Creatures of Impulse
Encyclopedia
Creatures of Impulse is a stage play by English
dramatist W. S. Gilbert
, with music by composer-conductor Alberto Randegger
, which Gilbert adapted from his own short story. Both the play and the short story concern an unwanted and ill-tempered old fairy
who enchants people to behave in a manner opposite to their natures, with farcical
results.
The short story was written for The Graphic
' s Christmas number of 1870, and the play was first produced at the Court Theatre
on 2 April 1871. It originally included six songs, but three were eventually cut, and some productions dispensed with the music entirely. While the lyrics survive, the music was never published and is lost. Reviews of the play were mostly positive, though it was criticised for the lack of a significant plot or superstructure to support its comic premise. Nonetheless, reviewers found it enjoyable, and it was a modest success, running for 91 performances and enjoying revivals into the early part of the 20th century.
Gilbert had already written a considerable body of stories, plays, poems, criticism and other works before writing Creatures of Impulse. He would go on to write the libretti
to the famous series of Savoy operas (composed by Arthur Sullivan
) between 1871 and 1896.
From the mid-1860s through the early 1870s, W. S. Gilbert
was extremely productive, writing a large quantity of comic verse, theatre reviews and other journalistic pieces, short stories, and dozens of plays and comic operas. His output in 1870 included dozens of his popular comic Bab Ballads
; two blank verse comedies, The Princess
and The Palace of Truth
; two comic operas, Our Island Home
and The Gentleman in Black
; and various other short stories, comic pieces, and reviews appearing in various periodicals and newspapers. In 1871 he was even busier, producing seven plays and operas.
Gilbert's dramatic writing during this time was evolving from his early musical burlesques to a more restrained style, as exemplified in his string of blank-verse fairy comedies. The first of these was The Palace of Truth, which opened in 1870 to widespread acclaim. He was also developing his unique style of absurdist humour, described as "Topsy-Turvy", made up of "a combination of wit, irony, topsyturvydom, parody, observation, theatrical technique, and profound intelligence". The story and play Creatures of Impulse date from the middle of this period, when Gilbert was trying different styles and working towards the mature style of his later work, including the famous series of Gilbert and Sullivan
operas. Gilbert described the play as a "musical fairytale".
Italian-born Alberto Randegger
was better known as a conductor and professor of singing than as a composer, although he composed several full-length works and numerous vocal pieces in England in the 1860s and 1870s. He is also remembered for his important 1879 textbook entitled Singing. His music for Creatures of Impulse was criticised as "extremely undramatic", though others found it "pretty". Much of it was cut from revivals of the piece.
, an illustrated weekly newspaper. He later selected it for inclusion in the only collection of his short stories published during his lifetime, Foggerty's Fairy and Other Tales
(1890), at which point he renamed it to match the theatrical adaptation. Gilbert did not originally intend for the story to be turned into a play; nonetheless, a few months later it was on stage.
He adapted the story into a play for Marie Litton's Royal Court Theatre
. Litton took over the proprietorship of the New Chelsea Theatre in 1871 and renamed it the Royal Court. Its opening attraction was the première of Gilbert's Randall's Thumb
, and when that play proved successful, it was no surprise, as the London Echo pointed out, that she followed it with another work by Gilbert. He often used his previous prose work as the basis of later plays, and "The Strange Old Lady" was no exception. Under the new title of Creatures of Impulse, it opened on 2 April 1871 as a companion piece for Randall's Thumb. Successful, it lasted through 91 performances and acted as a companion piece to five different plays. Marie Litton continued to commission works from Gilbert, including Gilbert's adaptation of Charles Dickens
' Great Expectations
in 1871, Broken Hearts
in 1875, various translations of French works, and The Happy Land
in 1873, which portrayed members of the British Government on stage and caused such a scandal that it had an unusually long run.
, and in 1874 at the Vaudeville Theatre
(running for over 100 performances), all in London. It appears to have gone through several changes during these revivals, the first of which was described on its playbill as a "shortened version", and the last as an "altered" one. Various versions continued to be produced into the 20th century by amateurs as well as occasional professional groups, such as Ben Greet
's Elizabethan Stage Society of England
. An acting edition was published by T. H. Lacy around 1871. T. H. Lacy was acquired by Samuel French
, and the libretto continued to be printed until about 1970. The piece, still occasionally produced, was part of the International Gilbert and Sullivan Festival
in 2006.
