Camposanto Monumentale
Encyclopedia
The Campo Santo, also known as Camposanto Monumentale ("monumental cemetery") or Camposanto Vecchio ("old cemetery"), is a historical edifice at the northern edge of the Cathedral Square in Pisa
, Italy
.
"Campo Santo" can be literally translated as "holy field", because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Fourth Crusade
by Ubaldo de' Lanfranchi, archbishop of Pisa in the 12th century. A legend claims that bodies buried in that ground will rot in just 24 hours.
The burial ground lies over the ruins of the old baptistery
of the church of Santa Reparata, the church that once stood where the cathedral now stands.
The term "monumental" serves to differentiate it from the later-established urban cemetery in Pisa.
The construction of this huge, oblong Gothic
cloister was begun in 1278 by the architect Giovanni di Simone. He died in 1284 when Pisa suffered a defeat in the naval battle of Meloria against the Genoa
ns. The cemetery was only completed in 1464.
It seems that the building was not meant to be a real cemetery, but a church called Santissima Trinità (Most Holy Trinity), but the project changed during the construction. However we know that the original part was the western one (and this should be, at least for a while, the mentioned church), and all the eastern part was the last to be made and closing the structure.
. This was the original entrance door. Most of the tombs are under the arcades, although a few are on the central lawn. The inner court is surrounded by elaborate round arches with slender mullion
s and plurilobed tracery
.
The cemetery has three chapels. The oldest ones are the chapel Ammannati (1360) and takes its name from the tomb of Ligo Ammannati, a teacher in the University of Pisa
; and the chapel Aulla, were there is an altar made by Giovanni della Robbia
in 1518. In this chapel we can see also the original lamp that Galileo Galilei
saw, in his time, inside the cathedral and that was shortly replaced by the bigger one we can see now. The last chapel was Dal Pozzo, commissioned by archbishop of Pisa Carlo Antonio Dal Pozzo
in 1594; it has an altar dedicated to St. Jerome and a little dome
. In this chapel in 2009 were translated the relics of the Cathedral: the relics include among the others eleven of the twelve Apostles, two fragments of the True Cross
, a thorn from the Crown of Thorns
of Christ and a small piece of the dress of the Virgin Mary. Also in the Dal Pozzo chapel sometimes a Mass is celebrated.
, but there are only 84 left together with a collection of Roman
and Etruscan
sculptures and urns, now in the Museum of the vestry board.
The sarcophagi were initially all around the cathedral, often attached to the building itself. That until the cemetery was built, then they were collected in the middle all over the meadow. Carlo Lasinio
, in the years he was the curator
of the Campo Santo, collected many other ancient relics that were spread in Pisa to make a sort of archeological museum inside the cemetery. Nowadays the sarcophagi are inside the galleries, near the walls.
es; the first were applied in 1360, the last about three centuries later.
The first was the Crucifixion by Francesco Traini
, in the south western side. Then, continuing to right, in the southern side, the Last Judgement, The Hell, The Triumph of Death and the Anacoreti nella Tebaide, usually attributed to Buonamico Buffalmacco
. The cycle of frescoes continues with the Stories of the Old Testament by Benozzo Gozzoli
(15th century) that were situated in the north gallery, while in the south arcade were the Stories of Pisan Saints, by Andrea Bonaiuti, Antonio Veneziano
and Spinello Aretino
(between 1377 and 1391), and the Stories of Job, by Taddeo Gaddi
(end of 14th century). In the same time, in the north gallery were the Stories of the Genesis by Piero di Puccio
.
On 27 July 1944, a bomb fragment from an Allied raid started a fire. Due to all the water tanks being controlled, the fire could not be put out in time, and it burnt the wooden rafters and melted the lead of the roof. The destruction of the roof severely damaged everything inside the cemetery, destroying most of the sculptures and sarcophagi and compromising all the frescoes.
After World War II
, restoration work began. The roof was restored as closely as possible to its pre-war appearance and the frescoes were separated from the walls to be restored and displayed elsewhere.
