Bateau-mouche sur la Seine
Encyclopedia
Bateau-mouche sur la Seine is an 1896
French
short
black-and-white
silent
documentary film
directed by French magician Georges Méliès
. No surviving footage of this film is known to exist and it is therefore presumed to be lost.
1896 in film
-Events:* January - In the United States, the Vitascope film projector is designed by Charles Francis Jenkins and Thomas Armat. Armat begins working with Thomas Edison to manufacture it....
French
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
short
Short subject
A short film is any film not long enough to be considered a feature film. No consensus exists as to where that boundary is drawn: the Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes or less, including all...
black-and-white
Black-and-white
Black-and-white, often abbreviated B/W or B&W, is a term referring to a number of monochrome forms in visual arts.Black-and-white as a description is also something of a misnomer, for in addition to black and white, most of these media included varying shades of gray...
silent
Silent film
A silent film is a film with no synchronized recorded sound, especially with no spoken dialogue. In silent films for entertainment the dialogue is transmitted through muted gestures, pantomime and title cards...
documentary film
Documentary film
Documentary films constitute a broad category of nonfictional motion pictures intended to document some aspect of reality, primarily for the purposes of instruction or maintaining a historical record...
directed by French magician Georges Méliès
Georges Méliès
Georges Méliès , full name Marie-Georges-Jean Méliès, was a French filmmaker famous for leading many technical and narrative developments in the earliest cinema. He was very innovative in the use of special effects...
. No surviving footage of this film is known to exist and it is therefore presumed to be lost.