Cello Suites (Bach)
Encyclopedia
The Six Suites for Unaccompanied Cello by Johann Sebastian Bach
are some of the most performed and recognizable solo compositions ever written for cello
. They were most likely composed during the period 1717–1723, when Bach served as a Kapellmeister
in Cöthen
.
The suites contain a great variety of technical devices, a wide emotional range, and some of Bach's most compelling voice interactions and conversations. It is their intimacy, however, that has made the suites amongst Bach's most popular works today, resulting in their different recorded interpretations being fiercely defended by their respective advocates.
The suites have been transcribed for numerous instruments, including the violin
, viola
, double bass
, viola da gamba, mandolin
, piano
, marimba
, classical guitar
, recorder
, electric bass
, horn
, saxophone
, bass clarinet
, bassoon
, trumpet
, trombone
, euphonium
, tuba
, ukulele
, and charango
.
The suites were not widely known before the 1900s, and for a long time it was generally thought that the pieces were intended to be étude
s. However, after discovering Grützmacher
's edition in a thrift shop in Barcelona
, Spain
at age 13, Pablo Casals
began studying them. Although he would later perform the works publicly, it was not until 1925, when he was 48, that he agreed to record the pieces, becoming the first to record all six suites. Their popularity soared soon after, and Casals' original recording is still widely available today.
Attempts to compose piano accompaniments to the suites include a notable effort by Robert Schumann
. In 1923, Leopold Godowsky
realised suites 2, 3 and 5 in full counterpoint for solo piano.
Unlike Bach's violin sonata
s, no autographed manuscript survives, thus ruling out the use of an urtext
performing edition. However, analysis of secondary sources—including a hand-written copy by Bach's second wife, Anna Magdalena
—has produced presumably authentic editions, although critically deficient in the placement of slurs
and other articulation. As a result, many interpretations of the suites exist, with no sole accepted version.
Recent research has suggested that the suites were not written for the familiar cello played between the legs (da gamba), but an instrument played rather like a violin, on the shoulder (da spalla). Variations in the terminology used to refer to musical instruments during this period have led to modern confusion, and the discussion continues regarding the instrument "that Bach intended", or even if a particular instrument was indeed intended. Sigiswald Kuijken
and Ryo Terakado have both recorded the complete suites on this "new" instrument, known today as a violoncello or viola da spalla; reproductions of the instrument have been made by luthier
Dmitry Badiarov.
Recent speculation by Professor Martin Jarvis
of Charles Darwin University
School of Music, in Darwin
, Australia
, holds that Anna Magdalena
may have been the composer of several musical pieces attributed to her husband. Jarvis proposes that Anna Magdalena wrote the six Cello Suites, and was involved with the composition of the aria from the Goldberg Variations
(BWV 988). Musicologists and performers, however, pointing to the thinness of evidence of this proposition, remain skeptical of the claim.
Scholars believe that Bach intended the works to be considered as a systematically conceived cycle, rather than an arbitrary series of pieces: Compared to Bach's other suite collections, the cello suites are the most consistent in order of their movements. In addition, to achieve a symmetrical design and go beyond the traditional layout, Bach inserted intermezzo or galanterie movements in the form of pairs between the Sarabande
and the Gigue
.
It should also be noticed that only five movements in the entire set of suites are completely non-chordal: that means they consist only of a single melodic line. These are the second Minuet
of the 1st Suite, the second Minuet
of the 2nd suite, the second Bourrée
of the 3rd suite, the Gigue of the 4th suite, and the Sarabande
of the 5th Suite. It should be noted that the 2nd Gavotte
of the 5th Suite has but one prim-chord (the same note played on two strings at the same time), but only in the original scordatura
version of the suite — in the standard tuning version it is completely free from chords.
The Suites have been performed and recorded by many renowned cellists such as Pablo Casals
, Janos Starker
, Pierre Fournier
, Mstislav Rostropovich
, Yo-Yo Ma
and Mischa Maisky
. Ma won the 1985 Best Instrumental Soloist Grammy Award for his best selling album "Six Unaccompanied Cello Suites".
chord
s, is probably the best known movement from the entire set of suites and is regularly heard on television
and in film
s. Most students begin with this suite as it is assumed to be easier to play than the others in terms of the technique required.
contains short cadenzas that stray away from this otherwise very strict dance form. The first Minuet
contains demanding chord shiftings and string crossings.
The Allemande
is the only movement in the suites that has an up-beat consisting of three semiquavers instead of just one, which is the standard form.
The second Bourrée
, though in C minor, has a 2-flat (or G minor) key-signature. This notation, common in pre-Classical music, is sometimes known as a partial key-signature. The first and second Bourrée of the 3rd suite is sometimes used as solo material for other bass instruments such as tuba, euphonium, and trombone.