Once the frescoes had been removed, the preliminary drawings, called sinopie
were also removed. These under-drawings were separated using the same technique used on the frescoes and now they are in the Museum of the Sinopie, on the opposite side of the Square.
The restored frescoes that still exist are gradually being transferred to their original locations in the cemetery, inside the cemetery, to restore the Campo Santo's pre-war appearance.
Pisa
Pisa is a city in Tuscany, Central Italy, on the right bank of the mouth of the River Arno on the Tyrrhenian Sea. It is the capital city of the Province of Pisa...
, Italy
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
.
"Campo Santo" can be literally translated as "holy field", because it is said to have been built around a shipload of sacred soil from Golgotha, brought back to Pisa from the Fourth Crusade
Fourth Crusade
The Fourth Crusade was originally intended to conquer Muslim-controlled Jerusalem by means of an invasion through Egypt. Instead, in April 1204, the Crusaders of Western Europe invaded and conquered the Christian city of Constantinople, capital of the Eastern Roman Empire...
by Ubaldo de' Lanfranchi, archbishop of Pisa in the 12th century. A legend claims that bodies buried in that ground will rot in just 24 hours.
The burial ground lies over the ruins of the old baptistery
Baptistery
In Christian architecture the baptistry or baptistery is the separate centrally-planned structure surrounding the baptismal font. The baptistry may be incorporated within the body of a church or cathedral and be provided with an altar as a chapel...
of the church of Santa Reparata, the church that once stood where the cathedral now stands.
The term "monumental" serves to differentiate it from the later-established urban cemetery in Pisa.
History
The building was the fourth and last one to be raised in the Cathedral Square. It dates from a century after the bringing of the soil from Golgotha, and was erected over the earlier burial ground.The construction of this huge, oblong Gothic
Gothic architecture
Gothic architecture is a style of architecture that flourished during the high and late medieval period. It evolved from Romanesque architecture and was succeeded by Renaissance architecture....
cloister was begun in 1278 by the architect Giovanni di Simone. He died in 1284 when Pisa suffered a defeat in the naval battle of Meloria against the Genoa
Republic of Genoa
The Most Serene Republic of Genoa |Ligurian]]: Repúbrica de Zêna) was an independent state from 1005 to 1797 in Liguria on the northwestern Italian coast, as well as Corsica from 1347 to 1768, and numerous other territories throughout the Mediterranean....
ns. The cemetery was only completed in 1464.
It seems that the building was not meant to be a real cemetery, but a church called Santissima Trinità (Most Holy Trinity), but the project changed during the construction. However we know that the original part was the western one (and this should be, at least for a while, the mentioned church), and all the eastern part was the last to be made and closing the structure.
Building
The outer wall is composed of 43 blind arches. There are two doorways. The one on the right is crowned by a gracious Gothic tabernacle. It contains the Virgin Mary with Child, surrounded by four saints. It is the work from the second half of the 14th century by a follower of Giovanni PisanoGiovanni Pisano
Giovanni Pisano was an Italian sculptor, painter and architect. Son of the famous sculptor Nicola Pisano, he received his training in the workshop of his father....
. This was the original entrance door. Most of the tombs are under the arcades, although a few are on the central lawn. The inner court is surrounded by elaborate round arches with slender mullion
Mullion
A mullion is a vertical structural element which divides adjacent window units. The primary purpose of the mullion is as a structural support to an arch or lintel above the window opening. Its secondary purpose may be as a rigid support to the glazing of the window...
s and plurilobed tracery
Tracery
In architecture, Tracery is the stonework elements that support the glass in a Gothic window. The term probably derives from the 'tracing floors' on which the complex patterns of late Gothic windows were laid out.-Plate tracery:...
.
The cemetery has three chapels. The oldest ones are the chapel Ammannati (1360) and takes its name from the tomb of Ligo Ammannati, a teacher in the University of Pisa
University of Pisa
The University of Pisa , located in Pisa, Tuscany, is one of the oldest universities in Italy. It was formally founded on September 3, 1343 by an edict of Pope Clement VI, although there had been lectures on law in Pisa since the 11th century...