Substantial cuts were made in the text by the time the play was collected for Original Plays, Fourth Series (1911), the last volume of the only large-scale collection of Gilbert's stage work. Victorian plays had to be approved by the Lord Chamberlain
for decency before they were performed, and the version submitted was then archived, providing a more-or-less complete collection of Victorian theatrical output, now part of the British Library
. Comparison of the "licensing copy" of Creatures of Impulse from this archive with that printed in Original Plays reveals lyrics for three additional songs and a second verse to the opening chorus and finale.
to Norwich
, but the play calls for Alsatian
costumery. Otherwise, the plots of the short story and play are nearly identical. The summary below uses the names from the play and notes significant changes in plot between the play and short story. There are also various small changes to the order of events, not described.
At "The Three Pigeons" inn, it is a good day for some: the miser Boomblehardt has been out collecting rents from his tenants, and Sergeant Klooque, hero of Johannesburg
, has just arrived at the inn on leave and may now flirt with any lady he chooses, without the need to pretend they are his relatives in order to get around his tyrannical Colonel. However, it is not a good day for Martha, the landlady of the inn: staying there is a strange old lady, a mischievous fairy, who refuses to pay or to leave, and who needs neither food nor water. This is substantially cutting into Martha's profits. She enlists Boomblehardt and Klooque, the cowardly farmer Peter, and her extremely shy niece, Pipette, to help solve this problem.
Peter, not cowardly enough to fear an old woman, nor superstitious enough to believe in her power, threatens the old fairy, trying to chase her away. Unfortunately, she does indeed have fairy powers and casts a spell that forces Peter to threaten anyone he encounters or, if alone, to fight imaginary enemies. Peter flees before he can get himself into trouble by threatening anyone bigger than him, calling out challenges as he goes. Sergeant Klooque approaches the old woman next and tries to use his military charm to win her over. It turns out that she hates soldiers, and she strikes out with her stick, making him duck and dodge. She then casts a spell to make his cringing, dodging and ducking permanent, intending that he lose his reputation and be branded a coward. Pipette arrives and watches his behaviour in astonishment. "He's showing you how he fought the enemy at Johannesburg," exclaims the old lady, but he replies "No, my dear!" I'm showing you how the enemy fought us. This is the way they retreated". He leaves, cringing and pleading for imaginary attackers to stop as he goes.
Pipette then tries to coax the old lady into leaving, kissing and hugging her, and appealing to her (hoped for) good nature. The old lady sees through her attempt, and in punishment for her "telling stories" compels her to kiss and cuddle all she meets. She cries out in protest that she's too shy for such behaviour, but the old lady assures her that she'll "get over [her] shyness after a year or two of that sort of thing". Boomblehardt approaches next, and Pipette flings herself on him, crying "Kiss me!". He obliges. She responds, "How dare you take such a liberty! You insolent old man! Kiss me". And so he does. She boxes his ears, much to his confusion, and then retreats into the inn in tears.
Boomblehardt then meets with the old woman. The miser has heard that the strange old lady does not need to eat and offers to help her stay at the inn if she will teach him her secret of how to avoid wasting money on food. He offers her a golden guinea. The fairy decides that someone that miserly must be punished and compels him to continue passing out guineas to all he meets.
Soon complications arise from these curses. Boomblehardt finds Sergeant Klooque's curse hilarious and decides that if he must give out money, the sergeant is as good as any other. The shy Pipette throws herself at Sergeant, who unwillingly ducks and dodges, trying to avoid her. When Peter arrives, he is forced to get into a fight with the sergeant over her, at which, to his surprise, the brave sergeant cowers, dodges, and ducks. Boomblehardt continues passing out guineas, his fortune dribbling away. Then Martha chases her customers out of the inn with a broom: She too has been cursed. Everyone has fallen under the fairy's ironic curses, forced to behave in a manner contrary to his or her intrinsic nature.
Now the old lady makes her crucial mistake: She heads downstairs to check on her mischief, and the cursed group all run up to her to beg her to relent. They all behave as compelled by their curses: Peter threatens her, Pipette tries to kiss her, the sergeant ducks away from her, the miser offers her money, and the landlady keeps trying to chase her out with a broom. The chaos is overwhelming: "In short, the Old Lady, who was much more than a match for each of them taken singly, was overpowered by numbers". She is left with no choice but to relent, release the spells and leave, vanquished and embarrassed.
