. A film, book, band, or video game, among other things, will be said to have a cult following when it has a small but very passionate fan base...
of admirers.
Collections
- It's a Long Way to Heaven (1945)
- What Am I Doing Here? (1947)
- And On the Eighth Day (1949)
- Come As You Are: A Book about People at Parties (1952)
- Cave Drawings of the Future (1954)
- Wake Me When It's Over (1955)
- Not Far From the Jungle (1956)
- Abner Dean's Naked People: A Selection of Drawings from Four of His Books (1963)