Atanarjuat
Encyclopedia
Atanarjuat (also known as Atanarjuat: The Fast Runner) is a 2001
Canadian film directed by Zacharias Kunuk
. It was the first feature film ever to be written, directed and acted entirely in Inuktitut
. Set in the ancient past, the film retells an Inuit legend
passed down through centuries of oral tradition
.
Produced by Kunuk's production company
, Isuma Igloolik Productions
, the film was Canada's top-grossing release of 2002, outperforming the mainstream comedy Men With Brooms
. In 2004, it was included in the Toronto International Film Festival
's list of Canada's Top Ten Films of All Time.
wilderness at the dawn of the first millennium.
by the name of Tungajuaq, who comes from up north, is singing playfully to the gathered community and camp leader Kumaglak. But among the spectators there are some mistrustful faces.
Flash forward to another day. Qulitalik is bidding goodbye to his sister Panikpak, wife of Kumaglak, promising to come if she calls for help in her heart. She gives him her husband's rabbit's foot for spiritual power. Qulitalik tells his sister, "Tulimaq is the one they'll go after now." It seems that Qulitalik is leaving to escape a threat, and the hope is that one day he will return to help. As Panikpak watches him leave, we hear a voice-over
from a woman (which we will recognise later as the voice of Panikpak when she is older): "We never knew what he was or why it happened. Evil came to us like Death. It just happened and we had to live with it."
Flash back to the original scene in the stone house. The visitor and the camp leader Kumaglak are in a "friendly" spiritual duel involving binding in leather thongs. But Panikpak is startled when the stone lamp in front of her breaks in half, and, to the horror of those present, Kumaglak falls over dead. The visitor removes the leader's walrus-tooth necklace from Kumaglak's body, and, passing by Tulimaq, he puts the necklace around the neck of Sauri, the son of the murdered leader Kumaglak, saying, "Be careful what you wish for" (suggesting that Sauri's ambition had a part to play in events). Tulimaq leaves, shouting at Sauri "You helped him murder your own father!"
Time passes; the shaman's curse has poisoned the camp. Tulimaq, now the local laughing stock, is having trouble feeding his family because of "bad luck" hunting. But Panikpak secretly brings meat for Tulimaq's children, Amaqjuaq and Atanarjuat, hoping that one day they will grow strong and be able to make things right.
and sled
. But Atanarjuat, the fast runner, chases them down, and Amaqjuaq, the strong one, throws the gang off the sled. Later, during a game of "wolf tag" at camp, Atanarjuat chases the beautiful Atuat, for whom he has an obvious liking, provoking jealous anger from Oki, who was betrothed to Atuat when they were children. To complicate matters further, Oki's sister Puja also openly shows her tender feelings for Atanarjuat. The scene is set for a duel. Even Oki's grandmother Panikpak does not want Atuat to marry Oki, because, she says, Oki is a cruel man, just like his father Sauri has been since the evil shaman's visit. (Panikpak calls Atuat "little mother" because Panikpak long ago "recognised" the child and named her after Panikpak's own mother Atuat.)
In a large igloo
they are singing and playing games of strength as a prelude to a feast. Atanarjuat and Oki warm up for a head-punching duel by singing mocking songs at each other. As the duel begins, Oki is startled with a vision of the evil Shaman, and Atanarjuat is protected by a prayer by Panikpak to her dead husband. Atanarjuat ends up knocking Oki into helpless spasms, thus winning the right to marry Atuat.
Time passes; it is summer. Atanarjuat is now in an unhappy marriage with two wives, Atuat and Puja, and has a young son by Atuat. Atuat and Amaqjuaq's wife Uluriaq complain that Puja is not helping with the daily work. Later, in the tent, under the communal fur shared by the family, Puja and her brother in law Amaqjuaq softly slide together and begin to make love. Uluriaq wakes up and screams, and Atanarjuat cuffs Puja on the head. Puja flees to Sauri's camp and arrives there black-eyed, crying that Atanarjuat tried to kill her for no reason. Oki vows revenge.
against the tent to indicate who is sleeping on that side. She leaves to join the other women as Oki and his gang appear over the hilltop. From inside the tent we hear Amaqjuaq admit to his brother that he has done him wrong — the last words he will ever speak. Oki and his two henchmen sneak up and plunge their spears through the tent wall. Oki's spear comes out stained with the blood of Amaqjuaq. But Oki is startled and distracted at a vision of his grandfather Kumaglak shouting angrily "Atanarjuat's brother is coming after you!". At that instant, Atanarjuat, naked, barefoot, and unharmed, bursts out of the tent and runs off across the ice.
An old man is picking eggs and looking around uneasily. It is the man whose spirit appeared to Atanarjuat on the ice. He returns to his wife and adopted daughter with more eggs than they could possibly eat themselves.
Atanarjuat, freezing cold and with feet raw and bloody, finally collapses on the ice. He wakes up wrapped in furs with the old man and his family staring down at him. Atanarjuat tells them he is being chased, and the daughter spots a sled team approaching. The family hide Atanarjuat under some dry seaweed. Oki and his brothers arrive, and in spite of Oki's threats and questions, the family profess to have seen no one. Oki urinates on the seaweed under which Atanarjuat is hiding. The family feeds their visitors eggs until they are stuffed. After the meal Oki tells the old man that he knows he is Qulitalik, Oki's great uncle, who left Igloolik many years ago (as we witnessed at the beginning of the film) and that they had all thought he had died. Oki eventually leaves in the hope of finding Atanarjuat's body on the ice.
