Chandos portrait
Encyclopedia
The "Chandos" portrait is one of the most famous of the portraits that may depict
William Shakespeare
(1564–1616). Believed to have been painted from life between 1600 and 1610, it may have served as the basis for the engraved portrait of Shakespeare used in the First Folio
in 1623. It is named after James Brydges, 3rd Duke of Chandos
, an early owner. The portrait was given to the National Portrait Gallery, London on its foundation in 1856 and it is listed as number one in its collection, being its first acquisition.
It has not been possible to determine with certainty who painted the portrait, nor whether it really depicts Shakespeare. However the National Portrait Gallery believes that it probably does depict the poet.
(1567–1619) painted the Chandos portrait, but the first known reference to the painting is in a note by George Vertue
, who states that it was painted by John Taylor
, a respected member of the Painter-Stainers' company
who may also have been the same John Taylor who acted with the Children of Paul's
. Vertue refers to Taylor as an actor and painter and as Shakespeare's "intimate friend". He also states that before the Duke of Chandos acquired it, the portrait was owned by Shakespeare's godson, William Davenant
(1606–1668), who, according to the gossip chronicler John Aubrey
, claimed to be the playwright's illegitimate son. He also states that it was left to Davenant in Taylor's will and that it was bought by Thomas Betterton
from Davenant and then sold to the lawyer Robert Keck, a collector of Shakespeare memorabilia.
After Keck's death in 1719 it passed to his daughter, and was inherited by John Nichol, who married into the Keck family. Nichol's daughter Margaret married the 3rd Duke of Chandos. The painting passed through descent within the Chandos title until Richard Temple-Grenville, 2nd Duke of Buckingham and Chandos sold it to the Earl of Ellesmere
in 1848. Ellesmere donated it to the National Portrait Gallery.
in the posthumously-published First Folio
of 1623, which was created by Martin Droeshout
and was probably commissioned by Shakespeare's friends and family. It is considered likely that the Droeshout engraving is a reasonably accurate likeness because of the use by these close associates and that contemporaries such as Ben Jonson
praised it at the time of the publication. Since the man in the Chandos portrait resembles the one in the Droeshout engraving, the similarity lends an indirect legitimacy to the oil painting. A further indication of legitimacy is the fact that the Chandos portrait was the inspiration for two posthumous portraits of Shakespeare, one by Gerard Soest
and another, grander one, known as the "Chesterfield portrait" after a former owner of that painting. These were probably painted in the 1660s or 1670s, within living memory of Shakespeare. The Chesterfield portrait is held by the Shakespeare Birthplace Trust
in Stratford-upon-Avon
.
In 2006, Tarnya Cooper of the National Portrait Gallery completed a three-and-a-half-year study of portraits purported to be of Shakespeare and concluded that the Chandos portrait was most likely a representation of Shakespeare. Cooper points to the earring and the loose shirt-ties of the sitter, which were emblematic of poets (the poet John Donne
and Shakespeare's patron the Earl of Pembroke
sported similar fashions). However, she readily acknowledges that the painting's authenticity cannot be proven.
Cooper also notes that the painting has been badly damaged by over-cleaning and retouching. Parts are abraded and some parts have been slightly altered. The hair has been extended and the beard is longer and more pointed than when originally painted.
The painting was engraved by Gerard Van der Gucht for Nicholas Rowe's 1709 edition of Shakespeare's works. Another print was made by Jacobus Houbraken
in 1747.
Because the images of Shakespeare are either doubtful in provenance or lacking expression, no one image seems to reconcile well with readers' imaginations. "Some Victorians recoiled at the idea that the Chandos portrait represented Shakespeare. One critic, J. Hain Friswell, insisted 'one cannot readily imagine our essentially English Shakespeare to have been a dark, heavy man, with a foreign expression'." The Iraqi writer Safa Khulusi
argued that its "un-English" look was evidence for his theory that Shakespeare was an Arab.
Portraits of Shakespeare
Within four decades of its foundation in 1856, upwards of 60 portraits were offered for sale to the National Portrait Gallery purporting to be of William Shakespeare, but there are only two definitively accepted as portraying him, both of which are posthumous...
William Shakespeare
William Shakespeare
William Shakespeare was an English poet and playwright, widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's national poet and the "Bard of Avon"...