The very peaceful Sarabande
is quite obscure about the stressed second beat, which is the basic characteristic of the 3/4 dance, since, in this particular Sarabande, almost every first beat contains a chord, whereas the second beat most often doesn't.
with the A-string tuned down to G, but nowadays a version for standard tuning is included in almost every edition of the suites along with the original version. Some chords must be simplified when playing with standard tuning, but some melodic lines become easier as well.
The Prelude is written in an A-B form, and is a French overture
. It begins with a slow, emotional movement that explores the deep range of the cello. After that comes a fast and very demanding single-line fugue
that leads to the powerful end.
This suite is most famous for its intimate Sarabande
, which is the second of only four movements in all six suites that doesn't contain any chords. Rostropovich
describes it as the essence of Bach's genius; Tortelier
, as an extension of silence. Yo-Yo Ma
played this movement on September 11, 2002 at the site of the World Trade Center
, while the first of the names of the dead were read in remembrance on the first anniversary of the attack. The fifth suite is also exceptional as its Courante
and Gigue
are in the French
style, rather than the Italian
form of the other five suites.
An autograph manuscript of Bach's lute
version of this suite exists as BWV 995
.
, a smaller cello, roughly the size of a 7/8 normal cello that has a fifth upper string tuned to E, a perfect fifth above the otherwise top string. However, some say there is no substantial evidence to support this claim: whilst three of the sources inform the player that it is written for an instrument "a cinq cordes", only Anna Magdalena Bach
's manuscript indicates the tunings of the strings and the other sources do not mention any intended instrument at all.
Other possible instruments for the suite include a version of the violoncello piccolo played on the arm like a viola
, as well as a viola with a fifth string tuned to E, called a viola pomposa
. As the range required in this piece is very large, the suite was probably intended for a larger instrument, although it is conceivable that Bach—who was fond of the viola—may have performed the work himself on an arm-held violoncello piccolo. However, it is equally likely that beyond hinting the number of strings, Bach did not intend any specific instrument at all as the construction of instruments in the early 18th century was highly variable.
Cellists wishing to play the piece on a modern four-string cello encounter difficulties as they are forced to use very high positions to reach many of the notes, though modern cellists regularly perform the suite on the 4-string instrument. Performers specialising in early music
and using authentic instruments generally use the 5-string cello for this suite, including Anner Bylsma
, Pieter Wispelwey
, Jaap ter Linden
and Josephine van Lier.
This suite is written in much more free form than the others, containing more cadenza-like movements and virtuosic passages. It is also the only one of the suites that is partly notated in the Tenor C clef, which is not needed for the others since they never go above the note G4 (G above middle C
).
Mstislav Rostropovich
called this suite "a symphony for solo cello" and characterised its D major
tonality as evoking joy and triumph.
Johann Sebastian Bach
Johann Sebastian Bach was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity...
are some of the most performed and recognizable solo compositions ever written for cello
Cello
The cello is a bowed string instrument with four strings tuned in perfect fifths. It is a member of the violin family of musical instruments, which also includes the violin, viola, and double bass. Old forms of the instrument in the Baroque era are baryton and viol .A person who plays a cello is...
. They were most likely composed during the period 1717–1723, when Bach served as a Kapellmeister
Kapellmeister
Kapellmeister is a German word designating a person in charge of music-making. The word is a compound, consisting of the roots Kapelle and Meister . The words Kapelle and Meister derive from the Latin: capella and magister...
in Cöthen
Cothen
Cothen is a town in the Dutch province of Utrecht. It is a part of the municipality of Wijk bij Duurstede, and lies about 10 km southeast of Houten....
.
The suites contain a great variety of technical devices, a wide emotional range, and some of Bach's most compelling voice interactions and conversations. It is their intimacy, however, that has made the suites amongst Bach's most popular works today, resulting in their different recorded interpretations being fiercely defended by their respective advocates.
The suites have been transcribed for numerous instruments, including the violin
Violin
The violin is a string instrument, usually with four strings tuned in perfect fifths. It is the smallest, highest-pitched member of the violin family of string instruments, which includes the viola and cello....
, viola
Viola
The viola is a bowed string instrument. It is the middle voice of the violin family, between the violin and the cello.- Form :The viola is similar in material and construction to the violin. A full-size viola's body is between and longer than the body of a full-size violin , with an average...
, double bass
Double bass
The double bass, also called the string bass, upright bass, standup bass or contrabass, is the largest and lowest-pitched bowed string instrument in the modern symphony orchestra, with strings usually tuned to E1, A1, D2 and G2...
