Baroque illusionistic painting
Encyclopedia
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque
and Rococo
art in which trompe l'oeil
, perspective
tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space
on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to visually suggest an open sky, such as with the oculus
in Andrea Mantegna
's Camera degli Sposi, or a fictive architectural space such as in the illusionistic cupola
, one of Andrea Pozzo
's fresco
es in Sant'Ignazio
, Rome.
Italian Renaissance painting
, notably in Andrea Mantegna's Camera degli Sposi in Mantua
and in frescoes by Melozzo da Forlì
. Italian terminology for this technique reflects the latter artist's influence and is called prospettiva melozziana, or "Melozzo's perspective". Another notable use is by Antonio da Correggio
in the Duomo of Parma
, which foreshadows Baroque
grandeur.
The technique often uses foreshortened figures and an architectural
vanishing point
to create the perception of true space on a painted, most-often frescoed, ceiling above the viewer.
The artist would paint a feigned architecture in perspective on a flat or barrel-vaulted ceiling in such a way that it seems to continue the existing architecture. The perspective of this illusion is centered towards one focal point. The steep foreshortening of the figures, the painted walls and pillars, creates an illusion of deep recession, heavenly sphere or even an open sky. Paintings on ceilings could, for example, simulate statues in niches or openings revealing the sky.
Quadratura may also employ other illusionistic painting techniques
, such as anamorphosis
.
Examples of illusionistic painting include:
Other examples were by Paolo Veronese
at Villa Rotonda in Vicenza
and Baldassare Peruzzi
in the Villa Farnesina
of Rome.
applied their confidence in handling perspective
to projects for ceilings and overcame the problems of applying linear perspective to the concave surfaces of domes in order to dissolve the architecture
and create illusions of limitless space.
Painted and patterned ceilings were a Gothic
tradition in Italy as elsewhere; but the first ceiling painted to feign open space, was created by Andrea Mantegna
, a master of perspective who went to Mantua as court painter to the Gonzaga
. His masterpiece was a series of fresco
es that culminated in 1474 in the Camera degli Sposi (bridal chamber) of the Ducal Palace
. In these works, he carried the art of illusionistic perspective to new limits. He frescoed the walls with illusionistic scenes of court
life, while the ceiling appeared as if it were an oculus
open to the sky, with servants, a peacock, and cherubs
leaning over a balustrade, seen in strongly foreshortened perspective from below—di sotto in sù. This was the prototype of illusionistic ceiling painting that was to become an important element of Italian baroque
.
Correggio
at Parma
took the illusionistic ceiling a step farther in his frescoes of Christ and the Apostles for the cupola at the San Giovanni Evangelista and in the Assumption of the Virgin in the dome of the Cathedral of Parma
, which is Correggio's most famous work (1520–24); in these frescos Correggio treats the entire surface as the vast and frameless vault of heaven in which the figures float. In a visual continuity between the architectural interior and its painted surfaces, Corregio's clouds and figures appear to inhabit the same architectural space in which the spectator stands.
In Baroque Rome
, the long-standing tradition of frescoed ceilings received a push from the grand projects in Palazzo Farnese
under the guidance of Annibale Carracci
and his team, but the figural subjects were still enclosed within multiple framed compartments (quadri riportati), and the perspective of subjects seen from below was not consistently taken into consideration.
From 1625 to 1627 Giovanni Lanfranco
, a native of Parma who knew Correggio's dome, painted the enormous dome of the church of Sant'Andrea della Valle
with an Assumption of the Virgin that overwhelmed contemporary spectators with its exuberant illusionistic effects and became one of the first high baroque masterpieces. Lanfranco's work in Rome (1613–1630) and in Naples (1634–1646) was fundamental to the development of illusionism in Italy.
