Bankura horse is the terracotta horse, produced in Panchmura

Panchmura

Panchmura is a gram panchayat under Taldangra intermediate panchayat, in Khatra subdivision of Bankura district in the Indian state of West Bengal.It is from Bishnupur and is famous for the terracotta Bankura horse, a folk artefact and now the national symbol for Indian...

 village in Bankura district

Bankura District

Bankura district is one of the seven districts of Burdwan Division in the Indian state of West Bengal. The district has been described as the “connecting link between the plains of Bengal on the east and Chota Nagpur plateau on the west.” The areas to the east and north-east are low lying alluvial...

 in the India

India

India , officially the Republic of India , is a country in South Asia. It is the seventh-largest country by geographical area, the second-most populous country with over 1.2 billion people, and the most populous democracy in the world...

n state

States and territories of India

India is a federal union of states comprising twenty-eight states and seven union territories. The states and territories are further subdivided into districts and so on.-List of states and territories:...

 of West Bengal

West Bengal

West Bengal is a state in the eastern region of India and is the nation's fourth-most populous. It is also the seventh-most populous sub-national entity in the world, with over 91 million inhabitants. A major agricultural producer, West Bengal is the sixth-largest contributor to India's GDP...

. It has been praised for “its elegant stance and unique abstraction of basic values.” Originally used for village rituals, it now adorns drawing rooms across the world as symbols of Indian folk-art. It is the logo of All India Handicrafts.

Tradition

Terracotta or clay craft has been the symbol of man's first attempt at craftsmanship, just as the potter’s wheel was the first machine invented to use the power of motion for a productive purpose. For many years, civilizations have been dated and assessed by the degree of skill and beauty displayed by the earthenware found in excavations. Because of its universal appeal pottery has often been termed as the lyric of handicrafts. However, its association with religious rituals has imbibed it with deeper significance. In India, terracotta traditions are found from the earliest times. The outskirts of many an Indian village, has a pipal

Sacred Fig

The Sacred Fig, Ficus religiosa, or Bo-Tree , Peepal is a species of banyan fig native to India, Bangladesh, Nepal, Pakistan, Sri Lanka, southwest China and Indochina...

 tree with terracotta animal figures lying underneath it. They are symbols of fulfillment of aspirations of village folk. In order to cater to the commercial requirements of the modern global market, the village potter is often combining the traditional rural abstractions with refined urban tastes to show pieces of terracotta art.

The principal centres where the terracotta horses and elephants are produced are Panchmura, Rajagram, Sonamukhi and Hamirpur. Each place has its local style. The Panchmura-style of pottery is considered the best and the finest of all the four types.

Process

Different parts of the hollow terracotta horses are turned out in separate parts, on the potter’s wheel. The four legs, the full neck in two parts and the face (seven pieces in all) are turned out separately on the wheel and then joined together. Additional clay is used for making up defects that may remain in the shape of the body. The leaf-like ears and the tails are done in moulds and are later inserted in grooves left on the body. The clay figures are then allowed to dry in the sun. After a little drying in the sun, holes are made on appropriate parts of the body in order that the inner and the outer surfaces of the body are equally dried. Cracks may develop in the body because of unequal drying of the inner and the outer portions. The dehydration is slowly done in the normal temperature of a closed room for about six or seven days. Then they are brought out of the room and heated in the sun. Finally they are burnt.

The terracotta horses of Bankura are turned out in two different colours. The normal terracotta red color is obtained by letting out the smoke through the vents of the kiln after firing, and the black colour is obtained by sealing the vents and not letting out the smoke.

Significnce

In the Rarh region

Rarh region

Rarh region of West Bengal is the region that lies between the Western plateau and high lands and the Ganges Delta...

 where Dharmathakur

Dharmathakur

Dharmathakur is a Hindu god worshipped by villagers in the traditional Rarh region in the present day Indian state of West Bengal as one of their special village gods...

is worshipped there is no end to the symbolic use of terracotta and wooden horses. Symbolic sacrifice of horses for fulfillment of wishes is common for many village gods and goddesses, but an assembly of terracotta horses of various shapes and sizes representing sacrifice on wish fulfillment is perhaps peculiar to Dharmathakur.

Shape

Terracotta horses and elephants in Bankura have been the creation of potters. Over the centuries they have moved away from a realistic presentation to a representational presentation. Potter-artists of different regions focused on different parts of the animal body in such a manner that reprentation of the same became more important than representation of the entire body of the animal.