Académie Royale de Musique
Encyclopedia
The Salle Le Peletier was the home of the Paris Opera
from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the former Hôtel de Choiseul. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique
(1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique
(1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra
(1870–1873).
nephew, Charles Ferdinand, duc de Berry, was fatally stabbed on the night of 13 February 1820 in front of the former theatre of the Paris Opera, the Salle de la rue de Richelieu
, the king decided that the theatre would be demolished in order to build a commemorative chapel in its place. However, the project to build a chapel was never carried out due to the 1830 revolution
. Today the Fontaine Louvois
in the Square Louvois occupies the spot where the chapel would have been built. The Salle de la rue de Richelieu had been the principal venue of the Paris Opera since 1794. Very soon after the death of his nephew in February 1820, the king commissioned the architect François Debret to design a new theatre for the Opéra on the Rue Le Peletier, which was completed one year later. During the construction the opera and ballet companies occupied the Théâtre Favart and the Salle Louvois.
The Salle Le Peletier was inaugurated on 16 August 1821 with a mixed-bill that opened with the anthem "Vive Henry VIII", and included the composer Catel's
opera Les Bayadères and the Ballet Master
Gardel's
ballet Le Retour de Zéphire. Although the theatre was meant to be temporary and was built of wood and plaster, it continued to be used by the Opéra for more than fifty years. Many of the great grand operas
of the 19th century were presented for the first time on its stage, among them: Rossini's Guillaume Tell (1829), Meyerbeer's Robert le Diable
(1831), Halévy's La Juive
(1835), and Verdi's Don Carlos
(1867).
The theatre, which was 14,000 square metres in area with a 104 ft. stage, was quite advanced for its time. On 6 February 1822 gas was used for the first time in order to light the stage effects in Nicolas Isouard
's opera Aladin ou La Lampe merveilleuse. The stage and orchestra pit were able to be removed in order to transform the auditorium into a massive hall which could accommodate large balls and other festivities.
Along with the Ballet of Her Majesty's Theatre in London
, the Salle Le Peletier played host to the heyday of the romantic ballet
, with such Balletmasters as Jules Perrot
, Arthur Saint-Léon
, Filippo Taglioni
, Joseph Mazilier
, Jean Coralli
, and Paul Taglioni staging many masterworks for the Paris Opera Ballet
. Among these works: La Sylphide
(1832), Giselle
(1841), Paquita
(1846), Le corsaire
(1856), Le papillon
(1860), La source (1866), and Coppélia
(1870). Among the great ballerina
s to grace the stage of the Opéra during this time were Marie Taglioni
, Carlotta Grisi
, Carolina Rosati, Fanny Elssler
, Lucile Grahn
, and Fanny Cerrito
.
On the night of 29 of October 1873, the Salle Le Peletier met the same fate as many of its predecessors: it was destroyed by a fire which raged for 27 hours, believed to have been started by the theatre's innovative gas lighting. Fortunately, in 1858 Emperor Napoleon III
had hired the civic planner Baron Haussmann
to begin construction on a second theatre for the Parisian Opera and Ballet based on the design of architect Charles Garnier
. In 1875 the new theatre, today known as the Palais Garnier
, was inaugurated.
Ballets -
Paris Opera
The Paris Opera is the primary opera company of Paris, France. It was founded in 1669 by Louis XIV as the Académie d'Opéra and shortly thereafter was placed under the leadership of Jean-Baptiste Lully and renamed the Académie Royale de Musique...
from 1821 until the building was destroyed by fire in 1873. The theatre was designed and constructed by the architect François Debret on the site of the former Hôtel de Choiseul. Due to the many changes in government and management during the theatre's existence, it had a number of different official names, the most important of which were: Théâtre de l'Académie Royale de Musique
Théâtre de l'Académie Royale de Musique
Théâtre de l'Académie Royale de Musique may refer to the opera company commonly known as the Paris Opera or to one of several different theatres used during periods when the company was officially named the Académie Royale de Musique:...
