Charles Dalmorès
Encyclopedia
Charles Dalmorès was a French tenor
. He enjoyed an international operatic career, singing to public and critical acclaim on both sides of the Atlantic during the first two decades of the 20th century.
and Lamoureux orchestras. In 1894, the Lyons Conservatory appointed him to a professorial position. Later, when his voice showed signs of promise, he abandoned instrumental music and took singing lessons in Paris. He made his operatic debut at the Théâtre des Arts in Rouen
on October 6, 1899, in the heavy Wagnerian role of Siegfried
. Following this, he spent six seasons with the Théâtre de la Monnaie in Brussels and sang with success at London's Royal Opera House
, Covent Garden, in 1904-1905 and 1909-1911.
His American debut took place in Charles Gounod
's Faust
, in which he appeared with New York's Manhattan Opera Company
on December 7, 1906. He spent four years with the company, specializing in French roles. For American audiences, he created the roles of Julien in Gustave Charpentier
's Louise
and Jean Gaussin in Jules Massenet
's Sapho
. Another famous part that he sang was Pelleas in Claude Debussy
's Pelléas et Mélisande
. He also appeared in numerous productions with the Philadelphia Opera Company
between 1908-1910.
In 1910 Dalmorès was engaged by the Chicago Grand Opera Company
with whom he performed until 1914. The company was highly active in Philadelphia as well as Chicago and often performed under the title of the Philadelphia-Chicago Grand Opera Comoany while in that city. With that company he notably performed the role of Vinicius in the United States premiere of Jean Nouguès
's Quo vadis. In 1917 Dalmorès joined the Chicago Opera Association
. There he sang for the first time the title roles in Richard Wagner
's Parsifal
and Tristan und Isolde
.
He also visited Germany and Austria on different occasions prior to the outbreak of World War I, performing Wagner in the original language in Berlin and other cities. In 1908-1909, he appeared at the Vienna Court Opera and undertook the role of Lohengrin, in Wagner's eponymous opera
, at the 1908 Bayreuth Festival
.
Tall for a tenor, he was praised by contemporary critics not only for his strong, steady, well-modulated voice but also for his impressive stage presence and acting. Fortunately, he made a number of gramophone records for the Victor Talking Machine Company
which have been reissued on CD. Produced between 1907 and 1912, they confirm the excellence of his musicianship and the imposing power of his declamatory singing, although the top of his range sounds a bit constricted on these 100-year-old discs. One of his most celebrated records is a 1907 rendition of Manrico's aria Ah! si, ben mio, from Giuseppe Verdi
's Il trovatore
, in which he displays an admirably smooth legato line, elegant phrasing and a splendid trill. He also recorded a few French songs as well as arias and duets from various operas, including Lohengrin, Giacomo Meyerbeer
's Le prophète, Camille Saint-Saëns
' Samson et Dalila, Jacques Offenbach
's Les Contes d'Hoffmann
, Georges Bizet
's Carmen
, Massenet's Griselidis
, and Gounod's Roméo et Juliette
and Faust.
Dalmorès returned to France in 1918 but subsequently went back to the United States to live. He taught singing and died in Hollywood, California at the age of 68. In the pantheon of great French dramatic/lyric-dramatic tenors, his place is secure. He proved to be a worthy successor to Jean de Reszke
(the biggest male opera star of his day), Léon Escalais
and Albert Alvarez, each of whom enjoyed international careers during the 1890s and early 1900s. Of those French-speaking tenors who took up his mantle, the most esteemed were Paul Franz and Fernand Ansseau, followed in turn by Rene Maison, Georges Thill
and, finally, Jose Luccioni
, who was the last representative of this distinguished lineage. Luccioni retired in 1962. There are no big-voiced French tenors of comparable stature singing today.
Tenor
The tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
. He enjoyed an international operatic career, singing to public and critical acclaim on both sides of the Atlantic during the first two decades of the 20th century.