, viola da gamba, mandolin
Mandolin
A mandolin is a musical instrument in the lute family . It descends from the mandore, a soprano member of the lute family. The mandolin soundboard comes in many shapes—but generally round or teardrop-shaped, sometimes with scrolls or other projections. A mandolin may have f-holes, or a single...
, piano
Piano
The piano is a musical instrument played by means of a keyboard. It is one of the most popular instruments in the world. Widely used in classical and jazz music for solo performances, ensemble use, chamber music and accompaniment, the piano is also very popular as an aid to composing and rehearsal...
, marimba
Marimba
The marimba is a musical instrument in the percussion family. It consists of a set of wooden keys or bars with resonators. The bars are struck with mallets to produce musical tones. The keys are arranged as those of a piano, with the accidentals raised vertically and overlapping the natural keys ...
, classical guitar
Classical guitar
The classical guitar is a 6-stringed plucked string instrument from the family of instruments called chordophones...
, recorder
Recorder
The recorder is a woodwind musical instrument of the family known as fipple flutes or internal duct flutes—whistle-like instruments which include the tin whistle. The recorder is end-blown and the mouth of the instrument is constricted by a wooden plug, known as a block or fipple...
, electric bass
Electric Bass
Electric bass can mean:*Electric upright bass, the electric version of a double bass*Electric bass guitar*Bass synthesizer*Big Mouth Billy Bass, a battery-powered singing fish...
, horn
Horn (instrument)
The horn is a brass instrument consisting of about of tubing wrapped into a coil with a flared bell. A musician who plays the horn is called a horn player ....
, saxophone
Saxophone
The saxophone is a conical-bore transposing musical instrument that is a member of the woodwind family. Saxophones are usually made of brass and played with a single-reed mouthpiece similar to that of the clarinet. The saxophone was invented by the Belgian instrument maker Adolphe Sax in 1846...
, bass clarinet
Bass clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B , but it plays notes an octave below the soprano B clarinet...
, bassoon
Bassoon
The bassoon is a woodwind instrument in the double reed family that typically plays music written in the bass and tenor registers, and occasionally higher. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band and chamber music literature...
, trumpet
Trumpet
The trumpet is the musical instrument with the highest register in the brass family. Trumpets are among the oldest musical instruments, dating back to at least 1500 BCE. They are played by blowing air through closed lips, producing a "buzzing" sound which starts a standing wave vibration in the air...
, trombone
Trombone
The trombone is a musical instrument in the brass family. Like all brass instruments, sound is produced when the player’s vibrating lips cause the air column inside the instrument to vibrate...
, euphonium
Euphonium
The euphonium is a conical-bore, tenor-voiced brass instrument. It derives its name from the Greek word euphonos, meaning "well-sounding" or "sweet-voiced"...
, tuba
Tuba
The tuba is the largest and lowest-pitched brass instrument. Sound is produced by vibrating or "buzzing" the lips into a large cupped mouthpiece. It is one of the most recent additions to the modern symphony orchestra, first appearing in the mid-19th century, when it largely replaced the...
, ukulele
Ukulele
The ukulele, ; from ; it is a subset of the guitar family of instruments, generally with four nylon or gut strings or four courses of strings....
, and charango
Charango
The charango is a small Andean stringed instrument of the lute family, 66 cm long, traditionally made with the shell of the back of an armadillo. Primarily played in traditional Andean music, and is sometimes used by other Latin American musicians. Many contemporary charangos are now made with...
.
History
An exact chronology of the suites (regarding both the order in which the suites were composed and whether they were composed before or after the solo violin sonatas) cannot be completely established. However, scholars generally believe that—based on a comparative analysis of the styles of the sets of works—the cello suites arose first, effectively dating the suites pre-1720, the year on the title page of Bach's autograph of the violin sonatas.The suites were not widely known before the 1900s, and for a long time it was generally thought that the pieces were intended to be étude
Étude
An étude , is an instrumental musical composition, most commonly of considerable difficulty, usually designed to provide practice material for perfecting a particular technical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popularity of the piano...
s. However, after discovering Grützmacher
Friedrich Grützmacher
Friedrich Wilhelm Grützmacher was a noted German cellist in the second half of the 19th century.Grützmacher was born in Dessau, Anhalt, and was first taught by his father...
's edition in a thrift shop in Barcelona
Barcelona
Barcelona is the second largest city in Spain after Madrid, and the capital of Catalonia, with a population of 1,621,537 within its administrative limits on a land area of...