(1821–1848), Opéra-Théâtre de la Nation (1848–1850), Théâtre de l'Académie Nationale de Musique (1850–1852), Théâtre de l'Académie Impériale de Musique
Théâtre de l'Académie Impériale de Musique
Théâtre de l'Académie Impériale de Musique may refer to the opera company commonly known as the Paris Opera or one of two different theatres used during periods when the company was officially named the Académie Impériale de Musique:...
(1852–1854), Théâtre Impérial de l'Opéra (1854–1870), and Théâtre National de l'Opéra
Théâtre National de l'Opéra
Théâtre National de l'Opéra may refer to the opera company commonly known as the Paris Opera or one of two different theatres used during periods when the company was officially named Théâtre National de l'Opéra:* Salle Le Peletier...
(1870–1873).
History
When King Louis XVIII'sLouis XVIII of France
Louis XVIII , known as "the Unavoidable", was King of France and of Navarre from 1814 to 1824, omitting the Hundred Days in 1815...
nephew, Charles Ferdinand, duc de Berry, was fatally stabbed on the night of 13 February 1820 in front of the former theatre of the Paris Opera, the Salle de la rue de Richelieu
Théâtre National de la rue de la Loi
The Théâtre National de la rue de la Loi was a Parisian theatre located across from the Bibliothèque National de France on the rue de la Loi, which was the name of the rue de Richelieu from 1793 to 1806. The theatre was built by the actress and theatre manageress Mademoiselle Montansier, and opened...
, the king decided that the theatre would be demolished in order to build a commemorative chapel in its place. However, the project to build a chapel was never carried out due to the 1830 revolution
July Revolution
The French Revolution of 1830, also known as the July Revolution or in French, saw the overthrow of King Charles X of France, the French Bourbon monarch, and the ascent of his cousin Louis-Philippe, Duke of Orléans, who himself, after 18 precarious years on the throne, would in turn be overthrown...
. Today the Fontaine Louvois
Fontaine Louvois
The Fontaine Louvois is a monumental public fountain in Square Louvois on the rue Richelieu in the Second Arrondissement of Paris, near the entrance of the Bibliothèque nationale de France...
in the Square Louvois occupies the spot where the chapel would have been built. The Salle de la rue de Richelieu had been the principal venue of the Paris Opera since 1794. Very soon after the death of his nephew in February 1820, the king commissioned the architect François Debret to design a new theatre for the Opéra on the Rue Le Peletier, which was completed one year later. During the construction the opera and ballet companies occupied the Théâtre Favart and the Salle Louvois.
The Salle Le Peletier was inaugurated on 16 August 1821 with a mixed-bill that opened with the anthem "Vive Henry VIII", and included the composer Catel's
Charles Simon Catel
Charles Simon Catel was a French composer and educator born at L'Aigle, Orne.-Biography:Catel studied at the Royal School of Singing in Paris. He was the chief assistant to François-Joseph Gossec at the orchestra of the National Guard in 1790...
opera Les Bayadères and the Ballet Master
Ballet Master
Ballet Master is the term used for an employee of a ballet company who is responsible for the level of competence of the dancers in their company...
Gardel's
Maximilien Gardel
Maximilien Gardel was a French ballet dancer and choreographer of German descent .He débuted at the Académie royale de Musique in Paris in 1759 and...
ballet Le Retour de Zéphire. Although the theatre was meant to be temporary and was built of wood and plaster, it continued to be used by the Opéra for more than fifty years. Many of the great grand operas
Grand Opera
Grand opera is a genre of 19th-century opera generally in four or five acts, characterised by large-scale casts and orchestras, and lavish and spectacular design and stage effects, normally with plots based on or around dramatic historic events...
of the 19th century were presented for the first time on its stage, among them: Rossini's Guillaume Tell (1829), Meyerbeer's Robert le Diable
Robert le diable (opera)
Robert le diable is an opera by Giacomo Meyerbeer, often regarded as the first grand opera. The libretto was written by Eugène Scribe and Casimir Delavigne and has little connection to the medieval legend of Robert the Devil. Originally planned as a three-act opéra comique, "Meyerbeer persuaded...