Biography
Born Henri Alphonse Brin in Nancy, Dalmorès studied at the local conservatory of music and embarked on a career as a horn player with the ColonneConcerts Colonne
The Colonne Orchestra is a French symphony orchestra, founded in 1873 by the violinist and conductor Édouard Colonne.-History:While leader of the Opéra de Paris orchestra, Édouard Colonne was engaged by the publisher Georges Hartmann to lead a series of popular concerts which he founded under the...
and Lamoureux orchestras. In 1894, the Lyons Conservatory appointed him to a professorial position. Later, when his voice showed signs of promise, he abandoned instrumental music and took singing lessons in Paris. He made his operatic debut at the Théâtre des Arts in Rouen
Rouen
Rouen , in northern France on the River Seine, is the capital of the Haute-Normandie region and the historic capital city of Normandy. Once one of the largest and most prosperous cities of medieval Europe , it was the seat of the Exchequer of Normandy in the Middle Ages...
on October 6, 1899, in the heavy Wagnerian role of Siegfried
Siegfried (opera)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen , by Richard Wagner. It received its premiere at the Bayreuth Festspielhaus on 16 August 1876, as part of the first complete performance of The Ring...
. Following this, he spent six seasons with the Théâtre de la Monnaie in Brussels and sang with success at London's Royal Opera House
Royal Opera House
The Royal Opera House is an opera house and major performing arts venue in Covent Garden, central London. The large building is often referred to as simply "Covent Garden", after a previous use of the site of the opera house's original construction in 1732. It is the home of The Royal Opera, The...
, Covent Garden, in 1904-1905 and 1909-1911.
His American debut took place in Charles Gounod
Charles Gounod
Charles-François Gounod was a French composer, known for his Ave Maria as well as his operas Faust and Roméo et Juliette.-Biography:...
's Faust
Faust (opera)
Faust is a drame lyrique in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré from Carré's play Faust et Marguerite, in turn loosely based on Johann Wolfgang von Goethe's Faust, Part 1...
, in which he appeared with New York's Manhattan Opera Company
Manhattan Opera Company
The Manhattan Opera Company was an opera company based in New York City. Active from 1906 until 1910, it was founded by Oscar Hammerstein I.The company began operations in 1906 at the Manhattan Opera House on 34th Street in New York City...
on December 7, 1906. He spent four years with the company, specializing in French roles. For American audiences, he created the roles of Julien in Gustave Charpentier
Gustave Charpentier
Gustave Charpentier, , born in Dieuze, Moselle on 25 June 1860, died Paris, 18 February 1956) was a French composer, best known for his opera Louise.-Life and career:...
's Louise
Louise (opera)
Louise is an opera in four acts by Gustave Charpentier to an original French libretto by the composer, with some contributions by Saint-Pol-Roux, a symbolist poet and inspiration of the surrealists....
and Jean Gaussin in Jules Massenet
Jules Massenet
Jules Émile Frédéric Massenet was a French composer best known for his operas. His compositions were very popular in the late 19th and early 20th centuries, and he ranks as one of the greatest melodists of his era. Soon after his death, Massenet's style went out of fashion, and many of his operas...
's Sapho
Sapho (opera)
Sapho is an opera in five acts by Jules Massenet to a French libretto by Henri Cain and Arthur Bernède, based on the novel of the same name by Alphonse Daudet. It was first performed at the Opéra Comique in Paris on November 27, 1897 with Emma Calvé as Fanny Legrand.It is a charming and effective...
. Another famous part that he sang was Pelleas in Claude Debussy
Claude Debussy
Claude-Achille Debussy was a French composer. Along with Maurice Ravel, he was one of the most prominent figures working within the field of impressionist music, though he himself intensely disliked the term when applied to his compositions...
's Pelléas et Mélisande
Pelléas et Mélisande (opera)
Pelléas et Mélisande is an opera in five acts with music by Claude Debussy. The French libretto was adapted from Maurice Maeterlinck's Symbolist play Pelléas et Mélisande...
. He also appeared in numerous productions with the Philadelphia Opera Company
Philadelphia Opera Company
The Philadelphia Opera Company was the name of two different American opera companies active during the twentieth century in Philadelphia, Pennsylvania. The first company was founded by impresario Oscar Hammerstein I in 1908. That company disbanded only two years later as a result of financial...
between 1908-1910.
