Coloratura
Encyclopedia
Coloratura has several meanings. The word is originally from Italian
, literally meaning "coloring", and derives from the Latin
word colorare ("to color"). When used in English, the term specifically refers to elaborate melody
, particularly in vocal music and especially in operatic
singing of the 18th and 19th centuries, with runs, trill
s, wide leaps
, or similar virtuoso
-like material. It is also now widely used to refer to passages of such music, operatic roles in which such music plays a prominent part, and singers of these roles. (See also bel canto
.)
's Syntagma musicum (1618); Sébastien de Brossard
's Dictionaire de musique (1703); and Johann Gottfried Walther
's Musicalisches Lexicon (1732). In these early texts "the term is dealt with briefly and always with reference to Italian usage".
Christoph Bernhard
(1628–1692) defined "coloratura" in two ways:
The term was never used in the most famous Italian texts on singing: Giulio Caccini
's Le Nuove musiche (1601/2); Pier Francesco Tosi
's, Opinioni de' cantori antichi e moderni (1723); Giovanni Battista Mancini
's Pensieri, e riflessioni pratiche sopra il canto figurato (1774); Manuel García's Mémoire sur la voix humaine (1841), and Traité complet de l’art du chant (1840–47); nor was it used by the English authors Charles Burney
(1726–1814) and Henry Fothergill Chorley
(1808–1872), both of whom wrote at length about Italian singing of a period when ornamentation was essential.
(late 18th century) and romantic (19th century, specifically bel canto
) vocal music. However, early music of the 15th, 16th and 17th centuries, and in particular, baroque music
extending up to about 1750, includes a substantial body of music for which coloratura technique is required by vocalists and instrumentalists alike. In the modern musicological sense the term is therefore used to refer to florid music from all periods of music history, both vocal and instrumental. For example, in Germany the term "coloratura" has been applied to the stereotypical and formulaic ornamentation used in 16th‑century keyboard music written by a group of German organ composers referred to as the "colorists" .
In spite of its derivation from Latin colorare ("to color"), the term "coloratura" does not apply to the practice of "coloring" the voice, i.e. altering the quality or timbre
of the voice for expressive purposes (for example, the technique of voix sombrée used by Gilbert Duprez
in the 1830s).
s.
Nevertheless, the term "coloratura", when used without further qualification, normally means soprano coloratura. A coloratura soprano
role, most famously typified by the Queen of the Night in Mozart's Die Zauberflöte, has a high range and requires the singer to execute with great facility elaborate ornamentation and embellishment, including running passages, staccati
, and trill
s. A coloratura soprano has the vocal ability to produce notes above high C (C6
) and possesses a tessitura
ranging from A4 to A5 or higher (unlike lower sopranos whose tessitura is G4–G5 or lower).
Richard Miller names two types of soprano coloratura voices (the coloratura and the dramatic coloratura) as well as a mezzo-soprano coloratura voice, and although he does not mention the coloratura contralto, he includes mention of specific works requiring coloratura technique for the contralto voice.
Examples of coloratura music for different voice ranges include:
Italian language
Italian is a Romance language spoken mainly in Europe: Italy, Switzerland, San Marino, Vatican City, by minorities in Malta, Monaco, Croatia, Slovenia, France, Libya, Eritrea, and Somalia, and by immigrant communities in the Americas and Australia...
, literally meaning "coloring", and derives from the Latin
Latin
Latin is an Italic language originally spoken in Latium and Ancient Rome. It, along with most European languages, is a descendant of the ancient Proto-Indo-European language. Although it is considered a dead language, a number of scholars and members of the Christian clergy speak it fluently, and...
word colorare ("to color"). When used in English, the term specifically refers to elaborate melody
Melody
A melody , also tune, voice, or line, is a linear succession of musical tones which is perceived as a single entity...
, particularly in vocal music and especially in operatic
Opera
Opera is an art form in which singers and musicians perform a dramatic work combining text and musical score, usually in a theatrical setting. Opera incorporates many of the elements of spoken theatre, such as acting, scenery, and costumes and sometimes includes dance...
singing of the 18th and 19th centuries, with runs, trill
Trill (music)
The trill is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trill....
s, wide leaps
Steps and skips
In music, a step, or conjunct motion, is a linear or successive interval between two pitches which are consecutive scale degrees. Any larger interval is called a skip , or disjunct motion...
, or similar virtuoso
Virtuoso
A virtuoso is an individual who possesses outstanding technical ability in the fine arts, at singing or playing a musical instrument. The plural form is either virtuosi or the Anglicisation, virtuosos, and the feminine form sometimes used is virtuosa...
-like material. It is also now widely used to refer to passages of such music, operatic roles in which such music plays a prominent part, and singers of these roles. (See also bel canto
Bel canto
Bel canto , along with a number of similar constructions , is an Italian opera term...
.)
Historical usage
The term "coloratura" was first defined in several early non-Italian music dictionaries: Michael PraetoriusMichael Praetorius
Michael Praetorius was a German composer, organist, and music theorist. He was one of the most versatile composers of his age, being particularly significant in the development of musical forms based on Protestant hymns, many of which reflect an effort to make better the relationship between...