(1564–1616). Believed to have been painted from life between 1600 and 1610, it may have served as the basis for the engraved portrait of Shakespeare used in the First Folio
First Folio
Mr. William Shakespeares Comedies, Histories, & Tragedies. is the 1623 published collection of William Shakespeare's plays. Modern scholars commonly refer to it as the First Folio....
in 1623. It is named after James Brydges, 3rd Duke of Chandos
James Brydges, 3rd Duke of Chandos
James Brydges, 3rd Duke of Chandos PC , styled Marquess of Carnarvon from 1744 to 1771, was a British peer and politician.-Background:...
, an early owner. The portrait was given to the National Portrait Gallery, London on its foundation in 1856 and it is listed as number one in its collection, being its first acquisition.
It has not been possible to determine with certainty who painted the portrait, nor whether it really depicts Shakespeare. However the National Portrait Gallery believes that it probably does depict the poet.
Authorship and provenance
It has been claimed that Shakespeare's friend Richard BurbageRichard Burbage
Richard Burbage was an English actor and theatre owner. He was the younger brother of Cuthbert Burbage. They were both actors in drama....
(1567–1619) painted the Chandos portrait, but the first known reference to the painting is in a note by George Vertue
George Vertue
George Vertue was an English engraver and antiquary, whose notebooks on British art of the first half of the 18th century are a valuable source for the period.-Life:...
, who states that it was painted by John Taylor
John Taylor (painter)
John Taylor was an English artist who is the most likely painter of the Chandos portrait of William Shakespeare. No other painting by him is known....
, a respected member of the Painter-Stainers' company
Worshipful Company of Painter-Stainers
The Worshipful Company of Painter-Stainers is one of the Livery Companies of the City of London. An organisation of stainers, or painters of metals and wood, is known to have existed as early as 1268. A similar organisation of painters, who generally worked on cloth, existed as early as 1283...
who may also have been the same John Taylor who acted with the Children of Paul's
Children of Paul's
The Children of Paul's was the name of a troupe of boy actors in Elizabethan and Jacobean London. Along with the Children of the Chapel, the Children of Paul's were the most important of the companies of boy players that constituted a distinctive feature of English Renaissance theatre.St...
. Vertue refers to Taylor as an actor and painter and as Shakespeare's "intimate friend". He also states that before the Duke of Chandos acquired it, the portrait was owned by Shakespeare's godson, William Davenant
William Davenant
Sir William Davenant , also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned both the Caroline and Restoration eras and who was active both before and after the English Civil...
(1606–1668), who, according to the gossip chronicler John Aubrey
John Aubrey
John Aubrey FRS, was an English antiquary, natural philosopher and writer. He is perhaps best known as the author of the collection of short biographical pieces usually referred to as Brief Lives...
, claimed to be the playwright's illegitimate son. He also states that it was left to Davenant in Taylor's will and that it was bought by Thomas Betterton
Thomas Betterton
Thomas Patrick Betterton , English actor, son of an under-cook to King Charles I, was born in London.-Apprentice and actor:...
from Davenant and then sold to the lawyer Robert Keck, a collector of Shakespeare memorabilia.
After Keck's death in 1719 it passed to his daughter, and was inherited by John Nichol, who married into the Keck family. Nichol's daughter Margaret married the 3rd Duke of Chandos. The painting passed through descent within the Chandos title until Richard Temple-Grenville, 2nd Duke of Buckingham and Chandos sold it to the Earl of Ellesmere
Francis Egerton, 1st Earl of Ellesmere
Francis Egerton, 1st Earl of Ellesmere KG, PC , known as Lord Francis Leveson-Gower until 1833, was a British politician, writer, traveller and patron of the arts...
in 1848. Ellesmere donated it to the National Portrait Gallery.
Scholarly views
A contemporary image of the playwright is the engravingEngraving
Engraving is the practice of incising a design on to a hard, usually flat surface, by cutting grooves into it. The result may be a decorated object in itself, as when silver, gold, steel, or glass are engraved, or may provide an intaglio printing plate, of copper or another metal, for printing...
in the posthumously-published First Folio
First Folio
Mr. William Shakespeares Comedies, Histories, & Tragedies. is the 1623 published collection of William Shakespeare's plays. Modern scholars commonly refer to it as the First Folio....