In 1910 Dalmorès was engaged by the Chicago Grand Opera Company
Chicago Grand Opera Company
Two grand opera companies in Chicago have gone by the name Chicago Grand Opera CompanyThe first Chicago Grand Opera Company produced four seasons of opera in Chicago’s Auditorium Theater from the Fall of 1910 through November 1915. It was the first resident Chicago opera company...
with whom he performed until 1914. The company was highly active in Philadelphia as well as Chicago and often performed under the title of the Philadelphia-Chicago Grand Opera Comoany while in that city. With that company he notably performed the role of Vinicius in the United States premiere of Jean Nouguès
Jean Nouguès
Jean-Charles Nouguès was a French composer of operas.Born in Bordeaux, Nouguès was from a wealthy family, and in his youth he received little formal musical training. His first opera, Le Roi de Papagey, was written when he was only sixteen; after further study in Paris, he composed a second,...
's Quo vadis. In 1917 Dalmorès joined the Chicago Opera Association
Chicago Opera Association
The Chicago Opera Association was a company that produced seven seasons of grand opera in Chicago’s Auditorium Theater from 1915 to 1921. The founding artistic director and principal conductor was Cleofonte Campanini, while the general manager and chief underwriter was Harold F. McCormick...
. There he sang for the first time the title roles in Richard Wagner
Richard Wagner
Wilhelm Richard Wagner was a German composer, conductor, theatre director, philosopher, music theorist, poet, essayist and writer primarily known for his operas...
's Parsifal
Parsifal
Parsifal is an opera in three acts by Richard Wagner. It is loosely based on Wolfram von Eschenbach's Parzival, the 13th century epic poem of the Arthurian knight Parzival and his quest for the Holy Grail, and on Chrétien de Troyes' Perceval, the Story of the Grail.Wagner first conceived the work...
and Tristan und Isolde
Tristan und Isolde
Tristan und Isolde is an opera, or music drama, in three acts by Richard Wagner to a German libretto by the composer, based largely on the romance by Gottfried von Straßburg. It was composed between 1857 and 1859 and premiered in Munich on 10 June 1865 with Hans von Bülow conducting...
.
He also visited Germany and Austria on different occasions prior to the outbreak of World War I, performing Wagner in the original language in Berlin and other cities. In 1908-1909, he appeared at the Vienna Court Opera and undertook the role of Lohengrin, in Wagner's eponymous opera
Lohengrin (opera)
Lohengrin is a romantic opera in three acts composed and written by Richard Wagner, first performed in 1850. The story of the eponymous character is taken from medieval German romance, notably the Parzival of Wolfram von Eschenbach and its sequel, Lohengrin, written by a different author, itself...
, at the 1908 Bayreuth Festival
Bayreuth Festival
The Bayreuth Festival is a music festival held annually in Bayreuth, Germany, at which performances of operas by the 19th century German composer Richard Wagner are presented...
.
Tall for a tenor, he was praised by contemporary critics not only for his strong, steady, well-modulated voice but also for his impressive stage presence and acting. Fortunately, he made a number of gramophone records for the Victor Talking Machine Company
Victor Talking Machine Company
The Victor Talking Machine Company was an American corporation, the leading American producer of phonographs and phonograph records and one of the leading phonograph companies in the world at the time. It was headquartered in Camden, New Jersey....
which have been reissued on CD. Produced between 1907 and 1912, they confirm the excellence of his musicianship and the imposing power of his declamatory singing, although the top of his range sounds a bit constricted on these 100-year-old discs. One of his most celebrated records is a 1907 rendition of Manrico's aria Ah! si, ben mio, from Giuseppe Verdi
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
's Il trovatore
Il trovatore
Il trovatore is an opera in four acts by Giuseppe Verdi to an Italian libretto by Salvadore Cammarano, based on the play El Trovador by Antonio García Gutiérrez. Cammarano died in mid-1852 before completing the libretto...