's Syntagma musicum (1618); Sébastien de Brossard
Sébastien de Brossard
Sébastien de Brossard was a French music theorist.Brossard was born in Dompierre, Orne. After studying philosophy and theology at Caen, he studied music and established himself in Paris in 1678 and remained there until 1687. He briefly was the private tutor of the young son of Nicolas-Joseph...
's Dictionaire de musique (1703); and Johann Gottfried Walther
Johann Gottfried Walther
Johann Gottfried Walther was a German music theorist, organist, composer, and lexicographer of the Baroque era.Walther was born at Erfurt...
's Musicalisches Lexicon (1732). In these early texts "the term is dealt with briefly and always with reference to Italian usage".
Christoph Bernhard
Christoph Bernhard
Christoph Bernhard was born in Kolberg, Pomerania, and died in Dresden. He studied with former Sweelinck-pupil Paul Siefert in Danzig and in Warsaw By the age of 20 he was singing at the electoral court in Dresden under Heinrich Schütz...
(1628–1692) defined "coloratura" in two ways:
- cadenzaCadenzaIn music, a cadenza is, generically, an improvised or written-out ornamental passage played or sung by a soloist or soloists, usually in a "free" rhythmic style, and often allowing for virtuosic display....
: "runs which are not so exactly bound to the bar, but which often extend two, three or more bars further [and] should be made only at chief closes" (Von der Singe-Kunst, oder Maniera, c. 1649) - diminutionDiminutionIn Western music and music theory, diminution has four distinct meanings. Diminution may be a form of embellishment in which a long note is divided into a series of shorter, usually melodic, values...
: "when an interval is altered through several shorter notes, so that, instead of one long note, a number of shorter ones rush to the next note through all kinds of progressions by step or leap" (Tractatus compositionis, c. 1657)
The term was never used in the most famous Italian texts on singing: Giulio Caccini
Giulio Caccini
Giulio Caccini , also known as Giulio Romano, was an Italian composer, teacher, singer, instrumentalist and writer of the very late Renaissance and early Baroque eras. He was one of the founders of the genre of opera, and one of the single most influential creators of the new Baroque style...
's Le Nuove musiche (1601/2); Pier Francesco Tosi
Pier Francesco Tosi
Pier Francesco Tosi was a castrato singer, composer, and writer on music. His Opinoni de' cantori antichi e moderni... was the first full-length treatise on singing and provides a unique glimpse into the technical and social aspects of Baroque vocal music.-Life and career:Pier Francesco Tosi was...
's, Opinioni de' cantori antichi e moderni (1723); Giovanni Battista Mancini
Giovanni Battista Mancini
Giovanni Battista Mancini was an Italian soprano castrato, voice teacher, and author of books on singing....
's Pensieri, e riflessioni pratiche sopra il canto figurato (1774); Manuel García's Mémoire sur la voix humaine (1841), and Traité complet de l’art du chant (1840–47); nor was it used by the English authors Charles Burney
Charles Burney
Charles Burney FRS was an English music historian and father of authors Frances Burney and Sarah Burney.-Life and career:...
(1726–1814) and Henry Fothergill Chorley
Henry Fothergill Chorley
Henry Fothergill Chorley was an English literary, art and music critic and editor. He was also an author of novels, drama, poetry and lyrics....
(1808–1872), both of whom wrote at length about Italian singing of a period when ornamentation was essential.
Modern usage
The term "coloratura" is most commonly applied to the elaborate and florid figuration or ornamentation in classicalClassical music
Classical music is the art music produced in, or rooted in, the traditions of Western liturgical and secular music, encompassing a broad period from roughly the 11th century to present times...
(late 18th century) and romantic (19th century, specifically bel canto
Bel canto
Bel canto , along with a number of similar constructions , is an Italian opera term...
) vocal music. However, early music of the 15th, 16th and 17th centuries, and in particular, baroque music
Baroque music
Baroque music describes a style of Western Classical music approximately extending from 1600 to 1760. This era follows the Renaissance and was followed in turn by the Classical era...
extending up to about 1750, includes a substantial body of music for which coloratura technique is required by vocalists and instrumentalists alike. In the modern musicological sense the term is therefore used to refer to florid music from all periods of music history, both vocal and instrumental. For example, in Germany the term "coloratura" has been applied to the stereotypical and formulaic ornamentation used in 16th‑century keyboard music written by a group of German organ composers referred to as the "colorists" .
In spite of its derivation from Latin colorare ("to color"), the term "coloratura" does not apply to the practice of "coloring" the voice, i.e. altering the quality or timbre
Timbre
In music, timbre is the quality of a musical note or sound or tone that distinguishes different types of sound production, such as voices and musical instruments, such as string instruments, wind instruments, and percussion instruments. The physical characteristics of sound that determine the...
of the voice for expressive purposes (for example, the technique of voix sombrée used by Gilbert Duprez
Gilbert Duprez
Gilbert Duprez was a French tenor, singing teacher and minor composer who famously pioneered the delivery of the operatic high C from the chest. He also created the role of Edgardo in the popular bel canto-era opera Lucia di Lammermoor in 1835.-Biography:Gilbert-Louis Duprez, to give his full...
in the 1830s).
