Church music
Encyclopedia
Church music may be defined as music written for performance in church, or any musical setting of ecclestiacal liturgy
, or music set to words expressing propositions of a sacred nature, such as a hymn
. This article covers music in the Judaeo-Christian tradition
. For sacred music outside this tradition, see Religious music
. See also Christian music
.
On the other hand, St Augustine says that "To sing once is to pray twice" (Qui cantat, bis orat) literally "he who sings, prays twice", suggesting there can be thoughts expressed by the music in which a prayer is offered, separate from those expressed by the words of the prayer itself.
Music, unlike art or architecture, does not represent physical objects, and unlike poetry is independent of propositional thought
. Hence it can take human emotions into areas that other artistic works cannot, and offer the prospect of an escape from worldly existence. Music is also appropriate to the sacrificial character
of worship, particularly in the Christian tradition, being an offering to God. Music is a way of allowing a large number of worshippers to form an effective communion, by expressing their faith and their offering in public, together. Finally, music has the evangelical purpose of attracting those whose enthusiasm for religious matters is not sufficient on its own.
was based on the same system as that used in the Temple in Jerusalem
. According to the Mishnah
, the regular Temple orchestra consisted of twelve instruments, and the choir of twelve male singers. A number of additional instruments were known to the ancient Hebrews, though they were not included in the regular orchestra of the Temple: the uggav (small flute), the abbuv (a reed flute or oboe-like instrument).
After the destruction of the Temple and the subsequent diaspora
of the Jewish people, music was initially banned. Later, these restrictions would relax. It was with the piyyut
im (liturgical poems) that Jewish music began to crystallize into definite form. The cantor
sang the piyyutim to melodies selected by their writer or by himself, thus introducing fixed melodies into synagogal music. The music may have preserved a few phrases in the reading of Scripture which recalled songs from the Temple itself; but generally it echoed the tones which the Jew of each age and country heard around him, not merely in the actual borrowing of tunes, but more in the tonality on which the local music was based.
The earliest synagogal music was based on the same system as that used in the Temple in Jerusalem. According to the Talmud
, Joshua ben Hananiah, who had served in the sanctuary Levitical choir
, told how the choristers went to the synagogue from the orchestra by the altar (Talmud, Suk. 53a), and so participated in both services.
Biblical and contemporary sources mention the following instruments that were used in the ancient Temple:
According to the Mishna, the regular Temple orchestra consisted of twelve instruments, and the choir of twelve male singers.
. Outside the Gospels, there is a reference to St. Paul encouraging the Ephesians and Colossians to use psalms, hymns and spiritual songs.
Later, there is a reference in Pliny
who writes to the emperor Trajan
(61–113) asking for advice about how to prosecute the Christians in Bithynia
, and describing their practice of gathering before sunrise and repeating antiphonally 'a hymn to Christ, as to God'. Antiphonal psalmody is the singing or musical playing of psalms by alternating groups of performers. The peculiar mirror structure of the Hebrew psalms
makes it likely that the antiphonal method originated in the services of the ancient Israelites. According to the historian Socrates, its introduction into Christian worship was due to Ignatius of Antioch
(died 107
), who in a vision had seen the angels singing in alternate choirs.
The use of instruments in early Christian music seems to have been frowned upon. In the late fourth or early 5th century St. Jerome wrote that a Christian maiden ought not even to know what a lyre or flute is like, or to what use it is put.
The introduction of church organ music
is traditionally believed to date from the time of the papacy of Pope Vitalian
in the 7th century.
, a form of monophonic
liturgical
chant of Western Christianity
that accompanied the celebration of Mass and other ritual services. This musical form originated in Monastic life, in which singing the 'Divine Service' nine times a day at the proper hours was upheld according to the Rule of St. Benedict
. Singing psalms made up a large part of the life in a monastic community, while a smaller group and soloists sang the chants.
In its long history Gregorian Chant has been subjected to many gradual changes and some reforms. It was organized, codified, and notated mainly in the Frankish
lands of western and central Europe during the 12th and 13th centuries, with later additions and redactions, but the texts and many of the melodies have antecedents going back several centuries earlier. Although popular belief credits Pope Gregory the Great
with having personally invented Gregorian chant, scholars now believe that the chant bearing his name arose from a later Carolingian
synthesis of Roman and Gallican chant
During the following centuries the Chant tradition was still at the heart of Church music, where it changed and acquired various accretions. Even the polyphonic music that arose from the venerable old chants in the Organa by Leonin
and Perotin
in Paris (1160–1240) ended in monophonic
chant and in later traditions new composition styles were practised in juxtaposition (or co-habitation) with monophonic chant. This practice continued into the lifetime of François Couperin
, whose Organ Masses were meant to be performed with alternating homophonic Chant. Although it had mostly fallen into disuse after the Baroque period, Chant experienced a revival in the 19th century in the Roman Catholic Church
and the Anglo-Catholic wing of the Anglican Communion
.
ic liturgy
(chiefly belong to the Roman Catholic Church
, the Churches of the Anglican Communion
, and also the Lutheran Church) to music. Most Masses are settings of the liturgy
in Latin
, the traditional language of the Roman Catholic Church, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there are many Masses (often called "Communion Services") written in English for the Church of England
.
Masses can be a cappella
, for the human voice alone, or they can be accompanied by instrumental obbligato
s up to and including a full orchestra. Many Masses, especially later ones, were never intended to be performed during the celebration of an actual mass.
Generally, for a composition to be a full Mass, it must contain the following invariable five sections, which together constitute the Ordinary of the Mass
.
The Requiem Mass is a modified version of the ordinary mass. Musical settings of the Requiem mass have a long tradition in Western music. There are many notable works in this tradition, including those by Palestrina
, Tomás Luis de Victoria
, Wolfgang Amadeus Mozart
, Hector Berlioz
, Johannes Brahms
, Anton Bruckner
, Gabriel Fauré
, Franz Liszt
, Giuseppe Verdi
, Benjamin Britten
, Maurice Duruflé
, György Ligeti
, Krzysztof Penderecki
and Igor Stravinsky
.
