Ballads (Paul Bley album)
Encyclopedia
Ballads is an album by Canadian jazz pianist Paul Bley
recorded in 1967 and released on the ECM label in 1971.
awarded the album 2½ stars stating "Ballads, which really seems to make ballads out of ballads, has been considered both worthy of hanging on the museum wall alongside the other masterpieces and being accorded special merit as the jazz record most used for background music... What all this adds up to, when not shoved to the background of the listener's psyche, is a beautiful sound indeed, this album being one of several that helped establish the entire concept of the divine "ECM sound," despite actually being one of Bley's own productions... Surely it was fun making this album, but it has not proven to be an album that is that much fun to really listen to. Perhaps the music's magic is marred by the excessive echo and pristine recording quality, or maybe the playing is simply pretentious. A decision can be made at the end of the recording, if the listener is still awake".
Paul Bley
Paul Bley, CM is a pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing.-Biography:...
recorded in 1967 and released on the ECM label in 1971.
Reception
The Allmusic review by Eugene ChadbourneEugene Chadbourne
Eugene Chadbourne is an American improvisor, guitarist and banjoist. Highly eclectic and unconventional, Chadbourne's most formative influence is free jazz. He has also been a reviewer for Allmusic and a contributor to Maximum RocknRoll.Chadbourne started out playing rock and roll guitar, but...
awarded the album 2½ stars stating "Ballads, which really seems to make ballads out of ballads, has been considered both worthy of hanging on the museum wall alongside the other masterpieces and being accorded special merit as the jazz record most used for background music... What all this adds up to, when not shoved to the background of the listener's psyche, is a beautiful sound indeed, this album being one of several that helped establish the entire concept of the divine "ECM sound," despite actually being one of Bley's own productions... Surely it was fun making this album, but it has not proven to be an album that is that much fun to really listen to. Perhaps the music's magic is marred by the excessive echo and pristine recording quality, or maybe the playing is simply pretentious. A decision can be made at the end of the recording, if the listener is still awake".
Track listing
- All compositions by Annette Peacock
- "Ending" - 17:15
- "Circles" - 3:10
- "So Hard It Hurts" - 12:12
- Recorded in New York City on March 31, 1967 (tracks 2 & 3) and July 28, 1967 (track 1).
Personnel
- Paul BleyPaul BleyPaul Bley, CM is a pianist known for his contributions to the free jazz movement of the 1960s as well as his innovations and influence on trio playing.-Biography:...
— pianoPianoThe piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal... - Mark Levinson (tracks 2 & 3), Gary PeacockGary PeacockGary Peacock is an American jazz double-bassist.-Biography:After military service in Germany, in the early sixties he worked on the west coast with Barney Kessel, Bud Shank, Paul Bley and Art Pepper, then moved to New York. He worked there with Bley, the Bill Evans trio , and Albert Ayler's trio...
(track 1) — bassDouble bassThe double bass, also called the string bass, upright bass, standup bass or contrabass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra, with strings usually tuned to E1, A1, D2 and G2...