Pietro Berrettini, called Pietro da Cortona
, developed the illusionistic ceiling fresco to an extraordinary degree in works such as the ceiling (1633–1639) of the gran salone of Palazzo Barberini
. From 1676 to 1679 Giovanni Battista Gaulli
, called Baciccio, painted an Adoration of the Name of Jesus on the ceiling of the Church of the Gesù
, the Jesuit headquarters in Rome. From 1691 to 1694 Andrea Pozzo
painted the Entrance of Saint Ignatius into Paradise on the nave vault of Sant'Ignazio
, Rome, with theatricality and emotion.
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
and Rococo
Rococo
Rococo , also referred to as "Late Baroque", is an 18th-century style which developed as Baroque artists gave up their symmetry and became increasingly ornate, florid, and playful...
art in which trompe l'oeil
Trompe l'oeil
Trompe-l'œil, which can also be spelled without the hyphen in English as trompe l'oeil, is an art technique involving extremely realistic imagery in order to create the optical illusion that the depicted objects appear in three dimensions.-History in painting:Although the phrase has its origin in...
, perspective
Perspective (graphical)
Perspective in the graphic arts, such as drawing, is an approximate representation, on a flat surface , of an image as it is seen by the eye...
tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space
Three-dimensional space
Three-dimensional space is a geometric 3-parameters model of the physical universe in which we live. These three dimensions are commonly called length, width, and depth , although any three directions can be chosen, provided that they do not lie in the same plane.In physics and mathematics, a...
on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to visually suggest an open sky, such as with the oculus
Oculus
An Oculus, circular window, or rain-hole is a feature of Classical architecture since the 16th century. They are often denoted by their French name, oeil de boeuf, or "bull's-eye". Such circular or oval windows express the presence of a mezzanine on a building's façade without competing for...
in Andrea Mantegna
Andrea Mantegna
Andrea Mantegna was an Italian painter, a student of Roman archeology, and son in law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality...
's Camera degli Sposi, or a fictive architectural space such as in the illusionistic cupola
Cupola
In architecture, a cupola is a small, most-often dome-like, structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome....
, one of Andrea Pozzo
Andrea Pozzo
Andrea Pozzo was an Italian Jesuit Brother, Baroque painter and architect, decorator, stage designer, and art theoretician. He was best known for his grandiose frescoes using illusionistic technique called quadratura, in which architecture and fancy are intermixed...
's fresco
Fresco
Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...
es in Sant'Ignazio
Sant'Ignazio
The Church of Saint Ignatius of Loyola at Campus Martius is Roman Catholic titular church dedicated to Ignatius of Loyola, the founder of the Jesuit order, located in Rome, Italy...
, Rome.
Di sotto in sù
Di sotto in sù (or sotto in su), which means "seen from below" or "from below, upward" in Italian, developed in late QuattrocentoQuattrocento
The cultural and artistic events of 15th century Italy are collectively referred to as the Quattrocento...
Italian Renaissance painting
Italian Renaissance painting
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring within the area of present-day Italy, which was at that time divided into many political areas...
, notably in Andrea Mantegna's Camera degli Sposi in Mantua
Mantua
Mantua is a city and comune in Lombardy, Italy and capital of the province of the same name. Mantua's historic power and influence under the Gonzaga family, made it one of the main artistic, cultural and notably musical hubs of Northern Italy and the country as a whole...
and in frescoes by Melozzo da Forlì
Melozzo da Forlì
Melozzo da Forlì was an Italian Renaissance painter and architect. His fresco paintings are notable for the use of foreshortening. He was the most important member of the Forlì painting school.- Biography :...
. Italian terminology for this technique reflects the latter artist's influence and is called prospettiva melozziana, or "Melozzo's perspective". Another notable use is by Antonio da Correggio
Antonio da Correggio
Antonio Allegri da Correggio , usually known as Correggio, was the foremost painter of the Parma school of the Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century...
in the Duomo of Parma
Parma
Parma is a city in the Italian region of Emilia-Romagna famous for its ham, its cheese, its architecture and the fine countryside around it. This is the home of the University of Parma, one of the oldest universities in the world....