In a liturgical Mass, there are variable other sections that may be sung, often in Gregorian chant
. These sections, the "Proper" of the Mass, change with the day and season according to the Church calendar, or according to the special circumstances of the mass. The Proper of the Mass is usually not set to music in a Mass itself, except in the case of a Requiem Mass
, but may be the subject of motet
s or other musical compositions. The sections of the Proper of the Mass include the Introit, Gradual, Alleluia or Tract (depending on the time of year), Offertory and Communion.
, the Advent
carol, and to a much lesser extent by the Easter
carol.
The tradition of Christmas carols goes back as far as the 13th century, although carols were originally communal songs sung during celebrations like harvest tide as well as Christmas. It was only later that carols began to be sung in church, and to be specifically associated with Christmas. Traditionally, carols have often been based on medieval chord progressions, and it is this that gives them their characteristic sound. Some carols like "Personent hodie" and "Angels from the Realms of Glory" can be traced directly back to the Middle Ages
, and are among the oldest musical compositions still regularly sung.
Carols suffered a decline in popularity after the Reformation
in the countries where Protestant churches gained prominence (although well-known Reformers like Martin Luther authored carols and encouraged their use in worship), but survived in rural communities until the revival of interest in carols in the 19th century. The first appearance in print of "God Rest Ye Merry, Gentlemen", "The First Noel
", "I Saw Three Ships
" and "Hark the Herald Angels Sing" was in Christmas Carols Ancient and Modern (1833) by William B. Sandys
. Composers like Arthur Sullivan
helped to repopularize the carol, and it is this period that gave rise to such favorites as "Good King Wenceslas
" and "It Came Upon the Midnight Clear", a New England carol written by Edmund H. Sears and Richard S. Willis.
, in the introduction to his commentary on the Psalms, defined the Christian hymn thus: "Hymnus est laus Dei cum cantico; canticum autem exultatio mentis de aeternis habita, prorumpens in vocem." ("A hymn is the praise of God with song; a song is the exultation of the mind dwelling on eternal things, bursting forth in the voice.") The earliest Christian hymns are mentioned round about the year 64 by Saint Paul in his letters. The Greek hymn, Hail gladdening light was mentioned by Saint Basil around 370. Latin hymns appear at around the same time, influenced by Saint Ambrose of Milan. Prudentius
, a Spanish poet of the late 4th century was one of the most prolific hymn writers of the time.
Early Celtic hymns, associated with Saint Patrick and Saint Columba, including the still extant, Saint Patrick's Breastplate, can be traced to the 6th and 7th centuries. Catholic hymnody in the Western church introduced four-part vocal harmony as the norm, adopting major and minor keys, and came to be led by organ and choir.
The Protestant Reformation
resulted in two conflicting attitudes to hymns. One approach, the regulative principle of worship
, favoured by many Zwinglians, Calvinists and other radical reformers, considered anything that was not directly authorised by the Bible to be a novel and Catholic introduction to worship, which was to be rejected. All hymns that were not direct quotations from the bible fell into this category. Such hymns were banned, along with any form of instrumental musical accompaniment, and organs were ripped out of churches. Instead of hymns, biblical psalms were chanted, most often without accompaniment. This was known as exclusive psalmody
. Examples of this may still be found in various places, including the "free churches" of western Scotland.
The other Reformation approach, favoured by Martin Luther
, produced a burst of hymn writing and congregational singing. Luther and his followers often used their hymns, or chorales, to teach tenets of the faith to worshipers. The earlier English writers tended to paraphrase biblical text, particularly Psalms; Isaac Watts
followed this tradition, but is also credited as having written the first English hymn which was not a direct paraphrase of Scripture.
Later writers took even more freedom, some even including allegory
and metaphor
in their texts.
Charles Wesley
's hymns spread Methodist theology
, not only within Methodism, but in most Protestant churches. He developed a new focus: expressing one's personal feelings in the relationship with God as well as the simple worship seen in older hymns. The Methodist Revival of the 18th century created an explosion of hymn writing in Welsh
, which continued into the first half of the 19th century.
African-Americans developed a rich hymnody out of the spiritual
s sung during times of slavery. During the Second Great Awakening
in the United States, this led to the emergence of a new popular style. Fanny Crosby
, Ira D. Sankey
, and others produced testimonial music for evangelistic crusades. These are often designated "gospel songs" as distinct from hymns, since they generally include a refrain (or chorus) and usually (though not always) a faster tempo than the hymns. As examples of the distinction, "Amazing Grace
" is a hymn (no refrain), but "How Great Thou Art
" is a gospel song. During the 19th century the gospel-song genre spread rapidly in Protestantism and, to a lesser but still definite extent, in Roman Catholicism. The gospel-song genre is unknown in the worship per se by Eastern Orthodox churches, which rely exclusively on traditional chants (a type of hymn).
Along with the more classical sacred music of composers ranging from Mozart to Monteverdi, the Roman Catholic Church
continued to produce many popular hymns such as Lead, Kindly Light
, Silent Night
, O Sacrament Divine and Faith of our Fathers.
Many churches today use contemporary worship music which includes a range of styles often influenced by popular music
. This style began in the late 1960s and became very popular during the 1970s. A distinctive form is the modern, lively black gospel style.
Liturgy
Liturgy is either the customary public worship done by a specific religious group, according to its particular traditions or a more precise term that distinguishes between those religious groups who believe their ritual requires the "people" to do the "work" of responding to the priest, and those...
, or music set to words expressing propositions of a sacred nature, such as a hymn
Hymn
A hymn is a type of song, usually religious, specifically written for the purpose of praise, adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification...
. This article covers music in the Judaeo-Christian tradition
Judeo-Christian
Judeo-Christian is a term used in the United States since the 1940s to refer to standards of ethics said to be held in common by Judaism and Christianity, for example the Ten Commandments...