of 1623, which was created by Martin Droeshout
Martin Droeshout
Martin Droeshout was an English engraver of Flemish descent, whose fame rests completely on the fact that he made the title portrait for William Shakespeare's collected works, the First Folio of 1623, edited by John Heminges and Henry Condell, fellow actors of the Bard.-Shakespeare:Droeshout would...
and was probably commissioned by Shakespeare's friends and family. It is considered likely that the Droeshout engraving is a reasonably accurate likeness because of the use by these close associates and that contemporaries such as Ben Jonson
Ben Jonson
Benjamin Jonson was an English Renaissance dramatist, poet and actor. A contemporary of William Shakespeare, he is best known for his satirical plays, particularly Volpone, The Alchemist, and Bartholomew Fair, which are considered his best, and his lyric poems...
praised it at the time of the publication. Since the man in the Chandos portrait resembles the one in the Droeshout engraving, the similarity lends an indirect legitimacy to the oil painting. A further indication of legitimacy is the fact that the Chandos portrait was the inspiration for two posthumous portraits of Shakespeare, one by Gerard Soest
Gerard Soest
Gerard Soest , also known as Gerald Soest, was a portrait painter who was active in England during the late 17th century...
and another, grander one, known as the "Chesterfield portrait" after a former owner of that painting. These were probably painted in the 1660s or 1670s, within living memory of Shakespeare. The Chesterfield portrait is held by the Shakespeare Birthplace Trust
Shakespeare Birthplace Trust
The Shakespeare Birthplace Trust is an independent registered educational charity based in Stratford-upon-Avon, Warwickshire, England, that came into existence in 1847 following the purchase of William Shakespeare's birthplace for preservation as a national memorial. It can also lay claim to be...
in Stratford-upon-Avon
Stratford-upon-Avon
Stratford-upon-Avon is a market town and civil parish in south Warwickshire, England. It lies on the River Avon, south east of Birmingham and south west of Warwick. It is the largest and most populous town of the District of Stratford-on-Avon, which uses the term "on" to indicate that it covers...
.
In 2006, Tarnya Cooper of the National Portrait Gallery completed a three-and-a-half-year study of portraits purported to be of Shakespeare and concluded that the Chandos portrait was most likely a representation of Shakespeare. Cooper points to the earring and the loose shirt-ties of the sitter, which were emblematic of poets (the poet John Donne
John Donne
John Donne 31 March 1631), English poet, satirist, lawyer, and priest, is now considered the preeminent representative of the metaphysical poets. His works are notable for their strong and sensual style and include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs,...
and Shakespeare's patron the Earl of Pembroke
Henry Herbert, 2nd Earl of Pembroke
Henry Herbert, 2nd Earl of Pembroke KG was an English peer of the Elizabethan era.-Life:He was the son of William Herbert, 1st Earl of Pembroke and Anne Parr. His aunt was queen consort Catherine Parr, last wife of King Henry VIII. Herbert was responsible for the costly restoration of Cardiff Castle...
sported similar fashions). However, she readily acknowledges that the painting's authenticity cannot be proven.
Cooper also notes that the painting has been badly damaged by over-cleaning and retouching. Parts are abraded and some parts have been slightly altered. The hair has been extended and the beard is longer and more pointed than when originally painted.
Influence
In addition to the Chesterfield portrait, a copy was made at least as early as 1689, by an unknown artist. Many 18th century images used it as a model for portrayals of Shakespeare.The painting was engraved by Gerard Van der Gucht for Nicholas Rowe's 1709 edition of Shakespeare's works. Another print was made by Jacobus Houbraken
Jacobus Houbraken
Jacobus Houbraken was a Dutch engraver, who was born in Dordrecht.-Biography:Jacobus learned the art of engraving from his father, Arnold Houbraken...
in 1747.
Because the images of Shakespeare are either doubtful in provenance or lacking expression, no one image seems to reconcile well with readers' imaginations. "Some Victorians recoiled at the idea that the Chandos portrait represented Shakespeare. One critic, J. Hain Friswell, insisted 'one cannot readily imagine our essentially English Shakespeare to have been a dark, heavy man, with a foreign expression'." The Iraqi writer Safa Khulusi
Safa Khulusi
Safa Abdul-Aziz Khulusi was an Iraqi historian, novelist, poet, journalist and broadcaster. He is known for mediating between Arabic- and English-language cultures, and for his scholarship of modern Iraqi literature...
argued that its "un-English" look was evidence for his theory that Shakespeare was an Arab.