Art Gillham
Encyclopedia
Art Gillham, was an American
songwriter, who was among the first crooners as a pioneer radio
artist and a recording artist for Columbia Records
.
With Billy Smythe and Scott Middleton he wrote Hesitation Blues
, which he also recorded as one of the first electrical recordings for Columbia Records
. (Rust) Gillham and Smythe wrote approximately 100 songs together, including "Mean Blues," "Just Forget," "The Deacon Told Me I Was Good," "Just Waiting for You," "Crying Again," "Things That Remind Me of You" (sheet music) and the first successful electrical recording, "You May Be Lonesome" (Rust). With J. Russell Robinson
he wrote "In My Sweetheart's Arms".
. (multiple contemporary newspapers) When radio began he would stop at radio stations in his travels to promote the music by Browne and other music publishers. In 1923 Gillham was dared to sing over the radio, and the response encouraged him to continue. He sang in a soft crooning voice, and in February, 1924, while appearing on WSB (AM)
in Atlanta, he was dubbed "The Whispering Pianist" by the station's general manager, Lambdin Kay. (Atlanta Journal, February 24, 1924)
On November 4, 1924 he appeared with Will Rogers
, Wendell Hall
and Carson Robison
during the Presidential Election Night broadcast of The Eveready Hour
over WEAF and an 18-station hook-up. Before networks were formed Gillham appeared on over 300 radio stations. (numerous contemporary newspapers) Sometimes he broadcast from airfields with a portable keyboard on the field. (photos from his scrapbook) In 1930 he had two CBS programs: "Breakfast With Art" and "Syncopated Pessimism". (Newspaper articles and radio schedules) He ended his radio programs with the question "Have you got a cup of coffee in your pocket?"
From 1937 through 1954 Art appeared on radio in Atlanta, Georgia. In December 1939 he was featured in the first demonstration of television in the South at Atlanta's Rich's Department Store. World War II delayed the commercial introduction of television in Atlanta until 1949. Gillham appeared frequently as a guest on WAGA-TV. From 1937 he had regular radio programs on Atlanta's WSB (AM)
, WGST and WQXI. (newspaper articles and broadcast listings) He concluded his career in radio at WQXI after two heart attacks damaged his coordination in 1954.
as an exclusive artist. When Columbia obtained rights to record using the new Western Electric
recording system, Gillham was asked by Columbia to assist with the electric recording because of his use of microphones on radio. (Walsh, Hobbies Magazine and recorded interview) On February 25–27, 1925 Art recorded seven electrical masters
, six of which were released. (Brian Rust The Columbia Master Book Discography, Vol. III, p 19-20) Columbia began using the new electrical process with its other artists beginning on February 27, 1925. The first electrical master was 140125, "You May Be Lonesome" released on Columbia 328-D, the first issue being on Columbia's "flag" label prior to the change to the black label. Victor began using the electrical process in March 1925.
Gillham was a popular artist with Columbia from 1924 through 1931. His 130 recordings included Angry, I'm Confessing, Shine On, Harvest Moon
, I'd Climb the Highest Mountain, Cecilia, I'm Waiting for Ships That Never Come In, Thinking and Tenderly. Most of his recordings were vocals with his piano
accompaniment. Some recordings included small groups which included Red Nichols
, Benny Goodman
, Miff Mole
, Jimmy Dorsey
and others.
Being a tall thin man with thick wavy hair, he created an image of himself on radio and records as an old fat bald man who was always having trouble with women and thus sang sob songs. His primary competitors were Gene Austin
, Little Jack Little
, Cliff Edwards
and Jack Smith. Jack Smith began recording for Victor in the Fall of 1925. Victor set him up as a direct competitor by calling him the "Whispering Baritone" or Whispering Jack Smith and alleged Art Gillham was imitating Jack Smith. Columbia began advertising Art Gillham as "Famous Enough to Be Imitated." (advertising saved in his scrapbook)
In 1926 Columbia imported record presses to Sydney, Australia. The first Australian Columbia pressing was Gillham's "In Your Green Hat" and "It's Too Late to Be Sorry Now". His recording of "My Swanee River Home" was released only in Australia. (Rust)
Before recording for Columbia Gillham made several unissued recordings for Gennett, then a couple for Pathé
. His first recording for Columbia in 1924 was "How Do You Do". His last recording for Columbia in 1931 was "Just A Minute More to Say Goodbye". In 1934 he made a final commercial recording for Victor which was released on its Bluebird label.