; and the chapel Aulla, were there is an altar made by Giovanni della Robbia
Giovanni della Robbia
thumb|250px|Saint Sebastian, [[Musée du Louvre]], Paris.Giovanni della Robbia was an Italian Renaissance ceramic artist. He was the son of Andrea della Robbia and grandnephew of Luca della Robbia....
in 1518. In this chapel we can see also the original lamp that Galileo Galilei
Galileo Galilei
Galileo Galilei , was an Italian physicist, mathematician, astronomer, and philosopher who played a major role in the Scientific Revolution. His achievements include improvements to the telescope and consequent astronomical observations and support for Copernicanism...
saw, in his time, inside the cathedral and that was shortly replaced by the bigger one we can see now. The last chapel was Dal Pozzo, commissioned by archbishop of Pisa Carlo Antonio Dal Pozzo
Carlo Antonio Dal Pozzo
Carlo Antonio Dal Pozzo was an Italian prelate, who was archbishop metropolita of the Pisa Diocese.He came from the noble family of Dal Pozzo Della Cisterna of Biella...
in 1594; it has an altar dedicated to St. Jerome and a little dome
Dome
A dome is a structural element of architecture that resembles the hollow upper half of a sphere. Dome structures made of various materials have a long architectural lineage extending into prehistory....
. In this chapel in 2009 were translated the relics of the Cathedral: the relics include among the others eleven of the twelve Apostles, two fragments of the True Cross
True Cross
The True Cross is the name for physical remnants which, by a Christian tradition, are believed to be from the cross upon which Jesus was crucified.According to post-Nicene historians, Socrates Scholasticus and others, the Empress Helena The True Cross is the name for physical remnants which, by a...
, a thorn from the Crown of Thorns
Crown of Thorns
In Christianity, the Crown of Thorns, one of the instruments of the Passion, was woven of thorn branches and placed on Jesus Christ before his crucifixion...
of Christ and a small piece of the dress of the Virgin Mary. Also in the Dal Pozzo chapel sometimes a Mass is celebrated.
Sarcophagi
The Campo Santo contained a huge collection of Roman sarcophagiSarcophagus
A sarcophagus is a funeral receptacle for a corpse, most commonly carved or cut from stone. The word "sarcophagus" comes from the Greek σαρξ sarx meaning "flesh", and φαγειν phagein meaning "to eat", hence sarkophagus means "flesh-eating"; from the phrase lithos sarkophagos...
, but there are only 84 left together with a collection of Roman
Ancient Rome
Ancient Rome was a thriving civilization that grew on the Italian Peninsula as early as the 8th century BC. Located along the Mediterranean Sea and centered on the city of Rome, it expanded to one of the largest empires in the ancient world....
and Etruscan
Etruscan art
Etruscan art was the form of figurative art produced by the Etruscan civilization in central Italy between the 9th and 2nd centuries BC. Particularly strong in this tradition were figurative sculpture in terracotta and cast bronze, wall-painting and metalworking .-History:The origins of...
sculptures and urns, now in the Museum of the vestry board.
The sarcophagi were initially all around the cathedral, often attached to the building itself. That until the cemetery was built, then they were collected in the middle all over the meadow. Carlo Lasinio
Carlo Lasinio
Carlo Lasinio was an Italian engraver.He was born at Treviso, but worked chiefly at Florence. Lasinio started as a painter at the Accademia, Venice. He quickly placed more emphasis on printmaking, especially after moving to Florence in 1778. He established his reputation with two large series of...
, in the years he was the curator
Curator
A curator is a manager or overseer. Traditionally, a curator or keeper of a cultural heritage institution is a content specialist responsible for an institution's collections and involved with the interpretation of heritage material...
of the Campo Santo, collected many other ancient relics that were spread in Pisa to make a sort of archeological museum inside the cemetery. Nowadays the sarcophagi are inside the galleries, near the walls.