Winter has arrived again, and the ice is freezing over. Atanarjuat, having healed with help from his rescuers, is impatient to return to Igloolik. He is not scared of Oki, but the evil spirit behind Oki. "Only you know when you are ready", Qulitalik tells him — spiritual healing is as important as the physical.
The men of Igloolik are out on the ice hunting seals. Oki approaches Sauri and stabs him in the stomach with the words "Get out of my way, Atuat's mine now." Oki tells the others that Sauri tripped and stabbed himself, and they bring the body of Sauri back to Igloolik on a sled. Amidst the mourning and crying, the leader's walrus-tooth necklace is removed from Sauri's body and placed around Oki's neck: Oki is now the camp leader. He later tells Atuat that he wants nothing to do with her, and as time passes he provides her with no food or care. She becomes almost desperate enough to beg him for help. In her heart, Panikpak calls out to her brother Qulitalik (calling him "Anik", or "brother") to summon him supernaturally, as they agreed so long ago.
Having made the long sled journey across the ice, Atanarjuat, Qulitalik, and the family approach Igloolik. Atuat runs out and is joyfully reunited with her husband. Puja runs out too, but Atanarjuat humiliates her by cutting open her jacket and turns her away. Oki, still under the spell, does not defend Puja, but instead suggests that they prepare food for the visitors.
Atanarjuat builds an igloo with smooth ice floor and invites Oki and his pals to an early start to the feast. They begin eating and talking as old friends. Then Atanarjuat steps out for a moment and returns with a caribou antler club in his hand and caribou antler spikes attached to his feet. He attacks while his enemies slide helplessly on the ice. Pinning Oki down, Atanarjuat smashes the club into the ice beside Oki's head and declares that the killing will stop now. Emerging from the igloo victorious, Atanarjuat finds the community gathered outside. Qulitalik takes the walrus tooth necklace off Oki's neck and gives it to Panikpak to take care of until the evening, when they will meet to finally confront the evil that has been with them for so long.
Panikpak speaks to the gathered group in the stone house. It is time for forgiveness, she says, and to rid the community of the evil that has plagued them for so many years. Oki and Puja and their friends are forgiven for their evil deeds, she says, but they must leave Igloolik immediately and never return. As Puja cries in grief the troublemakers all leave, with one final furious and agonised look from Oki.
Joy sweeps the gathered community. Then the voice of the old leader of the camp, Kumaglak, is heard coming from his namesake Kumaglak, the little son of Atanarjuat and Atuat. Old Kumaglak asks his wife Panikpak to sing his old song, which she does, as everyone joins in.
, who took part in a British expedition to search for the Northwest Passage
in 1821-23. The Inuit believe the story of Atanarjuat to be more than five centuries old. This agrees with geomorphological
estimates that Qikiqtaarjuk (Herschel Island), Inuktitut for little island and now a peninsula of Igloolik Island
, on which much of the action occurs, became a peninsula about 500 years ago due to isostatic rebound
. The main elements of the original story are that two brothers are betrayed by their wives and help set up a sneak attack. Rivals plunge their spears through the walls of the brothers' tent, but the fast runner makes an escape across the ice, naked and barefoot. After being rescued and healing, the fast runner sets up his own ambush and succeeds in killing his rivals. (See the book for a two-page treatment.)
The writers had to flesh out the bare bones of the legend with more detailed characterization and a social and religious setting. Stories in Inuit society are told for entertainment and teaching. One of the lessons of the legend of Atanarjuat is the evil that can occur when personal ambition (Sauri's and Oki's, in the film) is put before the needs of the community. Another lesson is that someone who defies the camp leader may end up fleeing alone across the ice.
Writer Paul Apak Angilirq, director Zacharias Kunuk, and many others on the production team had heard the Atanarjuat legend when they were young. Over the course of five years, Angilirq interviewed eight elders for their versions of the story and combined them into one treatment
(story). The final script was developed by the team of Angilirq, Norman Cohn (producer and cinematographer), Zacharias Kunuk (director), Herve Paniaq (tribal elder), and Pauloosie Qulitalik (tribal elder, who also plays the shaman Qulitalik). Angilirq died of cancer during film production in 1998. The last version of his Inuktitut screenplay is in the book Atanarjuat, side by side with a version by Cohn that appears to be a precursor to the final English script. Cohn explained, "In the final edited version of the film, sometimes the actors are speaking the lines from Apak's script and we are subtitling them with the lines from mine."
Despite the emphasis on accuracy, the film takes liberties with the original Inuit myth: "At the film's core is a crucial lie," wrote Justin Shubow in The American Prospect Online, which is that the original legend ended in a revenge killing, whereas in the film Atanarjuat stops short of shedding blood. "A message more fitting for our times," explained director Zacharias Kunuk.
, "the major frame of reference for Inuit life." Research into historical sources — often the journals of European explorers — provided the basis for the reconstruction of clothes and customs. Elders were consulted every step of the way; in an interview, Paul Apak Angilirq said
All animal carcasses shown in the film were used for food or for their hides.
There were comments by some critics about the "somewhat confusing first 30 minutes" of the film (David Ansen, Newsweek) and about the slow pace of the film: "A much shorter cut surely would have resulted in a smoother, more focused narrative" wrote Mark Dujsik in Mark Reviews Movies.
