Afrita hanem
Encyclopedia
Afrita hanem is a 1949 Egyptian film about Asfour, a poor singer, played by Egyptian musician Farid Al Atrache, who falls in love with Aleya, a the somewhat spoiled daughter of his boss.
Asfour wants to marry Aleya, but her father won't let the marriage happen due to Asfour's class status. Asfour turns to a genie for help, but the genie, a female genie named Kahramana, played by noted Egyptian actress and dancer Samia Gamal
, falls in love with Asfour instead, and tries to manipulate his desires.
According to the British Film Institute
’s book 100 Film Musicals, Afrita hanem critiques modernity: “Running through all these films (as through so many Indian films), exploring moral dilemmas in bourgeois family settings, is a discourse in which western modernity – cars, clothes, manners – is viewed negatively in relation to traditional values. The sage who presides over the genie in Afrita Hanem pops up from time to time to deliver homilies about materialistic greed and selfishness.”
Asfour wants to marry Aleya, but her father won't let the marriage happen due to Asfour's class status. Asfour turns to a genie for help, but the genie, a female genie named Kahramana, played by noted Egyptian actress and dancer Samia Gamal
Samia Gamal
Samia Gamal was an Egyptian belly dancer and film actress.Born in the small Egyptian town of Wana in 1924, Samia's family moved just months later to Cairo and settled near the Khan El-Khalili bazaar. It was many years later that Samia Gamal met Badia Masabni, the founder of modern Oriental dance....
, falls in love with Asfour instead, and tries to manipulate his desires.
According to the British Film Institute
British Film Institute
The British Film Institute is a charitable organisation established by Royal Charter to:-Cinemas:The BFI runs the BFI Southbank and IMAX theatre, both located on the south bank of the River Thames in London...
’s book 100 Film Musicals, Afrita hanem critiques modernity: “Running through all these films (as through so many Indian films), exploring moral dilemmas in bourgeois family settings, is a discourse in which western modernity – cars, clothes, manners – is viewed negatively in relation to traditional values. The sage who presides over the genie in Afrita Hanem pops up from time to time to deliver homilies about materialistic greed and selfishness.”