(1831), Halévy's La Juive
La Juive
La Juive is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on February 23, 1835.-Composition history:...
(1835), and Verdi's Don Carlos
Don Carlos
Don Carlos is a five-act grand opera composed by Giuseppe Verdi to a French language libretto by Camille du Locle and Joseph Méry, based on the dramatic play Don Carlos, Infant von Spanien by Friedrich Schiller...
(1867).
The theatre, which was 14,000 square metres in area with a 104 ft. stage, was quite advanced for its time. On 6 February 1822 gas was used for the first time in order to light the stage effects in Nicolas Isouard
Nicolas Isouard
Nicolas Isouard was a Maltese composer.Isouard studied in Valletta with Francesco Azopardi, in Palermo with Giuseppe Amendola, and in Naples with Nicola Sala and Pietro Alessandro Guglielmi. From 1795 he was organist at St...
's opera Aladin ou La Lampe merveilleuse. The stage and orchestra pit were able to be removed in order to transform the auditorium into a massive hall which could accommodate large balls and other festivities.
Along with the Ballet of Her Majesty's Theatre in London
London
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
, the Salle Le Peletier played host to the heyday of the romantic ballet
Romantic ballet
The Romantic ballet is defined primarily by an era in ballet in which the ideas of Romanticism in art and literature influenced the creation of ballets. The era occurred during the early to mid 19th century primarily at the Théâtre de l'Académie Royale de Musique of the Paris Opera Ballet and Her...
, with such Balletmasters as Jules Perrot
Jules Perrot
Jules-Joseph Perrot was a dancer and choreographer who later became Balletmaster of the Imperial Ballet in St. Petersburg, Russia...
, Arthur Saint-Léon
Arthur Saint-Leon
Arthur Saint-Léon was the Maître de Ballet of St. Petersburg Imperial Ballet from 1859 until 1869 and is famous for creating the choreography of the ballet Coppélia.-Biography:...
, Filippo Taglioni
Filippo Taglioni
Filippo Taglioni was an Italian dancer and choreographer and personal teacher to his own daughter, the famous Romantic ballerina Marie Taglioni. He is the son of Carlo and father of both Marie and Paul...
, Joseph Mazilier
Joseph Mazilier
Joseph Mazilier was a 19th-century French dancer, balletmaster and choreographer. He was most noted for his ballets Paquita and Le Corsaire...
, Jean Coralli
Jean Coralli
Jean Coralli , born Jean Coralli Peracini, was a French dancer and choreographer and later held the esteemed post of First Balletmaster of the Paris Opera Ballet...
, and Paul Taglioni staging many masterworks for the Paris Opera Ballet
Paris Opera Ballet
The Paris Opera Ballet is the oldest national ballet company in the world, and many European and international ballet companies can trace their origins to it...
. Among these works: La Sylphide
La Sylphide
La Sylphide is one of the world's oldest surviving romantic ballets. There were two versions of the ballet; the version choreographed by the Danish balletmaster August Bournonville is the only version known to have survived....
(1832), Giselle
Giselle
Giselle is a ballet in two acts with a libretto by Jules-Henri Vernoy de Saint-Georges and Théophile Gautier, music by Adolphe Adam, and choreography by Jean Coralli and Jules Perrot. The librettist took his inspiration from a poem by Heinrich Heine...
(1841), Paquita
Paquita
Paquita is a ballet in two acts and three scenes, with libretto by Joseph Mazilier and Paul Foucher. Originally choreographed by Joseph Mazilier to the music of Edouard Deldevez. First presented by at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846...
(1846), Le corsaire
Le Corsaire
Le Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem The Corsair by Lord Byron. Originally choreographed by Joseph Mazilier to the music of Adolphe Adam, it was first presented by the ballet of...