In addition to phonograph records, Art Gillham also recorded piano rolls on the Columbia, Supertone, Mel-O-Dee, Vocalstyle and Duo-Art labels. While recording for Columbia he made regular tours of the Pantages and Loews vaudeville circuits in the South and West. However, his whispering style was not as successful in theaters as they did not have microphones. Everywhere he appeared on stage he also appeared on radio and in music and record stores. Window displays featured his recordings and piano rolls.
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
songwriter, who was among the first crooners as a pioneer radio
Radio
Radio is the transmission of signals through free space by modulation of electromagnetic waves with frequencies below those of visible light. Electromagnetic radiation travels by means of oscillating electromagnetic fields that pass through the air and the vacuum of space...
artist and a recording artist for Columbia Records
Columbia Records
Columbia Records is an American record label, owned by Japan's Sony Music Entertainment, operating under the Columbia Music Group with Aware Records. It was founded in 1888, evolving from an earlier enterprise, the American Graphophone Company — successor to the Volta Graphophone Company...
.
With Billy Smythe and Scott Middleton he wrote Hesitation Blues
Hesitation Blues
"Hesitation Blues" is a popular song adapted from a traditional tune. One version was published by Billy Smythe, Scott Middleton, and Art Gillham. Another was published by W.C. Handy as "Hesitating Blues." Because the tune is a traditional tune many artists have given themselves credit as...
, which he also recorded as one of the first electrical recordings for Columbia Records
Columbia Records
Columbia Records is an American record label, owned by Japan's Sony Music Entertainment, operating under the Columbia Music Group with Aware Records. It was founded in 1888, evolving from an earlier enterprise, the American Graphophone Company — successor to the Volta Graphophone Company...
. (Rust) Gillham and Smythe wrote approximately 100 songs together, including "Mean Blues," "Just Forget," "The Deacon Told Me I Was Good," "Just Waiting for You," "Crying Again," "Things That Remind Me of You" (sheet music) and the first successful electrical recording, "You May Be Lonesome" (Rust). With J. Russell Robinson
J. Russell Robinson
Joseph Russel Robinson was a United States ragtime and dixieland jazz pianist and a composer of jazz, blues, and popular tunes....
he wrote "In My Sweetheart's Arms".
Radio pioneer
As a song plugger for Ted Browne Music, Art Gillham traveled around the United StatesUnited States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
. (multiple contemporary newspapers) When radio began he would stop at radio stations in his travels to promote the music by Browne and other music publishers. In 1923 Gillham was dared to sing over the radio, and the response encouraged him to continue. He sang in a soft crooning voice, and in February, 1924, while appearing on WSB (AM)
WSB (AM)
WSB — branded AM 750 and 95.5 FM News/Talk WSB — is a commercial radio station licensed to Atlanta, Georgia broadcasting a news/talk format. The station transmits with 50,000 watts of nondirectional power day and night, enjoying clear-channel status on its broadcast frequency according to the U.S...
in Atlanta, he was dubbed "The Whispering Pianist" by the station's general manager, Lambdin Kay. (Atlanta Journal, February 24, 1924)
On November 4, 1924 he appeared with Will Rogers
Will Rogers
William "Will" Penn Adair Rogers was an American cowboy, comedian, humorist, social commentator, vaudeville performer, film actor, and one of the world's best-known celebrities in the 1920s and 1930s....
, Wendell Hall
Wendell Hall
Wendell Woods Hall was an American country singer, vaudeville artist, song writer, pioneer radio performer, Victor recording artist and ukelele player.-Biography:...
and Carson Robison
Carson Robison
Carson Jay Robison was an American country music singer and songwriter. Although his impact is generally forgotten today, he played a major role in promoting country music in its early years through numerous recordings and radio appearances. He was also known as Charles Robison and sometimes...
during the Presidential Election Night broadcast of The Eveready Hour
The Eveready Hour
The Eveready Hour was the first commercially sponsored variety program in the history of broadcasting. It premiered December 4, 1923 on WEAF Radio in New York. Radio's first sponsored network program. it was paid for by the National Carbon Company, which at the time owned Eveready Battery...
over WEAF and an 18-station hook-up. Before networks were formed Gillham appeared on over 300 radio stations. (numerous contemporary newspapers) Sometimes he broadcast from airfields with a portable keyboard on the field. (photos from his scrapbook) In 1930 he had two CBS programs: "Breakfast With Art" and "Syncopated Pessimism". (Newspaper articles and radio schedules) He ended his radio programs with the question "Have you got a cup of coffee in your pocket?"