, Spain
Spain
Spain , officially the Kingdom of Spain languages]] under the European Charter for Regional or Minority Languages. In each of these, Spain's official name is as follows:;;;;;;), is a country and member state of the European Union located in southwestern Europe on the Iberian Peninsula...
at age 13, Pablo Casals
Pablo Casals
Pau Casals i Defilló , known during his professional career as Pablo Casals, was a Spanish Catalan cellist and conductor. He is generally regarded as the pre-eminent cellist of the first half of the 20th century, and one of the greatest cellists of all time...
began studying them. Although he would later perform the works publicly, it was not until 1925, when he was 48, that he agreed to record the pieces, becoming the first to record all six suites. Their popularity soared soon after, and Casals' original recording is still widely available today.
Attempts to compose piano accompaniments to the suites include a notable effort by Robert Schumann
Robert Schumann
Robert Schumann, sometimes known as Robert Alexander Schumann, was a German composer, aesthete and influential music critic. He is regarded as one of the greatest and most representative composers of the Romantic era....
. In 1923, Leopold Godowsky
Leopold Godowsky
Leopold Godowsky was a famed Polish American pianist, composer, and teacher. One of the most highly regarded performers of his time, he became known for his theories concerning the application of relaxed weight and economy of motion in piano playing, principles later propagated by Godowsky's...
realised suites 2, 3 and 5 in full counterpoint for solo piano.
Unlike Bach's violin sonata
Violin sonata
A violin sonata is a musical composition for violin, which is nearly always accompanied by a piano or other keyboard instrument, or by figured bass in the Baroque period.-A:*Ella Adayevskaya**Sonata Greca for Violin or Clarinet and Piano...
s, no autographed manuscript survives, thus ruling out the use of an urtext
Urtext edition
An urtext edition of a work of classical music is a printed version intended to reproduce the original intention of the composer as exactly as possible, without any added or changed material...
performing edition. However, analysis of secondary sources—including a hand-written copy by Bach's second wife, Anna Magdalena
Anna Magdalena Bach
Anna Magdalena Bach was the second wife of Johann Sebastian Bach.-Biography:...
—has produced presumably authentic editions, although critically deficient in the placement of slurs
Slur (music)
A slur is a symbol in Western musical notation indicating that the notes it embraces are to be played without separation. This implies legato articulation, and in music for bowed string instruments, it also indicates the notes should be played in one bow; and in music for wind instruments, that the...
and other articulation. As a result, many interpretations of the suites exist, with no sole accepted version.
Recent research has suggested that the suites were not written for the familiar cello played between the legs (da gamba), but an instrument played rather like a violin, on the shoulder (da spalla). Variations in the terminology used to refer to musical instruments during this period have led to modern confusion, and the discussion continues regarding the instrument "that Bach intended", or even if a particular instrument was indeed intended. Sigiswald Kuijken
Sigiswald Kuijken
Sigiswald Kuijken is a Belgian violinist, violist, and conductor known for playing on authentic instruments.-Biography:Kuijken was born in Dilbeek, near Brussels. He was a member of the Alarius Ensemble of Brussels between 1964 and 1972 and formed La Petite Bande in 1972...
and Ryo Terakado have both recorded the complete suites on this "new" instrument, known today as a violoncello or viola da spalla; reproductions of the instrument have been made by luthier
Luthier
A luthier is someone who makes or repairs lutes and other string instruments. In the United States, the term is used interchangeably with a term for the specialty of each maker, such as violinmaker, guitar maker, lute maker, etc...
Dmitry Badiarov.
Recent speculation by Professor Martin Jarvis
Martin Jarvis (conductor)
Martin Jarvis Ph.D. OAM is an Australian violinist and viola player, founder of the Darwin Symphony Orchestra, and associate professor and lecturer of music at Charles Darwin University....
of Charles Darwin University
Charles Darwin University
Charles Darwin University is an Australian public university with about 20,000 students in 2007.The University offers a wide range of Higher Education degrees and Vocational Education and Training courses with flexible study options, including part-time, external and online.CDU has campuses in the...
School of Music, in Darwin
Darwin, Northern Territory
Darwin is the capital city of the Northern Territory, Australia. Situated on the Timor Sea, Darwin has a population of 127,500, making it by far the largest and most populated city in the sparsely populated Northern Territory, but the least populous of all Australia's capital cities...
, Australia
Australia
Australia , officially the Commonwealth of Australia, is a country in the Southern Hemisphere comprising the mainland of the Australian continent, the island of Tasmania, and numerous smaller islands in the Indian and Pacific Oceans. It is the world's sixth-largest country by total area...
, holds that Anna Magdalena
Anna Magdalena Bach
Anna Magdalena Bach was the second wife of Johann Sebastian Bach.-Biography:...
may have been the composer of several musical pieces attributed to her husband. Jarvis proposes that Anna Magdalena wrote the six Cello Suites, and was involved with the composition of the aria from the Goldberg Variations
Goldberg Variations
The Goldberg Variations, BWV 988, is a work for harpsichord by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, the work is considered to be one of the most important examples of variation form...