(1856), Le papillon
Le Papillon (ballet)
Le papillon is a "fantastic ballet" in 2 acts, with choreography by Marie Taglioni and music by Jacques Offenbach to a libretto by Jules-Henri Vernoy de Saint-Georges....
(1860), La source (1866), and Coppélia
Coppélia
Coppélia is a sentimental comic ballet with original choreography by Arthur Saint-Léon to a ballet libretto by Saint-Léon and Charles Nuitter and music by Léo Delibes. It was based upon two macabre stories by E. T. A. Hoffmann, Der Sandmann , and Die Puppe...
(1870). Among the great ballerina
Ballerina
A ballerina is a title used to describe a principal female professional ballet dancer in a large company; the male equivalent to this title is danseur or ballerino...
s to grace the stage of the Opéra during this time were Marie Taglioni
Marie Taglioni
Marie Taglioni was a famous Italian/Swedish ballerina of the Romantic ballet era, a central figure in the history of European dance.-Biography:...
, Carlotta Grisi
Carlotta Grisi
Carlotta Grisi, real name Caronne Adele Josephine Marie Grisi was an Italian ballet dancer born in Visinada, Istria . She was trained at the ballet school of Teatro alla Scala in Milan and later with dancer/balletmaster Jules Perrot...
, Carolina Rosati, Fanny Elssler
Fanny Elssler
Fanny Elssler - 27 November 1884), born Franziska Elßler, was an Austrian ballerina of the 'Romantic Period'.- Life :Daughter of Johann Florian Elssler, a second generation employee of Prince Esterhazy in Eisenstadt. Both Johann and his brother Josef were employed as copyists to the Prince's...
, Lucile Grahn
Lucile Grahn
Lucile Alexia Grahn was the first internationally renowned Danish ballerina and one of the popular dancers of the Romantic ballet era....
, and Fanny Cerrito
Fanny Cerrito
Fanny Cerrito, originally Francesca Cerrito , was an Italian ballet dancer and choreographer.Born in Naples, she studied under Carlo Blasis and the French choreographers Jules Perrot and Arthur Saint-Léon, to the latter of whom she was married from 1845–1851. Notable roles included Ondine and a...
.
On the night of 29 of October 1873, the Salle Le Peletier met the same fate as many of its predecessors: it was destroyed by a fire which raged for 27 hours, believed to have been started by the theatre's innovative gas lighting. Fortunately, in 1858 Emperor Napoleon III
Napoleon III of France
Louis-Napoléon Bonaparte was the President of the French Second Republic and as Napoleon III, the ruler of the Second French Empire. He was the nephew and heir of Napoleon I, christened as Charles Louis Napoléon Bonaparte...
had hired the civic planner Baron Haussmann
Baron Haussmann
Georges-Eugène Haussmann, commonly known as Baron Haussmann , was a French civic planner whose name is associated with the rebuilding of Paris...
to begin construction on a second theatre for the Parisian Opera and Ballet based on the design of architect Charles Garnier
Charles Garnier (architect)
Charles Garnier was a French architect, perhaps best known as the architect of the Palais Garnier and the Opéra de Monte-Carlo.-Early life:...
. In 1875 the new theatre, today known as the Palais Garnier
Palais Garnier
The Palais Garnier, , is an elegant 1,979-seat opera house, which was built from 1861 to 1875 for the Paris Opera. It was originally called the Salle des Capucines because of its location on the Boulevard des Capucines in the 9th arrondissement of Paris, but soon became known as the Palais Garnier...
, was inaugurated.
Notable premières
Operas- Le siège de CorintheLe siège de CorintheLe siège de Corinthe is an opera in three acts by Gioachino Rossini to a French libretto by Luigi Balocchi and Alexandre Soumet, based on Maometto II by Cesare della Valle...