, which foreshadows Baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
grandeur.
The technique often uses foreshortened figures and an architectural
Architecture
Architecture is both the process and product of planning, designing and construction. Architectural works, in the material form of buildings, are often perceived as cultural and political symbols and as works of art...
vanishing point
Vanishing point
A vanishing point is a point in a perspective drawing to which parallel lines not parallel to the image plane appear to converge. The number and placement of the vanishing points determines which perspective technique is being used...
to create the perception of true space on a painted, most-often frescoed, ceiling above the viewer.
Quadratura
Quadratura, a term which was introduced in the seventeenth century and is also normally used in English, became popular with Baroque artists. Although it can also refer to the "opening up" of walls through architectural illusion, the term is most-commonly associated with Italian ceiling painting. Unlike other trompe-l'oeil techniques or precedent di sotto in sù ceiling decorations, which often rely on intuitive artistic approaches to deception, quadratura is directly tied to seventeenth-century theories of perspective and the representation of architectural space. Due to its reliance on perspective theory, it more fully unites architecture, painting and sculpture and gives a more overwhelming impression of illusionism than earlier examples.The artist would paint a feigned architecture in perspective on a flat or barrel-vaulted ceiling in such a way that it seems to continue the existing architecture. The perspective of this illusion is centered towards one focal point. The steep foreshortening of the figures, the painted walls and pillars, creates an illusion of deep recession, heavenly sphere or even an open sky. Paintings on ceilings could, for example, simulate statues in niches or openings revealing the sky.
Quadratura may also employ other illusionistic painting techniques
Illusionism (art)
For the performing art of magic, see Magic Illusionism in art history means either the artistic tradition in which artists create a work of art that appears to share the physical space with the viewer., or more broadly the attempt to represent physical appearances precisely - also called mimesis...
, such as anamorphosis
Anamorphosis
Anamorphosis or anamorphism may refer to any of the following:*Anamorphosis, in art, the representation of an object as seen, for instance, altered by reflection in a mirror...
.
Examples of illusionistic painting include:
- Andrea PozzoAndrea PozzoAndrea Pozzo was an Italian Jesuit Brother, Baroque painter and architect, decorator, stage designer, and art theoretician. He was best known for his grandiose frescoes using illusionistic technique called quadratura, in which architecture and fancy are intermixed...
at San IgnazioSant'IgnazioThe Church of Saint Ignatius of Loyola at Campus Martius is Roman Catholic titular church dedicated to Ignatius of Loyola, the founder of the Jesuit order, located in Rome, Italy...
in Rome and the Jesuit church in Vienna. He wrote the standard theoretical work of his artistic ideas in the two volumes of : Perspectiva pictorum et architectorum Andreae Putei a societate Jesu (Rome, 1693–1700). - Pietro da CortonaPietro da CortonaPietro da Cortona, by the name of Pietro Berrettini, born Pietro Berrettini da Cortona, was the leading Italian Baroque painter of his time and also one of the key architects in the emergence of Roman Baroque architecture. He was also an important decorator...
at the Palazzo BarberiniPalazzo BarberiniPalazzo Barberini is a palace in Rome, facing the piazza of the same name in Rione Trevi and is home to the Galleria Nazionale d'Arte Antica.-History:...
, - Gianbattista Tiepolo in the Ca' RezzonicoCa' RezzonicoCa' Rezzonico is a palazzo on the Grand Canal in Venice. Today it is a public museum dedicated to 18th century Venice. - Design :Ca' Rezzonico stands on the right bank of the canal, at the point where it is joined by the Rio di San Barnaba. The site was previously occupied by two houses...
in Venice, Villa Pisani at StraVilla PisaniVilla Pisani is the name shared by a number of villas commissioned by the patrician Pisani family of Venice. However, Villa Pisani usually refers to a large, late baroque villa at Stra on the mainland of the Veneto, northern Italy. It was begun in the early 18th century for Alvise Pisani, the most...