The short story continues a bit further, making explicit some elements that are only hinted at in the play:
That no one marries at the end of the play was a daring innovation for Victorian theatre, and the reviewer from Era mentioned his surprise at this.
Synopsis notes:
In the short story, Peter is instead her nephew. This has no effect on the plot.
In the story, Boomblehardt's equivalent, Verditter, is instead courting the landlady, as her inn is profitable and she has some fine silver; therefore, he tries to bribe the fairy to leave in order that he may make money elsewhere.
As was common in Victorian drama, a woman (Maggie Brennan) played a young man
(Peter). The play's script assigns dialogue to three numbered villagers in the opening scene. The named character of Jacques has no more lines than any of these and disappears after the first page of the script. Righton, who first played Boomblehardt, portrayed him as a Jewish caricature. Gilbert's script did not use a Jewish dialect, and historian Jane Stedman suggests that Righton's increasingly broad portrayal and interpolations show that Gilbert had little control of Righton's portrayal of the part.
The list of songs in the licence copy is:
While the lyrics survive, none of the music was ever published, and it has been lost. The version in Original Plays omits the second verse of Nos. 1 and 6 and cuts Nos. 2, 3, and 5.
of the stamp that was in vogue a hundred years ago, resembling Midas
, perhaps, more nearly than that of any modern burlesque", and wrote that it "contains pretty music, and smart if not witty dialogue, a semi-moral and a semi-plot". The Graphic
concluded that "Although it occupies only an hour in performance, the story is well told and the piece is exceedingly amusing" and praised the acting. Righton received special praise for his portrayal of Boomblehardt: "No character on stage perhaps ever made audiences laugh more in so short a time". In an 1882 assessment of the piece for amateur theatre societies, M. E. James noted that "The singing is a great addition. It is altogether an amusing bit of nonsense, and very original".
The Times
review was less positive than most, saying that although the play was good, more was expected of Gilbert:
English people
The English are a nation and ethnic group native to England, who speak English. The English identity is of early mediaeval origin, when they were known in Old English as the Anglecynn. England is now a country of the United Kingdom, and the majority of English people in England are British Citizens...
dramatist W. S. Gilbert
W. S. Gilbert
Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S...
, with music by composer-conductor Alberto Randegger
Alberto Randegger
Alberto Randegger was an Italian-born composer, conductor and singing teacher, best known for promoting opera and new works of British music in England during the Victorian era and for his widely-used textbook on singing technique.-Life and career:Randegger was born in Trieste, Italy, the son of...
, which Gilbert adapted from his own short story. Both the play and the short story concern an unwanted and ill-tempered old fairy
Fairy
A fairy is a type of mythical being or legendary creature, a form of spirit, often described as metaphysical, supernatural or preternatural.Fairies resemble various beings of other mythologies, though even folklore that uses the term...
who enchants people to behave in a manner opposite to their natures, with farcical
Farce
In theatre, a farce is a comedy which aims at entertaining the audience by means of unlikely, extravagant, and improbable situations, disguise and mistaken identity, verbal humour of varying degrees of sophistication, which may include word play, and a fast-paced plot whose speed usually increases,...
results.
The short story was written for The Graphic
The Graphic
The Graphic was a British weekly illustrated newspaper, first published on 4 December 1869 by William Luson Thomas's company Illustrated Newspapers Limited....
Royal Court Theatre
The Royal Court Theatre is a non-commercial theatre on Sloane Square, in the Royal Borough of Kensington and Chelsea. It is noted for its contributions to modern theatre...
on 2 April 1871. It originally included six songs, but three were eventually cut, and some productions dispensed with the music entirely. While the lyrics survive, the music was never published and is lost. Reviews of the play were mostly positive, though it was criticised for the lack of a significant plot or superstructure to support its comic premise. Nonetheless, reviewers found it enjoyable, and it was a modest success, running for 91 performances and enjoying revivals into the early part of the 20th century.