. Jennifer L. Gauthier of CineAction wrote "Atanarjuat was made primarily for Inuit audiences so that they could see positive and accurate images of themselves on the screen." Director Kunuk put it a little more bluntly: "Four thousand years of oral history silenced by fifty years of priests, schools, and cable TV." "Kids all over Nunavut
are playing Atanarjuat in the streets," said producer Norman Cohn in a 2002 interview. At one point the production company was considering making Atanarjuat action figures. The film production pumped more than $1.5 million into the local economy of Igloolik and employed about 60 people.
2001 in film
The year 2001 in film involved some significant events, including the first of the Harry Potter series and also the first of The Lord of the Rings trilogy...
Canadian film directed by Zacharias Kunuk
Zacharias Kunuk
Zacharias Kunuk, is a Canadian Inuk producer and director most notable for his film Atanarjuat, the first Canadian dramatic feature film produced completely in Inuktitut...
. It was the first feature film ever to be written, directed and acted entirely in Inuktitut
Inuktitut
Inuktitut or Eastern Canadian Inuktitut, Eastern Canadian Inuit language is the name of some of the Inuit languages spoken in Canada...
. Set in the ancient past, the film retells an Inuit legend
Inuit mythology
Inuit mythology has many similarities to the religions of other polar regions. Inuit traditional religious practices could be very briefly summarised as a form of shamanism based on animist principles....
passed down through centuries of oral tradition
Oral tradition
Oral tradition and oral lore is cultural material and traditions transmitted orally from one generation to another. The messages or testimony are verbally transmitted in speech or song and may take the form, for example, of folktales, sayings, ballads, songs, or chants...
.
Produced by Kunuk's production company
Production company
A production company provides the physical basis for works in the realms of the performing arts, new media art, film, television, radio, and video.- Tasks and functions :...
, Isuma Igloolik Productions
Isuma
Isuma is Canada's first Inuit production company co-founded by Zacharias Kunuk and Norman Cohn in Igloolik, Nunavut in 1990...
, the film was Canada's top-grossing release of 2002, outperforming the mainstream comedy Men With Brooms
Men with Brooms
Men with Brooms is a 2002 Canadian romantic comedy film, starring and directed by Paul Gross. Centred on the sport of curling, the offbeat comedy tells the story of a reunited curling team from a small Canadian town as they work through their respective life issues and struggle to win the...
. In 2004, it was included in the Toronto International Film Festival
Toronto International Film Festival
The Toronto International Film Festival is a publicly-attended film festival held each September in Toronto, Ontario, Canada. In 2010, 339 films from 59 countries were screened at 32 screens in downtown Toronto venues...
's list of Canada's Top Ten Films of All Time.
Plot
The film is set in Igloolik ("place of houses") in the Eastern ArcticArctic
The Arctic is a region located at the northern-most part of the Earth. The Arctic consists of the Arctic Ocean and parts of Canada, Russia, Greenland, the United States, Norway, Sweden, Finland, and Iceland. The Arctic region consists of a vast, ice-covered ocean, surrounded by treeless permafrost...
wilderness at the dawn of the first millennium.
The shaman's curse
The wind is blowing over a bleak snowy landscape while a man tries to herd away some maurauding dogs. We hear the voice (over) of an old man singing a childish song. Inside a stone house a strange shamanShamanism
Shamanism is an anthropological term referencing a range of beliefs and practices regarding communication with the spiritual world. To quote Eliade: "A first definition of this complex phenomenon, and perhaps the least hazardous, will be: shamanism = technique of ecstasy." Shamanism encompasses the...
by the name of Tungajuaq, who comes from up north, is singing playfully to the gathered community and camp leader Kumaglak. But among the spectators there are some mistrustful faces.
Flash forward to another day. Qulitalik is bidding goodbye to his sister Panikpak, wife of Kumaglak, promising to come if she calls for help in her heart. She gives him her husband's rabbit's foot for spiritual power. Qulitalik tells his sister, "Tulimaq is the one they'll go after now." It seems that Qulitalik is leaving to escape a threat, and the hope is that one day he will return to help. As Panikpak watches him leave, we hear a voice-over
Voice-over
Voice-over is a production technique where a voice which is not part of the narrative is used in a radio, television production, filmmaking, theatre, or other presentations...
from a woman (which we will recognise later as the voice of Panikpak when she is older): "We never knew what he was or why it happened. Evil came to us like Death. It just happened and we had to live with it."
Flash back to the original scene in the stone house. The visitor and the camp leader Kumaglak are in a "friendly" spiritual duel involving binding in leather thongs. But Panikpak is startled when the stone lamp in front of her breaks in half, and, to the horror of those present, Kumaglak falls over dead. The visitor removes the leader's walrus-tooth necklace from Kumaglak's body, and, passing by Tulimaq, he puts the necklace around the neck of Sauri, the son of the murdered leader Kumaglak, saying, "Be careful what you wish for" (suggesting that Sauri's ambition had a part to play in events). Tulimaq leaves, shouting at Sauri "You helped him murder your own father!"
Time passes; the shaman's curse has poisoned the camp. Tulimaq, now the local laughing stock, is having trouble feeding his family because of "bad luck" hunting. But Panikpak secretly brings meat for Tulimaq's children, Amaqjuaq and Atanarjuat, hoping that one day they will grow strong and be able to make things right.