Vocal ranges
The term is not restricted to describing any one range of voice. All other female and male voice types may also achieve mastery of coloratura technique. There are coloratura parts for all voice types in different musical genreGenre
Genre , Greek: genos, γένος) is the term for any category of literature or other forms of art or culture, e.g. music, and in general, any type of discourse, whether written or spoken, audial or visual, based on some set of stylistic criteria. Genres are formed by conventions that change over time...
s.
Nevertheless, the term "coloratura", when used without further qualification, normally means soprano coloratura. A coloratura soprano
Coloratura soprano
A coloratura soprano is a type of operatic soprano who specializes in music that is distinguished by agile runs and leaps. The term coloratura refers to the elaborate ornamentation of a melody, which is a typical component of the music written for this voice...
role, most famously typified by the Queen of the Night in Mozart's Die Zauberflöte, has a high range and requires the singer to execute with great facility elaborate ornamentation and embellishment, including running passages, staccati
Staccato
Staccato is a form of musical articulation. In modern notation it signifies a note of shortened duration and separated from the note that may follow by silence...
, and trill
Trill (music)
The trill is a musical ornament consisting of a rapid alternation between two adjacent notes, usually a semitone or tone apart, which can be identified with the context of the trill....
s. A coloratura soprano has the vocal ability to produce notes above high C (C6
Scientific pitch notation
Scientific pitch notation is one of several methods that name the notes of the standard Western chromatic scale by combining a letter-name, accidentals, and a number identifying the pitch's octave...
) and possesses a tessitura
Tessitura
In music, the term tessitura generally describes the most musically acceptable and comfortable range for a given singer or, less frequently, musical instrument; the range in which a given type of voice presents its best-sounding texture or timbre...
ranging from A4 to A5 or higher (unlike lower sopranos whose tessitura is G4–G5 or lower).
Richard Miller names two types of soprano coloratura voices (the coloratura and the dramatic coloratura) as well as a mezzo-soprano coloratura voice, and although he does not mention the coloratura contralto, he includes mention of specific works requiring coloratura technique for the contralto voice.
Examples of coloratura music for different voice ranges include:
- MozartWolfgang Amadeus MozartWolfgang Amadeus Mozart , baptismal name Johannes Chrysostomus Wolfgangus Theophilus Mozart , was a prolific and influential composer of the Classical era. He composed over 600 works, many acknowledged as pinnacles of symphonic, concertante, chamber, piano, operatic, and choral music...
's Allelujah (from Exsultate, jubilateExsultate, jubilateExsultate, jubilate K. 165, by Wolfgang Amadeus Mozart was written in 1773.This religious solo motet was composed at the time Mozart was visiting Milan....
) may be arranged for and sung by a properly trained contraltoContraltoContralto is the deepest female classical singing voice, with the lowest tessitura, falling between tenor and mezzo-soprano. It typically ranges between the F below middle C to the second G above middle C , although at the extremes some voices can reach the E below middle C or the second B above...
, mezzo soprano or sopranoSopranoA soprano is a voice type with a vocal range from approximately middle C to "high A" in choral music, or to "soprano C" or higher in operatic music. In four-part chorale style harmony, the soprano takes the highest part, which usually encompasses the melody...
. The piece was written for soprano castratoCastratoA castrato is a man with a singing voice equivalent to that of a soprano, mezzo-soprano, or contralto voice produced either by castration of the singer before puberty or one who, because of an endocrinological condition, never reaches sexual maturity.Castration before puberty prevents a boy's...
. - The ariaAriaAn aria in music was originally any expressive melody, usually, but not always, performed by a singer. The term is now used almost exclusively to describe a self-contained piece for one voice usually with orchestral accompaniment...
Every valley shall be exalted from HandelGeorge Frideric HandelGeorge Frideric Handel was a German-British Baroque composer, famous for his operas, oratorios, anthems and organ concertos. Handel was born in 1685, in a family indifferent to music...
's MessiahMessiah (Handel)Messiah is an English-language oratorio composed in 1741 by George Frideric Handel, with a scriptural text compiled by Charles Jennens from the King James Bible and the Book of Common Prayer. It was first performed in Dublin on 13 April 1742, and received its London premiere nearly a year later...
is an example of a coloratura piece for tenorTenorThe tenor is a type of male singing voice and is the highest male voice within the modal register. The typical tenor voice lies between C3, the C one octave below middle C, to the A above middle C in choral music, and up to high C in solo work. The low extreme for tenors is roughly B2...
. - Each singer of a major role in Rossini's operas must have a secure coloratura technique.
- Osmin, a character in Mozart's The Abduction from the SeraglioDie Entführung aus dem SerailDie Entführung aus dem Serail is an opera Singspiel in three acts by Wolfgang Amadeus Mozart. The German libretto is by Christoph Friedrich Bretzner with adaptations by Gottlieb Stephanie...
, is a coloratura role for a bass.