Broadside (music)
Encyclopedia
A broadside is a single sheet of cheap paper printed on one side, often with a ballad
Ballad
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of British and Irish popular poetry and song from the later medieval period until the 19th century and used extensively across Europe and later the Americas, Australia and North Africa. Many...

, rhyme
Rhyme
A rhyme is a repetition of similar sounds in two or more words and is most often used in poetry and songs. The word "rhyme" may also refer to a short poem, such as a rhyming couplet or other brief rhyming poem such as nursery rhymes.-Etymology:...

, news
News
News is the communication of selected information on current events which is presented by print, broadcast, Internet, or word of mouth to a third party or mass audience.- Etymology :...

 and sometimes with woodcut
Woodcut
Woodcut—occasionally known as xylography—is a relief printing artistic technique in printmaking in which an image is carved into the surface of a block of wood, with the printing parts remaining level with the surface while the non-printing parts are removed, typically with gouges...

 illustrations. They were one of the most common forms of printed material between the sixteenth and nineteenth centuries, particularly in Britain, Ireland and North America and are often associated with one of the most important forms of traditional music from these countries, the ballad.

The nature of broadsides

With primitive early printing press
Printing press
A printing press is a device for applying pressure to an inked surface resting upon a print medium , thereby transferring the ink...

es, printing on a single sheet of paper was the easiest and most inexpensive form of printing available and for much of their history could be sold for as little as a penny. They could also be cut in half lengthways to make ‘broadslips’, or folded to make chapbooks and where these contained several songs such collections were known as 'garlands'.

The earliest broadsides that survive date from the early sixteenth century, but relatively few survive before 1550. From 1556 the Stationers Company in London attempted to force registration of all ballads and some 2,000 were recorded between then and 1600, but, since they were easy to print and distribute, it is likely that far more were printed. Scholars often distinguish between the earlier blackletter
Blackletter
Blackletter, also known as Gothic script, Gothic minuscule, or Textura, was a script used throughout Western Europe from approximately 1150 to well into the 17th century. It continued to be used for the German language until the 20th century. Fraktur is a notable script of this type, and sometimes...

 broadsides, using larger heavy ‘gothic’ print, most common up to the middle of the seventeenth century, and lighter whiteletter, roman or italic type
Italic type
In typography, italic type is a cursive typeface based on a stylized form of calligraphic handwriting. Owing to the influence from calligraphy, such typefaces often slant slightly to the right. Different glyph shapes from roman type are also usually used—another influence from calligraphy...

faces, that were easier to read and became common thereafter.

Broadsides were produced in huge numbers, with over 400,000 being sold in England annually by the 1660s, probably close to their peak of popularity. Many were sold by travelling chapmen
Chapmen
A chapman was an itinerant dealer or hawker in early modern Britain.-Etymology:Old English céapmann was the regular term for "dealer, seller", cognate to the synonymous Dutch koopman....

 in city streets and at fairs or by balladeers, who sang the songs printed on their broadsides in an attempt to attract custom. In Britain broadsides began to decline in popularity in the seventeenth century as initially chapbooks and later bound books and newspapers, began to replace them, until they appear to have died out in the nineteenth century. They lasted longer in Ireland, and although never produced in such huge numbers in North America, they were significant in the eighteenth century and provided an important medium of propaganda, on both sides, in the American War of Independence.

Most of the knowledge of broadsides in England comes from the fact that several significant figures chose to collect them, including Samuel Pepys
Samuel Pepys
Samuel Pepys FRS, MP, JP, was an English naval administrator and Member of Parliament who is now most famous for the diary he kept for a decade while still a relatively young man...

 (1633–1703) Robert Harley, 1st Earl of Oxford and Mortimer (1661–1724), in what became Roxburghe Ballads
Roxburghe Ballads
In 1847 John Payne Collier printed "A Book of Roxburghe Ballads". It consisted of 1,341 broadside ballads from the seventeenth century, mostly English, originally collected by Robert Harley, 1st Earl of Oxford and Mortimer , later collected by John Ker, 3rd Duke of Roxburghe.Unfortunately Collier...

. In the eighteenth century there were several printed collections, including Thomas D'Urfey
Thomas d'Urfey
Thomas D'Urfey was an English writer and wit. He composed plays, songs, and poetry, in addition to writing jokes. He was an important innovator and contributor in the evolution of the Ballad opera....

's Wit and Mirth: or, Pills to Purge Melancholy (1719–20), Bishop Thomas Percy's Reliques of Ancient English Poetry (1765), and John Ritson's, The Bishopric Garland (1784). In Scotland similar work was undertaken by figures including Robert Burns
Robert Burns
Robert Burns was a Scottish poet and a lyricist. He is widely regarded as the national poet of Scotland, and is celebrated worldwide...

 and Walter Scott
Walter Scott
Sir Walter Scott, 1st Baronet was a Scottish historical novelist, playwright, and poet, popular throughout much of the world during his time....

 in The Minstrelsy of the Scottish Border
The Minstrelsy of the Scottish Border
The Minstrelsy of the Scottish Border is a collection of Border ballads compiled by Walter Scott. It is not to be confused with his long poem, The Lay of the Last Minstrel...

(1802–03). One of the largest collections was made by Sir Frederick Madden who collected some 30,000 songs now in the 'Madden Collection' in the Cambridge University Library http://microformguides.gale.com/Data/Introductions/30330FM.htm.

Broadside ballads

Broadside ballads (also known as 'roadsheet’, 'broadsheet', ‘stall’, ‘vulgar’ or ‘come all ye’ ballads) varied from what has been defined as the ‘traditional’ ballad, which were often tales of some antiquity, which has frequently crossed national and cultural boundaries and developed as part of a process of oral transmission. In contrast broadside ballads often lacked their epic nature, tended not to possess their artistic qualities and usually dealt with less consequential topics. However, confusingly many ‘traditional’ ballads, as defined particularly by the leading collectors, Svend Grundtvig
Svend Grundtvig
Svend Hersleb Grundtvig was a Danish literary historian and ethnographer. He was one of the first systematic collectors of Danish traditional music, and he was especially interested in Danish folk songs. He began the large project of editing Danish ballads. He also co-edited Icelandic ballads. He...

 for Denmark and Francis Child
Francis Child
Francis Child may refer to:*Francis Child , Lord Mayor of London* Francis James Child...

for England and Scotland, only survive as broadsides. Among the topics of broadside ballads were love, religion, drinking-songs, legends, and early journalism, which included disasters, political events and signs, wonders and prodigies. Generally broadside ballads included only the lyrics, often with the name of a known tune that would fit suggested below the title.

Further reading

  • Broadside Ballads:Songs from the Streets, Taverns, Theatres and Countryside of 17th Century England (incl songs, orig melodies, and chord suggestions) by Lucie Skeaping (2005), Faber Music Ltd. ISBN 0-571-52223-8 (Information and samples of more than 80 broadside ballads and their music)
  • The British Broadside Ballad and Its Music by Claude M. Simpson (1966), Rutgers University Press. Out of Print. No ISBN. (540 broadside ballad melodies from all periods)

External links

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