Construction grip
Encyclopedia
Construction grips work on film and television sound stages and exterior sets both on and off Motion Picture Studio Lots
Lots for various cinema projects in countries all over the world. Some studios are actually warehouses or buildings that have been converted into film and or television studios. An exterior set could just be one of the many facades built on or about a studio lot outside of the sound stages. However, it is quite common to see projects being filmed off lot, in and around the city.
The construction key grip
and his crew work with the construction coordinator and his carpenter
s to execute any sets or set pieces that need to be erected or installed. The key is chosen and directed by the construction coordinator. Though, they are ostensibly of equal rank, the construction coordinator generally determines the order of work.
The division of labor is basic: The coordinator and his carpenters build the components of the set, the construction grips prepare the site, and erect, level, and plumb the set. Then the carpenters trim the set in preparation for the scenic artists.
In addition, the construction grips accomplish any rigging that may need to be done. This could be flying set pieces or facades, mounting and securing them onto existing structures or hanging and building pipe grids over and above the sets to hang lighting and other equipment from. Construction grips also build stable catwalks around and above the sets for people to walk on and or hang and attach more stuff to. Operating heavy machinery is required in most cases. They are also responsible for any backdrops that need to be hung.
Once complete, as per schedule, the shooting crew
eventually comes in. The set is generally handed over to the regular shooting grip
s, unless there is a particularly large or complex piece that must be moved at a particular time.
The construction grip department, in general, is also traditionally charged with the safety of the construction crew, engendering other various labors for the construction grips: the shop and set, (until it is turned over to the set dressers
), must be maintained free of debris, and lumber and building materials must be stowed or racked in a safe, neat, and accessible manner.
Movie studio
A movie studio is a term used to describe a major entertainment company or production company that has its own privately owned studio facility or facilities that are used to film movies...
Lots for various cinema projects in countries all over the world. Some studios are actually warehouses or buildings that have been converted into film and or television studios. An exterior set could just be one of the many facades built on or about a studio lot outside of the sound stages. However, it is quite common to see projects being filmed off lot, in and around the city.
The construction key grip
Key grip
In the United States and many parts of the world in film-making, the key grip is the head of the grip department and chief rigging technician on the set. Using light, he or she is in charge of the shadows of light, the movement of the camera, the placing of cameras on any stationary, moving,...
and his crew work with the construction coordinator and his carpenter
Carpenter
A carpenter is a skilled craftsperson who works with timber to construct, install and maintain buildings, furniture, and other objects. The work, known as carpentry, may involve manual labor and work outdoors....
s to execute any sets or set pieces that need to be erected or installed. The key is chosen and directed by the construction coordinator. Though, they are ostensibly of equal rank, the construction coordinator generally determines the order of work.
The division of labor is basic: The coordinator and his carpenters build the components of the set, the construction grips prepare the site, and erect, level, and plumb the set. Then the carpenters trim the set in preparation for the scenic artists.
In addition, the construction grips accomplish any rigging that may need to be done. This could be flying set pieces or facades, mounting and securing them onto existing structures or hanging and building pipe grids over and above the sets to hang lighting and other equipment from. Construction grips also build stable catwalks around and above the sets for people to walk on and or hang and attach more stuff to. Operating heavy machinery is required in most cases. They are also responsible for any backdrops that need to be hung.
Once complete, as per schedule, the shooting crew
Film crew
Television crew positions are derived from those of film crew positions.A film crew is a group of people hired by a production company for the purpose of producing a film or motion picture. Crew are distinguished from cast, the Actors who appear in front of the camera or provide voices for...
eventually comes in. The set is generally handed over to the regular shooting grip
Grip (job)
In the U.S. and Canada, grips are lighting and rigging technicians in the filmmaking and video production industries. They constitute their own department on a film set and are directed by a key grip. Grips have two main functions...
s, unless there is a particularly large or complex piece that must be moved at a particular time.
The construction grip department, in general, is also traditionally charged with the safety of the construction crew, engendering other various labors for the construction grips: the shop and set, (until it is turned over to the set dressers
Set dresser
-In Film:Set dressers arrange objects on a film set before shooting. They work under the direction of a leadman, a set decorator and a production designer. Set dressers place furniture, hang pictures, and put out decorative items. They are also responsible for some light construction and assembly...
), must be maintained free of debris, and lumber and building materials must be stowed or racked in a safe, neat, and accessible manner.