(BWV 988). Musicologists and performers, however, pointing to the thinness of evidence of this proposition, remain skeptical of the claim.
The Suites
The suites are in six movements each, and have the following structure and order of movements.- PreludePrelude (music)A prelude is a short piece of music, the form of which may vary from piece to piece. The prelude can be thought of as a preface. It may stand on its own or introduce another work...
- AllemandeAllemandeAn allemande is one of the most popular instrumental dance forms in Baroque music, and a standard element of a suite...
- CouranteCouranteThe courante, corrente, coranto and corant are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era....
- SarabandeSarabandeIn music, the sarabande is a dance in triple metre. The second and third beats of each measure are often tied, giving the dance a distinctive rhythm of quarter notes and eighth notes in alternation...
- GalantGalantIn music, Galant was a term referring to a style, principally occurring in the third quarter of the 18th century, which featured a return to classical simplicity after the complexity of the late Baroque era...
eries – (MinuetMinuetA minuet, also spelled menuet, is a social dance of French origin for two people, usually in 3/4 time. The word was adapted from Italian minuetto and French menuet, and may have been from French menu meaning slender, small, referring to the very small steps, or from the early 17th-century popular...
s for Suites 1 and 2, BourréeBourréeThe bourrée is a dance of French origin common in Auvergne and Biscay in Spain in the 17th century. It is danced in quick double time, somewhat resembling the gavotte. The main difference between the two is the anacrusis, or upbeat; a bourrée starts on the last beat of a bar, creating a...
s for 3 and 4, GavotteGavotteThe gavotte originated as a French folk dance, taking its name from the Gavot people of the Pays de Gap region of Dauphiné, where the dance originated. It is notated in 4/4 or 2/2 time and is of moderate tempo...
s for 5 and 6) - GigueGigueThe gigue or giga is a lively baroque dance originating from the British jig. It was imported into France in the mid-17th century and usually appears at the end of a suite...
Scholars believe that Bach intended the works to be considered as a systematically conceived cycle, rather than an arbitrary series of pieces: Compared to Bach's other suite collections, the cello suites are the most consistent in order of their movements. In addition, to achieve a symmetrical design and go beyond the traditional layout, Bach inserted intermezzo or galanterie movements in the form of pairs between the Sarabande
Sarabande
In music, the sarabande is a dance in triple metre. The second and third beats of each measure are often tied, giving the dance a distinctive rhythm of quarter notes and eighth notes in alternation...
and the Gigue
Gigue
The gigue or giga is a lively baroque dance originating from the British jig. It was imported into France in the mid-17th century and usually appears at the end of a suite...
.
It should also be noticed that only five movements in the entire set of suites are completely non-chordal: that means they consist only of a single melodic line. These are the second Minuet
Minuet
A minuet, also spelled menuet, is a social dance of French origin for two people, usually in 3/4 time. The word was adapted from Italian minuetto and French menuet, and may have been from French menu meaning slender, small, referring to the very small steps, or from the early 17th-century popular...
of the 1st Suite, the second Minuet
Minuet
A minuet, also spelled menuet, is a social dance of French origin for two people, usually in 3/4 time. The word was adapted from Italian minuetto and French menuet, and may have been from French menu meaning slender, small, referring to the very small steps, or from the early 17th-century popular...
of the 2nd suite, the second Bourrée
Bourrée
The bourrée is a dance of French origin common in Auvergne and Biscay in Spain in the 17th century. It is danced in quick double time, somewhat resembling the gavotte. The main difference between the two is the anacrusis, or upbeat; a bourrée starts on the last beat of a bar, creating a...
of the 3rd suite, the Gigue of the 4th suite, and the Sarabande
Sarabande
In music, the sarabande is a dance in triple metre. The second and third beats of each measure are often tied, giving the dance a distinctive rhythm of quarter notes and eighth notes in alternation...
of the 5th Suite. It should be noted that the 2nd Gavotte
Gavotte
The gavotte originated as a French folk dance, taking its name from the Gavot people of the Pays de Gap region of Dauphiné, where the dance originated. It is notated in 4/4 or 2/2 time and is of moderate tempo...
of the 5th Suite has but one prim-chord (the same note played on two strings at the same time), but only in the original scordatura
Scordatura
A scordatura , also called cross-tuning, is an alternative tuning used for the open strings of a string instrument, in which the notes indicated in the score would represent the finger position as if played in regular tuning, while the actual pitch is altered...
version of the suite — in the standard tuning version it is completely free from chords.