. For sacred music outside this tradition, see Religious music
Religious music
Religious music is music performed or composed for religious use or through religious influence.A lot of music has been composed to complement religion, and many composers have derived inspiration from their own religion. Many forms of traditional music have been adapted to fit religions'...
. See also Christian music
Christian music
Christian music is music that has been written to express either personal or a communal belief regarding Christian life and faith. Common themes of Christian music include praise, worship, penitence, and lament, and its forms vary widely across the world....
.
Nature of sacred music
It has been claimed that there no precise distinction between music expressing feelings of a sacred or religious nature, and music expressing feelings that are not sacred or religious. Bach's sacred works are musically the same as his secular ones. Mozart used parts of his religious compositions in secular cantatas and extracts from his operas for church purposes. A mass has also been compiled from some of Haydn's secular compositions.On the other hand, St Augustine says that "To sing once is to pray twice" (Qui cantat, bis orat) literally "he who sings, prays twice", suggesting there can be thoughts expressed by the music in which a prayer is offered, separate from those expressed by the words of the prayer itself.
Music, unlike art or architecture, does not represent physical objects, and unlike poetry is independent of propositional thought
Propositional representation
Propositional representation is the psychological theory, first developed in 1973 by Dr. Zenon Pylyshyn, that mental relationships between objects are represented by symbols and not by mental images of the scene.- Examples :...
. Hence it can take human emotions into areas that other artistic works cannot, and offer the prospect of an escape from worldly existence. Music is also appropriate to the sacrificial character
Sacrifice
Sacrifice is the offering of food, objects or the lives of animals or people to God or the gods as an act of propitiation or worship.While sacrifice often implies ritual killing, the term offering can be used for bloodless sacrifices of cereal food or artifacts...
of worship, particularly in the Christian tradition, being an offering to God. Music is a way of allowing a large number of worshippers to form an effective communion, by expressing their faith and their offering in public, together. Finally, music has the evangelical purpose of attracting those whose enthusiasm for religious matters is not sufficient on its own.
Jewish religious music
The earliest music of the synagogueSynagogue
A synagogue is a Jewish house of prayer. This use of the Greek term synagogue originates in the Septuagint where it sometimes translates the Hebrew word for assembly, kahal...
was based on the same system as that used in the Temple in Jerusalem
Temple in Jerusalem
The Temple in Jerusalem or Holy Temple , refers to one of a series of structures which were historically located on the Temple Mount in the Old City of Jerusalem, the current site of the Dome of the Rock. Historically, these successive temples stood at this location and functioned as the centre of...
. According to the Mishnah
Mishnah
The Mishnah or Mishna is the first major written redaction of the Jewish oral traditions called the "Oral Torah". It is also the first major work of Rabbinic Judaism. It was redacted c...
, the regular Temple orchestra consisted of twelve instruments, and the choir of twelve male singers. A number of additional instruments were known to the ancient Hebrews, though they were not included in the regular orchestra of the Temple: the uggav (small flute), the abbuv (a reed flute or oboe-like instrument).
After the destruction of the Temple and the subsequent diaspora
Diaspora
A diaspora is "the movement, migration, or scattering of people away from an established or ancestral homeland" or "people dispersed by whatever cause to more than one location", or "people settled far from their ancestral homelands".The word has come to refer to historical mass-dispersions of...
of the Jewish people, music was initially banned. Later, these restrictions would relax. It was with the piyyut
Piyyut
A piyyut or piyut is a Jewish liturgical poem, usually designated to be sung, chanted, or recited during religious services. Piyyutim have been written since Temple times...
im (liturgical poems) that Jewish music began to crystallize into definite form. The cantor
Hazzan
A hazzan or chazzan is a Jewish cantor, a musician trained in the vocal arts who helps lead the congregation in songful prayer.There are many rules relating to how a cantor should lead services, but the idea of a cantor as a paid professional does not exist in classical rabbinic sources...
sang the piyyutim to melodies selected by their writer or by himself, thus introducing fixed melodies into synagogal music. The music may have preserved a few phrases in the reading of Scripture which recalled songs from the Temple itself; but generally it echoed the tones which the Jew of each age and country heard around him, not merely in the actual borrowing of tunes, but more in the tonality on which the local music was based.
The earliest synagogal music was based on the same system as that used in the Temple in Jerusalem. According to the Talmud
Talmud
The Talmud is a central text of mainstream Judaism. It takes the form of a record of rabbinic discussions pertaining to Jewish law, ethics, philosophy, customs and history....
, Joshua ben Hananiah, who had served in the sanctuary Levitical choir
Choir
A choir, chorale or chorus is a musical ensemble of singers. Choral music, in turn, is the music written specifically for such an ensemble to perform.A body of singers who perform together as a group is called a choir or chorus...
, told how the choristers went to the synagogue from the orchestra by the altar (Talmud, Suk. 53a), and so participated in both services.
Biblical and contemporary sources mention the following instruments that were used in the ancient Temple:
- the nevelNevel (instrument)The nevel was a stringed instrument in use by the ancient Hebrew people. The Greeks referred to it as the nabla . Much conjecture has been put forth on its exact nature, but it was probably not a standardized instrument. Most hold it to be a form of lyre, harp, or psaltery...
, a 12-stringed harp; - the kinnorKinnorKinnor is the Hebrew name for an ancient Israelite lyre mentioned in the Bible and commonly translated as harp.-History:The identification of the instrument is uncertain, but a few historians of musical instruments say it is similar to the Greek cithara, Though the Kinnura is a better...
, a lyre with 10 strings; - the shofarShofarA shofar is a horn, traditionally that of a ram, used for Jewish religious purposes. Shofar-blowing is incorporated in synagogue services on Rosh Hashanah and Yom Kippur.Shofar come in a variety of sizes.- Bible and rabbinic literature :...
, a hollowed-out ram's horn; - the chatzutzera, or trumpet, made of silver;
- the tof or small drum;
- the metziltayim, or cymbal;
- the paamon or bell;
- the halil or big flute.