Gilbert had already written a considerable body of stories, plays, poems, criticism and other works before writing Creatures of Impulse. He would go on to write the libretti
Libretto
A libretto is the text used in an extended musical work such as an opera, operetta, masque, oratorio, cantata, or musical. The term "libretto" is also sometimes used to refer to the text of major liturgical works, such as mass, requiem, and sacred cantata, or even the story line of a...
to the famous series of Savoy operas (composed by Arthur Sullivan
Arthur Sullivan
Sir Arthur Seymour Sullivan MVO was an English composer of Irish and Italian ancestry. He is best known for his series of 14 operatic collaborations with the dramatist W. S. Gilbert, including such enduring works as H.M.S. Pinafore, The Pirates of Penzance and The Mikado...
) between 1871 and 1896.
Writer and composer
From the mid-1860s through the early 1870s, W. S. Gilbert
W. S. Gilbert
Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his fourteen comic operas produced in collaboration with the composer Sir Arthur Sullivan, of which the most famous include H.M.S...
was extremely productive, writing a large quantity of comic verse, theatre reviews and other journalistic pieces, short stories, and dozens of plays and comic operas. His output in 1870 included dozens of his popular comic Bab Ballads
Bab Ballads
The Bab Ballads are a collection of light verse by W. S. Gilbert, illustrated with his own comic drawings. Gilbert wrote the Ballads before he became famous for his comic opera librettos with Arthur Sullivan...
; two blank verse comedies, The Princess
The Princess (play)
The Princess is a blank verse farcical play, in five scenes with music, by W. S. Gilbert which adapts and parodies Alfred Lord Tennyson's humorous 1847 narrative poem, The Princess: A Medley. It was first produced at the Olympic Theatre in London on 8 January 1870.Gilbert called the piece "a...
and The Palace of Truth
The Palace of Truth
The Palace of Truth is a three-act blank verse "Fairy Comedy" by W. S. Gilbert first produced at the Haymarket Theatre in London on 19 November 1870, partly adapted from Madame de Genlis's fairy story, Le Palais de Vérite. The play ran for approximately 140 performances and then toured the British...
; two comic operas, Our Island Home
Our Island Home
Our Island Home is a one-act musical entertainment with a libretto by W. S. Gilbert and music by Thomas German Reed that premiered on June 20, 1870 at the Royal Gallery of Illustration...
and The Gentleman in Black
The Gentleman in Black
The Gentleman in Black is a two-act comic opera written in 1870 with a libretto by W. S. Gilbert and music by Frederic Clay. The "musical comedietta" opened at the Charing Cross Theatre on 26 May 1870...
; and various other short stories, comic pieces, and reviews appearing in various periodicals and newspapers. In 1871 he was even busier, producing seven plays and operas.
Gilbert's dramatic writing during this time was evolving from his early musical burlesques to a more restrained style, as exemplified in his string of blank-verse fairy comedies. The first of these was The Palace of Truth, which opened in 1870 to widespread acclaim. He was also developing his unique style of absurdist humour, described as "Topsy-Turvy", made up of "a combination of wit, irony, topsyturvydom, parody, observation, theatrical technique, and profound intelligence". The story and play Creatures of Impulse date from the middle of this period, when Gilbert was trying different styles and working towards the mature style of his later work, including the famous series of Gilbert and Sullivan
Gilbert and Sullivan
Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the librettist W. S. Gilbert and the composer Arthur Sullivan . The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S...
operas. Gilbert described the play as a "musical fairytale".
Italian-born Alberto Randegger
Alberto Randegger
Alberto Randegger was an Italian-born composer, conductor and singing teacher, best known for promoting opera and new works of British music in England during the Victorian era and for his widely-used textbook on singing technique.-Life and career:Randegger was born in Trieste, Italy, the son of...
was better known as a conductor and professor of singing than as a composer, although he composed several full-length works and numerous vocal pieces in England in the 1860s and 1870s. He is also remembered for his important 1879 textbook entitled Singing. His music for Creatures of Impulse was criticised as "extremely undramatic", though others found it "pretty". Much of it was cut from revivals of the piece.
Genesis of story and play
Gilbert first published Creatures of Impulse as a short story, under the title "A Strange Old Lady", in the 1870 Christmas number of The GraphicThe Graphic
The Graphic was a British weekly illustrated newspaper, first published on 4 December 1869 by William Luson Thomas's company Illustrated Newspapers Limited....
, an illustrated weekly newspaper. He later selected it for inclusion in the only collection of his short stories published during his lifetime, Foggerty's Fairy and Other Tales
Foggerty's Fairy and Other Tales
Foggerty's Fairy and Other Tales is an 1890 book by W. S. Gilbert, collecting several of the short stories and essays he wrote in his early career as a magazine writer . A number of them were later adapted as plays or opera librettos....