The Suites have been performed and recorded by many renowned cellists such as Pablo Casals
Pablo Casals
Pau Casals i Defilló , known during his professional career as Pablo Casals, was a Spanish Catalan cellist and conductor. He is generally regarded as the pre-eminent cellist of the first half of the 20th century, and one of the greatest cellists of all time...
, Janos Starker
János Starker
János Starker |Kingdom of Hungary]]) is a Hungarian-American cellist. Since 1958 he has taught at the Indiana University Jacobs School of Music, where he holds the title of Distinguished Professor.- Child prodigy :...
, Pierre Fournier
Pierre Fournier
Pierre Fournier was a French cellist who was called the "aristocrat of cellists," on account of his elegant musicianship and majestic sound....
, Mstislav Rostropovich
Mstislav Rostropovich
Mstislav Leopoldovich Rostropovich, KBE , known to close friends as Slava, was a Soviet and Russian cellist and conductor. He was married to the soprano Galina Vishnevskaya. He is widely considered to have been the greatest cellist of the second half of the 20th century, and one of the greatest of...
, Yo-Yo Ma
Yo-Yo Ma
Yo-Yo Ma is an American cellist, virtuoso, and orchestral composer. He has received multiple Grammy Awards, the National Medal of Arts in 2001 and the Presidential Medal of Freedom in 2011...
and Mischa Maisky
Mischa Maisky
Mischa Maisky is a Latvian cellist.Maisky began studies at the Leningrad Conservatory and later with Mstislav Rostropovich at the Moscow Conservatory whilst pursuing a concert career throughout the Soviet Union. In 1966 he won 6th Prize at the Moscow International Tchaikovsky Competition. In 1970,...
. Ma won the 1985 Best Instrumental Soloist Grammy Award for his best selling album "Six Unaccompanied Cello Suites".
Suite No. 1 in G major, BWV 1007
The Prelude, mainly consisting of arpeggiatedArpeggio
An arpeggio is a musical technique where notes in a chord are played or sung in sequence, one after the other, rather than ringing out simultaneously...
chord
Chord (music)
A chord in music is any harmonic set of two–three or more notes that is heard as if sounding simultaneously. These need not actually be played together: arpeggios and broken chords may for many practical and theoretical purposes be understood as chords...
s, is probably the best known movement from the entire set of suites and is regularly heard on television
Television
Television is a telecommunication medium for transmitting and receiving moving images that can be monochrome or colored, with accompanying sound...
and in film
Film
A film, also called a movie or motion picture, is a series of still or moving images. It is produced by recording photographic images with cameras, or by creating images using animation techniques or visual effects...
s. Most students begin with this suite as it is assumed to be easier to play than the others in terms of the technique required.
Suite No. 2 in D minor, BWV 1008
The Prelude consists of two parts, the first of which has a strong recurring theme that is immediately introduced in the beginning. The second part is a scale-based cadenza movement that leads to the final, powerful chords. The subsequent AllemandeAllemande
An allemande is one of the most popular instrumental dance forms in Baroque music, and a standard element of a suite...
contains short cadenzas that stray away from this otherwise very strict dance form. The first Minuet
Minuet
A minuet, also spelled menuet, is a social dance of French origin for two people, usually in 3/4 time. The word was adapted from Italian minuetto and French menuet, and may have been from French menu meaning slender, small, referring to the very small steps, or from the early 17th-century popular...
contains demanding chord shiftings and string crossings.
Suite No. 3 in C major, BWV 1009
The Prelude of this suite consists of an A-B-A-C form, with A being a scale-based movement that eventually dissolves into an energetic arpeggio part; and B, where the cellist is introduced to thumb position, which is needed to reach the demanding chords. It then returns to the scale theme, and ends with a powerful and surprising chord movement.The Allemande
Allemande
An allemande is one of the most popular instrumental dance forms in Baroque music, and a standard element of a suite...
is the only movement in the suites that has an up-beat consisting of three semiquavers instead of just one, which is the standard form.
The second Bourrée
Bourrée
The bourrée is a dance of French origin common in Auvergne and Biscay in Spain in the 17th century. It is danced in quick double time, somewhat resembling the gavotte. The main difference between the two is the anacrusis, or upbeat; a bourrée starts on the last beat of a bar, creating a...
, though in C minor, has a 2-flat (or G minor) key-signature. This notation, common in pre-Classical music, is sometimes known as a partial key-signature. The first and second Bourrée of the 3rd suite is sometimes used as solo material for other bass instruments such as tuba, euphonium, and trombone.