According to the Mishna, the regular Temple orchestra consisted of twelve instruments, and the choir of twelve male singers.
Early Christian music
Christianity began as a small, persecuted Jewish sect. At first there was no break with the Jewish faith; Christians still attended synagogues and the Temple in Jerusalem just as Christ had done, and presumably still carried on the same musical traditions in their separate Christian meetings. The only record of communal song in the Gospels is the last meeting of the disciples before the CrucifixionCrucifixion
Crucifixion is an ancient method of painful execution in which the condemned person is tied or nailed to a large wooden cross and left to hang until dead...
. Outside the Gospels, there is a reference to St. Paul encouraging the Ephesians and Colossians to use psalms, hymns and spiritual songs.
Later, there is a reference in Pliny
Pliny the Younger
Gaius Plinius Caecilius Secundus, born Gaius Caecilius or Gaius Caecilius Cilo , better known as Pliny the Younger, was a lawyer, author, and magistrate of Ancient Rome. Pliny's uncle, Pliny the Elder, helped raise and educate him...
who writes to the emperor Trajan
Trajan
Trajan , was Roman Emperor from 98 to 117 AD. Born into a non-patrician family in the province of Hispania Baetica, in Spain Trajan rose to prominence during the reign of emperor Domitian. Serving as a legatus legionis in Hispania Tarraconensis, in Spain, in 89 Trajan supported the emperor against...
(61–113) asking for advice about how to prosecute the Christians in Bithynia
Bithynia
Bithynia was an ancient region, kingdom and Roman province in the northwest of Asia Minor, adjoining the Propontis, the Thracian Bosporus and the Euxine .-Description:...
, and describing their practice of gathering before sunrise and repeating antiphonally 'a hymn to Christ, as to God'. Antiphonal psalmody is the singing or musical playing of psalms by alternating groups of performers. The peculiar mirror structure of the Hebrew psalms
Psalms
The Book of Psalms , commonly referred to simply as Psalms, is a book of the Hebrew Bible and the Christian Bible...
makes it likely that the antiphonal method originated in the services of the ancient Israelites. According to the historian Socrates, its introduction into Christian worship was due to Ignatius of Antioch
Ignatius of Antioch
Ignatius of Antioch was among the Apostolic Fathers, was the third Bishop of Antioch, and was a student of John the Apostle. En route to his martyrdom in Rome, Ignatius wrote a series of letters which have been preserved as an example of very early Christian theology...
(died 107
107
Year 107 was a common year starting on Friday of the Julian calendar. At the time, it was known as the Year of the Consulship of Sura and Senico...
), who in a vision had seen the angels singing in alternate choirs.
The use of instruments in early Christian music seems to have been frowned upon. In the late fourth or early 5th century St. Jerome wrote that a Christian maiden ought not even to know what a lyre or flute is like, or to what use it is put.
The introduction of church organ music
Organ (music)
The organ , is a keyboard instrument of one or more divisions, each played with its own keyboard operated either with the hands or with the feet. The organ is a relatively old musical instrument in the Western musical tradition, dating from the time of Ctesibius of Alexandria who is credited with...
is traditionally believed to date from the time of the papacy of Pope Vitalian
Pope Vitalian
Pope Saint Vitalianus was Pope of the Catholic Church from July 30, 657, until January 27, 672.He was born in Segni, Lazio, the son of Anastasius.-Reign:...
in the 7th century.
Gregorian chant
Gregorian chant is the main tradition of Western plainchantPlainsong
Plainsong is a body of chants used in the liturgies of the Catholic Church. Though the Eastern Orthodox churches and the Catholic Church did not split until long after the origin of plainchant, Byzantine chants are generally not classified as plainsong.Plainsong is monophonic, consisting of a...
, a form of monophonic
Monophony
In music, monophony is the simplest of textures, consisting of melody without accompanying harmony. This may be realized as just one note at a time, or with the same note duplicated at the octave . If the entire melody is sung by two voices or a choir with an interval between the notes or in...
liturgical
Liturgy
Liturgy is either the customary public worship done by a specific religious group, according to its particular traditions or a more precise term that distinguishes between those religious groups who believe their ritual requires the "people" to do the "work" of responding to the priest, and those...
chant of Western Christianity
Western Christianity
Western Christianity is a term used to include the Latin Rite of the Catholic Church and groups historically derivative thereof, including the churches of the Anglican and Protestant traditions, which share common attributes that can be traced back to their medieval heritage...
that accompanied the celebration of Mass and other ritual services. This musical form originated in Monastic life, in which singing the 'Divine Service' nine times a day at the proper hours was upheld according to the Rule of St. Benedict
Rule of St Benedict
The Rule of Saint Benedict is a book of precepts written by St. Benedict of Nursia for monks living communally under the authority of an abbot. Since about the 7th century it has also been adopted by communities of women...
. Singing psalms made up a large part of the life in a monastic community, while a smaller group and soloists sang the chants.
In its long history Gregorian Chant has been subjected to many gradual changes and some reforms. It was organized, codified, and notated mainly in the Frankish
Franks
The Franks were a confederation of Germanic tribes first attested in the third century AD as living north and east of the Lower Rhine River. From the third to fifth centuries some Franks raided Roman territory while other Franks joined the Roman troops in Gaul. Only the Salian Franks formed a...
lands of western and central Europe during the 12th and 13th centuries, with later additions and redactions, but the texts and many of the melodies have antecedents going back several centuries earlier. Although popular belief credits Pope Gregory the Great
Pope Gregory I
Pope Gregory I , better known in English as Gregory the Great, was pope from 3 September 590 until his death...
with having personally invented Gregorian chant, scholars now believe that the chant bearing his name arose from a later Carolingian
Carolingian
The Carolingian dynasty was a Frankish noble family with origins in the Arnulfing and Pippinid clans of the 7th century AD. The name "Carolingian", Medieval Latin karolingi, an altered form of an unattested Old High German *karling, kerling The Carolingian dynasty (known variously as the...
synthesis of Roman and Gallican chant
Gallican chant
Gallican chant refers to the liturgical plainchant repertory of the Gallican rite of the Roman Catholic Church in Gaul, prior to the introduction and development of elements of the Roman rite from which Gregorian chant evolved...