(1826) – Gioacchino RossiniGioacchino RossiniGioachino Antonio Rossini was an Italian composer who wrote 39 operas as well as sacred music, chamber music, songs, and some instrumental and piano pieces... - Moïse et Pharaon (1827) – Gioacchino Rossini
- La muette de PorticiLa muette de PorticiLa muette de Portici originally called Masaniello, ou La muette de Portici, is an opera in five acts by Daniel Auber, with a libretto by Germain Delavigne, revised by Eugène Scribe...
(1828) – Daniel AuberDaniel AuberDaniel François Esprit Auber was a French composer.-Biography:The son of a Paris print-seller, Auber was born in Caen in Normandy. Though his father expected him to continue in the print-selling business, he also allowed his son to learn how to play several musical instruments... - Le comte OryLe comte OryLe comte Ory is an opéra written by Gioachino Rossini in 1828. Some of the music originates from his opera Il viaggio a Reims written three years earlier for the coronation of Charles X...
(1828) – Gioacchino Rossini - Guillaume Tell (1829) – Gioacchino Rossini
- Robert le diableRobert le diable (opera)Robert le diable is an opera by Giacomo Meyerbeer, often regarded as the first grand opera. The libretto was written by Eugène Scribe and Casimir Delavigne and has little connection to the medieval legend of Robert the Devil. Originally planned as a three-act opéra comique, "Meyerbeer persuaded...
(1831) – Giacomo MeyerbeerGiacomo MeyerbeerGiacomo Meyerbeer was a noted German opera composer, and the first great exponent of "grand opera." At his peak in the 1830s and 1840s, he was the most famous and successful composer of opera in Europe, yet he is rarely performed today.-Early years:He was born to a Jewish family in Tasdorf , near... - Gustave IIIGustave III (opera)Gustave III, ou Le bal masqué is an opéra historique or grand opera in five acts by Daniel Auber, with a libretto by Eugène Scribe.-Performance history:...
(1833) – Daniel Auber - La JuiveLa JuiveLa Juive is a grand opera in five acts by Fromental Halévy to an original French libretto by Eugène Scribe; it was first performed at the Opéra, Paris, on February 23, 1835.-Composition history:...
(1835) – Fromental HalévyFromental HalévyJacques-François-Fromental-Élie Halévy, usually known as Fromental Halévy , was a French composer. He is known today largely for his opera La Juive.-Early career:... - Les HuguenotsLes HuguenotsLes Huguenots is a French opera by Giacomo Meyerbeer, one of the most popular and spectacular examples of the style of grand opera. The opera is in five acts and premiered in Paris in 1836. The libretto was written by Eugène Scribe and Émile Deschamps....
(1836) – Giacomo Meyerbeer - La EsmeraldaLa Esmeralda (opera)La Esmeralda is a grand opera in four acts composed by Louise Bertin. The libretto was written by Victor Hugo, who had adapted it from his novel Notre-Dame de Paris . The opera premiered at the Théâtre de l'Académie Royale de Musique in Paris on 14 November 1836 with Cornélie Falcon in the title role...
(1836) – Louise BertinLouise BertinLouise-Angélique Bertin was a French composer and poet.Louise Bertin lived her entire life in France. Her father, Louis-François Bertin, and also her brother later on, were the editors of Journal des débats, an influential newspaper. As encouraged by her family, Bertin pursued music... - Benvenuto CelliniBenvenuto Cellini (opera)Benvenuto Cellini is an opera in two acts with music by Hector Berlioz and libretto by Léon de Wailly and Henri Auguste Barbier. It was the first of Berlioz's operas. The story is loosely based on the memoirs of the Florentine sculptor Benvenuto Cellini. The opera is technically very challenging...
(1838) – Hector BerliozHector BerliozHector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts . Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a... - Les martyrs (1840) – Gaetano DonizettiGaetano DonizettiDomenico Gaetano Maria Donizetti was an Italian composer from Bergamo, Lombardy. His best-known works are the operas L'elisir d'amore , Lucia di Lammermoor , and Don Pasquale , all in Italian, and the French operas La favorite and La fille du régiment...
