Charles Atlas (Media Dance)
Encyclopedia
Charles Atlas is a video artist and film director who also does lighting and set design.
He is a pioneer in developing media-dance, also called dance for camera. Media dance is work that is created directly for the camera. While Atlas’ primary artistic medium is video, he also began to experiment with live electronic performance in 2003. Atlas worked collaboratively with Merce Cunningham
from 1975 to 1981. Following his work with Cunningham, he worked independently in film while collaborating with other professionals in the field.
1977 "Fractions" is a videodance showing multiple perspectives simultaneously of the same dance, one of the greatest achievements of dance on camera.
1979: "Locale" was one of the first short films of Cunningham's work. Atlas used a Steadicam shot shifting from one group of dancers to another, cross-cutting to jump from rehearsal to performance, close-ups, and distance shots.
1981: Channels/Inserts
A video performance of the Merce Cunningham Dance Company directed and edited by Atlas. Choreography and film maker as equal partners. Lighting establishes a somber mood, creating darkness and tunnels of light. Costumes are an intelligent mixture of street and dance-practice attire.
inspired by paintings of him done by Lucian Freud
June 2003 "Instant Fame!" An interactive show offering anyone the opportunity to create their own short video, which Atlas morphs using graphic magic and video technology.
2009: Danspace Project "What Does Dance Have to Say?" was the organizing theme of this year's festival, put together by Lucy Sexton and Charles Atlas.
2003 Muscle Shoals, live video and costume design; collaboration with Douglas Dunn (choreographer)
and Steve Lacy
; performed at Théâtre de la Bastille, Paris and Danspace Project, New York
1994 Delusional, multi-media performance/theater work; collaboration with Marina Abramovic
; co-produced by Theater Am Turm (Frankfurt), Munty Theater (Antwerp), and Consort (Amsterdam)
2002 Rainer Variations, video montage. First shown as an installation at Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, Pennsylvania
2002 The Legend of Leigh Bowery, documentary film, commissioned by ARTE France. First theatrical showing: Cinema Village, New York
2000 Merce Cunningham: A Lifetime of Dance, documentary film, commissioned by ARTE France, BBC, WNET-TV. Acquired by the Museum of Modern Art
1997-99 The "Martha" Tapes, video collage. First shown at "Mother", New York
1997 The Hanged One, four multi-channel video works installed at the Whitney Museum, New York
1994 Superhoney, eroto-horror video/dance collaboration with Thomas Hejlsen. Commissioned by The National Film Board of Denmark
1992-98 Teach, video portrait/installation, XL Gallery, New York. Collection Hamburger Bahnhof, Berlin, Germany
1991 Son of Sam and Delilah, video feature. Produced in association with The Kitchen, New York
1986 Hail the New Puritan, "mockumentary" broadcast featuring Michael Clark. Commissioned by Channel Four Television, London
1983 Secret of the Waterfall, video/dance collaboration with choreographer, Douglas Dunn and poets, Reed Bye and Anne Waldman. Commissioned by New Television Workshop, WGBH-TV, Boston, Massachusetts
1981 Channels/Inserts, 16mm film, collaboration with Merce Cunningham. Produced by Cunningham Dance Foundation.
2000 Dance Screen, Best Documentary for Merce Cunningham: A Lifetime of Dance
1998 Bessie Award for The "Martha" Tapes
1988 John Simon Guggenheim Memorial Foundation Fellowship
1987 Bessie Award for Sustained Achievement in Video
1986 Bessie Award for Costumes for Michael Clark Dance Company
He is a pioneer in developing media-dance, also called dance for camera. Media dance is work that is created directly for the camera. While Atlas’ primary artistic medium is video, he also began to experiment with live electronic performance in 2003. Atlas worked collaboratively with Merce Cunningham
Merce Cunningham
Mercier "Merce" Philip Cunningham was an American dancer and choreographer who was at the forefront of the American avant-garde for more than 50 years. Throughout much of his life, Cunningham was considered one of the greatest creative forces in American dance...
from 1975 to 1981. Following his work with Cunningham, he worked independently in film while collaborating with other professionals in the field.
Collaboration with Merce Cunningham
1975: "Blue Studio: Five Segments" solo-video collaboration with Cunningham created in such a small space that they choose to superimpose different backgrounds on the image, making the space seem larger than in actuality.1977 "Fractions" is a videodance showing multiple perspectives simultaneously of the same dance, one of the greatest achievements of dance on camera.
1979: "Locale" was one of the first short films of Cunningham's work. Atlas used a Steadicam shot shifting from one group of dancers to another, cross-cutting to jump from rehearsal to performance, close-ups, and distance shots.
1981: Channels/Inserts
A video performance of the Merce Cunningham Dance Company directed and edited by Atlas. Choreography and film maker as equal partners. Lighting establishes a somber mood, creating darkness and tunnels of light. Costumes are an intelligent mixture of street and dance-practice attire.
Independent Work
1999: "Teach" is a short film made in collaboration with the late British performer Leigh BoweryLeigh Bowery
Leigh Bowery was an Australian performance artist, club promoter, actor, pop star, model and fashion designer, based in London. Bowery is considered one of the more influential figures in the 1980s and 1990s London and New York art and fashion circles influencing a generation of artists and...
inspired by paintings of him done by Lucian Freud
Lucian Freud
Lucian Michael Freud, OM, CH was a British painter. Known chiefly for his thickly impasted portrait and figure paintings, he was widely considered the pre-eminent British artist of his time...