The rivals
Flash forward a couple of decades. Tulimaq's sons - Amaqjuaq and Atanarjuat are now young men, excellent hunters, and they are a thorn in the side of the camp leader Sauri and his son Oki. One day, out on the ice, Oki arrives with his pals to "borrow" the brothers' dogsSled dog
Sled dogs, known also as sleigh man dogs, sledge dogs, or sleddogs, are highly trained types of dogs that are used to pull a dog sled, a wheel-less vehicle on runners also called a sled or sleigh, over snow or ice, by means of harnesses and lines.Sled dogs have become a popular winter recreation...
and sled
Dog sled
A dog sled is a sled pulled by one or more sled dogs used to travel over ice and through snow. Numerous types of sleds are used, depending on their function. They can be used for dog sled racing.-History:...
. But Atanarjuat, the fast runner, chases them down, and Amaqjuaq, the strong one, throws the gang off the sled. Later, during a game of "wolf tag" at camp, Atanarjuat chases the beautiful Atuat, for whom he has an obvious liking, provoking jealous anger from Oki, who was betrothed to Atuat when they were children. To complicate matters further, Oki's sister Puja also openly shows her tender feelings for Atanarjuat. The scene is set for a duel. Even Oki's grandmother Panikpak does not want Atuat to marry Oki, because, she says, Oki is a cruel man, just like his father Sauri has been since the evil shaman's visit. (Panikpak calls Atuat "little mother" because Panikpak long ago "recognised" the child and named her after Panikpak's own mother Atuat.)
In a large igloo
Igloo
An igloo or snowhouse is a type of shelter built of snow, originally built by the Inuit....
they are singing and playing games of strength as a prelude to a feast. Atanarjuat and Oki warm up for a head-punching duel by singing mocking songs at each other. As the duel begins, Oki is startled with a vision of the evil Shaman, and Atanarjuat is protected by a prayer by Panikpak to her dead husband. Atanarjuat ends up knocking Oki into helpless spasms, thus winning the right to marry Atuat.
Broken love
Some time later, Atanarjuat is a happy husband to the pregnant Atuat. Tulimaq tells Atanarjuat that he should leave to hunt caribou, and an elder suggests that Atanarjuat stop at Sauri's camp, joking about the women that he will find there. On his trip Atanarjuat does stop at Sauri's camp, where Oki and Sauri suggest that he should take Puja to help with the hunt. Atanarjuat naively allows himself to be persuaded. At a waterfront camp, Atanarjuat and Puja pass the evening singing and flirting and eventually end up in the tent making love.Time passes; it is summer. Atanarjuat is now in an unhappy marriage with two wives, Atuat and Puja, and has a young son by Atuat. Atuat and Amaqjuaq's wife Uluriaq complain that Puja is not helping with the daily work. Later, in the tent, under the communal fur shared by the family, Puja and her brother in law Amaqjuaq softly slide together and begin to make love. Uluriaq wakes up and screams, and Atanarjuat cuffs Puja on the head. Puja flees to Sauri's camp and arrives there black-eyed, crying that Atanarjuat tried to kill her for no reason. Oki vows revenge.
A murderous attack
Atuat and Uluriaq look up to see Puja returning to their camp, crying remorsefully. They are suspicious, but accept her apology. At Puja's suggestion, Atuat and Uluriaq leave to pick eggs, while Atanarjuat and Amaqjuaq retire to the tent to sleep. Alone outside the tent, Puja places a bootMukluk
Mukluks or Kamik are a soft boot traditionally made of reindeer skin or sealskin and were originally worn by Arctic aboriginal people, including the Inuit and Yupik. The term mukluk is often used for any soft boot designed for cold weather and modern designs are often similar to high-top athletic...
against the tent to indicate who is sleeping on that side. She leaves to join the other women as Oki and his gang appear over the hilltop. From inside the tent we hear Amaqjuaq admit to his brother that he has done him wrong — the last words he will ever speak. Oki and his two henchmen sneak up and plunge their spears through the tent wall. Oki's spear comes out stained with the blood of Amaqjuaq. But Oki is startled and distracted at a vision of his grandfather Kumaglak shouting angrily "Atanarjuat's brother is coming after you!". At that instant, Atanarjuat, naked, barefoot, and unharmed, bursts out of the tent and runs off across the ice.
Atanarjuat's run
Oki and his two brothers give chase on foot, but Atanarjuat, the fast runner, keeps well ahead of them, running steadily for miles barefoot on the ice. Oki knows there is an open crack in the ice which will stop Atanarjuat. But as Atanarjuat runs he sees a vision of an old man calling to him. Atanarjuat follows the vision and gains the power to make a soaring leap over the open crack. Oki is forced to turn back to get his dog sled.An old man is picking eggs and looking around uneasily. It is the man whose spirit appeared to Atanarjuat on the ice. He returns to his wife and adopted daughter with more eggs than they could possibly eat themselves.
Atanarjuat, freezing cold and with feet raw and bloody, finally collapses on the ice. He wakes up wrapped in furs with the old man and his family staring down at him. Atanarjuat tells them he is being chased, and the daughter spots a sled team approaching. The family hide Atanarjuat under some dry seaweed. Oki and his brothers arrive, and in spite of Oki's threats and questions, the family profess to have seen no one. Oki urinates on the seaweed under which Atanarjuat is hiding. The family feeds their visitors eggs until they are stuffed. After the meal Oki tells the old man that he knows he is Qulitalik, Oki's great uncle, who left Igloolik many years ago (as we witnessed at the beginning of the film) and that they had all thought he had died. Oki eventually leaves in the hope of finding Atanarjuat's body on the ice.
