Caller (dancing)
Encyclopedia
A caller is a person who prompts dance figures in such dances as line dance
, square dance
, and contra dance
. The caller might be one of the participating dancers, though in modern country dance
this is rare.
In round dance
a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points.
Callers in many dance types are expected to sing and to be entertaining, but round dance cuers do not sing and are expected to be as unobtrusive as possible.
Standardized dances such as round dance
, modern Western square dance
, and Salsa Rueda consist of a number of defined difficulty levels. Callers and cuers are responsible for knowing all of the calls or cues (respectively), also known as figures, for the defined difficulty level at which their dancers are dancing, as well as all figures belonging to lower or easier levels.
Callers for other types of dance may be required only to know the particular dance they are calling.
is not only to provide the dance steps which all of the dancers on the floor should be able to follow, but also to provide entertainment through a combination of factors, including programming, showmanship, singing ability, and challenging choreography
.
Part of the entertainment factor can come from the caller's use of "patter
" — a set of rhyming words and rhythms that complement the names of the dance steps being called. Patter can not only be entertaining because it is innovative and surprising, but it can also fill in the space between lengthy dance patterns, helping boost up the energy during potentially dull moments.
There is a large, common pool of patter which callers might use. Examples are:
The square dance calls are underlined; all the rest is patter.
Many callers spend time inventing their own unique patter or variants on common patter.
Entertainment also comes from callers challenging the dancers on the floor. There are many techniques to accomplish this. This can be done choreographically, for example, by mixing dance calls in unexpected or unusual ways, by varying expected dance patterns, or by calling figures from unusual and unexpected formations. Callers might also use gimmicks such as calling a common and well-known sequence of calls, and then catching dancers off guard by suddenly changing an expected call.
Occasionally callers make mistakes, or forget what they are doing momentarily, in which case, it is important for them to be able to keep the dancers moving and to bring the dancers back to their partners, and home again, smoothly, and hopefully without anybody noticing.
ed") or sing-song delivered calls, often to the accompaniment of an instrumental piece of music that it is not necessarily recognizable as a song. Choreography may appear "on-the-fly" with calls randomly strung together, but it conforms to strict choreographic rules. Most patter calling is improvised by the caller as the dancers are moving; if the tempo of the calling is done at a fast pace allowing the dancers to flow from one move to another without pauses, it may be called hot hash.
The primary purpose of patter calls is to give dancers a challenge by surprising them with unexpected choreography.
Many callers are very well known for their ability to put calls together to create a unique, smooth-flowing dance. Some callers are also known for the unusual and interesting formations they move the dancers through.
Some callers are very well known for their voices, and for how well they can perform singing calls.
There is often a very specific format for singing calls. Most singing calls are structured in an A-B-B-A-B-B-A format, with each section consisting of 64 beats
. The "A" sections (the beginning, middle and end "break" sections) often involve simple moves done in a circular fashion, with no partner change. The "B" sections, known as the "figures", are often, especially at the lower levels of dancing, identical, and produce a partner change. Usually this means that at the end of each "B" section each "lady" moves to the next "gent" to her right. At the end of the final B section, each "lady" has returned to her original partner. Variations are occasionally seen; for example, the ladies may move left instead of right, or the last "A" section may be omitted.
Singing calls, like patter calls, vary in dance difficulty, and are rarely improvised in full. They are uncommon above the Advanced
program, although there are famous singing calls at the highest challenge levels.
There are a number of ways that a caller programs the evening’s entertainment. The caller might feature a particular music theme (such as a Rock and Roll party, or a Halloween festival), or might include variations of a particular dance call throughout the night.
Generally callers start the evening slowly to warm dancers up, and to give them chances to succeed during the first tip. Then tempo and difficulty increases and peaks for most of the evenings. At the end of the evening there is usually a slower dance number at the end to relax the dancers, and to let them wind down.
Sometimes people who get the desire to call believe that it is enough to stand up on a platform, and sing the provided text to a square dance song, or call a pre-written sequence of patter. Difficult as even that can be for some, with some natural talent, a good ear for rhythm and timing, an engaging stage presence, and perhaps a robust singing voice, even a beginner can sound good.
A caller has two main roles:
As a teacher
, the caller must develop their educational skills, as well as the educational materials used in class. People skills are very important.
As a dance caller, the caller must prepare choreographic material, and must be able to deliver it, whether by memory, or by using written sequences, or by using sight calling. The choreographic material must conform to a strict, basic set of choreographic rules:
Caller training is available, and Callerlab
certifies instructors.
cuers recite rehearsed, pre-choreographed sequences of figures. Unlike callers in Salsa Rueda or modern Western square dance
, who invoke an execution of figures in an unexpected order that vary from one run of the dance to another, a round dance cuer only "cues", i.e., hints each subsequent figure of a predefined sequence, possibly already known to the dancers.
