Afro-Cubans
Encyclopedia
The Afro-Cubans were a latin jazz
band founded by Machito
in 1940; often billed as Machito and his Afro-Cubans. Their musical director, and an important musical innovator, was Mario Bauza
, Machito's brother-in-law.
The Afro-Cubans combined Cuban music with orchestrations derived from swing
. As well, the Afro-Cubans played with and incorporated the music of many important figures in contemporary jazz, including Charlie Parker
, Dizzy Gillespie
, Flip Phillips
, and Buddy Rich
; but the association went both ways, as the Latin rhythms of the Afro-Cubans strongly influenced the jazz scene in New York.
After making some early 78s for Decca, the Afro-Cubans began to increase in popularity towards the end of World War II, appearing with—and no doubt influencing -- Stan Kenton
's orchestra. (Machito
played maracas on Kenton's recordings of "The Peanut Vendor" and "Cuban Carnival") and recorded for Mercury and Clef. On Bauza's urging, Machito's band featured a galaxy of American jazz soloists on its recordings from 1948 to 1960, including Charlie Parker
(heard memorably on "No Noise"), Dizzy Gillespie
, Flip Phillips
, Howard McGhee
, Buddy Rich
, Harry "Sweets" Edison, Cannonball Adderley, Herbie Mann
, Curtis Fuller
and Johnny Griffin
. Playing regularly at New York's Palladium, Machito's band reached its peak of popularity during the mambo craze of the 1950s, survived the upheavals of the '60s and despite the loss of Bauza in 1976, continued to work frequently in the '60s, '70s, and early '80s when the term "salsa" came into use. The band recorded for Pablo (in tandem with Gillespie) and Timeless in its later years.
Latin jazz
Latin jazz is the general term given to jazz with Latin American rhythms.The three main categories of Latin Jazz are Brazilian, Cuban and Puerto Rican:# Brazilian Latin Jazz includes bossa nova...
band founded by Machito
Machito
Machito , born as Francisco Raúl Gutiérrez Grillo, was an influential Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music...
in 1940; often billed as Machito and his Afro-Cubans. Their musical director, and an important musical innovator, was Mario Bauza
Mario Bauza
Mario Bauzá was an important Cuban musician. He was one of the first to introduce Latin music to the United States by bringing Cuban musical styles into the New York jazz scene...
, Machito's brother-in-law.
The Afro-Cubans combined Cuban music with orchestrations derived from swing
Swing (genre)
Swing music, also known as swing jazz or simply swing, is a form of jazz music that developed in the early 1930s and became a distinctive style by 1935 in the United States...
. As well, the Afro-Cubans played with and incorporated the music of many important figures in contemporary jazz, including Charlie Parker
Charlie Parker
Charles Parker, Jr. , famously called Bird or Yardbird, was an American jazz saxophonist and composer....
, Dizzy Gillespie
Dizzy Gillespie
John Birks "Dizzy" Gillespie was an American jazz trumpet player, bandleader, singer, and composer dubbed "the sound of surprise".Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz...
, Flip Phillips
Flip Phillips
Flip Phillips was an American jazz tenor saxophone and clarinet player. He is best remembered for his work with Jazz at the Philharmonic from 1946 to 1957.-Biography:...
, and Buddy Rich
Buddy Rich
Bernard "Buddy" Rich was an American jazz drummer and bandleader. Rich was billed as "the world's greatest drummer" and was known for his virtuosic technique, power, groove, and speed.-Early life:...
; but the association went both ways, as the Latin rhythms of the Afro-Cubans strongly influenced the jazz scene in New York.
After making some early 78s for Decca, the Afro-Cubans began to increase in popularity towards the end of World War II, appearing with—and no doubt influencing -- Stan Kenton
Stan Kenton
Stanley Newcomb "Stan" Kenton was a pianist, composer, and arranger who led a highly innovative, influential, and often controversial American jazz orchestra. In later years he was widely active as an educator....
's orchestra. (Machito
Machito
Machito , born as Francisco Raúl Gutiérrez Grillo, was an influential Latin jazz musician who helped refine Afro-Cuban jazz and create both Cubop and salsa music...
played maracas on Kenton's recordings of "The Peanut Vendor" and "Cuban Carnival") and recorded for Mercury and Clef. On Bauza's urging, Machito's band featured a galaxy of American jazz soloists on its recordings from 1948 to 1960, including Charlie Parker
Charlie Parker
Charles Parker, Jr. , famously called Bird or Yardbird, was an American jazz saxophonist and composer....
(heard memorably on "No Noise"), Dizzy Gillespie
Dizzy Gillespie
John Birks "Dizzy" Gillespie was an American jazz trumpet player, bandleader, singer, and composer dubbed "the sound of surprise".Together with Charlie Parker, he was a major figure in the development of bebop and modern jazz...
, Flip Phillips
Flip Phillips
Flip Phillips was an American jazz tenor saxophone and clarinet player. He is best remembered for his work with Jazz at the Philharmonic from 1946 to 1957.-Biography:...
, Howard McGhee
Howard McGhee
Howard McGhee was one of the very first bebop jazz trumpeters, together with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for lightning-fast fingers and very high notes...
, Buddy Rich
Buddy Rich
Bernard "Buddy" Rich was an American jazz drummer and bandleader. Rich was billed as "the world's greatest drummer" and was known for his virtuosic technique, power, groove, and speed.-Early life:...
, Harry "Sweets" Edison, Cannonball Adderley, Herbie Mann
Herbie Mann
Herbert Jay Solomon , better known as Herbie Mann, was a Jewish American jazz flutist and important early practitioner of world music...
, Curtis Fuller
Curtis Fuller
Curtis DuBois Fuller is an American jazz trombonist, known as a member of Art Blakey's Jazz Messengers and contributor to many classic jazz recordings.-Biography:...
and Johnny Griffin
Johnny Griffin
John Arnold Griffin III was an American bop and hard bop tenor saxophonist.- Early life and career :Griffin studied music at DuSable High School in Chicago under Walter Dyett, starting out on clarinet before moving on to oboe and then alto sax...
. Playing regularly at New York's Palladium, Machito's band reached its peak of popularity during the mambo craze of the 1950s, survived the upheavals of the '60s and despite the loss of Bauza in 1976, continued to work frequently in the '60s, '70s, and early '80s when the term "salsa" came into use. The band recorded for Pablo (in tandem with Gillespie) and Timeless in its later years.