Community in fear
Back at Igloolik, Oki is angry because Sauri refuses to let him have Atuat. One day, while Atuat is spending time alone, Oki's henchmen grab her and pin her down while Oki rapes her. Later, Panikpak comes to Atuat to offer her comfort.Winter has arrived again, and the ice is freezing over. Atanarjuat, having healed with help from his rescuers, is impatient to return to Igloolik. He is not scared of Oki, but the evil spirit behind Oki. "Only you know when you are ready", Qulitalik tells him — spiritual healing is as important as the physical.
The men of Igloolik are out on the ice hunting seals. Oki approaches Sauri and stabs him in the stomach with the words "Get out of my way, Atuat's mine now." Oki tells the others that Sauri tripped and stabbed himself, and they bring the body of Sauri back to Igloolik on a sled. Amidst the mourning and crying, the leader's walrus-tooth necklace is removed from Sauri's body and placed around Oki's neck: Oki is now the camp leader. He later tells Atuat that he wants nothing to do with her, and as time passes he provides her with no food or care. She becomes almost desperate enough to beg him for help. In her heart, Panikpak calls out to her brother Qulitalik (calling him "Anik", or "brother") to summon him supernaturally, as they agreed so long ago.
A daring plan
Sensing his sister's call, Qulitalik tells his family that they will all go to Igloolik with Atanarjuat. Outside, Qulitalik performs a magic ritual using rabbit's feet, and back at Igloolik Oki sees a rabbit in the snow that he is able to catch with his bare hands. When he eats the rabbit meat he falls under a happy spell that makes him forget all his grievances.Having made the long sled journey across the ice, Atanarjuat, Qulitalik, and the family approach Igloolik. Atuat runs out and is joyfully reunited with her husband. Puja runs out too, but Atanarjuat humiliates her by cutting open her jacket and turns her away. Oki, still under the spell, does not defend Puja, but instead suggests that they prepare food for the visitors.
Atanarjuat builds an igloo with smooth ice floor and invites Oki and his pals to an early start to the feast. They begin eating and talking as old friends. Then Atanarjuat steps out for a moment and returns with a caribou antler club in his hand and caribou antler spikes attached to his feet. He attacks while his enemies slide helplessly on the ice. Pinning Oki down, Atanarjuat smashes the club into the ice beside Oki's head and declares that the killing will stop now. Emerging from the igloo victorious, Atanarjuat finds the community gathered outside. Qulitalik takes the walrus tooth necklace off Oki's neck and gives it to Panikpak to take care of until the evening, when they will meet to finally confront the evil that has been with them for so long.
Return of the shaman
With the community gathered that evening, Qulitalik chews on a walrus-skin bag to call forth the spirits. The evil shaman Tungajuaq appears, blowing and grunting with the eerie echo of a polar bear. The others recoil in fear, but Qulitalik places a carved pair of tusks in his mouth and confronts Tungajuaq with the powerful spirit of the walrus. Panikpak joins him, shaking the walrus tooth necklace. Feeling the force of their spiritual onslaught, the shaman backs up. Qulitalik throws some magic soil into the shaman's face, and the evil shaman screams and disappears into thin air.Panikpak speaks to the gathered group in the stone house. It is time for forgiveness, she says, and to rid the community of the evil that has plagued them for so many years. Oki and Puja and their friends are forgiven for their evil deeds, she says, but they must leave Igloolik immediately and never return. As Puja cries in grief the troublemakers all leave, with one final furious and agonised look from Oki.
Joy sweeps the gathered community. Then the voice of the old leader of the camp, Kumaglak, is heard coming from his namesake Kumaglak, the little son of Atanarjuat and Atuat. Old Kumaglak asks his wife Panikpak to sing his old song, which she does, as everyone joins in.
Adaptation
The names of Atanarjuat and his brother first appeared in writing in the journals of the explorer Captain George LyonGeorge Francis Lyon
George Francis Lyon was a rare combination of Arctic and African explorer. By all accounts a fun loving extrovert, he also managed to be a competent British Naval Officer, Commander, explorer, artist and socialite...
, who took part in a British expedition to search for the Northwest Passage
Northwest Passage
The Northwest Passage is a sea route through the Arctic Ocean, along the northern coast of North America via waterways amidst the Canadian Arctic Archipelago, connecting the Atlantic and Pacific Oceans...
in 1821-23. The Inuit believe the story of Atanarjuat to be more than five centuries old. This agrees with geomorphological
Geomorphology
Geomorphology is the scientific study of landforms and the processes that shape them...
estimates that Qikiqtaarjuk (Herschel Island), Inuktitut for little island and now a peninsula of Igloolik Island
Igloolik Island
Igloolik Island is a small island in the Qikiqtaaluk Region of Nunavut, Canada. It is located in the Foxe Basin, very close to the Melville Peninsula , and it is often thought to be a part of the peninsula...
, on which much of the action occurs, became a peninsula about 500 years ago due to isostatic rebound
Post-glacial rebound
Post-glacial rebound is the rise of land masses that were depressed by the huge weight of ice sheets during the last glacial period, through a process known as isostasy...
. The main elements of the original story are that two brothers are betrayed by their wives and help set up a sneak attack. Rivals plunge their spears through the walls of the brothers' tent, but the fast runner makes an escape across the ice, naked and barefoot. After being rescued and healing, the fast runner sets up his own ambush and succeeds in killing his rivals. (See the book for a two-page treatment.)