From 1937 through 1954 Art appeared on radio in Atlanta, Georgia. In December 1939 he was featured in the first demonstration of television in the South at Atlanta's Rich's Department Store. World War II delayed the commercial introduction of television in Atlanta until 1949. Gillham appeared frequently as a guest on WAGA-TV. From 1937 he had regular radio programs on Atlanta's WSB (AM)
WSB (AM)
WSB — branded AM 750 and 95.5 FM News/Talk WSB — is a commercial radio station licensed to Atlanta, Georgia broadcasting a news/talk format. The station transmits with 50,000 watts of nondirectional power day and night, enjoying clear-channel status on its broadcast frequency according to the U.S...
, WGST and WQXI. (newspaper articles and broadcast listings) He concluded his career in radio at WQXI after two heart attacks damaged his coordination in 1954.
Columbia recording artist
In October 1924, Gillham signed a contract with Columbia RecordsColumbia Records
Columbia Records is an American record label, owned by Japan's Sony Music Entertainment, operating under the Columbia Music Group with Aware Records. It was founded in 1888, evolving from an earlier enterprise, the American Graphophone Company — successor to the Volta Graphophone Company...
as an exclusive artist. When Columbia obtained rights to record using the new Western Electric
Western Electric
Western Electric Company was an American electrical engineering company, the manufacturing arm of AT&T from 1881 to 1995. It was the scene of a number of technological innovations and also some seminal developments in industrial management...
recording system, Gillham was asked by Columbia to assist with the electric recording because of his use of microphones on radio. (Walsh, Hobbies Magazine and recorded interview) On February 25–27, 1925 Art recorded seven electrical masters
Master recording
A multitrack recording master tape, disk or computer files on which productions are developed for later mixing, is known as the multi-track master, while the tape, disk or computer files holding a mix is called a mixed master.It is standard practice to make a copy of a master recording, known as...
, six of which were released. (Brian Rust The Columbia Master Book Discography, Vol. III, p 19-20) Columbia began using the new electrical process with its other artists beginning on February 27, 1925. The first electrical master was 140125, "You May Be Lonesome" released on Columbia 328-D, the first issue being on Columbia's "flag" label prior to the change to the black label. Victor began using the electrical process in March 1925.
Gillham was a popular artist with Columbia from 1924 through 1931. His 130 recordings included Angry, I'm Confessing, Shine On, Harvest Moon
Shine On, Harvest Moon
"Shine On, Harvest Moon" is the name of a popular early-1900s song credited to the married vaudeville team Nora Bayes and Jack Norworth. It was one of a series of moon related Tin Pan Alley songs of the era. The song was debuted by Bayes and Norworth in the Ziegfeld Follies of 1908 to great acclaim...
, I'd Climb the Highest Mountain, Cecilia, I'm Waiting for Ships That Never Come In, Thinking and Tenderly. Most of his recordings were vocals with his piano
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...
accompaniment. Some recordings included small groups which included Red Nichols
Red Nichols
Ernest Loring "Red" Nichols was an American jazz cornettist, composer, and jazz bandleader.Over his long career, Nichols recorded in a wide variety of musical styles, and critic Steve Leggett describes him as "an expert cornet player, a solid improviser, and apparently a workaholic, since he is...
, Benny Goodman
Benny Goodman
Benjamin David “Benny” Goodman was an American jazz and swing musician, clarinetist and bandleader; widely known as the "King of Swing".In the mid-1930s, Benny Goodman led one of the most popular musical groups in America...
, Miff Mole
Miff Mole
Irving Milfred Mole, better known as Miff Mole was a jazz trombonist and band leader. He is generally considered as one of the greatest jazz trombonists and credited with creating "the first distinctive and influential solo jazz trombone style." His major recordings included "Slippin' Around",...