During the following centuries the Chant tradition was still at the heart of Church music, where it changed and acquired various accretions. Even the polyphonic music that arose from the venerable old chants in the Organa by Leonin
Léonin
Léonin is the first known significant composer of polyphonic organum. He was probably French, probably lived and worked in Paris at the Notre Dame Cathedral and was the earliest member of the Notre Dame school of polyphony and the ars antiqua style who is known by name...
and Perotin
Pérotin
Pérotin , also called Perotin the Great, was a European composer, believed to be French, who lived around the end of the 12th and beginning of the 13th century. He was the most famous member of the Notre Dame school of polyphony and the ars antiqua style...
in Paris (1160–1240) ended in monophonic
Monophony
In music, monophony is the simplest of textures, consisting of melody without accompanying harmony. This may be realized as just one note at a time, or with the same note duplicated at the octave . If the entire melody is sung by two voices or a choir with an interval between the notes or in...
chant and in later traditions new composition styles were practised in juxtaposition (or co-habitation) with monophonic chant. This practice continued into the lifetime of François Couperin
François Couperin
François Couperin was a French Baroque composer, organist and harpsichordist. He was known as Couperin le Grand to distinguish him from other members of the musically talented Couperin family.-Life:Couperin was born in Paris...
, whose Organ Masses were meant to be performed with alternating homophonic Chant. Although it had mostly fallen into disuse after the Baroque period, Chant experienced a revival in the 19th century in the Roman Catholic Church
Roman Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the world's largest Christian church, with over a billion members. Led by the Pope, it defines its mission as spreading the gospel of Jesus Christ, administering the sacraments and exercising charity...
and the Anglo-Catholic wing of the Anglican Communion
Anglican Communion
The Anglican Communion is an international association of national and regional Anglican churches in full communion with the Church of England and specifically with its principal primate, the Archbishop of Canterbury...
.
The Mass
The mass is a form of music that sets out the parts of the EucharistEucharist
The Eucharist , also called Holy Communion, the Sacrament of the Altar, the Blessed Sacrament, the Lord's Supper, and other names, is a Christian sacrament or ordinance...
ic liturgy
Liturgy
Liturgy is either the customary public worship done by a specific religious group, according to its particular traditions or a more precise term that distinguishes between those religious groups who believe their ritual requires the "people" to do the "work" of responding to the priest, and those...
(chiefly belong to the Roman Catholic Church
Roman Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the world's largest Christian church, with over a billion members. Led by the Pope, it defines its mission as spreading the gospel of Jesus Christ, administering the sacraments and exercising charity...
, the Churches of the Anglican Communion
Anglican Communion
The Anglican Communion is an international association of national and regional Anglican churches in full communion with the Church of England and specifically with its principal primate, the Archbishop of Canterbury...
, and also the Lutheran Church) to music. Most Masses are settings of the liturgy
Mass (liturgy)
"Mass" is one of the names by which the sacrament of the Eucharist is called in the Roman Catholic Church: others are "Eucharist", the "Lord's Supper", the "Breaking of Bread", the "Eucharistic assembly ", the "memorial of the Lord's Passion and Resurrection", the "Holy Sacrifice", the "Holy and...
in Latin
Latin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
, the traditional language of the Roman Catholic Church, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there are many Masses (often called "Communion Services") written in English for the Church of England
Church of England
The Church of England is the officially established Christian church in England and the Mother Church of the worldwide Anglican Communion. The church considers itself within the tradition of Western Christianity and dates its formal establishment principally to the mission to England by St...
.
Masses can be a cappella
A cappella
A cappella music is specifically solo or group singing without instrumental sound, or a piece intended to be performed in this way. It is the opposite of cantata, which is accompanied singing. A cappella was originally intended to differentiate between Renaissance polyphony and Baroque concertato...
, for the human voice alone, or they can be accompanied by instrumental obbligato
Obbligato
In classical music obbligato usually describes a musical line that is in some way indispensable in performance. Its opposite is the marking ad libitum. It can also be used, more specifically, to indicate that a passage of music was to be played exactly as written, or only by the specified...
s up to and including a full orchestra. Many Masses, especially later ones, were never intended to be performed during the celebration of an actual mass.
Generally, for a composition to be a full Mass, it must contain the following invariable five sections, which together constitute the Ordinary of the Mass
Ordinary of the Mass
The ordinary, in Roman Catholic and other Western Christian liturgies, refers to the part of the Eucharist or of the canonical hours that is reasonably constant without regard to the date on which the service is performed...
.
- KyrieKyrieKyrie, a transliteration of Greek κύριε , vocative case of κύριος , meaning "Lord", is the common name of an important prayer of Christian liturgy, which is also called the Kýrie, eléison ....
("Lord have mercy") - GloriaGloria in Excelsis Deo"Gloria in excelsis Deo" is the title and beginning of a hymn known also as the Greater Doxology and the Angelic Hymn. The name is often abbreviated to Gloria in Excelsis or simply Gloria.It is an example of the psalmi idiotici "Gloria in excelsis Deo" (Latin for "Glory to God in the highest")...
("Glory be to God on high") - CredoCredoA credo |Latin]] for "I Believe") is a statement of belief, commonly used for religious belief, such as the Apostles' Creed. The term especially refers to the use of the Nicene-Constantinopolitan Creed in the Mass, either as text, Gregorian chant, or other musical settings of the...
("I believe in one God"), the Nicene CreedNicene CreedThe Nicene Creed is the creed or profession of faith that is most widely used in Christian liturgy. It is called Nicene because, in its original form, it was adopted in the city of Nicaea by the first ecumenical council, which met there in the year 325.The Nicene Creed has been normative to the... - SanctusSanctusThe Sanctus is a hymn from Christian liturgy, forming part of the Order of Mass. In Western Christianity, the Sanctus is sung as the final words of the Preface of the Eucharistic Prayer, the prayer of consecration of the bread and wine...