The writers had to flesh out the bare bones of the legend with more detailed characterization and a social and religious setting. Stories in Inuit society are told for entertainment and teaching. One of the lessons of the legend of Atanarjuat is the evil that can occur when personal ambition (Sauri's and Oki's, in the film) is put before the needs of the community. Another lesson is that someone who defies the camp leader may end up fleeing alone across the ice.
Writer Paul Apak Angilirq, director Zacharias Kunuk, and many others on the production team had heard the Atanarjuat legend when they were young. Over the course of five years, Angilirq interviewed eight elders for their versions of the story and combined them into one treatment
Film treatment
A film treatment is a piece of prose, typically the step between scene cards and the first draft of a screenplay for a motion picture, television program, or radio play. It is generally longer and more detailed than an outline , and it may include details of directorial style that an outline omits...
(story). The final script was developed by the team of Angilirq, Norman Cohn (producer and cinematographer), Zacharias Kunuk (director), Herve Paniaq (tribal elder), and Pauloosie Qulitalik (tribal elder, who also plays the shaman Qulitalik). Angilirq died of cancer during film production in 1998. The last version of his Inuktitut screenplay is in the book Atanarjuat, side by side with a version by Cohn that appears to be a precursor to the final English script. Cohn explained, "In the final edited version of the film, sometimes the actors are speaking the lines from Apak's script and we are subtitling them with the lines from mine."
Despite the emphasis on accuracy, the film takes liberties with the original Inuit myth: "At the film's core is a crucial lie," wrote Justin Shubow in The American Prospect Online, which is that the original legend ended in a revenge killing, whereas in the film Atanarjuat stops short of shedding blood. "A message more fitting for our times," explained director Zacharias Kunuk.
Production
Achieving historical accuracy was paramount to the production. According to anthropologist Bernard Saladin d'Anglure the biggest challenge was resurrecting the beliefs and practice of shamanismShamanism among Eskimo peoples
Shamanism among Eskimo peoples refers to those aspects of the various Eskimo cultures that are related to the shamans’ role as a mediator between people and spirits, souls, and mythological beings...
, "the major frame of reference for Inuit life." Research into historical sources — often the journals of European explorers — provided the basis for the reconstruction of clothes and customs. Elders were consulted every step of the way; in an interview, Paul Apak Angilirq said
- "We go to the elders and ask information about the old ways, about religion, about things that a lot of people have no remembrance of now... They are helping us write down what people would have said and acted in the past, and what the dialogue would have been like... We speak 'baby talk' compared to the elders. But for Atanarjuat, we want people speaking real Inuktitut... When we are writing the script, they might jump in and say, 'Oh, we wouldn't say such a word to our in-law! We wouldn't say anything to our brother's wives! It was against the law!'"
All animal carcasses shown in the film were used for food or for their hides.
Reviewers
Critics generally gave high praise to the film and found the details of the traditional Inuit way of life fascinating.- "... succeeds as a mythic drama of good versus evil ... yet it's also an impressively vivid and detailed depiction of a particular way of life." Tom Dawson, BBCBBCThe British Broadcasting Corporation is a British public service broadcaster. Its headquarters is at Broadcasting House in the City of Westminster, London. It is the largest broadcaster in the world, with about 23,000 staff...
. - "A ripping yarn and a spectacularly new and odd vision." Richard Corliss, TimeTime (magazine)Time is an American news magazine. A European edition is published from London. Time Europe covers the Middle East, Africa and, since 2003, Latin America. An Asian edition is based in Hong Kong...
. - "... not some aboriginal folk-art curio but an enthralling and sophisticated work that fully exploits cinema's potential as a visual medium." Jason Anderson, Eye WeeklyEye WeeklyEye Weekly was a free weekly newspaper published in Toronto, Ontario, Canada. It was owned by Torstar, the parent company of the Toronto Star, and was published by their Star Media Group until its final issue on May 5, 2011. The following week, Torstar launched a successor publication, The Grid.-...
. - "Everything combines in The Fast Runner to create a film that does not feel acted and rather as if it is simply happening in front of our eyes." Kenneth Turan, Los Angeles TimesLos Angeles TimesThe Los Angeles Times is a daily newspaper published in Los Angeles, California, since 1881. It was the second-largest metropolitan newspaper in circulation in the United States in 2008 and the fourth most widely distributed newspaper in the country....
. - "Cohn's camera work situates the viewer in Atanarjuat's family grouping... The goal of Atanarjuat is to make the viewer feel inside the action looking out rather than outside looking in." Jennifer L. Gauthier, CineAction.
There were comments by some critics about the "somewhat confusing first 30 minutes" of the film (David Ansen, Newsweek) and about the slow pace of the film: "A much shorter cut surely would have resulted in a smoother, more focused narrative" wrote Mark Dujsik in Mark Reviews Movies.
Inuit community
The goals of the film were first to show how for thousands of years Inuit communities had survived and thrived in the Arctic, and second to introduce the new storytelling medium of film to help Inuit communities survive long into the future. Atanarjuat "is an important step for an indigenous people who have, until recently, seen their culture recorded by outsiders" wrote Doug Alexander in the Canadian historical magazine The BeaverThe Beaver (magazine)
Canada's History is the official magazine of Canada's National History Society. It is published six times a year, and aims to promote interest in and knowledge of Canadian history. Founded in 1920 as The Beaver by the Hudson's Bay Company , the magazine was acquired by the Society in 1994...
