Chryselephantine
Encyclopedia
Chryselephantine is a term that refers to the sculptural medium of gold and ivory. In the ancient world, it was a type of cult statue that enjoyed high status in Ancient Greece
.
attached, representing the flesh, and sheets of gold leaf
representing the garments, armour, hair, and other details. In some cases, glass paste, glass, and precious and semi-precious stones were used for detail such as eyes, jewellery, and weaponry.
The origins of the technique are not known. There are known examples, from the 2nd millennium BC, of composite sculptures made of ivory and gold from areas that became part of the Greek world, most famously the so-called "Palaikastro Kouros" (not to be confused with the Archaic statues known by that term
) from Minoan
Palaikastro
, circa 1500 BC. It is, however, not clear whether the Greek chryselephantine tradition is connected with them. Chryselephantine sculpture became widespread during the Archaic period. Later, Acrolith
itic statues, with marble heads and extremities, and a wooden trunk either gilded or covered in drapery, were a comparable technique used for cult images.
The technique was normally used for cult statues within temples; typically, they were greater than life-sized. Construction was modular so that some of the gold could be removed and melted for coin or bullion in times of severe financial hardship, to be replaced later when finances had recovered. For example, the figure of Nike
held in the right hand of Pheidias' Athena Parthenos
was made from solid gold with this very purpose in mind. Indeed, in times of prosperity up to six solid gold Nikae were cast, serving as a "sacred treasury" whose safety was ensured additionally by the sanctity accorded to a cult object as well as the presence of priestesses, priests, and maintenance staff at the temple.
The two best-known examples, both from the Classical
period, are those sculpted by Phidias
: the 13 m (40 ft) tall standing statue of Athena Parthenos
in the Parthenon
at Athens
, and the 12 m (36 ft) seated statue
of Zeus
in the temple at Olympia
, considered as one of the Seven Wonders of the Ancient World
.
Chryselephantine statues were not only visually striking, they also displayed the wealth and cultural achievements of those who constructed them or financed their construction. The creation of such a statue involved skills in sculpture, carpentry, jewellery, and ivory carving. Once completed, the statues required constant maintenance. It is known that at Olympia, skilled personnel were employed to ensure the upkeep of the statue. In the second century BC, the prominent sculptor, Damophon
of Messene
was commissioned to make repairs on it.
Due to the high value of some of the materials used and the perishable nature of others, most chryselephantine statues were destroyed during antiquity and the Middle Ages. For example, of the statue of Athena Parthenos, only the hole that held its central wooden support survives today in the floor of her temple. The appearance of the statue is nevertheless known from a number of miniature marble copies discovered in Athens, as well as from a detailed description by Pausanias
. Pausanias also described Pheidias' statue of Zeus at Olympia. Here, some of the clay moulds for parts of Zeus' garments made of glass or glass-paste have been discovered in the building known as the "Workshop of Pheidias". They are the only finds directly associated with the great sculptor's most famous works and thus provide useful information on their creation.
Few examples of chryselephantine sculpture have been found. The most prominent surviving examples are fragments of several burnt statues (less than life-sized) from the Archaic period, discovered at Delphi
. Unfortunately, it is not known whom they depict, although they are assumed to represent deities.
. In this context, it describes statuettes, the skin represented in ivory, with clothing and other detail made of other materials, such as gold
, bronze
, marble
, silver
or onyx
. For instance the sculptor Pierre-Charles Simart
produced a copy of the Athena Parthenos
of Phidias
for patron Honoré Théodoric d'Albert de Luynes, circa 1840, in ivory and gold, based on ancient descriptions. The result was somewhat disappointing: "it cost Luynes a hundred thousand francs to prove that Simart was not Phidias". Another version of this figure, by American sculptor Alan LeQuire
, stands as the center of the Parthenon in Nashville
, Tennessee.
After the 1890s, its meaning was extended to include any statue fashioned in a combination of ivory with other materials.
Ancient Greece
Ancient Greece is a civilization belonging to a period of Greek history that lasted from the Archaic period of the 8th to 6th centuries BC to the end of antiquity. Immediately following this period was the beginning of the Early Middle Ages and the Byzantine era. Included in Ancient Greece is the...