("Holy, Holy, Holy"), the second part of which, beginning with the word "Benedictus" ("Blessed is he"), was often sung separately after the consecration, if the setting was long. (See BenedictusBenedictus-Music:* Benedictus , the canticle sung at Lauds, also called the Canticle of Zachary.* The second part of the Sanctus, part of the eucharistic prayer* Benedictus , a song by Simon and Garfunkel...
for other chants beginning with that word.) - Agnus Dei ("Lamb of GodLamb of GodThe title Lamb of God appears in the Gospel of John, with the exclamation of John the Baptist: "Behold the Lamb of God who takes away the sin of the world" in John 1:29 when he sees Jesus....
")
The Requiem Mass is a modified version of the ordinary mass. Musical settings of the Requiem mass have a long tradition in Western music. There are many notable works in this tradition, including those by Palestrina
Giovanni Pierluigi da Palestrina
Giovanni Pierluigi da Palestrina was an Italian Renaissance composer of sacred music and the best-known 16th-century representative of the Roman School of musical composition...
, Tomás Luis de Victoria
Tomás Luis de Victoria
Tomás Luis de Victoria, sometimes Italianised as da Vittoria , was the most famous composer of the 16th century in Spain, and one of the most important composers of the Counter-Reformation, along with Giovanni da Palestrina and Orlando di Lasso. Victoria was not only a composer, but also an...
, Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
, Hector Berlioz
Hector Berlioz
Hector Berlioz was a French Romantic composer, best known for his compositions Symphonie fantastique and Grande messe des morts . Berlioz made significant contributions to the modern orchestra with his Treatise on Instrumentation. He specified huge orchestral forces for some of his works; as a...
, Johannes Brahms
Johannes Brahms
Johannes Brahms was a German composer and pianist, and one of the leading musicians of the Romantic period. Born in Hamburg, Brahms spent much of his professional life in Vienna, Austria, where he was a leader of the musical scene...
, Anton Bruckner
Anton Bruckner
Anton Bruckner was an Austrian composer known for his symphonies, masses, and motets. The first are considered emblematic of the final stage of Austro-German Romanticism because of their rich harmonic language, complex polyphony, and considerable length...
, Gabriel Fauré
Gabriel Fauré
Gabriel Urbain Fauré was a French composer, organist, pianist and teacher. He was one of the foremost French composers of his generation, and his musical style influenced many 20th century composers...
, Franz Liszt
Franz Liszt
Franz Liszt ; ), was a 19th-century Hungarian composer, pianist, conductor, and teacher.Liszt became renowned in Europe during the nineteenth century for his virtuosic skill as a pianist. He was said by his contemporaries to have been the most technically advanced pianist of his age...
, Giuseppe Verdi
Giuseppe Verdi
Giuseppe Fortunino Francesco Verdi was an Italian Romantic composer, mainly of opera. He was one of the most influential composers of the 19th century...
, Benjamin Britten
Benjamin Britten
Edward Benjamin Britten, Baron Britten, OM CH was an English composer, conductor, and pianist. He showed talent from an early age, and first came to public attention with the a cappella choral work A Boy Was Born in 1934. With the premiere of his opera Peter Grimes in 1945, he leapt to...
, Maurice Duruflé
Maurice Duruflé
Maurice Duruflé was a French composer, organist, and pedagogue.Duruflé was born in Louviers, Eure. In 1912, he became chorister at the Rouen Cathedral Choir School, where he studied piano and organ with Jules Haelling...
, György Ligeti
György Ligeti
György Sándor Ligeti was a composer of contemporary classical music. Born in a Hungarian Jewish family in Transylvania, Romania, he briefly lived in Hungary before becoming an Austrian citizen.-Early life:...
, Krzysztof Penderecki
Krzysztof Penderecki
Krzysztof Penderecki , born November 23, 1933 in Dębica) is a Polish composer and conductor. His 1960 avant-garde Threnody to the Victims of Hiroshima for string orchestra brought him to international attention, and this success was followed by acclaim for his choral St. Luke Passion. Both these...
and Igor Stravinsky
Igor Stravinsky
Igor Fyodorovich Stravinsky ; 6 April 1971) was a Russian, later naturalized French, and then naturalized American composer, pianist, and conductor....
.
In a liturgical Mass, there are variable other sections that may be sung, often in Gregorian chant
Gregorian chant
Gregorian chant is the central tradition of Western plainchant, a form of monophonic liturgical music within Western Christianity that accompanied the celebration of Mass and other ritual services...
. These sections, the "Proper" of the Mass, change with the day and season according to the Church calendar, or according to the special circumstances of the mass. The Proper of the Mass is usually not set to music in a Mass itself, except in the case of a Requiem Mass
Requiem
A Requiem or Requiem Mass, also known as Mass for the dead or Mass of the dead , is a Mass celebrated for the repose of the soul or souls of one or more deceased persons, using a particular form of the Roman Missal...
, but may be the subject of motet
Motet
In classical music, motet is a word that is applied to a number of highly varied choral musical compositions.-Etymology:The name comes either from the Latin movere, or a Latinized version of Old French mot, "word" or "verbal utterance." The Medieval Latin for "motet" is motectum, and the Italian...
s or other musical compositions. The sections of the Proper of the Mass include the Introit, Gradual, Alleluia or Tract (depending on the time of year), Offertory and Communion.
Carols
A carol is a festive song, generally religious but not necessarily connected with church worship, often having a popular character. Today the carol is represented almost exclusively by the Christmas carolChristmas carol
A Christmas carol is a carol whose lyrics are on the theme of Christmas or the winter season in general and which are traditionally sung in the period before Christmas.-History:...