, Jimmy Dorsey
Jimmy Dorsey
James "Jimmy" Dorsey was a prominent American jazz clarinetist, saxophonist, trumpeter, composer, and big band leader. He was known as "JD"...
and others.
Being a tall thin man with thick wavy hair, he created an image of himself on radio and records as an old fat bald man who was always having trouble with women and thus sang sob songs. His primary competitors were Gene Austin
Gene Austin
Gene Austin was an American singer and songwriter, one of the first "crooners". His 1920s compositions "When My Sugar Walks Down the Street" and "The Lonesome Road" became pop and jazz standards.-Career:...
, Little Jack Little
Little Jack Little
Jack Little , sometimes credited Little Jack Little, was a British-born American composer, singer, pianist , actor and songwriter whose songs were featured in several movies...
, Cliff Edwards
Cliff Edwards
Cliff Edwards , also known as "Ukelele Ike", was an American singer and voice actor who enjoyed considerable popularity in the 1920s and early 1930s, specializing in jazzy renditions of pop standards and novelty tunes. He had a number-one hit with "Singin' in the Rain" in 1929...
and Jack Smith. Jack Smith began recording for Victor in the Fall of 1925. Victor set him up as a direct competitor by calling him the "Whispering Baritone" or Whispering Jack Smith and alleged Art Gillham was imitating Jack Smith. Columbia began advertising Art Gillham as "Famous Enough to Be Imitated." (advertising saved in his scrapbook)
In 1926 Columbia imported record presses to Sydney, Australia. The first Australian Columbia pressing was Gillham's "In Your Green Hat" and "It's Too Late to Be Sorry Now". His recording of "My Swanee River Home" was released only in Australia. (Rust)
Before recording for Columbia Gillham made several unissued recordings for Gennett, then a couple for Pathé
Pathé
Pathé or Pathé Frères is the name of various French businesses founded and originally run by the Pathé Brothers of France.-History:...
. His first recording for Columbia in 1924 was "How Do You Do". His last recording for Columbia in 1931 was "Just A Minute More to Say Goodbye". In 1934 he made a final commercial recording for Victor which was released on its Bluebird label.
In addition to phonograph records, Art Gillham also recorded piano rolls on the Columbia, Supertone, Mel-O-Dee, Vocalstyle and Duo-Art labels. While recording for Columbia he made regular tours of the Pantages and Loews vaudeville circuits in the South and West. However, his whispering style was not as successful in theaters as they did not have microphones. Everywhere he appeared on stage he also appeared on radio and in music and record stores. Window displays featured his recordings and piano rolls.
Sources
- Brian Rust, The Columbia Master Book Discography, Volume III, first electrical recordings pp 19–20, Greenwood Press, 1999.
- Brian Rust, Jazz and Ragtime Records 1897-1942, Mainspring Press, 2002.
- Brian Rust, The Complete Entertainment Discography Arlington, 1973.
- Sutton,Allan, Recording The Twenties - Evolution Of American Recording Industry 1920-1929, pp167, 200, Mainspring Press, 2008.
- Michael Pitts and Frank Hoffman, The Rise Of The Crooners, pp 16–29, Scarecrow Press, 2002.
- Donald Russell Connor, BG On The Record - A Bio-Discography Of Benny Goodman, Arlington, 1969.
- Roger Kinkle, The Complete Encyclopedia of Popular Music And Jazz 1900-1950, Arlington House, 1974.
- Tom Lord, The Jazz Discography, Lord Music Reference, 1992.
- Ross Laird, Tantalizing Tingles.
- Joseph Csida, American Entertainment: A Unique History of Popular Show Business, Watson-Guptill, 1978.
- Thomas A. Delong, Radio Stars An Illustrated Biographical Dictionary Of 953 Performers 1920-1960, 1996.
- Jim Walsh, Art Gillham in Hobies Magazine, September, 1957.
- Woody Backensto, Art Gillham in Record Research, March, 1963.
- Unpublished: the Art Gillham Scrapbook contains newspaper clippings, sheet music, photos.
- "Phonograph and Talking Machine Weekly", numerous issues 1924 forward.
- "Atlanta Journal", February 24, 1924 and numerous later issues.
- Georgia Music Hall of Fame (Macon, Georgia) has 78rpm recordings.
- Newspaper articles and ads concerning Gillham can be found in a name search of newspaper online archives.