, and the throne room at the Royal Palace of MadridRoyal Palace of MadridThe Palacio Real de Madrid is the official residence of the King of Spain in the city of Madrid, but it is only used for state ceremonies. King Juan Carlos and the Royal Family do not reside in the palace, choosing instead the more modest Palacio de la Zarzuela on the outskirts of Madrid...
.
Other examples were by Paolo Veronese
Paolo Veronese
Paolo Veronese was an Italian painter of the Renaissance in Venice, famous for paintings such as The Wedding at Cana and The Feast in the House of Levi...
at Villa Rotonda in Vicenza
Vicenza
Vicenza , a city in north-eastern Italy, is the capital of the eponymous province in the Veneto region, at the northern base of the Monte Berico, straddling the Bacchiglione...
and Baldassare Peruzzi
Baldassare Peruzzi
Baldassare Tommaso Peruzzi was an Italian architect and painter, born in a small town near Siena and died in Rome. He worked for many years, beginning in 1520, under Bramante, Raphael, and later Sangallo during the erection of the new St. Peter's...
in the Villa Farnesina
Villa Farnesina
The Villa Farnesina is a Renaissance suburban villa in the Via della Lungara, in the district of Trastevere in Rome, central Italy.The villa was built for Agostino Chigi, a rich Sienese banker and the treasurer of Pope Julius II. Between 1506–1510, the Sienese artist and pupil of Bramante,...
of Rome.
Development
Italian Renaissance artistsItalian Renaissance painting
Italian Renaissance painting is the painting of the period beginning in the late 13th century and flourishing from the early 15th to late 16th centuries, occurring within the area of present-day Italy, which was at that time divided into many political areas...
applied their confidence in handling perspective
Perspective (graphical)
Perspective in the graphic arts, such as drawing, is an approximate representation, on a flat surface , of an image as it is seen by the eye...
to projects for ceilings and overcame the problems of applying linear perspective to the concave surfaces of domes in order to dissolve the architecture
Architecture
Architecture is both the process and product of planning, designing and construction. Architectural works, in the material form of buildings, are often perceived as cultural and political symbols and as works of art...
and create illusions of limitless space.
Painted and patterned ceilings were a Gothic
Gothic art
Gothic art was a Medieval art movement that developed in France out of Romanesque art in the mid-12th century, led by the concurrent development of Gothic architecture. It spread to all of Western Europe, but took over art more completely north of the Alps, never quite effacing more classical...
tradition in Italy as elsewhere; but the first ceiling painted to feign open space, was created by Andrea Mantegna
Andrea Mantegna
Andrea Mantegna was an Italian painter, a student of Roman archeology, and son in law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with perspective, e.g., by lowering the horizon in order to create a sense of greater monumentality...
, a master of perspective who went to Mantua as court painter to the Gonzaga
House of Gonzaga
The Gonzaga family ruled Mantua in Northern Italy from 1328 to 1708.-History:In 1433, Gianfrancesco I assumed the title of Marquis of Mantua, and in 1530 Federico II received the title of Duke of Mantua. In 1531, the family acquired the Duchy of Monferrato through marriage...
. His masterpiece was a series of fresco
Fresco
Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...
es that culminated in 1474 in the Camera degli Sposi (bridal chamber) of the Ducal Palace
Palazzo Ducale di Mantova
The Palazzo Ducale di Mantova is a group of buildings in Mantua, Lombardy, northern Italy, built between the 14th and the 17th century mainly by the noble family of Gonzaga as their royal residence in the capital of their Duchy. The buildings are connected by corridors and galleries and are...
