school, which she had studied under Lee Strasberg
.
She made her film debut in Don't Bother to Knock
(1952) and, following a string of supporting film roles during the 1950s, won an Academy Award for Best Actress
for her performance in The Miracle Worker
(1962), receiving subsequent nominations for her roles in The Pumpkin Eater
(1964), The Graduate
(1967), The Turning Point
(1977), and Agnes of God
(1985).
I was at a point where I was ready to say I am what I am because of what I am and if you like me I'm grateful, and if you don't, what am I going to do about it?
There are always good parts. They may not pay what you want, and they may not have as many days' work as you want, they may not have the billing that you want, they may not have a lot of things, but—the content of the role itself—I find there are many roles.
If there are, let's say, 20 astronauts, there may be two women among those 20 astronauts. If there are 20 FBI guys, there's one woman and the rest are men. So when somebody writes a script about life, usually the leading role will be the man, because mostly what women do is at home taking care of the children...That's the most important job there is on Earth. And why shouldn't women have it since they are the better of the two sexes?
I don't quite jump for joy, but I am awfully glad to see him.
First of all, you have to marry the right person. If you marry the wrong person for the wrong reasons, then no matter how hard you work, it's never going to work, because then you have to completely change yourself, completely change them, completely— by that time, you're both dead. So I think you have to marry for the right reasons, and marry the right person.
He understands not only with his brain but with his heart. And that might be called love. Not quite sure, but maybe that's the key.
I am quite surprised, that with all my work, and some of it is very, very good, that nobody talks about The Miracle Worker. We're talking about Mrs. Robinson. I understand the world... I'm just a little dismayed that people aren't beyond it yet.
To this day, when men meet me, there's always that movie in the back of their mind.