June 2003 "Instant Fame!" An interactive show offering anyone the opportunity to create their own short video, which Atlas morphs using graphic magic and video technology.
2009: Danspace Project "What Does Dance Have to Say?" was the organizing theme of this year's festival, put together by Lucy Sexton and Charles Atlas.
Selected Live Performance Work
2004 Turning, live video performance in collaboration with Antony and the Johnsons, St. Ann's Warehouse, Brooklyn, New York2003 Muscle Shoals, live video and costume design; collaboration with Douglas Dunn (choreographer)
Douglas Dunn (Choreographer)
Douglas Dunn is an American postmodern dancer and choreographer. He is considered a highly eclectic and minimalist postmodern choreographer, who uses humor, props, and text in his dances.-Training and education:...
and Steve Lacy
Steve Lacy
Steve Lacy , born Steven Norman Lackritz in New York City, was a jazz saxophonist and composer recognized as one of the important players of soprano saxophone....
; performed at Théâtre de la Bastille, Paris and Danspace Project, New York
1994 Delusional, multi-media performance/theater work; collaboration with Marina Abramovic
Marina Abramovic
Marina Abramović is a Belgrade-born New York-based Serbian performance artist who began her career in the early 1970s. Active for over three decades, she has recently begun to describe herself as the “grandmother of performance art.” Abramović's work explores the relationship between performer and...
; co-produced by Theater Am Turm (Frankfurt), Munty Theater (Antwerp), and Consort (Amsterdam)
Selected Media Work
2003 Instant Fame, installation and real-time video performance, Participant, Inc., New York2002 Rainer Variations, video montage. First shown as an installation at Rosenwald-Wolf Gallery, University of the Arts, Philadelphia, Pennsylvania
2002 The Legend of Leigh Bowery, documentary film, commissioned by ARTE France. First theatrical showing: Cinema Village, New York
2000 Merce Cunningham: A Lifetime of Dance, documentary film, commissioned by ARTE France, BBC, WNET-TV. Acquired by the Museum of Modern Art
1997-99 The "Martha" Tapes, video collage. First shown at "Mother", New York
1997 The Hanged One, four multi-channel video works installed at the Whitney Museum, New York
1994 Superhoney, eroto-horror video/dance collaboration with Thomas Hejlsen. Commissioned by The National Film Board of Denmark
1992-98 Teach, video portrait/installation, XL Gallery, New York. Collection Hamburger Bahnhof, Berlin, Germany
1991 Son of Sam and Delilah, video feature. Produced in association with The Kitchen, New York
1986 Hail the New Puritan, "mockumentary" broadcast featuring Michael Clark. Commissioned by Channel Four Television, London
1983 Secret of the Waterfall, video/dance collaboration with choreographer, Douglas Dunn and poets, Reed Bye and Anne Waldman. Commissioned by New Television Workshop, WGBH-TV, Boston, Massachusetts
1981 Channels/Inserts, 16mm film, collaboration with Merce Cunningham. Produced by Cunningham Dance Foundation.
Selected Grants and Awards
2003 Melbourne Queer Film Festival, Best Documentary for Legend of Leigh Bowery2000 Dance Screen, Best Documentary for Merce Cunningham: A Lifetime of Dance
1998 Bessie Award for The "Martha" Tapes
1988 John Simon Guggenheim Memorial Foundation Fellowship
1987 Bessie Award for Sustained Achievement in Video
1986 Bessie Award for Costumes for Michael Clark Dance Company
Sources
- Art21, Inc. (2001–2007). Art:21. Charles Atlas. Biography. Documentary Film PBS. Retrieved April 1, 2010, from PBS.org: http://www.pbs.org/art21/artists/atlas/index.html
- Atlas, C. (2006). Charles Atlas: Foundation for Contemporary Arts. Retrieved March 26, 2010, from Foundation for Contemporary Arts: http://www.foundationforcontemporaryarts.org/grant_recipients/charlesatlas.html
External links
- Art21, Inc. (2001–2007). Art:21. Charles Atlas. Biography. Documentary Film PBS. Retrieved April 1, 2010, from PBS.org: http://www.pbs.org/art21/artists/atlas/index.html
- Atlas, C. (2006). Charles Atlas: Foundation for Contemporary Arts. Retrieved March 26, 2010, from Foundation for Contemporary Arts: http://www.foundationforcontemporaryarts.org/grant_recipients/charlesatlas.html
- Kisselgoff, Anna. "Dance: World Premiere of a Cunningham Work." The New York Times. 26 March 1981. Available Online:
- http://www.nytimes.com/1981/03/26/arts/dance-world-premiere-of-a-cunningham-work.html
- Anderson, Jack. "Channel/ Interts (1981): Merce Cunningham Choreographs a Dance Movie." The New York Times. 22, March 1982. Available Online: http://movies.nytimes.com/movie/review?res=9405EED81038F931A15750C0A964948260
- Macaulay, Alastair. "Light, Birds, Action! Cunningham and Company in Rehearsal." The New York Times. 4, Nov 2009. Available Online: http://www.nytimes.com/2009/11/05/arts/dance/05dean.html?_r=2&pagewanted=1
- Macaulay, Alastair. "Dance: An Artist Turned Towards Complexity." The New York Times. 20 Sept 2007. Available Online: http://query.nytimes.com/gst/fullpage.html?res=940DEFDC1638F933A1575AC0A9619C8B63