Frescoes
The walls were once covered in frescoFresco
Fresco is any of several related mural painting types, executed on plaster on walls or ceilings. The word fresco comes from the Greek word affresca which derives from the Latin word for "fresh". Frescoes first developed in the ancient world and continued to be popular through the Renaissance...
es; the first were applied in 1360, the last about three centuries later.
The first was the Crucifixion by Francesco Traini
Francesco Traini
Francesco Traini was an Italian painter who was demonstrably active from 1321 to approx. 1365 in Pisa and Bologna.He appears to have been a follower of Andrea Orcagna. There is only one work known to be by Traini: in 1345 he signed and dated a polyptych of the Pisan church S. Caterina, showing...
, in the south western side. Then, continuing to right, in the southern side, the Last Judgement, The Hell, The Triumph of Death and the Anacoreti nella Tebaide, usually attributed to Buonamico Buffalmacco
Buonamico Buffalmacco
Buonamico di [son of] Martino or Buonamico Buffalmacco was an Italian painter who worked in Florence, Bologna and Pisa...
. The cycle of frescoes continues with the Stories of the Old Testament by Benozzo Gozzoli
Benozzo Gozzoli
Benozzo Gozzoli was an Italian Renaissance painter from Florence. He is best known for a series of murals in the Palazzo Medici-Riccardi depicting festive, vibrant processions with wonderful attention to detail and a pronounced International Gothic influence.-Apprenticeship:He was born Benozzo di...
(15th century) that were situated in the north gallery, while in the south arcade were the Stories of Pisan Saints, by Andrea Bonaiuti, Antonio Veneziano
Antonio Veneziano (painter)
Antonio Veneziano , was an Italian painter who was active mainly in Siena, Florence and Pisa, documented between 1369 and 1419....
and Spinello Aretino
Spinello Aretino
Spinello Aretino was an Italian painter, the son of a Florentine named Luca, who had taken refuge in Arezzo in 1310 when exiled with the rest of the Ghibelline party.-Biography:...
(between 1377 and 1391), and the Stories of Job, by Taddeo Gaddi
Taddeo Gaddi
Taddeo Gaddi was a medieval Italian painter and architect.-Biography:He was the son of Gaddo di Zanobi, called Gaddo Gaddi. He was a member of Giotto's workshop from 1313 to 1337, when his master died...
(end of 14th century). In the same time, in the north gallery were the Stories of the Genesis by Piero di Puccio
Piero di Puccio
Piero di Puccio was a fourteenth century Italian painter of the Gothic period, active mainly in Orvieto. He is also known as Pietro di Puccio. He painted a fresco of stories from Genesis, from the Creation to the Deluge on the North wall of Campo Santo in Pisa. The fresco was devastated during the...
.
On 27 July 1944, a bomb fragment from an Allied raid started a fire. Due to all the water tanks being controlled, the fire could not be put out in time, and it burnt the wooden rafters and melted the lead of the roof. The destruction of the roof severely damaged everything inside the cemetery, destroying most of the sculptures and sarcophagi and compromising all the frescoes.
After World War II
World War II
World War II, or the Second World War , was a global conflict lasting from 1939 to 1945, involving most of the world's nations—including all of the great powers—eventually forming two opposing military alliances: the Allies and the Axis...
, restoration work began. The roof was restored as closely as possible to its pre-war appearance and the frescoes were separated from the walls to be restored and displayed elsewhere.
Once the frescoes had been removed, the preliminary drawings, called sinopie
Sinopia
Sinopia is a reddish-brown ochre-like earth color pigment used in traditional oil painting. It is used for the cartoon or underpainting for a fresco; indeed, the term is also synecdochically used to refer to underpainting done in sinopia...
were also removed. These under-drawings were separated using the same technique used on the frescoes and now they are in the Museum of the Sinopie, on the opposite side of the Square.
The restored frescoes that still exist are gradually being transferred to their original locations in the cemetery, inside the cemetery, to restore the Campo Santo's pre-war appearance.