, in which he displays an admirably smooth legato line, elegant phrasing and a splendid trill. He also recorded a few French songs as well as arias and duets from various operas, including Lohengrin, Giacomo Meyerbeer
Giacomo Meyerbeer
Giacomo Meyerbeer was a noted German opera composer, and the first great exponent of "grand opera." At his peak in the 1830s and 1840s, he was the most famous and successful composer of opera in Europe, yet he is rarely performed today.-Early years:He was born to a Jewish family in Tasdorf , near...
's Le prophète, Camille Saint-Saëns
Camille Saint-Saëns
Charles-Camille Saint-Saëns was a French Late-Romantic composer, organist, conductor, and pianist. He is known especially for The Carnival of the Animals, Danse macabre, Samson and Delilah, Piano Concerto No. 2, Cello Concerto No. 1, Havanaise, Introduction and Rondo Capriccioso, and his Symphony...
' Samson et Dalila, Jacques Offenbach
Jacques Offenbach
Jacques Offenbach was a Prussian-born French composer, cellist and impresario. He is remembered for his nearly 100 operettas of the 1850s–1870s and his uncompleted opera The Tales of Hoffmann. He was a powerful influence on later composers of the operetta genre, particularly Johann Strauss, Jr....
's Les Contes d'Hoffmann
Les contes d'Hoffmann
Les contes d'Hoffmann is an opéra by Jacques Offenbach. The French libretto was written by Jules Barbier, based on short stories by E. T. A...
, Georges Bizet
Georges Bizet
Georges Bizet formally Alexandre César Léopold Bizet, was a French composer, mainly of operas. In a career cut short by his early death, he achieved few successes before his final work, Carmen, became one of the most popular and frequently performed works in the entire opera repertory.During a...
's Carmen
Carmen
Carmen is a French opéra comique by Georges Bizet. The libretto is by Henri Meilhac and Ludovic Halévy, based on the novella of the same title by Prosper Mérimée, first published in 1845, itself possibly influenced by the narrative poem The Gypsies by Alexander Pushkin...
, Massenet's Griselidis
Grisélidis
Grisélidis is an opera in three acts and a prologue by Jules Massenet to a French libretto by Armand Silvestre and Eugène Morand. It is based on the play by the same authors first performed at the Comédie-Française on 15 May 1891, which is drawn from the medieval tale of 'patient Grissil'...
, and Gounod's Roméo et Juliette
Roméo et Juliette
Roméo et Juliette is an opéra in five acts by Charles Gounod to a French libretto by Jules Barbier and Michel Carré, based on The Tragedy of Romeo and Juliet by William Shakespeare. It was first performed at the Théâtre Lyrique , Paris on 27 April 1867...
and Faust.
Dalmorès returned to France in 1918 but subsequently went back to the United States to live. He taught singing and died in Hollywood, California at the age of 68. In the pantheon of great French dramatic/lyric-dramatic tenors, his place is secure. He proved to be a worthy successor to Jean de Reszke
Jean de Reszke
Jean de Reszke, born Jan Mieczyslaw, , was a Polish tenor. Renowned internationally for the high quality of his singing and the elegance of his bearing, he became the biggest male opera star of the late 19th century....
(the biggest male opera star of his day), Léon Escalais
Léon Escalais
Léon Escalaïs was a prominent Gallic tenor, particularly associated with French and Italian heroic roles...
and Albert Alvarez, each of whom enjoyed international careers during the 1890s and early 1900s. Of those French-speaking tenors who took up his mantle, the most esteemed were Paul Franz and Fernand Ansseau, followed in turn by Rene Maison, Georges Thill
Georges Thill
Georges Thill was a French opera singer, often considered to be his country's greatest lyric-dramatic tenor...
and, finally, Jose Luccioni
José Luccioni
José Luccioni was a French operatic tenor of Corsican origin. He possessed one of the best dramatic voices of the 1930s and 1940s....
, who was the last representative of this distinguished lineage. Luccioni retired in 1962. There are no big-voiced French tenors of comparable stature singing today.