.
Ancient examples
Chryselephantine statues were built around a wooden frame, with thin carved slabs of ivoryIvory
Ivory is a term for dentine, which constitutes the bulk of the teeth and tusks of animals, when used as a material for art or manufacturing. Ivory has been important since ancient times for making a range of items, from ivory carvings to false teeth, fans, dominoes, joint tubes, piano keys and...
attached, representing the flesh, and sheets of gold leaf
Gold leaf
right|thumb|250px|[[Burnishing]] gold leaf with an [[agate]] stone tool, during the water gilding processGold leaf is gold that has been hammered into extremely thin sheets and is often used for gilding. Gold leaf is available in a wide variety of karats and shades...
representing the garments, armour, hair, and other details. In some cases, glass paste, glass, and precious and semi-precious stones were used for detail such as eyes, jewellery, and weaponry.
The origins of the technique are not known. There are known examples, from the 2nd millennium BC, of composite sculptures made of ivory and gold from areas that became part of the Greek world, most famously the so-called "Palaikastro Kouros" (not to be confused with the Archaic statues known by that term
Kouros
A kouros is the modern term given to those representations of male youths which first appear in the Archaic period in Greece. The term kouros, meaning youth, was first proposed for what were previously thought to be depictions of Apollo by V. I...
) from Minoan
Minoan civilization
The Minoan civilization was a Bronze Age civilization that arose on the island of Crete and flourished from approximately the 27th century BC to the 15th century BC. It was rediscovered at the beginning of the 20th century through the work of the British archaeologist Arthur Evans...
Palaikastro
Palekastro
Palekastro is a small village at the east end of the Mediterranean island Crete....
, circa 1500 BC. It is, however, not clear whether the Greek chryselephantine tradition is connected with them. Chryselephantine sculpture became widespread during the Archaic period. Later, Acrolith
Acrolith
An acrolith was a statue made in Classical antiquity, in which the trunk of the figure was made of wood, and the head, hands, and feet were made of marble...
itic statues, with marble heads and extremities, and a wooden trunk either gilded or covered in drapery, were a comparable technique used for cult images.
The technique was normally used for cult statues within temples; typically, they were greater than life-sized. Construction was modular so that some of the gold could be removed and melted for coin or bullion in times of severe financial hardship, to be replaced later when finances had recovered. For example, the figure of Nike
Nike (mythology)
In Greek mythology, Nike was a goddess who personified victory, also known as the Winged Goddess of Victory. The Roman equivalent was Victoria. Depending upon the time of various myths, she was described as the daughter of Pallas and Styx and the sister of Kratos , Bia , and Zelus...
held in the right hand of Pheidias' Athena Parthenos
Athena Parthenos
Athena Parthenos was the title of a massive chryselephantine sculpture of the Greek goddess Athena made by Phidias and housed in the Parthenon in Athens. Its epithet was an essential character of the goddess herself...
was made from solid gold with this very purpose in mind. Indeed, in times of prosperity up to six solid gold Nikae were cast, serving as a "sacred treasury" whose safety was ensured additionally by the sanctity accorded to a cult object as well as the presence of priestesses, priests, and maintenance staff at the temple.
The two best-known examples, both from the Classical
Classical Greece
Classical Greece was a 200 year period in Greek culture lasting from the 5th through 4th centuries BC. This classical period had a powerful influence on the Roman Empire and greatly influenced the foundation of Western civilizations. Much of modern Western politics, artistic thought, such as...
period, are those sculpted by Phidias
Phidias
Phidias or the great Pheidias , was a Greek sculptor, painter and architect, who lived in the 5th century BC, and is commonly regarded as one of the greatest of all sculptors of Classical Greece: Phidias' Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World...