. In these works, he carried the art of illusionistic perspective to new limits. He frescoed the walls with illusionistic scenes of court
Court
A court is a form of tribunal, often a governmental institution, with the authority to adjudicate legal disputes between parties and carry out the administration of justice in civil, criminal, and administrative matters in accordance with the rule of law...
life, while the ceiling appeared as if it were an oculus
Oculus
An Oculus, circular window, or rain-hole is a feature of Classical architecture since the 16th century. They are often denoted by their French name, oeil de boeuf, or "bull's-eye". Such circular or oval windows express the presence of a mezzanine on a building's façade without competing for...
open to the sky, with servants, a peacock, and cherubs
CHERUBS
CHERUBS is a Non-Profit Organization. It was founded in February, 1995 for families of children born with Congenital Diaphragmatic Hernia, a severe and often lethal birth defect. It was founded and currently led by Dawn M...
leaning over a balustrade, seen in strongly foreshortened perspective from below—di sotto in sù. This was the prototype of illusionistic ceiling painting that was to become an important element of Italian baroque
Baroque
The Baroque is a period and the style that used exaggerated motion and clear, easily interpreted detail to produce drama, tension, exuberance, and grandeur in sculpture, painting, literature, dance, and music...
.
Correggio
Antonio da Correggio
Antonio Allegri da Correggio , usually known as Correggio, was the foremost painter of the Parma school of the Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the 16th century...
at Parma
Parma
Parma is a city in the Italian region of Emilia-Romagna famous for its ham, its cheese, its architecture and the fine countryside around it. This is the home of the University of Parma, one of the oldest universities in the world....
took the illusionistic ceiling a step farther in his frescoes of Christ and the Apostles for the cupola at the San Giovanni Evangelista and in the Assumption of the Virgin in the dome of the Cathedral of Parma
Cathedral of Parma
Parma Cathedral is a cathedral church in Parma, Emilia-Romagna . It is an important Italian Romanesque cathedral: the dome, in particular, is decorated by a highly influential illusionistic fresco by Renaissance painter Antonio da Correggio....
, which is Correggio's most famous work (1520–24); in these frescos Correggio treats the entire surface as the vast and frameless vault of heaven in which the figures float. In a visual continuity between the architectural interior and its painted surfaces, Corregio's clouds and figures appear to inhabit the same architectural space in which the spectator stands.
In Baroque Rome
Rome
Rome is the capital of Italy and the country's largest and most populated city and comune, with over 2.7 million residents in . The city is located in the central-western portion of the Italian Peninsula, on the Tiber River within the Lazio region of Italy.Rome's history spans two and a half...
, the long-standing tradition of frescoed ceilings received a push from the grand projects in Palazzo Farnese
Palazzo Farnese, Rome
Palazzo Farnese is a High Renaissance palace in Rome, which currently houses the French embassy and the Ecole Française de Rome ....
under the guidance of Annibale Carracci
Annibale Carracci
Annibale Carracci was an Italian Baroque painter.-Early career:Annibale Carracci was born in Bologna, and in all likelihood first apprenticed within his family...
and his team, but the figural subjects were still enclosed within multiple framed compartments (quadri riportati), and the perspective of subjects seen from below was not consistently taken into consideration.
From 1625 to 1627 Giovanni Lanfranco
Giovanni Lanfranco
Giovanni Lanfranco was an Italian painter of the Baroque period.-Biography:Giovanni Gaspare Lanfranco was born in Parma, the third son of Stefano and Cornelia Lanfranchi, and was placed as a page in the household of Count Orazio Scotti...
, a native of Parma who knew Correggio's dome, painted the enormous dome of the church of Sant'Andrea della Valle
Sant'Andrea della Valle
Sant'Andrea della Valle is a basilica church in Rome, Italy, in the rione of Sant'Eustachio. The basilica is the general seat for the religious order of the Theatines.-Overview:...
with an Assumption of the Virgin that overwhelmed contemporary spectators with its exuberant illusionistic effects and became one of the first high baroque masterpieces. Lanfranco's work in Rome (1613–1630) and in Naples (1634–1646) was fundamental to the development of illusionism in Italy.