- La favoriteLa favoriteLa favorite is an opera in four acts by Gaetano Donizetti to a French-language libretto by Alphonse Royer and Gustave Vaëz, based on the play Le comte de Comminges by Baculard d'Arnaud...
(1840) – Gaetano Donizetti - La reine de ChypreLa reine de ChypreLa reine de Chypre is an 1841 grand opera composed by Fromental Halévy to a libretto by Jules-Henri Vernoy de Saint-Georges.-Background:...
(1841) – Fromental Halévy - Charles VICharles VI (opera)Charles VI is an 1843 French grand opera in five acts with music composed by Fromental Halevy and a libretto by Casimir Delavigne and his brother Germain Delavigne.-Performance history:...
(1843) – Fromental Halévy - Dom SebastienDom SébastienDom Sébastien, Roi de Portugal is a French grand opera in five acts by Gaetano Donizetti. The libretto was written by Eugène Scribe, based on Paul Foucher's play Don Sébastien de Portugal , a historic-fiction about King Sebastian of Portugal and his ill-fated 1578 expedition to Morocco...
(1843) – Gaetano Donizetti - JérusalemJérusalemJérusalem is a grand opera in four acts by Giuseppe Verdi, set to a French libretto by Alphonse Royer and Gustave Vaëz which was partly translated and adapted from Verdi's original 1843 Italian opera, I Lombardi alla prima crociata...
(1847) – Giuseppe VerdiGiuseppe VerdiGiuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century... - Le prophèteLe prophèteLe prophète is an opera in five acts by Giacomo Meyerbeer. The French-language libretto was by Eugène Scribe.-Performance history:...
(1849) – Giacomo Meyerbeer - SaphoSapho (Gounod)Sapho is a 3-act opera by Charles Gounod to a libretto by Émile Augier which was premiered by the Paris Opéra at the Salle Le Peletier on 16 April 1851. It was presented only 9 times in its initial production, but was a succès d'estime for the young composer, with the critics praising Act 3 in...
(1851) – Charles GounodCharles GounodCharles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:... - La nonne sanglanteLa nonne sanglanteLa nonne sanglante , is a five-act opera by Charles Gounod to a libretto by Eugène Scribe and Germain Delavigne. Written between 1852 and 1854, it was first produced on 18 October 1854 at the Salle Le Peletier by the Paris Opéra. It received 11 performances between October and November 1854...
(1854) – Charles Gounod - Les vêpres siciliennesLes vêpres siciliennesLes vêpres siciliennes is an opéra in five acts by the Italian romantic composer Giuseppe Verdi set to a French libretto by Charles Duveyrier and Eugène Scribe from their work Le duc d'Albe, which was written in 1838 and offered to Halevy and Donizetti before Verdi...
(1855) – Giuseppe Verdi - Le trouvère (1857) – Giuseppe Verdi
- TannhäuserTannhäuser (opera)Tannhäuser is an opera in three acts, music and text by Richard Wagner, based on the two German legends of Tannhäuser and the song contest at Wartburg...
(Paris Version) (1861) – Richard WagnerRichard WagnerWilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas... - La reine de SabaLa reine de SabaLa reine de Saba is a grand opera in four or five acts by Charles Gounod to a libretto by Jules Barbier and Michel Carré inspired by Gérard de Nerval's Le voyage en Orient...
(1862) – Charles Gounod - L'AfricaineL'AfricaineL'africaine is a grand opera, the last work of the composer Giacomo Meyerbeer. The French libretto was written by Eugène Scribe. The opera is about fictitious events in the life of the real historical person Vasco da Gama...
(1865) – Giacomo Meyerbeer - Don CarlosDon CarlosDon Carlos is a five-act grand opera composed by Giuseppe Verdi to a French language libretto by Camille du Locle and Joseph Méry, based on the dramatic play Don Carlos, Infant von Spanien by Friedrich Schiller...