: the 13 m (40 ft) tall standing statue of Athena Parthenos
Athena Parthenos
Athena Parthenos was the title of a massive chryselephantine sculpture of the Greek goddess Athena made by Phidias and housed in the Parthenon in Athens. Its epithet was an essential character of the goddess herself...
in the Parthenon
Parthenon
The Parthenon is a temple on the Athenian Acropolis, Greece, dedicated to the Greek goddess Athena, whom the people of Athens considered their virgin patron. Its construction began in 447 BC when the Athenian Empire was at the height of its power. It was completed in 438 BC, although...
at Athens
Athens
Athens , is the capital and largest city of Greece. Athens dominates the Attica region and is one of the world's oldest cities, as its recorded history spans around 3,400 years. Classical Athens was a powerful city-state...
, and the 12 m (36 ft) seated statue
Statue of Zeus at Olympia
The Statue of Zeus at Olympia was made by the Greek sculptor Phidias, circa 432 BC on the site where it was erected in the Temple of Zeus, Olympia, Greece. It was one of the Seven Wonders of the Ancient World.-Description:...
of Zeus
Zeus
In the ancient Greek religion, Zeus was the "Father of Gods and men" who ruled the Olympians of Mount Olympus as a father ruled the family. He was the god of sky and thunder in Greek mythology. His Roman counterpart is Jupiter and his Etruscan counterpart is Tinia.Zeus was the child of Cronus...
in the temple at Olympia
Olympia, Greece
Olympia , a sanctuary of ancient Greece in Elis, is known for having been the site of the Olympic Games in classical times, comparable in importance to the Pythian Games held in Delphi. Both games were held every Olympiad , the Olympic Games dating back possibly further than 776 BC...
, considered as one of the Seven Wonders of the Ancient World
Seven Wonders of the Ancient World
The Seven Wonders of the World refers to remarkable constructions of classical antiquity listed by various authors in guidebooks popular among the ancient Hellenic tourists, particularly in the 1st and 2nd centuries BC...
.
Chryselephantine statues were not only visually striking, they also displayed the wealth and cultural achievements of those who constructed them or financed their construction. The creation of such a statue involved skills in sculpture, carpentry, jewellery, and ivory carving. Once completed, the statues required constant maintenance. It is known that at Olympia, skilled personnel were employed to ensure the upkeep of the statue. In the second century BC, the prominent sculptor, Damophon
Damophon
Damophon was an ancient Greek sculptor of the Hellenistic period from Messene, who executed many statues for the people of Messene, Megalopolis, Aegium and other cities of Peloponnesus. His statues were acroliths...
of Messene
Messene
Messene , officially Ancient Messene, is a Local Community of the Municipal Unit , Ithomi, of the municipality of Messini within the Regional Unit of Messenia in the Region of Peloponnēsos, one of 7 Regions into which the Hellenic Republic has been divided by the Kallikratis...
was commissioned to make repairs on it.
Due to the high value of some of the materials used and the perishable nature of others, most chryselephantine statues were destroyed during antiquity and the Middle Ages. For example, of the statue of Athena Parthenos, only the hole that held its central wooden support survives today in the floor of her temple. The appearance of the statue is nevertheless known from a number of miniature marble copies discovered in Athens, as well as from a detailed description by Pausanias
Pausanias (geographer)
Pausanias was a Greek traveler and geographer of the 2nd century AD, who lived in the times of Hadrian, Antoninus Pius and Marcus Aurelius. He is famous for his Description of Greece , a lengthy work that describes ancient Greece from firsthand observations, and is a crucial link between classical...
. Pausanias also described Pheidias' statue of Zeus at Olympia. Here, some of the clay moulds for parts of Zeus' garments made of glass or glass-paste have been discovered in the building known as the "Workshop of Pheidias". They are the only finds directly associated with the great sculptor's most famous works and thus provide useful information on their creation.
Few examples of chryselephantine sculpture have been found. The most prominent surviving examples are fragments of several burnt statues (less than life-sized) from the Archaic period, discovered at Delphi
Delphi
Delphi is both an archaeological site and a modern town in Greece on the south-western spur of Mount Parnassus in the valley of Phocis.In Greek mythology, Delphi was the site of the Delphic oracle, the most important oracle in the classical Greek world, and a major site for the worship of the god...