The cuer, rather than being expected to call out original, on-the-fly choreography, is expected to know many (sometimes lengthy) dances and lead the floor through each one by appropriately and clearly stating the name of each successive step in the dance just in time to hear it before the last step has finished. Often cuing is from cards which list the steps in abbreviated notation. Cuing each step with proper timing is often tricky, as some dance steps can have very long names ("through-side-close to sidecar" for example), and there are times when a series of quick steps have been placed together, which requires quick speech, while maintaining good diction.
Cuers are not expected (or even encouraged or suggested) to add patter. Rather, they speak more softly, and as quickly as possible to allow the dancers to enjoy as much of the song as possible. Cuers do not sing, either, except in rare occasions. Being more calm than most folk and country dances, round dance cuers are not expected to entertain; the act of dancing is the primary entertainment.
Cuers are expected to also know the steps they are cuing well enough to teach them. At most round dances, there are a few pieces that most people know, but it is a cuer's job to also introduce new dances and teach them. Especially in both very early levels and very advanced levels, it is important that cuers can teach the steps, as several dances are listed as "Phase 2 + 1", meaning that the majority of the steps are at phase two, but there is one step added in from another level.
Line dance
A line dance is a choreographed dance with a repeated sequence of steps in which a group of people dance in one or more lines or rows without regard for the gender of the individuals, all facing the same direction, and executing the steps at the same time. Line dancers are not in physical contact...
, square dance
Square dance
Square dance is a folk dance with four couples arranged in a square, with one couple on each side, beginning with Couple 1 facing away from the music and going counter-clockwise until getting to Couple 4. Couples 1 and 3 are known as the head couples, while Couples 2 and 4 are the side couples...
, and contra dance
Contra dance
Contra dance refers to several partnered folk dance styles in which couples dance in two facing lines...
. The caller might be one of the participating dancers, though in modern country dance
Country dancing
The term "Country Dance" was first coined in print by John Playford of London in 1651. It is a generic term for a social dance form in which two or more couples dance together in a set. In the course of the dance each dancer dances to his or her partner and each couple dances to the other couples...
this is rare.
In round dance
Round dance
There are two distinct dance categories called round dance. The specific dances belonging to the first of these categories are often considered to be ethnic, folk or country dances...
a person who performs this function is called a cuer. Their role is fundamentally the same as a caller, in that they tell dancers what to do in a given dance, though they differ on several smaller points.
Comparing Callers and Cuers
Callers and cuers serve slightly different functions in different types of dance. Improvisation in modern Western square dance calling distinguishes it from the calling in many other types of dance.Callers in many dance types are expected to sing and to be entertaining, but round dance cuers do not sing and are expected to be as unobtrusive as possible.
Standardized dances such as round dance
Round dance
There are two distinct dance categories called round dance. The specific dances belonging to the first of these categories are often considered to be ethnic, folk or country dances...
, modern Western square dance
Modern Western square dance
Modern Western square dance is one of two types of square dancing, along with traditional square dance. As a dance form, modern Western square dance grew out of traditional Western dance...
, and Salsa Rueda consist of a number of defined difficulty levels. Callers and cuers are responsible for knowing all of the calls or cues (respectively), also known as figures, for the defined difficulty level at which their dancers are dancing, as well as all figures belonging to lower or easier levels.
Callers for other types of dance may be required only to know the particular dance they are calling.
The modern Western square dance caller
The role of a caller in modern Western square danceModern Western square dance
Modern Western square dance is one of two types of square dancing, along with traditional square dance. As a dance form, modern Western square dance grew out of traditional Western dance...
is not only to provide the dance steps which all of the dancers on the floor should be able to follow, but also to provide entertainment through a combination of factors, including programming, showmanship, singing ability, and challenging choreography
Choreography
Choreography is the art of designing sequences of movements in which motion, form, or both are specified. Choreography may also refer to the design itself, which is sometimes expressed by means of dance notation. The word choreography literally means "dance-writing" from the Greek words "χορεία" ...
.
Part of the entertainment factor can come from the caller's use of "patter
Patter
Patter is a prepared and practiced speech, that is designed to produce a desired response from its audience. Examples of occupations with a patter might include the: auctioneer, salesperson, dance caller, or comedian....