(1867) – Giuseppe Verdi - HamletHamlet (opera)Hamlet is an opéra in five acts by the French composer Ambroise Thomas, with a libretto by Michel Carré and Jules Barbier based on a French adaptation by Alexandre Dumas, père and Paul Meurice of Shakespeare's play Hamlet.- Ophelia mania in Paris:...
(1868) – Ambroise ThomasAmbroise ThomasCharles Louis Ambroise Thomas was a French composer, best known for his operas Mignon and Hamlet and as Director of the Conservatoire de Paris from 1871 till his death.-Biography:"There is good music, there is bad music, and then there is Ambroise Thomas."- Emmanuel Chabrier-Early life... - FaustFaust (opera)Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
(Paris Opera Version) (1869) – Charles Gounod
Ballets -
- La fille mal gardéeLa Fille Mal GardéeLa Fille mal gardée is a comic ballet presented in two acts, inspired by Pierre-Antoine Baudouin's 1789 painting, La réprimande/Une jeune fille querellée par sa mère...
(1828) – choreography by Jean-Pierre AumerJean-Pierre AumerJean-Louis Aumer was a French danseur and choreographer, who was born in Strasbourg on 21 April 1774, and who died in Saint-Martin-de-Boscherville in July 1833. Educated at the school of the Paris Opera Ballet, he joined the company in 1801 after an initial engagement with Jean Dauberval in Bordeaux...
; music by Ferdinand Hérold - La SylphideLa SylphideLa Sylphide is one of the world's oldest surviving romantic ballets. There were two versions of the ballet; the version choreographed by the Danish balletmaster August Bournonville is the only version known to have survived....
(1832) – choreography by Filippo TaglioniFilippo TaglioniFilippo Taglioni was an Italian dancer and choreographer and personal teacher to his own daughter, the famous Romantic ballerina Marie Taglioni. He is the son of Carlo and father of both Marie and Paul...
; music by Jean-Madeliene Schnietzhoeffer - La fille du DanubeLa Fille du DanubeLa fille du Danube is a ballet in two acts and four scenes. Choreography by Filippo Taglioni. Music by Adolphe Adam. Premiered September 21, 1836, by the Ballet of the Académie Royale de Musique, Paris.-Revivals/Restagings:...
(1836) – choreography by Filippo Taglioni; music by Adolphe AdamAdolphe AdamAdolphe Charles Adam was a French composer and music critic. A prolific composer of operas and ballets, he is best known today for his ballets Giselle and Le corsaire , his operas Le postillon de Lonjumeau , Le toréador and Si j'étais roi , and his Christmas... - Le diable amoureuxLe Diable amoureux (ballet)Le Diable Amoureux is a Pantomime ballet in 3 acts, 7 scenes. Originally staged by Joseph Mazilier to the music of Napoléon Henri Reber and François Benoist...
(1840) – choreography by Joseph MazilierJoseph MazilierJoseph Mazilier was a 19th-century French dancer, balletmaster and choreographer. He was most noted for his ballets Paquita and Le Corsaire...
; music by by Napoléon Henri ReberNapoléon Henri ReberNapoléon Henri Reber was a French composer.He studied with Anton Reicha and Jean François Lesueur, wrote chamber music, and set to music the new poems of the best French poets...
and Francois BenoistFrançois BenoistFrançois Benoist was a French organist, composer, and pedagogue.Benoist was born in Nantes. He studied music at the Conservatoire de Paris and won the Prix de Rome in 1815 for his cantata Œnone. In 1819, he became organist and professor of organ at the Conservatoire; he held the latter post for... - GiselleGiselleGiselle is a ballet in two acts with a libretto by Jules-Henri Vernoy de Saint-Georges and Théophile Gautier, music by Adolphe Adam, and choreography by Jean Coralli and Jules Perrot. The librettist took his inspiration from a poem by Heinrich Heine...
