Confessions of a Mask
Encyclopedia
is Japanese author
Yukio Mishima
's first novel. Published in 1948, it launched him to national fame though he was only in his early twenties.
The main protagonist is referred to in the story as Kochan. Being raised during Japan’s era of right-wing militarism and Imperialism, he struggles from a very early age to fit into society. Like Mishima, Kochan was born with a less-than-ideal body in terms of physical fitness and robustness, and throughout the first half of the book (which generally details Kochan’s childhood) struggles intensely to fit into Japanese society. Due to his weakness, Kochan is kept away from boys his own age as he is raised, and is thus not exposed to the norm. This is what likely led to his future fascinations and fantasies of death, violence, and sex. In this way of thinking, some have posited that Mishima is similar.
Kochan is a homosexual, and in the context of Imperial Japan he struggles to keep it to himself. In the early portion of the novel, Kochan does not yet openly admit that he is attracted to men, but indeed professes that he admires masculinity and strength. Some have argued that this, too, is autobiographical of Mishima, himself having worked hard through a naturally weak body to become a superbly fit body builder and male model.
In the first chapter of the book, Kochan recalls a memory of a picture book from when he was four years old. Even at that young age, Kochan approached a single picture of a heroic-looking Caucasian knight on horseback almost as pornography, gazing at it longingly and hiding it away, embarrassed, when others come to see what he is doing. When his nurse tells him that the knight is actually Joan of Arc, Kochan, wanting the knight to be a paragon of manliness, is immediately and forever put off by the picture, annoyed that a woman would dress in man’s clothing.
The word ‘mask’ comes from how Kochan develops his own false personality that he uses to present himself to the world. Early on, as he develops a fascination with his friend Omi’s body during puberty, he believes that everybody around him is also hiding their true feelings from each other, everybody participating in a ‘reluctant masquerade’. As he grows up, he tries to fall in love with a girl named Sonoko, but is continuously tormented by his latent homosexual urges, and is unable to ever truly love her. To an extent, it has been the intensity with which Kochan resists his own homosexuality that has made some readers believe that Mishima had placed himself in the novel, cast as Kochan.
The book was chosen as one of the 50 great books one should have read by George Walsh http://books.google.ca/books?hl=en&id=HPDqaTLKOEEC&dq=50+greatest+books+&printsec=frontcover&source=web&ots=kASWUfaxyG&sig=GiILDHLfjzImm712PS9zUxMsffU#PPP1,M1
Japanese literature
Early works of Japanese literature were heavily influenced by cultural contact with China and Chinese literature, often written in Classical Chinese. Indian literature also had an influence through the diffusion of Buddhism in Japan...
Yukio Mishima
Yukio Mishima
was the pen name of , a Japanese author, poet, playwright, actor and film director, also remembered for his ritual suicide by seppuku after a failed coup d'état...
's first novel. Published in 1948, it launched him to national fame though he was only in his early twenties.
The main protagonist is referred to in the story as Kochan. Being raised during Japan’s era of right-wing militarism and Imperialism, he struggles from a very early age to fit into society. Like Mishima, Kochan was born with a less-than-ideal body in terms of physical fitness and robustness, and throughout the first half of the book (which generally details Kochan’s childhood) struggles intensely to fit into Japanese society. Due to his weakness, Kochan is kept away from boys his own age as he is raised, and is thus not exposed to the norm. This is what likely led to his future fascinations and fantasies of death, violence, and sex. In this way of thinking, some have posited that Mishima is similar.
Kochan is a homosexual, and in the context of Imperial Japan he struggles to keep it to himself. In the early portion of the novel, Kochan does not yet openly admit that he is attracted to men, but indeed professes that he admires masculinity and strength. Some have argued that this, too, is autobiographical of Mishima, himself having worked hard through a naturally weak body to become a superbly fit body builder and male model.
In the first chapter of the book, Kochan recalls a memory of a picture book from when he was four years old. Even at that young age, Kochan approached a single picture of a heroic-looking Caucasian knight on horseback almost as pornography, gazing at it longingly and hiding it away, embarrassed, when others come to see what he is doing. When his nurse tells him that the knight is actually Joan of Arc, Kochan, wanting the knight to be a paragon of manliness, is immediately and forever put off by the picture, annoyed that a woman would dress in man’s clothing.
The word ‘mask’ comes from how Kochan develops his own false personality that he uses to present himself to the world. Early on, as he develops a fascination with his friend Omi’s body during puberty, he believes that everybody around him is also hiding their true feelings from each other, everybody participating in a ‘reluctant masquerade’. As he grows up, he tries to fall in love with a girl named Sonoko, but is continuously tormented by his latent homosexual urges, and is unable to ever truly love her. To an extent, it has been the intensity with which Kochan resists his own homosexuality that has made some readers believe that Mishima had placed himself in the novel, cast as Kochan.
The book was chosen as one of the 50 great books one should have read by George Walsh http://books.google.ca/books?hl=en&id=HPDqaTLKOEEC&dq=50+greatest+books+&printsec=frontcover&source=web&ots=kASWUfaxyG&sig=GiILDHLfjzImm712PS9zUxMsffU#PPP1,M1