Suite No. 4 in E-flat major, BWV 1010
Suite No. 4 is one of the most technically demanding of the suites since E-flat is an uncomfortable key to intonate on the cello and requires many extended left hand positions. The Prelude primarily consists of a difficult flowing quaver movement that leaves room for a cadenza before returning to its original theme.The very peaceful Sarabande
Sarabande
In music, the sarabande is a dance in triple metre. The second and third beats of each measure are often tied, giving the dance a distinctive rhythm of quarter notes and eighth notes in alternation...
is quite obscure about the stressed second beat, which is the basic characteristic of the 3/4 dance, since, in this particular Sarabande, almost every first beat contains a chord, whereas the second beat most often doesn't.
Suite No. 5 in C minor, BWV 1011
Suite No. 5 was originally written in scordaturaScordatura
A scordatura , also called cross-tuning, is an alternative tuning used for the open strings of a string instrument, in which the notes indicated in the score would represent the finger position as if played in regular tuning, while the actual pitch is altered...
with the A-string tuned down to G, but nowadays a version for standard tuning is included in almost every edition of the suites along with the original version. Some chords must be simplified when playing with standard tuning, but some melodic lines become easier as well.
The Prelude is written in an A-B form, and is a French overture
French overture
The French overture is a musical form widely used in the Baroque period. Its basic formal division is into two parts, which are usually enclosed by double bars and repeat signs. They are complementary in styles , and the first ends with a half-cadence that requires an answering structure with a...
. It begins with a slow, emotional movement that explores the deep range of the cello. After that comes a fast and very demanding single-line fugue
Fugue
In music, a fugue is a compositional technique in two or more voices, built on a subject that is introduced at the beginning in imitation and recurs frequently in the course of the composition....
that leads to the powerful end.
This suite is most famous for its intimate Sarabande
Sarabande
In music, the sarabande is a dance in triple metre. The second and third beats of each measure are often tied, giving the dance a distinctive rhythm of quarter notes and eighth notes in alternation...
, which is the second of only four movements in all six suites that doesn't contain any chords. Rostropovich
Mstislav Rostropovich
Mstislav Leopoldovich Rostropovich, KBE , known to close friends as Slava, was a Soviet and Russian cellist and conductor. He was married to the soprano Galina Vishnevskaya. He is widely considered to have been the greatest cellist of the second half of the 20th century, and one of the greatest of...
describes it as the essence of Bach's genius; Tortelier
Paul Tortelier
Paul Tortelier was a French cellist and composer.Tortelier was born in Paris, the son of a cabinet maker with Breton roots. He was encouraged to play the cello by his father Joseph and mother Marguerite , and at 12 he entered the Paris Conservatoire. He studied the cello there with Gérard Hekking...
, as an extension of silence. Yo-Yo Ma
Yo-Yo Ma
Yo-Yo Ma is an American cellist, virtuoso, and orchestral composer. He has received multiple Grammy Awards, the National Medal of Arts in 2001 and the Presidential Medal of Freedom in 2011...
played this movement on September 11, 2002 at the site of the World Trade Center
World Trade Center
The original World Trade Center was a complex with seven buildings featuring landmark twin towers in Lower Manhattan, New York City, United States. The complex opened on April 4, 1973, and was destroyed in 2001 during the September 11 attacks. The site is currently being rebuilt with five new...
, while the first of the names of the dead were read in remembrance on the first anniversary of the attack. The fifth suite is also exceptional as its Courante
Courante
The courante, corrente, coranto and corant are some of the names given to a family of triple metre dances from the late Renaissance and the Baroque era....
and Gigue
Gigue
The gigue or giga is a lively baroque dance originating from the British jig. It was imported into France in the mid-17th century and usually appears at the end of a suite...
are in the French
France
The French Republic , The French Republic , The French Republic , (commonly known as France , is a unitary semi-presidential republic in Western Europe with several overseas territories and islands located on other continents and in the Indian, Pacific, and Atlantic oceans. Metropolitan France...
style, rather than the Italian
Italy
Italy , officially the Italian Republic languages]] under the European Charter for Regional or Minority Languages. In each of these, Italy's official name is as follows:;;;;;;;;), is a unitary parliamentary republic in South-Central Europe. To the north it borders France, Switzerland, Austria and...
form of the other five suites.
An autograph manuscript of Bach's lute
Lute
Lute can refer generally to any plucked string instrument with a neck and a deep round back, or more specifically to an instrument from the family of European lutes....
version of this suite exists as BWV 995
Lute Suite in G minor, BWV 995
Suite in G minor BWV 995, is a piece written by the composer Johann Sebastian Bach. It is a transcription of Cello Suite No. 5, BWV 1011, which is written by the same composer. Written between the spring of 1727 and the winter of 1731, this extraordinary Lute Suite exists in another version, as...