(1890), at which point he renamed it to match the theatrical adaptation. Gilbert did not originally intend for the story to be turned into a play; nonetheless, a few months later it was on stage.
He adapted the story into a play for Marie Litton's Royal Court Theatre
Royal Court Theatre
The Royal Court Theatre is a non-commercial theatre on Sloane Square, in the Royal Borough of Kensington and Chelsea. It is noted for its contributions to modern theatre...
. Litton took over the proprietorship of the New Chelsea Theatre in 1871 and renamed it the Royal Court. Its opening attraction was the première of Gilbert's Randall's Thumb
Randall's Thumb
Randall's Thumb is a play by W. S. Gilbert that premièred in 1871 at the opening of Marie Litton's Royal Court Theatre in London. Its plot, based on a short story that Gilbert had published the year before, relates how the forger Randall blackmails the innocent Buckthorpe for a crime he did not...
, and when that play proved successful, it was no surprise, as the London Echo pointed out, that she followed it with another work by Gilbert. He often used his previous prose work as the basis of later plays, and "The Strange Old Lady" was no exception. Under the new title of Creatures of Impulse, it opened on 2 April 1871 as a companion piece for Randall's Thumb. Successful, it lasted through 91 performances and acted as a companion piece to five different plays. Marie Litton continued to commission works from Gilbert, including Gilbert's adaptation of Charles Dickens
Charles Dickens
Charles John Huffam Dickens was an English novelist, generally considered the greatest of the Victorian period. Dickens enjoyed a wider popularity and fame than had any previous author during his lifetime, and he remains popular, having been responsible for some of English literature's most iconic...
' Great Expectations
Great Expectations
Great Expectations is a novel by Charles Dickens. It was first published in serial form in the publication All the Year Round from 1 December 1860 to August 1861. It has been adapted for stage and screen over 250 times....
in 1871, Broken Hearts
Broken Hearts
Broken Hearts is a blank verse play by W. S. Gilbert in three acts styled "An entirely original fairy play". It opened at the Royal Court Theatre in London on 9 December 1875, running for three months, and toured the provinces in 1876...
in 1875, various translations of French works, and The Happy Land
The Happy Land
The Happy Land is a play with music written in 1873 by W. S. Gilbert and Gilbert Arthur à Beckett. The musical play burlesques Gilbert's earlier play, The Wicked World...
in 1873, which portrayed members of the British Government on stage and caused such a scandal that it had an unusually long run.
Subsequent productions and publications
The play was revived in 1872 at the Court Theatre, in 1873 at the Queen's TheatreQueen's Theatre, Long Acre
The Queen's Theatre was established in 1867, as a theatre on the site of St Martin's Hall, a large concert room that opened in 1850. It stood on the corner of Long Acre and Endell Street, with entrances in Wilson Street and Long Acre...
, and in 1874 at the Vaudeville Theatre
Vaudeville Theatre
The Vaudeville Theatre is a West End theatre on The Strand in the City of Westminster. As the name suggests, the theatre held mostly vaudeville shows and musical revues in its early days. It opened in 1870 and was rebuilt twice, although each new building retained elements of the previous...
(running for over 100 performances), all in London. It appears to have gone through several changes during these revivals, the first of which was described on its playbill as a "shortened version", and the last as an "altered" one. Various versions continued to be produced into the 20th century by amateurs as well as occasional professional groups, such as Ben Greet
Ben Greet
Sir Philip Barling "Ben" Greet was a Shakespearean actor, director, and impresario.-Early life:The younger son of Captain William Greet RN and his wife, Sarah Barling, Greet was born on board HMS Crocodile, a Royal Navy recruiting ship tied up at the Tower of London. He was educated at the Royal...
's Elizabethan Stage Society of England
Elizabethan Stage Society
The Elizabethan Stage Society was a theatrical society dedicated to putting on productions of drama from the Elizabethan and Jacobean eras, particularly those of William Shakespeare. It was founded in 1895 by William Poel...
. An acting edition was published by T. H. Lacy around 1871. T. H. Lacy was acquired by Samuel French
Samuel French
Samuel French was a U.S. entrepreneur who, together with British actor, playwright and theatrical manager Thomas Hailes Lacy, pioneered in the field of theatrical publishing and the licensing of plays....