. Jennifer L. Gauthier of CineAction wrote "Atanarjuat was made primarily for Inuit audiences so that they could see positive and accurate images of themselves on the screen." Director Kunuk put it a little more bluntly: "Four thousand years of oral history silenced by fifty years of priests, schools, and cable TV." "Kids all over Nunavut
Nunavut
Nunavut is the largest and newest federal territory of Canada; it was separated officially from the Northwest Territories on April 1, 1999, via the Nunavut Act and the Nunavut Land Claims Agreement Act, though the actual boundaries had been established in 1993...
are playing Atanarjuat in the streets," said producer Norman Cohn in a 2002 interview. At one point the production company was considering making Atanarjuat action figures. The film production pumped more than $1.5 million into the local economy of Igloolik and employed about 60 people.
Atanarjuat's family
- Natar UngalaaqNatar UngalaaqNatar Ungalaaq is a Canadian Inuit actor, filmmaker, and sculptor whose artwork is in many major collections of Inuit art worldwide...
as Atanarjuat, 'the fast runner' - Pakak Innuksuk as Amaqjuaq, 'the strong one', Atanarjuat's older brother
- Neeve Irngaut as Uluriaq, wife of Amaqjuaq
- Felix Alaralak as Tulimaq, Atanarjuat's father
- Stephen Qrunnut as Young Tulimaq
- Kumaglaq, the young son of Atanarjuat and Atuat, namesake of the old camp leader
Oki's family
- Peter-Henry Arnatsiaq as Oki, Atanarjuat's rival
- Lucy Tulugarjuk as Puja, Oki's sister
- Apayata Kotierk as Kumaglak, the old camp leader
- Madeline Ivalu as Panikpak, wife of Kumaglak, mother of Sauri, grandmother of Oki and Puja, and sister of Qulitalik
- Mary Angutautuk as Young Panikpak
- Pauloosie Qulitalik as Qulitalik, brother of Panikpak
- Charlie Qulitalik as Young Qulitalik
- Mary Qulitalik as Niriuniq, wife of Qulitalik
- Eugene Ipkarnak as Sauri, camp leader
- Eric Nutarariaq as Young Sauri
Others
- Sylvia Ivalu as Atuat, sought as a wife by Atanarjuat and Oki
- Abraham Ulayuruluk as Tungajuaq, the evil shaman
- Luke Taqqaugaq as Pittiulak, Oki's sidekick
- Alex Uttak as Pakak, Oki's sidekick
Awards won
- American Indian Film FestivalAmerican Indian Film FestivalThe American Indian Film Festival is an annual non-profit film festival in San Francisco. It is the world's oldest venue dedicated to Native American films and prepared the way for the 1979 formation of the American Indian Film Institute....
, 2002 - Best Film, Best Actor, Best Actress - Banff Mountain Film FestivalBanff Mountain Film FestivalThe Banff Mountain Film Festival is an international film competition and an annual presentation of short films and documentaries about mountain culture, sports, and environment. It was launched in 1976 as The Banff Festival of Mountain Films by The Banff Centre and is held every fall in Banff,...
, 2002 - Best Feature Film - Cannes Film Festival2001 Cannes Film FestivalThe 2001 Cannes Film Festival started on May 14 and ran until May 25. The Palme d'Or went to the Italian film The Son's Room by Nanni Moretti.-Jury:* Liv Ullmann, President * Mimmo Calopresti * Charlotte Gainsbourg...
, 2001 - Golden CameraCaméra d'OrThe Caméra d'Or is an award of the Cannes Film Festival for the best first feature film presented in one of the Cannes' selections .... - Cinemanila International Film FestivalCinemanila International Film FestivalThe Cinemanila International Film Festival is an annual film festival held in Manila, the Philippines. It was founded by Filipino filmmaker Amable "Tikoy" Aguiluz in 1999....
, 2002 - Lino Brocka Award - Edinburgh International Film FestivalEdinburgh International Film FestivalThe Edinburgh International Film Festival is an annual fortnight of cinema screenings and related events taking place each June. Established in 1947, it is the world's oldest continually running film festival...
, 2001 - Guardian Award for Best New Director (co-winner) - Flanders International Film Festival, 2001 - Golden Spur, FIPRESCI Prize
- Genie Awards, 2002 - Best Motion Picture, Best Director, Best Screenplay, Best Music - Original Score, Best Editing, Claude Jutra AwardClaude Jutra AwardThe Claude Jutra Award is a special Canadian film award, presented at the annual Genie Award ceremony to the year's best feature film by a first-time film director...
- Hawaii International Film FestivalHawaii International Film FestivalThe Hawaii International Film Festival is a film festival held in the U.S. state of Hawaii. It was started in 1981 by Jeannette Paulson Hereniko and has been held annually in the fall for two weeks...
, 2001 - Special Mention in the Best Feature Film category - ImagineNATIVE Media Arts Festival, 2001 - Best Film
- Lake Placid Film Forum, 2002 - Audience Award
- Festival International de Films de Montréal, 2001 - Special Jury Prize, Prix du Public
- Newport International Film FestivalNewport International Film FestivalNewport International Film Festival was an annual film festival in Newport, Rhode Island, established in 1998 .The Newport Film Festival was generally held the first week in June and featured various international films at several local cinemas...