, the Advent
Advent
Advent is a season observed in many Western Christian churches, a time of expectant waiting and preparation for the celebration of the Nativity of Jesus at Christmas. It is the beginning of the Western liturgical year and commences on Advent Sunday, called Levavi...
carol, and to a much lesser extent by the Easter
Easter
Easter is the central feast in the Christian liturgical year. According to the Canonical gospels, Jesus rose from the dead on the third day after his crucifixion. His resurrection is celebrated on Easter Day or Easter Sunday...
carol.
The tradition of Christmas carols goes back as far as the 13th century, although carols were originally communal songs sung during celebrations like harvest tide as well as Christmas. It was only later that carols began to be sung in church, and to be specifically associated with Christmas. Traditionally, carols have often been based on medieval chord progressions, and it is this that gives them their characteristic sound. Some carols like "Personent hodie" and "Angels from the Realms of Glory" can be traced directly back to the Middle Ages
Middle Ages
The Middle Ages is a periodization of European history from the 5th century to the 15th century. The Middle Ages follows the fall of the Western Roman Empire in 476 and precedes the Early Modern Era. It is the middle period of a three-period division of Western history: Classic, Medieval and Modern...
, and are among the oldest musical compositions still regularly sung.
Carols suffered a decline in popularity after the Reformation
Protestant Reformation
The Protestant Reformation was a 16th-century split within Western Christianity initiated by Martin Luther, John Calvin and other early Protestants. The efforts of the self-described "reformers", who objected to the doctrines, rituals and ecclesiastical structure of the Roman Catholic Church, led...
in the countries where Protestant churches gained prominence (although well-known Reformers like Martin Luther authored carols and encouraged their use in worship), but survived in rural communities until the revival of interest in carols in the 19th century. The first appearance in print of "God Rest Ye Merry, Gentlemen", "The First Noel
The First Noël
The First Nowell is a traditional classical English carol, most likely from the 18th century, although possibly earlier...
", "I Saw Three Ships
I Saw Three Ships
"I Saw Three Ships " is a traditional and popular Christmas carol from England. A variant of its parent tune "Greensleeves", the earliest printed version of "I Saw Three Ships" is from the 17th century, possibly Derbyshire, and was also published by William B. Sandys in 1833...
" and "Hark the Herald Angels Sing" was in Christmas Carols Ancient and Modern (1833) by William B. Sandys
William B. Sandys
William B. Sandys , was an English solicitor, member of the Percy Society, fellow of the Society of Antiquaries of London, and remembered for his publication Christmas Carols Ancient and Modern , a collection of seasonal carols that Sandys had gathered and also apparently improvised...
. Composers like Arthur Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
helped to repopularize the carol, and it is this period that gave rise to such favorites as "Good King Wenceslas
Good King Wenceslas
"Good King Wenceslas" is a popular Christmas carol about a king who goes out to give alms to a poor peasant on the Feast of Stephen . During the journey, his page is about to give up the struggle against the cold weather, but is enabled to continue by following the king's footprints, step for step,...
" and "It Came Upon the Midnight Clear", a New England carol written by Edmund H. Sears and Richard S. Willis.
Christian hymnody
Thomas AquinasThomas Aquinas
Thomas Aquinas, O.P. , also Thomas of Aquin or Aquino, was an Italian Dominican priest of the Catholic Church, and an immensely influential philosopher and theologian in the tradition of scholasticism, known as Doctor Angelicus, Doctor Communis, or Doctor Universalis...
, in the introduction to his commentary on the Psalms, defined the Christian hymn thus: "Hymnus est laus Dei cum cantico; canticum autem exultatio mentis de aeternis habita, prorumpens in vocem." ("A hymn is the praise of God with song; a song is the exultation of the mind dwelling on eternal things, bursting forth in the voice.") The earliest Christian hymns are mentioned round about the year 64 by Saint Paul in his letters. The Greek hymn, Hail gladdening light was mentioned by Saint Basil around 370. Latin hymns appear at around the same time, influenced by Saint Ambrose of Milan. Prudentius
Prudentius
Aurelius Prudentius Clemens was a Roman Christian poet, born in the Roman province of Tarraconensis in 348. He probably died in Spain, as well, some time after 405, possibly around 413...
, a Spanish poet of the late 4th century was one of the most prolific hymn writers of the time.
Early Celtic hymns, associated with Saint Patrick and Saint Columba, including the still extant, Saint Patrick's Breastplate, can be traced to the 6th and 7th centuries. Catholic hymnody in the Western church introduced four-part vocal harmony as the norm, adopting major and minor keys, and came to be led by organ and choir.
The Protestant Reformation
Protestant Reformation
The Protestant Reformation was a 16th-century split within Western Christianity initiated by Martin Luther, John Calvin and other early Protestants. The efforts of the self-described "reformers", who objected to the doctrines, rituals and ecclesiastical structure of the Roman Catholic Church, led...
resulted in two conflicting attitudes to hymns. One approach, the regulative principle of worship
Regulative principle of worship
The regulative principle of worship is a teaching shared by some Calvinists and Anabaptists on how the Bible orders public worship. The substance of the doctrine regarding worship is that God institutes in the Scriptures everything he requires for worship in the Church and that everything else is...
, favoured by many Zwinglians, Calvinists and other radical reformers, considered anything that was not directly authorised by the Bible to be a novel and Catholic introduction to worship, which was to be rejected. All hymns that were not direct quotations from the bible fell into this category. Such hymns were banned, along with any form of instrumental musical accompaniment, and organs were ripped out of churches. Instead of hymns, biblical psalms were chanted, most often without accompaniment. This was known as exclusive psalmody
Exclusive psalmody
Exclusive psalmody is the particular worship practice of several small Protestant denominations worldwide which use a metrical version of the Book of Psalms from the Bible as the only manual of songs that may be sung in their services...
. Examples of this may still be found in various places, including the "free churches" of western Scotland.
The other Reformation approach, favoured by Martin Luther
Martin Luther
Martin Luther was a German priest, professor of theology and iconic figure of the Protestant Reformation. He strongly disputed the claim that freedom from God's punishment for sin could be purchased with money. He confronted indulgence salesman Johann Tetzel with his Ninety-Five Theses in 1517...