, and the libretto continued to be printed until about 1970. The piece, still occasionally produced, was part of the International Gilbert and Sullivan Festival
International Gilbert and Sullivan Festival
The International Gilbert and Sullivan Festival is held every summer at the Opera House in Buxton, Derbyshire, England. The three-week Festival of Gilbert and Sullivan performances and fringe events attracts thousands of visitors, including performers, supporters, and G&S enthusiasts from all...
in 2006.
Substantial cuts were made in the text by the time the play was collected for Original Plays, Fourth Series (1911), the last volume of the only large-scale collection of Gilbert's stage work. Victorian plays had to be approved by the Lord Chamberlain
Lord Chamberlain
The Lord Chamberlain or Lord Chamberlain of the Household is one of the chief officers of the Royal Household in the United Kingdom and is to be distinguished from the Lord Great Chamberlain, one of the Great Officers of State....
for decency before they were performed, and the version submitted was then archived, providing a more-or-less complete collection of Victorian theatrical output, now part of the British Library
British Library
The British Library is the national library of the United Kingdom, and is the world's largest library in terms of total number of items. The library is a major research library, holding over 150 million items from every country in the world, in virtually all known languages and in many formats,...
. Comparison of the "licensing copy" of Creatures of Impulse from this archive with that printed in Original Plays reveals lyrics for three additional songs and a second verse to the opening chorus and finale.
Synopsis
Note: The short story takes place at an inn on the road from LondonLondon
London is the capital city of :England and the :United Kingdom, the largest metropolitan area in the United Kingdom, and the largest urban zone in the European Union by most measures. Located on the River Thames, London has been a major settlement for two millennia, its history going back to its...
to Norwich
Norwich
Norwich is a city in England. It is the regional administrative centre and county town of Norfolk. During the 11th century, Norwich was the largest city in England after London, and one of the most important places in the kingdom...
, but the play calls for Alsatian
Alsace
Alsace is the fifth-smallest of the 27 regions of France in land area , and the smallest in metropolitan France. It is also the seventh-most densely populated region in France and third most densely populated region in metropolitan France, with ca. 220 inhabitants per km²...
costumery. Otherwise, the plots of the short story and play are nearly identical. The summary below uses the names from the play and notes significant changes in plot between the play and short story. There are also various small changes to the order of events, not described.
At "The Three Pigeons" inn, it is a good day for some: the miser Boomblehardt has been out collecting rents from his tenants, and Sergeant Klooque, hero of Johannesburg
Johannesburg
Johannesburg also known as Jozi, Jo'burg or Egoli, is the largest city in South Africa, by population. Johannesburg is the provincial capital of Gauteng, the wealthiest province in South Africa, having the largest economy of any metropolitan region in Sub-Saharan Africa...
, has just arrived at the inn on leave and may now flirt with any lady he chooses, without the need to pretend they are his relatives in order to get around his tyrannical Colonel. However, it is not a good day for Martha, the landlady of the inn: staying there is a strange old lady, a mischievous fairy, who refuses to pay or to leave, and who needs neither food nor water. This is substantially cutting into Martha's profits. She enlists Boomblehardt and Klooque, the cowardly farmer Peter, and her extremely shy niece, Pipette, to help solve this problem.
Peter, not cowardly enough to fear an old woman, nor superstitious enough to believe in her power, threatens the old fairy, trying to chase her away. Unfortunately, she does indeed have fairy powers and casts a spell that forces Peter to threaten anyone he encounters or, if alone, to fight imaginary enemies. Peter flees before he can get himself into trouble by threatening anyone bigger than him, calling out challenges as he goes. Sergeant Klooque approaches the old woman next and tries to use his military charm to win her over. It turns out that she hates soldiers, and she strikes out with her stick, making him duck and dodge. She then casts a spell to make his cringing, dodging and ducking permanent, intending that he lose his reputation and be branded a coward. Pipette arrives and watches his behaviour in astonishment. "He's showing you how he fought the enemy at Johannesburg," exclaims the old lady, but he replies "No, my dear!" I'm showing you how the enemy fought us. This is the way they retreated". He leaves, cringing and pleading for imaginary attackers to stop as he goes.
