Andrea Fraser
Encyclopedia
Andrea Fraser is a New York
-based performance art
ist, mainly known for her work in the area of institutional critique
. She is currently a member of the Art Department faculty at the University of California, Los Angeles.
in 1989 under the pseudonym of Jane Castleton. During the performance, Fraser led a tour through the museum describing it in verbose and overly dramatic terms to her chagrined tour group. For example, in describing a common water fountain Fraser proclaims "a work of astonishing economy and monumentality ... it boldly contrasts with the severe and highly stylized productions of this form!" Upon entering the museum cafeteria: "This room represents the heyday of colonial art in Philadelphia on the eve of the Revolution, and must be regarded as one of the very finest of all American rooms."
In Kunst muss hängen (Art Must Hang) (Galerie Christian Nagel / Cologne, 2001) - featured in Make Your Own Life: Artists In & Out of Cologne - Fraser reenacted an impromptu 1995 speech by a drunk Martin Kippenberger
, word-by-word, gesture-for-gesture.
For Official Welcome (2001) - commissioned by the MICA Foundation for a private reception - Fraser mimicked "the banal comments and effusive words of praise uttered by presenters and recipients during art-awards ceremonies. Midstream, assuming the persona of a troubled, postfeminist art star, Fraser strips down, [...] to a Gucci thong, bra and high-heel shoes, and says, I'm not a person today. I'm an object in an art work."
In her videotape performance Untitled (2003), Fraser recorded a hotel-room sexual encounter with a private collector, who had paid close to $20,000 to participate, "not for sex, according to the artist, but to make an artwork."
Her videotape performance Little Frank and His Carp (2001) targets architectural dominance of modern gallery spaces. Using the original soundtrack of an acoustic guide at the Guggenheim Museum Bilbao
, she "... writhes with pleasure as the recorded voice draws attention to the undulating curves and textured surfaces of the surrounding space" which she takes literally in an "erotic encounter".
(1989); the Kunstverein München, (Germany, 1993, 1994); the Venice Biennale
(Italy, 1993); the Sprengel Museum
(Hannover, Germany, 1998); the Kunstverein Hamburg (Germany, 2003); the Whitechapel Art Gallery (London, England, 2003); the Los Angeles Museum of Contemporary Art (2005); the Frans Hals Museum
(Haarlem, The Netherlands, 2007); and the Centre Pompidou (Paris, 2009).
Her work is held in public collections including the Tate
(London), the Saatchi Gallery
, London, and the Centre Pompidou, Paris.
She presented a lecture as part of the "Art and the Right to Believe" lecture series through the Visiting Artists Program at the School of the Art Institute of Chicago in February, 2009.
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
-based performance art
Performance art
In art, performance art is a performance presented to an audience, traditionally interdisciplinary. Performance may be either scripted or unscripted, random or carefully orchestrated; spontaneous or otherwise carefully planned with or without audience participation. The performance can be live or...
ist, mainly known for her work in the area of institutional critique
Institutional Critique
Institutional Critique is an art term that describes the systematic inquiry into the workings of art institutions, for instance galleries and museums, and is most associated with the work of artists such as Michael Asher, Marcel Broodthaers, Daniel Buren, Andrea Fraser, Fred Wilson and Hans...
. She is currently a member of the Art Department faculty at the University of California, Los Angeles.
Position
Fraser's brand of performance during the 1990s popularized the institutional critique art movement, a loosely-formed artistic practice meant to critique the very institutions that are involved in the sale, display, and commerce of art. Fraser's work typically comments on the politics, commerce, histories, and even the self-assuredness of the modern-day art museum, including the hierarchies and the exclusion mechanisms of art as an enterprise. Her performances, despite having serious undertones, are often presented in a humorous, ridiculous, or satirical manner.Major works
Arguably Fraser's most famous performance, Museum Highlights (1989) involved Fraser posing as a Museum tour guide at the Philadelphia Museum of ArtPhiladelphia Museum of Art
The Philadelphia Museum of Art is among the largest art museums in the United States. It is located at the west end of the Benjamin Franklin Parkway in Philadelphia's Fairmount Park. The Museum was established in 1876 in conjunction with the Centennial Exposition of the same year...
in 1989 under the pseudonym of Jane Castleton. During the performance, Fraser led a tour through the museum describing it in verbose and overly dramatic terms to her chagrined tour group. For example, in describing a common water fountain Fraser proclaims "a work of astonishing economy and monumentality ... it boldly contrasts with the severe and highly stylized productions of this form!" Upon entering the museum cafeteria: "This room represents the heyday of colonial art in Philadelphia on the eve of the Revolution, and must be regarded as one of the very finest of all American rooms."
