Antonio Galassi
Encyclopedia
Antonio F. Galassi (1845-1904) was an Italian
baritone
who made his New York
debut at Academy of Music
during its 1878-79 season and remained there through 1884. He was considered a great baritone, popular and fiery, right until 1883 when, according to some sources, he lost his voice during performance of I Puritani
. Although later on he still performed occasionally (mostly during concerts), even in 1890s, his voice was no longer as great as before.
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
baritone
Baritone
Baritone is a type of male singing voice that lies between the bass and tenor voices. It is the most common male voice. Originally from the Greek , meaning deep sounding, music for this voice is typically written in the range from the second F below middle C to the F above middle C Baritone (or...
who made his New York
New York City
New York is the most populous city in the United States and the center of the New York Metropolitan Area, one of the most populous metropolitan areas in the world. New York exerts a significant impact upon global commerce, finance, media, art, fashion, research, technology, education, and...
debut at Academy of Music
Academy of Music (Manhattan)
The Academy of Music was a New York City opera house, located at East 14th Street and Irving Place in Manhattan. The 4,000-seat hall opened on October 2, 1854. The New York Times review declared it to be an acoustical "triumph", but "In every other aspect .....
during its 1878-79 season and remained there through 1884. He was considered a great baritone, popular and fiery, right until 1883 when, according to some sources, he lost his voice during performance of I Puritani
I puritani
I puritani is an opera in three acts by Vincenzo Bellini. It was his last opera. Its libretto is by Count Carlo Pepoli, based on Têtes rondes et Cavaliers by Jacques-François Ancelot and Joseph Xavier Saintine, which is in turn based on Walter Scott's novel Old Mortality. It was first produced at...
. Although later on he still performed occasionally (mostly during concerts), even in 1890s, his voice was no longer as great as before.