Cargo (2009 film)
Encyclopedia
Cargo is a 2009 science fiction film
Science fiction film
Science fiction film is a film genre that uses science fiction: speculative, science-based depictions of phenomena that are not necessarily accepted by mainstream science, such as extraterrestrial life forms, alien worlds, extrasensory perception, and time travel, often along with futuristic...

, the first from Swiss production and the first major feature film by Ivan Engler
Ivan Engler (director)
Ivan Engler is a Swiss film director. In the fall of 2009, his feature film debut as writer and director, Cargo, opened in Switzerland. "Cargo" is the first Swiss science-fiction feature film made.-Filmography:...

.

Plot

It is the year 2267. After the earth has become uninhabitable due to an ecological collapse
Ecological collapse
Ecological Collapse refers to a situation where an ecosystem suffers a drastic, if not permanent, reduction in carrying capacity for all organisms, often resulting in mass extinction...

, the remaining people live on overcrowded space stations in Earth's orbit. The young doctor Laura Portmann (Anna-Katharina Schwabroh) is one of them. She hopes for a better future alongside her sister on the distant planet Rhea, but to get there, she needs money. She signs up with Kuiper Enterprises for a job on the decrepit cargo ship Kassandra, heading for an eight-year flight to unmanned Station #42 and back.

The crew consists of five members: Captain Lacroix (Pierre Semmler), Lindbergh (Regula Grauwiller), Yoshida (Yangzom Brauen
Yangzom Brauen
Yangzom Brauen is a Swiss actress, activist and writer.Brauen, the daughter of Swiss ethnologist Martin Brauen and Tibetan artist Sonam Dolma, started her acting career with small roles in Swiss television series. She had her Hollywood debut in the film Aeon Flux in the role of Inari...

), Prokoff (Claude-Oliver Rudolph), and Vespucci (Michael Finger). Crew members spend most of the fully automated flight in deep cryosleep while one person stays awake in 8 ½ month shifts to monitor the space ship. Due to the current terrorist threat from the radical Neo-Luddite
Neo-luddism
Neo-Luddism is a personal world view opposing any modern technology. Its name is based on the historical legacy of the British Luddites which were active between 1811 and 1816...

 group "Maschinenstürmer" ("Machine Strikers"), there is also an additional security person aboard: Samuel Decker (Martin Rapold). Toward the end of her shift, Portmann hears unusual noises from the cargo bay, and she feels observed. Her colleagues are awakened, and together the crew sets out to investigate the cold cargo space.

During the search, Captain Lacroix falls to his death from the cargo containers under mysterious circumstances. When footage from Lacroix's artificial eye
Visual prosthesis
For the non-functional prosthesis or glass eye see Ocular prosthesis and Craniofacial prosthesis.A visual prosthesis, often referred to as a bionic eye, is an experimental visual device intended to restore functional vision in those suffering from partial or total blindness...

 is reviewed by Portmann, she discovers that he saw containers marked "BIOHAZARD" in the ship's hold, despite assurance that they were transporting construction materials. When Decker and Portmann investigate, they find a room filled with cases containing humans in deep cryosleep.

Upon examining a young girl from the hold, Portmann finds a "perfected" virtual reality
Virtual reality
Virtual reality , also known as virtuality, is a term that applies to computer-simulated environments that can simulate physical presence in places in the real world, as well as in imaginary worlds...

connector embedded in the girl's spine. Later, Portmann sends an account of her finding to her sister on Rhea, and receives a reply in 20 minutes, rather than the usual matter of months. Lindbergh arrests Decker on suspicion of Lacroix's murder, and Decker reveals to Portmann that they are not flying to Station #42, but to Rhea. Her curiosity piqued, Portmann asks Yoshida to check the ship's travel coordinates, which confirm that they are not heading towards Station #42. Later, Portmann finds Yoshida dead on the lower levels.

In response to the gruesome discovery, Lindbergh organizes search teams to find whoever killed Yoshida. While searching the lower levels, Portmann is attacked by a figure in a large coat, but saved by someone shooting the man in the back. Portmann recognizes the assailant as Klaus Bruckner, leader of the "Maschinenstürmer". Portmann's savior is revealed to be Decker, Klaus Bruckner's teammate working undercover as an RBS agent. Lindbergh realizes that Portmann doesn't trust her and restrains her too, revealing to her that Rhea is a giant virtual reality simulation on a station in orbit around the actual, uninhabitable, planet. The crew are actually on their way to Rhea, but Lindbergh intends to execute Portmann and Decker before they arrive. Prokoff and Vespucci overhear Lindbergh and overpower her, freeing Portmann.

The four make a plan to enter Rhea and free Portmann's sister, while destroying the telecommunications antenna, ceasing broadcasts from Rhea's station. Prokoff and Vespucci decide to stay on Rhea, choosing virtual reality's paradise to real life. Decker sets the explosives on the antennae while Portmann cares for the young girl she found. When she sets out from the airlock, Portmann realizes that her fuel cell is faulty and her jetpack is broken. Luckily, she is caught by Decker and the two find Portmann's sister's containment pod. Portmann connects to the virtual world and finds her sister living happily in a beautiful house. Seeing how happy her sister and her sister's children are, Portmann decides to leave without telling them that their world is a simulation. However, before she leaves, she sends out a broadcast revealing the truth about Rhea and the news that Earth is habitable again.

Back in reality, Decker gives Portmann his fuel cell so she can get back to the Kassandra. A sudden shockwave from the force of the Kassandra's engine igniting blows Decker away and Portmann tearfully returns to the ship. The explosives on the antennae detonate as the Kassandra floats away.

Back on board the Kassandra, Portmann is confronted again by the escaped Lindbergh, who attempts to kill her. Portmann forces Lindbergh into an airlock, which blows her out into deep space. Portmann then returns to the young girl and cares for her. The film ends with Portmann's broadcast from Rhea airing on news stations everywhere.
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