" — a set of rhyming words and rhythms that complement the names of the dance steps being called. Patter can not only be entertaining because it is innovative and surprising, but it can also fill in the space between lengthy dance patterns, helping boost up the energy during potentially dull moments.
There is a large, common pool of patter which callers might use. Examples are:
"
Allemande Left with your left hand. / Back to the partner for a Right and Left GrandRight and Left GrandRight and Left Grand, also known as Grand Right and Left, is a square dance move in which all eight dancers in the set, moving in a circular fashion, execute a series of four alternating hand pull-bies . Men travel counter-clockwise around the ring, and ladies travel clockwise...
".
OR
"Ace of Diamonds, Jack of Spades / Meet your partner & all PromenadePromenade (dance move)Promenade is a basic dance move in a number of dances such as English Country Dance, contra dance, and square dance. The name comes from the French word for “walk”, and is a good basic description of the dance action.-Dance position and handholds:...
".
The square dance calls are underlined; all the rest is patter.
Many callers spend time inventing their own unique patter or variants on common patter.
Entertainment also comes from callers challenging the dancers on the floor. There are many techniques to accomplish this. This can be done choreographically, for example, by mixing dance calls in unexpected or unusual ways, by varying expected dance patterns, or by calling figures from unusual and unexpected formations. Callers might also use gimmicks such as calling a common and well-known sequence of calls, and then catching dancers off guard by suddenly changing an expected call.
Occasionally callers make mistakes, or forget what they are doing momentarily, in which case, it is important for them to be able to keep the dancers moving and to bring the dancers back to their partners, and home again, smoothly, and hopefully without anybody noticing.
Call types
There are two primary classifications of figure types in modern Western square dancing, patter and singing.Patter calls
Patter calls, also known as hash calls, are based on a quick and fluid succession of spoken ("patterPatter
Patter is a prepared and practiced speech, that is designed to produce a desired response from its audience. Examples of occupations with a patter might include the: auctioneer, salesperson, dance caller, or comedian....
ed") or sing-song delivered calls, often to the accompaniment of an instrumental piece of music that it is not necessarily recognizable as a song. Choreography may appear "on-the-fly" with calls randomly strung together, but it conforms to strict choreographic rules. Most patter calling is improvised by the caller as the dancers are moving; if the tempo of the calling is done at a fast pace allowing the dancers to flow from one move to another without pauses, it may be called hot hash.
The primary purpose of patter calls is to give dancers a challenge by surprising them with unexpected choreography.
Many callers are very well known for their ability to put calls together to create a unique, smooth-flowing dance. Some callers are also known for the unusual and interesting formations they move the dancers through.
Singing calls
Singing calls are based on a sung delivery of calls, most often to a recognizable melody, and square dance calls are mixed in with the song's original lyrics. Many widely recognized songs have been turned into singing calls. The primary purpose of singing calls is to relax, dance well together as a group, and enjoy the song and the caller's performance.Some callers are very well known for their voices, and for how well they can perform singing calls.
There is often a very specific format for singing calls. Most singing calls are structured in an A-B-B-A-B-B-A format, with each section consisting of 64 beats
Beat (music)
The beat is the basic unit of time in music, the pulse of the mensural level . In popular use, the beat can refer to a variety of related concepts including: tempo, meter, rhythm and groove...
. The "A" sections (the beginning, middle and end "break" sections) often involve simple moves done in a circular fashion, with no partner change. The "B" sections, known as the "figures", are often, especially at the lower levels of dancing, identical, and produce a partner change. Usually this means that at the end of each "B" section each "lady" moves to the next "gent" to her right. At the end of the final B section, each "lady" has returned to her original partner. Variations are occasionally seen; for example, the ladies may move left instead of right, or the last "A" section may be omitted.
Singing calls, like patter calls, vary in dance difficulty, and are rarely improvised in full. They are uncommon above the Advanced
Square dance program
A square dance program or square dance list is a set of defined square dance calls or dance steps which are associated with a level of difficulty...
program, although there are famous singing calls at the highest challenge levels.
Programming
A modern Western square dance tip is composed of a combination of patter calls and singing calls. Usually one patter call is followed by one singing call to make a tip, although this is not universal.There are a number of ways that a caller programs the evening’s entertainment. The caller might feature a particular music theme (such as a Rock and Roll party, or a Halloween festival), or might include variations of a particular dance call throughout the night.
Generally callers start the evening slowly to warm dancers up, and to give them chances to succeed during the first tip. Then tempo and difficulty increases and peaks for most of the evenings. At the end of the evening there is usually a slower dance number at the end to relax the dancers, and to let them wind down.
