Angus Suttie
Encyclopedia
Angus Suttie
1946: Born 26 November, in Tealing, Scotland.
1975-79: Camberwell School of Art, London
1979-80: Teacher training, Whitelands College, Putney, London
1980: Teacher at Morley College, London
1981-84: Shared a workshop with Sarah Radstone in the 4011/2 workshops
1984: Workshop in Clerkenwell, London. Worked in stoneware
1986: Teacher at Camberwell School of Art. Produced earthenware
1993: Died on 17 June, from an HIV related illness
source:


Angus Suttie (26 November 1946 – 17 June 1993) was a studio potter and teacher of art ceramics
Ceramic art
In art history, ceramics and ceramic art mean art objects such as figures, tiles, and tableware made from clay and other raw materials by the process of pottery. Some ceramic products are regarded as fine art, while others are regarded as decorative, industrial or applied art objects, or as...

, most notably at Morley College
Morley College
Morley College is an adult education college in London, England. It was founded in the 1880s and has a student population of 10,806 adult students...

, London. Suttie studied at Camberwell School of Art under Glennys Barton, Ewen Henderson
Ewen Henderson
Ewen Henderson may refer to:*Ewen Henderson , artist*Ewen Henderson , fiddler and bagpiper...

 and Colin Pearson
Colin Pearson (potter)
Colin Pearson was an English studio potter and art teacher.-Biography:Pearson was born in Friern Barnet, London in 1923 and studied at Goldsmiths College, University of London...

. This education promoted experimentation which rejected the Bernard Leach
Bernard Leach
Bernard Howell Leach, CBE, CH , was a British studio potter and art teacher. He is regarded as the "Father of British studio pottery"-Biography:...

 derived Anglo-oriental style, and emphasized wheel-throwing
Potter's wheel
In pottery, a potter's wheel is a machine used in asma of round ceramic ware. The wheel may also be used during process of trimming the excess body from dried ware and for applying incised decoration or rings of color...

.

Background

Suttie was born on 26 November 1946, in Tealing, Scotland. His initial interest was drama. After completing his education in Art Ceramics
Ceramic art
In art history, ceramics and ceramic art mean art objects such as figures, tiles, and tableware made from clay and other raw materials by the process of pottery. Some ceramic products are regarded as fine art, while others are regarded as decorative, industrial or applied art objects, or as...

, he also completed teacher training
Teacher education
Teacher education refers to the policies and procedures designed to equip prospective teachers with the knowledge, attitudes, behaviors and skills they require to perform their tasks effectively in the classroom, school and wider community....

 at Whitelands College
Whitelands College
Whitelands College is one of the four constituent colleges of Roehampton University. One of the oldest higher education institutions in England, predating every university except Oxford, Cambridge, London and Durham, it was founded by the Church of England’s National Society in 1841 as a teacher...

, in Putney
Putney
Putney is a district in south-west London, England, located in the London Borough of Wandsworth. It is situated south-west of Charing Cross. The area is identified in the London Plan as one of 35 major centres in Greater London....

, London. (1979-80).

Early works

Suttie shaped his articles principally with rolled slabs of leather-hard clay
Clay
Clay is a general term including many combinations of one or more clay minerals with traces of metal oxides and organic matter. Geologic clay deposits are mostly composed of phyllosilicate minerals containing variable amounts of water trapped in the mineral structure.- Formation :Clay minerals...

 body to create geometric forms, which he cut and reassembled into larger forms. Suttie's preference was for hand-building and he was inspired by objects and forms from pre-industrial societies
Pre-industrial society
Pre-industrial society refers to specific social attributes and forms of political and cultural organization that were prevalent before the advent of the Industrial Revolution. It is followed by the industrial society....

. These were often in pastiche of traditional domestic
Home
A home is a place of residence or refuge. When it refers to a building, it is usually a place in which an individual or a family can rest and store personal property. Most modern-day households contain sanitary facilities and a means of preparing food. Animals have their own homes as well, either...

 objects including anthropomorphic vessels such as jugs and teapots, which were part container and part figurative form. His functional, yet slightly baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...

 works, are vividly colored, and often stand on oddly positioned legs or are seemingly off-balanced.

Later works

As part of a developing tradition of abstraction
Abstract art
Abstract art uses a visual language of form, color and line to create a composition which may exist with a degree of independence from visual references in the world. Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an...

 in contemporary ceramics, Angus' works became less rectilinear
Rectilinear
Rectilinear may refer to:* Rectilinear grid, a tessellation of the Euclidean plane* Rectilinear lens, a photographic lens* Rectilinear locomotion, a form of animal locomotion* Rectilinear polygon, a polygon whose edges meet at right angles...

 and more organic in appearance and as time went on, much larger than their domestic counterparts. In addition they became more serious and the protrusions came to resemble rows of thorns or tank tracks.

His later works have been described as reflecting and celebrating his life, personal relationships and his deteriorating health. His work displays a diversity of influences, including contemporary abstract ceramics, modern North American ceramics, and Pre-Columbian
Pre-Columbian
The pre-Columbian era incorporates all period subdivisions in the history and prehistory of the Americas before the appearance of significant European influences on the American continents, spanning the time of the original settlement in the Upper Paleolithic period to European colonization during...

 American art
Visual arts of the United States
American art encompasses the history of painting and visual art in the United States. In the late eighteenth and early nineteenth centuries, artists primarily painted landscapes and portraits in a realistic style. A parallel development taking shape in rural America was the American craft movement,...

.

Literary contributions

Suttie was also a contributor to The Ceramic Review, Revue de la Ceramique et du Verre, Studio Pottery etc. and his works are held in some significant 20th century ceramics collections around the world, including the Victoria & Albert Museum
Victoria and Albert Museum
The Victoria and Albert Museum , set in the Brompton district of The Royal Borough of Kensington and Chelsea, London, England, is the world's largest museum of decorative arts and design, housing a permanent collection of over 4.5 million objects...

, Crafts Council
Crafts Council
The Crafts Council was established in the United Kingdom in 1971 as the national agency for crafts and was granted a Royal Charter in 1982. The Crafts Council’s vision is to position the UK as the global centre for the making, seeing and collecting of contemporary craft...

, The Fred Marer Collection at the Otis Art Institute in Los Angeles, and the Smart Museum of Art
Smart Museum of Art
The David and Alfred Smart Museum of Art is an art museum located on the campus of the University of Chicago in Chicago, Illinois. The permanent collection of over 10,000 objects includes works by Francisco Goya, Frank Lloyd Wright, Edgar Degas, Auguste Rodin, Henri Matisse, Pablo Picasso, Diego...

at the University of Chicago.
He was also a member of the Gay Left collective in the 1970s. A memoir of his early years, From Latent to Blatant, was published in issue number 2 of the Gay Left journal and can be accessed at http://www.gayleft1970s.org.
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