. Unfortunately, it is not known whom they depict, although they are assumed to represent deities.
Modern examples
The term "chryselephantine" is also used for a style of sculpture fairly common in European Nineteenth Century art, especially Art NouveauArt Nouveau
Art Nouveau is an international philosophy and style of art, architecture and applied art—especially the decorative arts—that were most popular during 1890–1910. The name "Art Nouveau" is French for "new art"...
. In this context, it describes statuettes, the skin represented in ivory, with clothing and other detail made of other materials, such as gold
Gold
Gold is a chemical element with the symbol Au and an atomic number of 79. Gold is a dense, soft, shiny, malleable and ductile metal. Pure gold has a bright yellow color and luster traditionally considered attractive, which it maintains without oxidizing in air or water. Chemically, gold is a...
, bronze
Bronze
Bronze is a metal alloy consisting primarily of copper, usually with tin as the main additive. It is hard and brittle, and it was particularly significant in antiquity, so much so that the Bronze Age was named after the metal...
, marble
Marble
Marble is a metamorphic rock composed of recrystallized carbonate minerals, most commonly calcite or dolomite.Geologists use the term "marble" to refer to metamorphosed limestone; however stonemasons use the term more broadly to encompass unmetamorphosed limestone.Marble is commonly used for...
, silver
Silver
Silver is a metallic chemical element with the chemical symbol Ag and atomic number 47. A soft, white, lustrous transition metal, it has the highest electrical conductivity of any element and the highest thermal conductivity of any metal...
or onyx
Onyx
Onyx is a banded variety of chalcedony. The colors of its bands range from white to almost every color . Commonly, specimens of onyx contain bands of black and/or white.-Etymology:...
. For instance the sculptor Pierre-Charles Simart
Pierre-Charles Simart
Pierre-Charles Simart was a French sculptor.The son of a carpenter from Troyes in Champagne, Simart was the pupil of Antoine Desbœuf, Charles Dupaty, Jean-Pierre Cortot and James Pradier...
produced a copy of the Athena Parthenos
Athena Parthenos
Athena Parthenos was the title of a massive chryselephantine sculpture of the Greek goddess Athena made by Phidias and housed in the Parthenon in Athens. Its epithet was an essential character of the goddess herself...
of Phidias
Phidias
Phidias or the great Pheidias , was a Greek sculptor, painter and architect, who lived in the 5th century BC, and is commonly regarded as one of the greatest of all sculptors of Classical Greece: Phidias' Statue of Zeus at Olympia was one of the Seven Wonders of the Ancient World...
for patron Honoré Théodoric d'Albert de Luynes, circa 1840, in ivory and gold, based on ancient descriptions. The result was somewhat disappointing: "it cost Luynes a hundred thousand francs to prove that Simart was not Phidias". Another version of this figure, by American sculptor Alan LeQuire
Alan LeQuire
Alan LeQuire is an American sculptor from Nashville, Tennessee. Many of his sculptures are installed in the city.LeQuire's father, Virgil, was a physician and researcher on the faculty of Vanderbilt University School of Medicine. His mother, Louise, was a painter, art teacher, and writer. The...
, stands as the center of the Parthenon in Nashville
Parthenon (Nashville)
The Parthenon in Nashville, Tennessee is a full-scale replica of the original Parthenon in Athens. It was built in 1897 as part of the Tennessee Centennial Exposition.-Early history:...
, Tennessee.
After the 1890s, its meaning was extended to include any statue fashioned in a combination of ivory with other materials.
See also
- Art in ancient GreeceArt in Ancient GreeceThe arts of ancient Greece have exercised an enormous influence on the culture of many countries all over the world, particularly in the areas of sculpture and architecture. In the West, the art of the Roman Empire was largely derived from Greek models...
- Classical sculptureClassical sculptureClassical sculpture refers to the forms of sculpture from Ancient Greece and Ancient Rome, as well as the Hellenized and Romanized civilizations under their rule or influence from about 500 BC to fall of Rome in AD 476. It also refers stylistically to modern sculptures done in a classical style....