In Kunst muss hängen (Art Must Hang) (Galerie Christian Nagel / Cologne, 2001) - featured in Make Your Own Life: Artists In & Out of Cologne - Fraser reenacted an impromptu 1995 speech by a drunk Martin Kippenberger
Martin Kippenberger
Martin Kippenberger was a German artist known for his extremely prolific output in a wide range of styles and media as well as his provocative, jocular and hard-drinking public persona....
, word-by-word, gesture-for-gesture.
For Official Welcome (2001) - commissioned by the MICA Foundation for a private reception - Fraser mimicked "the banal comments and effusive words of praise uttered by presenters and recipients during art-awards ceremonies. Midstream, assuming the persona of a troubled, postfeminist art star, Fraser strips down, [...] to a Gucci thong, bra and high-heel shoes, and says, I'm not a person today. I'm an object in an art work."
In her videotape performance Untitled (2003), Fraser recorded a hotel-room sexual encounter with a private collector, who had paid close to $20,000 to participate, "not for sex, according to the artist, but to make an artwork."
Her videotape performance Little Frank and His Carp (2001) targets architectural dominance of modern gallery spaces. Using the original soundtrack of an acoustic guide at the Guggenheim Museum Bilbao
Guggenheim Museum Bilbao
The Guggenheim Museum Bilbao is a museum of modern and contemporary art, designed by Canadian-American architect Frank Gehry, built by Ferrovial, and located in Bilbao, Basque Country, Spain. It is built alongside the Nervion River, which runs through the city of Bilbao to the Atlantic Coast. The...
, she "... writhes with pleasure as the recorded voice draws attention to the undulating curves and textured surfaces of the surrounding space" which she takes literally in an "erotic encounter".
Exhibitions and collections
Fraser's work has been shown in public galleries including the Philadelphia Museum of ArtPhiladelphia Museum of Art
The Philadelphia Museum of Art is among the largest art museums in the United States. It is located at the west end of the Benjamin Franklin Parkway in Philadelphia's Fairmount Park. The Museum was established in 1876 in conjunction with the Centennial Exposition of the same year...
(1989); the Kunstverein München, (Germany, 1993, 1994); the Venice Biennale
Venice Biennale
The Venice Biennale is a major contemporary art exhibition that takes place once every two years in Venice, Italy. The Venice Film Festival is part of it. So too is the Venice Biennale of Architecture, which is held in even years...
(Italy, 1993); the Sprengel Museum
Sprengel Museum
The Sprengel Museum in Hanover houses one of the most significant collections of modern art in Germany. It is located in a building designed by Peter and Ursula Trint and Dieter Quast , adjacent to the Maschsee...
(Hannover, Germany, 1998); the Kunstverein Hamburg (Germany, 2003); the Whitechapel Art Gallery (London, England, 2003); the Los Angeles Museum of Contemporary Art (2005); the Frans Hals Museum
Frans Hals Museum
The Frans Hals Museum is a hofje and municipal museum in Haarlem, Netherlands. The museum was founded in 1862 in the newly renovated former cloister located in the back of the Haarlem city hall known as the Prinsenhof...
(Haarlem, The Netherlands, 2007); and the Centre Pompidou (Paris, 2009).
Her work is held in public collections including the Tate
Tate
-Places:*Tate, Georgia, a town in the United States*Tate County, Mississippi, a county in the United States*Táté, the Hungarian name for Totoi village, Sântimbru Commune, Alba County, Romania*Tate, Filipino word for States...
(London), the Saatchi Gallery
Saatchi Gallery
The Saatchi Gallery is a London gallery for contemporary art, opened by Charles Saatchi in 1985 in order to exhibit his collection to the public. It has occupied different premises, first in North London, then the South Bank by the River Thames and currently in Chelsea. Saatchi's collection, and...
, London, and the Centre Pompidou, Paris.
She presented a lecture as part of the "Art and the Right to Believe" lecture series through the Visiting Artists Program at the School of the Art Institute of Chicago in February, 2009.