Pipette then tries to coax the old lady into leaving, kissing and hugging her, and appealing to her (hoped for) good nature. The old lady sees through her attempt, and in punishment for her "telling stories" compels her to kiss and cuddle all she meets. She cries out in protest that she's too shy for such behaviour, but the old lady assures her that she'll "get over [her] shyness after a year or two of that sort of thing". Boomblehardt approaches next, and Pipette flings herself on him, crying "Kiss me!". He obliges. She responds, "How dare you take such a liberty! You insolent old man! Kiss me". And so he does. She boxes his ears, much to his confusion, and then retreats into the inn in tears.
Boomblehardt then meets with the old woman. The miser has heard that the strange old lady does not need to eat and offers to help her stay at the inn if she will teach him her secret of how to avoid wasting money on food. He offers her a golden guinea. The fairy decides that someone that miserly must be punished and compels him to continue passing out guineas to all he meets.
Soon complications arise from these curses. Boomblehardt finds Sergeant Klooque's curse hilarious and decides that if he must give out money, the sergeant is as good as any other. The shy Pipette throws herself at Sergeant, who unwillingly ducks and dodges, trying to avoid her. When Peter arrives, he is forced to get into a fight with the sergeant over her, at which, to his surprise, the brave sergeant cowers, dodges, and ducks. Boomblehardt continues passing out guineas, his fortune dribbling away. Then Martha chases her customers out of the inn with a broom: She too has been cursed. Everyone has fallen under the fairy's ironic curses, forced to behave in a manner contrary to his or her intrinsic nature.
Now the old lady makes her crucial mistake: She heads downstairs to check on her mischief, and the cursed group all run up to her to beg her to relent. They all behave as compelled by their curses: Peter threatens her, Pipette tries to kiss her, the sergeant ducks away from her, the miser offers her money, and the landlady keeps trying to chase her out with a broom. The chaos is overwhelming: "In short, the Old Lady, who was much more than a match for each of them taken singly, was overpowered by numbers". She is left with no choice but to relent, release the spells and leave, vanquished and embarrassed.
The short story continues a bit further, making explicit some elements that are only hinted at in the play:
The really curious part of this story is that, after everything had been explained, and all had been restored to their normal courses of action, none of the personages involved in it married each other. They were all so annoyed at having made such fools of themselves that they walked out of the inn in different directions, and were never seen or heard of again.
Except Peter, who, seeing nothing to be ashamed of in showing such undaunted courage, remained and kept the "Three Pigeons," and prospered remarkably to the end of his days.
That no one marries at the end of the play was a daring innovation for Victorian theatre, and the reviewer from Era mentioned his surprise at this.
Synopsis notes:
In the short story, Peter is instead her nephew. This has no effect on the plot.
In the story, Boomblehardt's equivalent, Verditter, is instead courting the landlady, as her inn is profitable and she has some fine silver; therefore, he tries to bribe the fairy to leave in order that he may make money elsewhere.
Characters and original cast
Name in play | Name in short story | Play description | Short story description | Originator of role |
---|---|---|---|---|
Sergeant Klooque | Sergeant Brice | A soldier in the King's Hussars, just returned from Johannesburg Johannesburg Johannesburg also known as Jozi, Jo'burg or Egoli, is the largest city in South Africa, by population. Johannesburg is the provincial capital of Gauteng, the wealthiest province in South Africa, having the largest economy of any metropolitan region in Sub-Saharan Africa... |
A soldier in Her Majesty Queen Anne's Foot Guards, just returned from Malplaquet Battle of Malplaquet The Battle of Malplaquet, fought on 11 September 1709, was one of the main battles of the War of the Spanish Succession, which opposed the Bourbons of France and Spain against an alliance whose major members were the Habsburg Monarchy, Great Britain, the United Provinces and the Kingdom of... . |
W. M. Terrott |
Boomblehardt | Verditter | A miser | A miser | Edward Righton Edward Righton (actor) Thomas Edward Corrie Burns Righton , known as Edward Righton, was an English actor.Righton began his career in Liverpool in 1850. Among many other London roles, Righton played the role of Verges in Much Ado About Nothing and Mr. Furnivail in Two Roses. He created the role of Lutin in The Happy... |
Martha | Dorothy Trabbs | Landlady of the Three Pigeons | Landlady of the Three Pigeons | Miss L. Harris |
Peter | Peter | A young farmer | The landlady's nephew | Maggie Brennan |
Pipette | Jenny | The landlady's niece | The landlady's daughter | Kate Bishop Kate Bishop (actress) Kate Bishop was an English actress from Bristol, a member of a theatrical family. Her brother and daughter were also successful actors. Her greatest success was in Our Boys, which ran for more than four years in London... |
Jacques | – | A villager | – | Charles Parry |
A Strange Old Lady | A Strange Old Lady | A strange old lady | A strange old lady | Lucy Franklein |
As was common in Victorian drama, a woman (Maggie Brennan) played a young man
Breeches role
A breeches role is a role in which an actress appears in male clothing .In opera it also refers to any male character that is sung and acted by a female singer...