.
Suite No. 6 in D major, BWV 1012
It is widely believed that the sixth suite was composed specifically for a five-stringed violoncello piccoloCello
The cello is a bowed string instrument with four strings tuned in perfect fifths. It is a member of the violin family of musical instruments, which also includes the violin, viola, and double bass. Old forms of the instrument in the Baroque era are baryton and viol .A person who plays a cello is...
, a smaller cello, roughly the size of a 7/8 normal cello that has a fifth upper string tuned to E, a perfect fifth above the otherwise top string. However, some say there is no substantial evidence to support this claim: whilst three of the sources inform the player that it is written for an instrument "a cinq cordes", only Anna Magdalena Bach
Anna Magdalena Bach
Anna Magdalena Bach was the second wife of Johann Sebastian Bach.-Biography:...
's manuscript indicates the tunings of the strings and the other sources do not mention any intended instrument at all.
Other possible instruments for the suite include a version of the violoncello piccolo played on the arm like a viola
Viola
The viola is a bowed string instrument. It is the middle voice of the violin family, between the violin and the cello.- Form :The viola is similar in material and construction to the violin. A full-size viola's body is between and longer than the body of a full-size violin , with an average...
, as well as a viola with a fifth string tuned to E, called a viola pomposa
Viola pomposa
The Viola pomposa is a five stringed instrument developed around 1725. There are no exact dimensions applicable to all instruments used under this name, although in general the pomposa is slightly smaller than a standard viola...
. As the range required in this piece is very large, the suite was probably intended for a larger instrument, although it is conceivable that Bach—who was fond of the viola—may have performed the work himself on an arm-held violoncello piccolo. However, it is equally likely that beyond hinting the number of strings, Bach did not intend any specific instrument at all as the construction of instruments in the early 18th century was highly variable.
Cellists wishing to play the piece on a modern four-string cello encounter difficulties as they are forced to use very high positions to reach many of the notes, though modern cellists regularly perform the suite on the 4-string instrument. Performers specialising in early music
Early music
Early music is generally understood as comprising all music from the earliest times up to the Renaissance. However, today this term has come to include "any music for which a historically appropriate style of performance must be reconstructed on the basis of surviving scores, treatises,...
and using authentic instruments generally use the 5-string cello for this suite, including Anner Bylsma
Anner Bylsma
Anner Bylsma is a Dutch cellist who plays on both modern, and period instruments in an historically informed baroque style. He took an interest in music from an early age...
, Pieter Wispelwey
Pieter Wispelwey
Pieter Wispelwey is a Dutch cellist. In 1992 he was the first cellist to receive the Netherlands Music Prize, given to the most promising young musician in the Netherlands. He has come to be regarded as one of the world's leading cello soloists.Pieter Wispelwey was born in Haarlem and grew up in...
, Jaap ter Linden
Jaap ter Linden
Jaap ter Linden is a Dutch cellist, viol player and conductor. He specialises in performance of baroque and classical music on authentic instruments....
and Josephine van Lier.
This suite is written in much more free form than the others, containing more cadenza-like movements and virtuosic passages. It is also the only one of the suites that is partly notated in the Tenor C clef, which is not needed for the others since they never go above the note G4 (G above middle C
Middle C
C or Do is the first note of the fixed-Do solfège scale. Its enharmonic is B.-Middle C:Middle C is designated C4 in scientific pitch notation because of the note's position as the fourth C key on a standard 88-key piano keyboard...
).
Mstislav Rostropovich
Mstislav Rostropovich
Mstislav Leopoldovich Rostropovich, KBE , known to close friends as Slava, was a Soviet and Russian cellist and conductor. He was married to the soprano Galina Vishnevskaya. He is widely considered to have been the greatest cellist of the second half of the 20th century, and one of the greatest of...
called this suite "a symphony for solo cello" and characterised its D major
D major
D major is a major scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature consists of two sharps. Its relative minor is B minor and its parallel minor is D minor....
tonality as evoking joy and triumph.
External links
- Anna Magdalena's manuscript
- MIDI Sequences
- MP3 Creative Commons Recording
- Transcriptions of The Suites For Trombone
- Transcription of the 4th Suite for Violoncello Piccolo at the Werner Icking Music Archive
- Musical scores and MIDI files at the Mutopia ProjectMutopia projectThe Mutopia Project is a volunteer-run effort to create a library of free content sheet music, in a way similar to Project Gutenberg's library of public domain books.The music is reproduced from old scores that are out of copyright...
- That Tune Clutches My Heart: novel in which the Cello Suites are prominent
- Navigating Bach™ - Performance-lecture exploring the interrelationships of the Six Suites as one unified set.