Pietro Berrettini, called Pietro da Cortona
Pietro da Cortona
Pietro da Cortona, by the name of Pietro Berrettini, born Pietro Berrettini da Cortona, was the leading Italian Baroque painter of his time and also one of the key architects in the emergence of Roman Baroque architecture. He was also an important decorator...
, developed the illusionistic ceiling fresco to an extraordinary degree in works such as the ceiling (1633–1639) of the gran salone of Palazzo Barberini
Palazzo Barberini
Palazzo Barberini is a palace in Rome, facing the piazza of the same name in Rione Trevi and is home to the Galleria Nazionale d'Arte Antica.-History:...
. From 1676 to 1679 Giovanni Battista Gaulli
Giovanni Battista Gaulli
Giovanni Battista Gaulli , also known as Baciccio, Il Baciccio or Baciccia , was a painter of the Italian High Baroque verging onto that of the Rococo...
, called Baciccio, painted an Adoration of the Name of Jesus on the ceiling of the Church of the Gesù
Church of the Gesu
The Church of the Gesù is the mother church of the Society of Jesus, a Roman Catholic religious order also known as the Jesuits. Officially named , its facade is "the first truly baroque façade", introducing the baroque style into architecture ,. The church served as model for innumerable Jesuit...
, the Jesuit headquarters in Rome. From 1691 to 1694 Andrea Pozzo
Andrea Pozzo
Andrea Pozzo was an Italian Jesuit Brother, Baroque painter and architect, decorator, stage designer, and art theoretician. He was best known for his grandiose frescoes using illusionistic technique called quadratura, in which architecture and fancy are intermixed...
painted the Entrance of Saint Ignatius into Paradise on the nave vault of Sant'Ignazio
Sant'Ignazio
The Church of Saint Ignatius of Loyola at Campus Martius is Roman Catholic titular church dedicated to Ignatius of Loyola, the founder of the Jesuit order, located in Rome, Italy...
, Rome, with theatricality and emotion.
See also
- The Loves of the Gods (Carracci)The Loves of the Gods (Carracci)The Loves of the Gods is a monumental fresco cycle, completed by the Bolognese artist Annibale Carracci and his studio, in the Farnese Gallery which is located in the west wing of the Palazzo Farnese, now the French Embassy) in Rome, Italy...
- Johann Paul SchorJohann Paul SchorJohann Paul Schor , known in Rome as "Giovanni Paolo Tedesco" , was an Austrian artist. He was the preeminent designer of decorative arts in Baroque Rome, providing drawings for state beds, fireworks, coaches, silver, textiles and even banquet setpieces executed in sugar...
- Allegory of Divine Providence and Barberini Power (Cortona)Allegory of Divine Providence and Barberini Power (Cortona)The Allegory of Divine Providence and Barberini Power is a fresco by Italian painter Pietro da Cortona, filling the large ceiling of the grand salon of the Palazzo Barberini in Rome, Italy. Begun in 1633, it was nearly finished in three years; upon Cortona's return from Venice, it was extensively...
- Paul TrogerPaul TrogerPaul Troger was an Austrian painter, draughtsman and printmaker of the late Baroque period. Troger's illusionistic ceiling paintings in fresco are notable for their dramatic vitality of movement and their palette of light colors.Paul Troger’s style, particularly in his frescoes, dominated Austrian...
, leading Austrian exponent of the 18th century - Trompe-l'œil
- AnamorphosisAnamorphosisAnamorphosis or anamorphism may refer to any of the following:*Anamorphosis, in art, the representation of an object as seen, for instance, altered by reflection in a mirror...
Further reading
- I. Sjöström, Quadratura : studies in Italian ceiling painting, Stockholm, 1978.
- Quadratura : Geschichte, Theorie, Technik, ed. Pascal Dubourg Glatigny and Matthias Bleyl, Berlin, 2011.