(Peter). The play's script assigns dialogue to three numbered villagers in the opening scene. The named character of Jacques has no more lines than any of these and disappears after the first page of the script. Righton, who first played Boomblehardt, portrayed him as a Jewish caricature. Gilbert's script did not use a Jewish dialect, and historian Jane Stedman suggests that Righton's increasingly broad portrayal and interpolations show that Gilbert had little control of Righton's portrayal of the part.
Songs
The number of songs varied from production to production. The version submitted to the Lord Chamberlain had six songs, and an early review in The Times wrote that it was "overweighted with a quantity of extremely undramatic music", though the London Echo thought the music was "pretty". Nonetheless, the version printed in Gilbert's Original Plays (1911) cut these six songs to three, and some productions omitted the songs entirely.The list of songs in the licence copy is:
- "Did you ever know a lady so particularly shady" – Jacques and villagers
- "Some people love Spring" – Boomblehardt
- "At home at last all danger past" – Sergeant Klooque
- "A soldier in the King's Hussars" – Sergeant Klooque, Pipette, and Peter
- "With furious blow" – Peter, Pipette, Sergeant Klooque, and Martha
- "Finale: Go away, ma'am, go away, ma'am" – ensemble
While the lyrics survive, none of the music was ever published, and it has been lost. The version in Original Plays omits the second verse of Nos. 1 and 6 and cuts Nos. 2, 3, and 5.
Critical reception
Reviews for the play were generally favourable, but it was criticised for its loose structure and lack of a substantial plot. Bell's Life in London and Sporting Chronicle opined: "Amusing, simple, and ingenious, 'Creatures of Impulse' is another, though a slight, addition to the successes of its author". The London Echo compared the piece to a "burlettaBurletta
A burletta , also sometimes burla or burlettina, is a musical term generally denoting a brief comic Italian opera...
of the stamp that was in vogue a hundred years ago, resembling Midas
Midas (burletta)
Midas is a burletta, or 'mock opera', by Kane O'Hara.Originally performed privately in 1760 near Lurgan, Ireland, it was revised and expanded with the encouragement of Lord Mornington, and was presented in its new form in Dublin in 1762 and at Covent Garden Theatre, London in 1764...
, perhaps, more nearly than that of any modern burlesque", and wrote that it "contains pretty music, and smart if not witty dialogue, a semi-moral and a semi-plot". The Graphic
The Graphic
The Graphic was a British weekly illustrated newspaper, first published on 4 December 1869 by William Luson Thomas's company Illustrated Newspapers Limited....
concluded that "Although it occupies only an hour in performance, the story is well told and the piece is exceedingly amusing" and praised the acting. Righton received special praise for his portrayal of Boomblehardt: "No character on stage perhaps ever made audiences laugh more in so short a time". In an 1882 assessment of the piece for amateur theatre societies, M. E. James noted that "The singing is a great addition. It is altogether an amusing bit of nonsense, and very original".
The Times
The Times
The Times is a British daily national newspaper, first published in London in 1785 under the title The Daily Universal Register . The Times and its sister paper The Sunday Times are published by Times Newspapers Limited, a subsidiary since 1981 of News International...
review was less positive than most, saying that although the play was good, more was expected of Gilbert:
Further reading
- Kertzer, Jon. "Life Plus Ninety-Nine Years: W.S. Gilbert and the Fantasy of Justice", Mosaic (Winnipeg), Vol. 36, 2003
External links
- Creatures of Impulse introduction and links to script, The Gilbert and Sullivan Archive
- Photos from Creatures of Impulse
- Opening night review in The TimesThe TimesThe Times is a British daily national newspaper, first published in London in 1785 under the title The Daily Universal Register . The Times and its sister paper The Sunday Times are published by Times Newspapers Limited, a subsidiary since 1981 of News International...