Training to call
Calling a modern Western square dance requires a number of different skills and some natural talent; becoming a caller requires training— both educational training and "in front of the microphone" practice.Sometimes people who get the desire to call believe that it is enough to stand up on a platform, and sing the provided text to a square dance song, or call a pre-written sequence of patter. Difficult as even that can be for some, with some natural talent, a good ear for rhythm and timing, an engaging stage presence, and perhaps a robust singing voice, even a beginner can sound good.
A caller has two main roles:
- Teacher
- Dance caller
As a teacher
Teacher
A teacher or schoolteacher is a person who provides education for pupils and students . The role of teacher is often formal and ongoing, carried out at a school or other place of formal education. In many countries, a person who wishes to become a teacher must first obtain specified professional...
, the caller must develop their educational skills, as well as the educational materials used in class. People skills are very important.
As a dance caller, the caller must prepare choreographic material, and must be able to deliver it, whether by memory, or by using written sequences, or by using sight calling. The choreographic material must conform to a strict, basic set of choreographic rules:
- Bring dancers back to their original partnerPartner dancePartner dances are dances whose basic choreography involves coordinated dancing of two partners, as opposed to individuals dancing alone or individually in a non-coordinated manner, and as opposed to groups of people dancing simultaneously in a coordinated manner.In the year 1023 the German poet...
- Bring partners home
- And keep people dancing smoothly and enjoyably.
Caller training is available, and Callerlab
Callerlab
Callerlab is the international association of square dance callers, and is the largest square dance association in the United States. After some initial work started in 1971, it was officially established in 1974 by several members of the Square Dance Hall of Fame.Callers from all over the world,...
certifies instructors.
The Round Dance Cuer
Round danceRound dance
There are two distinct dance categories called round dance. The specific dances belonging to the first of these categories are often considered to be ethnic, folk or country dances...
cuers recite rehearsed, pre-choreographed sequences of figures. Unlike callers in Salsa Rueda or modern Western square dance
Modern Western square dance
Modern Western square dance is one of two types of square dancing, along with traditional square dance. As a dance form, modern Western square dance grew out of traditional Western dance...
, who invoke an execution of figures in an unexpected order that vary from one run of the dance to another, a round dance cuer only "cues", i.e., hints each subsequent figure of a predefined sequence, possibly already known to the dancers.
The cuer, rather than being expected to call out original, on-the-fly choreography, is expected to know many (sometimes lengthy) dances and lead the floor through each one by appropriately and clearly stating the name of each successive step in the dance just in time to hear it before the last step has finished. Often cuing is from cards which list the steps in abbreviated notation. Cuing each step with proper timing is often tricky, as some dance steps can have very long names ("through-side-close to sidecar" for example), and there are times when a series of quick steps have been placed together, which requires quick speech, while maintaining good diction.
Cuers are not expected (or even encouraged or suggested) to add patter. Rather, they speak more softly, and as quickly as possible to allow the dancers to enjoy as much of the song as possible. Cuers do not sing, either, except in rare occasions. Being more calm than most folk and country dances, round dance cuers are not expected to entertain; the act of dancing is the primary entertainment.
Cuers are expected to also know the steps they are cuing well enough to teach them. At most round dances, there are a few pieces that most people know, but it is a cuer's job to also introduce new dances and teach them. Especially in both very early levels and very advanced levels, it is important that cuers can teach the steps, as several dances are listed as "Phase 2 + 1", meaning that the majority of the steps are at phase two, but there is one step added in from another level.
The Salsa Rueda Caller
In Salsa Rueda, hand signs are used to complement voice calls; these are useful in noisy venues, where spoken calls might not be easily heard.See also
- CallerlabCallerlabCallerlab is the international association of square dance callers, and is the largest square dance association in the United States. After some initial work started in 1971, it was officially established in 1974 by several members of the Square Dance Hall of Fame.Callers from all over the world,...
- Modern Western square danceModern Western square danceModern Western square dance is one of two types of square dancing, along with traditional square dance. As a dance form, modern Western square dance grew out of traditional Western dance...
- Round danceRound danceThere are two distinct dance categories called round dance. The specific dances belonging to the first of these categories are often considered to be ethnic, folk or country dances...
- Salsa Rueda
- Traditional square danceTraditional square danceTraditional square dance is a generic term for any style of square dance other than modern Western. The term can mean any of the regional styles that existed before around 1950, when modern Western style began to develop out of a blend of those regional styles, or any style that has survived,...
- Contra danceContra danceContra dance refers to several partnered folk dance styles in which couples dance in two facing lines...