(1841) – choreography by Jean CoralliJean CoralliJean Coralli , born Jean Coralli Peracini, was a French dancer and choreographer and later held the esteemed post of First Balletmaster of the Paris Opera Ballet...
and Jules PerrotJules PerrotJules-Joseph Perrot was a dancer and choreographer who later became Balletmaster of the Imperial Ballet in St. Petersburg, Russia...
; music by Adolphe Adam (additional music by Friedrich Burgmüller) - La Péri (1843) – choreography by Jean Coralli; music by Friedrich Burgmüller
- Le diable à quatreLe Diable à Quatre (ballet)Le diable à quatre is a ballet in 2 acts / 3 scenes, with choreography by Joseph Mazilier and music by Adolphe Adam, first presented by the Ballet of the Académie Royale de Musique on August 11, 1845...
(1845) – choreography by Joseph Mazilier; music by by Adolphe Adam - PaquitaPaquitaPaquita is a ballet in two acts and three scenes, with libretto by Joseph Mazilier and Paul Foucher. Originally choreographed by Joseph Mazilier to the music of Edouard Deldevez. First presented by at the Salle Le Peletier by the Paris Opera Ballet on 1 April 1846...
(1846) – choreography by Joseph Mazilier; music by Edouard DeldevezEdouard DeldevezÉdouard Deldevez was a French violinist, conductor, composer, and music teacher. He is also known as Ernest or Ernst Deldevez. The names Edmé or Émile are occasionally substituted for Edouard.-Biography:Édouard Deldevez was born and died in Paris, France. He won many prizes as a violinist... - Le corsaireLe CorsaireLe Corsaire is a ballet typically presented in three acts, with a libretto originally created by Jules-Henri Vernoy de Saint-Georges loosely based on the poem The Corsair by Lord Byron. Originally choreographed by Joseph Mazilier to the music of Adolphe Adam, it was first presented by the ballet of...
(1856) – choreography by Joseph Mazilier; music by Adolphe Adam - Le marché des innocentsThe Parisian Market or Le Marché des InnocentsThe Parisian Market is a comic ballet in one act, with choreography by Marius Petipa, and music by Cesare Pugni. Libretto by Marius Petipa....
(1859) – choreography by Marius PetipaMarius PetipaVictor Marius Alphonse Petipa was a French ballet dancer, teacher and choreographer. Petipa is considered to be the most influential ballet master and choreographer of ballet that has ever lived....
; music by Cesare PugniCesare PugniCesare Pugni was an Italian composer of ballet music, a pianist and a violinist. In his early career he composed operas, symphonies, and various other forms of orchestral music. Pugni is most noted for the ballets he composed while serving as Composer of the Ballet Music to Her Majesty's Theatre... - Le papillonLe Papillon (ballet)Le papillon is a "fantastic ballet" in 2 acts, with choreography by Marie Taglioni and music by Jacques Offenbach to a libretto by Jules-Henri Vernoy de Saint-Georges....
(1860) – choreography by Marie TaglioniMarie TaglioniMarie Taglioni was a famous Italian/Swedish ballerina of the Romantic ballet era, a central figure in the history of European dance.-Biography:...
; music by Jacques OffenbachJacques OffenbachJacques Offenbach was a Prussian-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr.... - La source (1866) – choreography by Arthur Saint-LéonArthur Saint-LeonArthur Saint-Léon was the Maître de Ballet of St. Petersburg Imperial Ballet from 1859 until 1869 and is famous for creating the choreography of the ballet Coppélia.-Biography:...
; music by Léo DelibesLéo DelibesClément Philibert Léo Delibes was a French composer of ballets, operas, and other works for the stage...
and Léon Minkus - CoppéliaCoppéliaCoppélia is a sentimental comic ballet with original choreography by Arthur Saint-Léon to a ballet libretto by Saint-Léon and Charles Nuitter and music by Léo Delibes. It was based upon two macabre stories by E. T. A. Hoffmann, Der Sandmann , and Die Puppe...
(1870) – choreography by Arthur Saint-Léon, music by Léo Delibes