, produced a burst of hymn writing and congregational singing. Luther and his followers often used their hymns, or chorales, to teach tenets of the faith to worshipers. The earlier English writers tended to paraphrase biblical text, particularly Psalms; Isaac Watts
Isaac Watts
Isaac Watts was an English hymnwriter, theologian and logician. A prolific and popular hymnwriter, he was recognised as the "Father of English Hymnody", credited with some 750 hymns...
followed this tradition, but is also credited as having written the first English hymn which was not a direct paraphrase of Scripture.
Later writers took even more freedom, some even including allegory
Allegory
Allegory is a demonstrative form of representation explaining meaning other than the words that are spoken. Allegory communicates its message by means of symbolic figures, actions or symbolic representation...
and metaphor
Metaphor
A metaphor is a literary figure of speech that uses an image, story or tangible thing to represent a less tangible thing or some intangible quality or idea; e.g., "Her eyes were glistening jewels." Metaphor may also be used for any rhetorical figures of speech that achieve their effects via...
in their texts.
Charles Wesley
Charles Wesley
Charles Wesley was an English leader of the Methodist movement, son of Anglican clergyman and poet Samuel Wesley, the younger brother of Anglican clergyman John Wesley and Anglican clergyman Samuel Wesley , and father of musician Samuel Wesley, and grandfather of musician Samuel Sebastian Wesley...
's hymns spread Methodist theology
Theology
Theology is the systematic and rational study of religion and its influences and of the nature of religious truths, or the learned profession acquired by completing specialized training in religious studies, usually at a university or school of divinity or seminary.-Definition:Augustine of Hippo...
, not only within Methodism, but in most Protestant churches. He developed a new focus: expressing one's personal feelings in the relationship with God as well as the simple worship seen in older hymns. The Methodist Revival of the 18th century created an explosion of hymn writing in Welsh
Welsh language
Welsh is a member of the Brythonic branch of the Celtic languages spoken natively in Wales, by some along the Welsh border in England, and in Y Wladfa...
, which continued into the first half of the 19th century.
African-Americans developed a rich hymnody out of the spiritual
Spiritual (music)
Spirituals are religious songs which were created by enslaved African people in America.-Terminology and origin:...
s sung during times of slavery. During the Second Great Awakening
Second Great Awakening
The Second Great Awakening was a Christian revival movement during the early 19th century in the United States. The movement began around 1800, had begun to gain momentum by 1820, and was in decline by 1870. The Second Great Awakening expressed Arminian theology, by which every person could be...
in the United States, this led to the emergence of a new popular style. Fanny Crosby
Fanny Crosby
Frances Jane Crosby , usually known as Fanny Crosby in the United States and by her married name, Frances van Alstyne, in the United Kingdom, was an American Methodist rescue mission worker, poet, lyricist, and composer. During her lifetime, she was well-known throughout the United States...
, Ira D. Sankey
Ira D. Sankey
Ira D. Sankey , known as The Sweet Singer of Methodism, was an American gospel singer and composer, associated with evangelist Dwight L...
, and others produced testimonial music for evangelistic crusades. These are often designated "gospel songs" as distinct from hymns, since they generally include a refrain (or chorus) and usually (though not always) a faster tempo than the hymns. As examples of the distinction, "Amazing Grace
Amazing Grace
"Amazing Grace" is a Christian hymn with words written by the English poet and clergyman John Newton , published in 1779. With a message that forgiveness and redemption are possible regardless of the sins people commit and that the soul can be delivered from despair through the mercy of God,...
" is a hymn (no refrain), but "How Great Thou Art
How Great Thou Art (hymn)
"How Great Thou Art" is a Christian hymn based on a Swedish poem written by Carl Gustav Boberg in Sweden in 1885. The melody is a Swedish folk song. It was translated into English by British missionary Stuart K. Hine, who also added two original verses of his own composition. It was popularized by...
" is a gospel song. During the 19th century the gospel-song genre spread rapidly in Protestantism and, to a lesser but still definite extent, in Roman Catholicism. The gospel-song genre is unknown in the worship per se by Eastern Orthodox churches, which rely exclusively on traditional chants (a type of hymn).
Along with the more classical sacred music of composers ranging from Mozart to Monteverdi, the Roman Catholic Church
Roman Catholic Church
The Catholic Church, also known as the Roman Catholic Church, is the world's largest Christian church, with over a billion members. Led by the Pope, it defines its mission as spreading the gospel of Jesus Christ, administering the sacraments and exercising charity...
continued to produce many popular hymns such as Lead, Kindly Light
Lead, Kindly Light
Lead, Kindly Light is a hymn with words written in 1833 by John Henry Newman as a poem titled "the Pillar of Cloud". In some hymnals, one may find a fourth verse added by Edward H. Bickersteth, Jr...
, Silent Night
Silent Night
"Silent Night" is a popular Christmas carol. The original lyrics of the song "Stille Nacht" were written in Oberndorf bei Salzburg, Austria, by the priest Father Joseph Mohr and the melody was composed by the Austrian headmaster Franz Xaver Gruber...
, O Sacrament Divine and Faith of our Fathers.
Many churches today use contemporary worship music which includes a range of styles often influenced by popular music
Popular music
Popular music belongs to any of a number of musical genres "having wide appeal" and is typically distributed to large audiences through the music industry. It stands in contrast to both art music and traditional music, which are typically disseminated academically or orally to smaller, local...
. This style began in the late 1960s and became very popular during the 1970s. A distinctive form is the modern, lively black gospel style.
Sources
- A.C. Zenos, ed., "The Ecclesiastical History of Socrates Scholasticus", in A Select Library of Nicene and Post-Nicene Fathers of the Christian Church. Second Series, ed. Philip Schaff and Henry Wace. Grand Rapids: W. B. Eerdmans Publishing Company 1957.