, 2002 - Audience Award for Best Feature - NextFest Digital Motion Picture Festival, 2001 - CTVCTV television networkCTV Television Network is a Canadian English language television network and is owned by Bell Media. It is Canada's largest privately-owned network, and has consistently placed as Canada's top-rated network in total viewers and in key demographics since 2002, after several years trailing the rival...
Best of Fest Award - San Diego International Film Festival, 2002 - Festival Award for Best Feature Film
- Santa Fe Film FestivalSanta Fe Film FestivalThe Santa Fe Film Festival is a Non-Profit Organization which presents important world cinema in a non-commercial context that represents aesthetic, critical and entertainment standards highlighting New Mexican film, new American and foreign film including revivals, retrospectives, independent...
, 2001 - Luminaria for Best Feature Film - Toronto Film Critics AssociationToronto Film Critics AssociationThe Toronto Film Critics Association is an organization of film reviewers from Toronto-based publications. As of 1999, the TFCA is member of FIPRESCI.-History:...
, 2002 - Best Canadian Film, Best First Feature - Toronto International Film FestivalToronto International Film FestivalThe Toronto International Film Festival is a publicly-attended film festival held each September in Toronto, Ontario, Canada. In 2010, 339 films from 59 countries were screened at 32 screens in downtown Toronto venues...
, 2001 - Best Canadian Feature Film
Nominations received
Atanarjuat was nominated for the following awards, but did not win them.- Chicago Film Critics AssociationChicago Film Critics AssociationThe Chicago Film Critics Association is an American film critic association.-Members:Current members include:*Sarah Knight Adamson*Zbigniew Banas*Shelley Cameron*Dave Canfield*Vittorio Carli*Erik Childress*Camerin Courtney*Bonnie DeShong...
, 2003 - Best Foreign Language Film, Most Promising Director - Genie Awards, 2002 - Best Costume Design, Best Sound
- Golden Trailer AwardsGolden Trailer AwardsThe Golden Trailer Awards is an annual awards show that honors achievements in motion picture marketing, including film trailers, posters and television advertisements.- Overview :...
, 2003 - Best Independent Film - Independent Spirit AwardsIndependent Spirit AwardsThe Independent Spirit Awards , founded in 1984, are awards dedicated to independent filmmakers. Winners were typically presented with acrylic glass pyramids containing suspended shoestrings representing the paltry budgets of independent films. In 1986, the event was renamed the Independent Spirit...
, 2003 - Best Foreign Film - Online Film Critics SocietyOnline Film Critics SocietyThe Online Film Critics Society is a professional association for film critics who publish their reviews, interviews, and essays on the Internet.The OFCS was founded in 1997...
, 2002 - Best Foreign Language Film
Further reading
- Michael Robert Evans. "The Fast Runner": Filming the Legend of Atanarjuat (University of Nebraska Press; 140 pages;2010). Describes the intercultural marriage between filmmaking and traditional Inuit storytelling in the film.
See also
- KabloonaKabloonaKabloona is a book by French adventurer Gontran de Poncins, written in collaboration with Lewis Galantiere. It was first published in the USA in 1941 as a selection of the Book-of-the-Month Club , in England in 1942, and in French in 1947...
- The Journals of Knud RasmussenThe Journals of Knud RasmussenThe Journals of Knud Rasmussen is a 2006 Canadian-Danish film about the pressures on the traditional Inuit culture when explorer Knud Rasmussen introduces European cultural influences. Produced by Isuma, the film was directed by Zacharias Kunuk, who also directed the award-winning Inuit film...
(film) - Aboriginal peoples in Northern CanadaAboriginal peoples in Northern CanadaThe Aboriginal peoples in Northern Canada consist of the First Nations, Métis, and Inuit located in Canada's three territories: Northwest Territories, Nunavut, and Yukon.-Inuit communities:* Inuvik, Northwest Territories* Paulatuk, Northwest Territories...
- Ten CanoesTen CanoesTen Canoes is a 2006 film. It was directed by Rolf de Heer and Peter Djigirr and starred Crusoe Kurddal. The title of the film arose from discussions between de Heer and David Gulpilil about a photograph of ten canoeists poling across the Arafura Swamp, taken by anthropologist Donald Thomson in...
, the 2006 Australian film also about an aboriginalIndigenous AustraliansIndigenous Australians are the original inhabitants of the Australian continent and nearby islands. The Aboriginal Indigenous Australians migrated from the Indian continent around 75,000 to 100,000 years ago....
ancestral legend involving the sexual jealousy of brothers, entirely in the language and with the actors of the region
External links
- Atanarjuat.com
- Story outline with map
- Atanarjuat's family tree
- Oki's family tree
- Isuma — production company
- Canadian Film Encyclopedia
- Atanarjuat in The Canadian EncyclopediaThe Canadian EncyclopediaThe Canadian Encyclopedia is a source of information on Canada. It is available online, at no cost. The Canadian Encyclopedia is available in both English and French and includes some 14,000 articles in each language on a wide variety of subjects including history, popular culture, events, people,...
- Info on the film at the National Film Board of CanadaNational Film Board of CanadaThe National Film Board of Canada is Canada's twelve-time Academy Award-winning public film producer and distributor. An agency of the Government of Canada, the NFB produces and distributes documentary, animation, alternative drama and digital media productions...
- Discussions on Atanarjuat DVD quality http://www.dvdbeaver.com/film/DVDCompare/atanarjuat.htm http://tampa.creativeloafing.com/gyrobase/Content?oid=oid%3A2502 http://hometheaterforum.com/htf/showthread.php?t=76087&page=5