Chiyo Uno
Encyclopedia
Chiyo Uno was a female Japanese
author
who wrote several notable works and had a significant influence on Japanese culture. She was born in a section of Iwakuni known as Kawanishi, "west of the river." Following an initial literary success and winning of a short story prize, Uno left her first husband and moved to Tokyo. Like many young Japanese of the 1920s, Uno was fascinated with American
and Europe
an culture and dress and was one of the first women in Japan to bob her hair like a flapper. Beyond hairstyles, Uno also began to pursue the life of a free-spirited woman. She wanted to be a mo ga, or modern girl, and not confined to just the role of supportive wife and mother. She became part of the Bohemian world of Tokyo, having liaisons with other writers, poets and painters.
Shortly after the success of Confessions of Love, Uno started a magazine called Sutairu, or Style, which was the first of its kind in Japan to focus on foreign fashions. In terms of her own native fashion, Uno also proved talented at designing kimonos. Sutairu took up much of her time through the following decades, yet she continued to write and to intrigue a faithful audience of Japanese women, who found a sense of liberation in Uno’s prose. Even if Uno's readers remained within conventional boundaries themselves, they could escape briefly through her stories of lovers and entanglements. And despite her obvious femininity, from Confessions of Love throughout her literary career, Uno was able to write skillfully from both male and female voices.
Japanese people
The are an ethnic group originating in the Japanese archipelago and are the predominant ethnic group of Japan. Worldwide, approximately 130 million people are of Japanese descent; of these, approximately 127 million are residents of Japan. People of Japanese ancestry who live in other countries...
author
Author
An author is broadly defined as "the person who originates or gives existence to anything" and that authorship determines responsibility for what is created. Narrowly defined, an author is the originator of any written work.-Legal significance:...
who wrote several notable works and had a significant influence on Japanese culture. She was born in a section of Iwakuni known as Kawanishi, "west of the river." Following an initial literary success and winning of a short story prize, Uno left her first husband and moved to Tokyo. Like many young Japanese of the 1920s, Uno was fascinated with American
United States
The United States of America is a federal constitutional republic comprising fifty states and a federal district...
and Europe
Europe
Europe is, by convention, one of the world's seven continents. Comprising the westernmost peninsula of Eurasia, Europe is generally 'divided' from Asia to its east by the watershed divides of the Ural and Caucasus Mountains, the Ural River, the Caspian and Black Seas, and the waterways connecting...
an culture and dress and was one of the first women in Japan to bob her hair like a flapper. Beyond hairstyles, Uno also began to pursue the life of a free-spirited woman. She wanted to be a mo ga, or modern girl, and not confined to just the role of supportive wife and mother. She became part of the Bohemian world of Tokyo, having liaisons with other writers, poets and painters.
Confessions of Love
In 1935, Uno published the novel Confessions of Love, which brought her much fame. The book details an artist and his various love affairs, and his unsuccessful suicide attempt with his mistress. Uno not only had a romance with Seiji Togo, the artist the novel was based on, but she then turned their involvement into a best-selling story. She also wrote convincingly from the perspective of a man in Confessions of Love, which further added to her book’s appeal.Shortly after the success of Confessions of Love, Uno started a magazine called Sutairu, or Style, which was the first of its kind in Japan to focus on foreign fashions. In terms of her own native fashion, Uno also proved talented at designing kimonos. Sutairu took up much of her time through the following decades, yet she continued to write and to intrigue a faithful audience of Japanese women, who found a sense of liberation in Uno’s prose. Even if Uno's readers remained within conventional boundaries themselves, they could escape briefly through her stories of lovers and entanglements. And despite her obvious femininity, from Confessions of Love throughout her literary career, Uno was able to write skillfully from both male and female voices.