Daoud Abdel Sayed
Encyclopedia
Daoud Abdel Sayed is an Egyptian director and screenwriter. He was born in Cairo
in 1946. He started as the assistant of Youssef Chahine
in The Land
. He made several critically acclaimed films, and won several international awards notably for "The Land of Fear" which was produced in 1999.
Following his international achievements and recognitions he became a member of the Higher Film Festival Commission and the Higher Council of Culture in Egypt. He assisted in several film festivals as a jury notably in the 8th Biennale of Arab Cinemas in Paris (Institut du Monde Arabe).
His 2010 film Messages from the Sea
was selected as the Egyptian entry for the Best Foreign Language Film
at the 83rd Academy Awards
, but it didn't make the final shortlist.
That is why he chose to film several documentaries in order to depict the daily agonies of the Egyptian society such as “On the people and prophets” produced in 1980 and “Working in the field” produced in 1979. Those documentaries gave Daoud Abdel Sayed the opportunity to mingle with the Egyptian mainstream society and deepen his knowledge about the different social classes that compose the Egyptian society. All those factors deeply affected his film making later on in his life.
Daoud Abdel Sayed films not only attempt to portray the realistic existence of the indigenous Egyptian peoples, it also attempts to show how their reality is undergoes processes of change. Daoud Abdel Sayed’s “The Search for Sayid Marzuq” is a police film that attempts to look at the issue of citizenship as “measured along the malfunctions of the modern nation-state.”. A newsletter article of the Middle East Studies Program issued by the American University in Cairo tells the story of the film and alludes to the fact that Daoud Abdel Sayed is arguing, through the hero’s eyes, that reality has changed since the early 1970s as a result of the pressure imposed on countries such as Egypt to “modernise.” The account of the film in this publication reads as follows:
Yusuf, a bachelor and white-collar wakes up late one day and rushes to work only to find out that it is a holiday. The last twenty years he had hardly been out and spends the day drifting. He meets different odd people, among others an organ grinder, a mysterious young woman, a prostitute and last not least, Sayyid Marzuq, a rich business man who invites him in order to tell him his story. In the evening Marzuq asks Yusuf to look after his expensive car for a moment. A while later the police arrive and accuse the protagonist of being a thief. Since that moment Yusuf flees through the city with the police in hot pursuit, who does not stop chasing him even after the car’s owner has been found and the error cleared up. The chase lasts a whole exhausting night and has no logical explanation, the same applies to Yusuf’s antipode, Marzuq, who appears and disappears frequently, comforts him but leaves him a short while later to his pursuers. If we believe the hero’s perception since the early 1970s, reality has changed basically. Events and people became absurd, arbitrary and unpredictable, whereas an omnipresent and unreasonable police apparatus controls life.
Cairo
Cairo , is the capital of Egypt and the largest city in the Arab world and Africa, and the 16th largest metropolitan area in the world. Nicknamed "The City of a Thousand Minarets" for its preponderance of Islamic architecture, Cairo has long been a centre of the region's political and cultural life...
in 1946. He started as the assistant of Youssef Chahine
Youssef Chahine
Youssef Chahine was an Egyptian film director active in the Egyptian film industry since 1950. He was credited with launching the career of actor Omar Sharif...
in The Land
The Land (1969 film)
The Land is a 1969 Egyptian drama film directed by Youssef Chahine, based on a popular novel by Abdel Rahman al-Sharqawi. The film narrates the conflict between peasants and their landlord in rural Egypt in the 1930s, and explores the complex relation between individual interests and collective...
. He made several critically acclaimed films, and won several international awards notably for "The Land of Fear" which was produced in 1999.
Filmography
- The advice of a wise man on the affairs of the village and education (1975)
- Working in the field (1979)
- On people, prophets and artists (1980)
- The Vagabonds (1985)
- The Search of Sayed Marzouk (1990)
- Kit Kat (1991),
- Land of DreamsLand of Dreams (film)Land of Dreams is a 1988 Swedish essay film by Jan Troell. Its original Swedish title is Sagolandet, which means "The land of tales". Through a series of reportages from contemporary Sweden, Troell uses the film to ponder on the country's transformation since his childhood, into a society he argues...
(1993) - The Stolen joy (1994)
- Land of Fear (1999)
- A Citizen & a Detective & a Thief (2001)
- Messages from the SeaMessages from the SeaMessages from the Sea is a 2010 Egyptian drama film directed by Daoud Abdel Sayed. The film was selected as the Egyptian entry for the Best Foreign Language Film at the 83rd Academy Awards, but it did not make the final shortlist.-Cast:* Basma Ahmad...
(2010)
Awards and nominations
Abd El-Sayed received a number national and international awards: best director for ‘al-Kit-Kat’ at the Biennale des Cinémas Arabes in Paris and the Damascus Film Festival in 1992, the Silver Pyramid at the International Cairo Film Festival for his film ‘Searching for Sayyid Marzuq’ (1991) and the Silver Pyramid and the best script award at the same festival for his film ‘Land of Fear’ (1999).Following his international achievements and recognitions he became a member of the Higher Film Festival Commission and the Higher Council of Culture in Egypt. He assisted in several film festivals as a jury notably in the 8th Biennale of Arab Cinemas in Paris (Institut du Monde Arabe).
His 2010 film Messages from the Sea
Messages from the Sea
Messages from the Sea is a 2010 Egyptian drama film directed by Daoud Abdel Sayed. The film was selected as the Egyptian entry for the Best Foreign Language Film at the 83rd Academy Awards, but it did not make the final shortlist.-Cast:* Basma Ahmad...
was selected as the Egyptian entry for the Best Foreign Language Film
Academy Award for Best Foreign Language Film
The Academy Award for Best Foreign Language Film is one of the Academy Awards of Merit, popularly known as the Oscars, handed out annually by the U.S.-based Academy of Motion Picture Arts and Sciences...
at the 83rd Academy Awards
83rd Academy Awards
The 83rd Academy Awards ceremony, presented by the Academy of Motion Picture Arts and Sciences , honored the best films of 2010 and took place February 27, 2011, at the Kodak Theatre in Hollywood, Los Angeles beginning at 5:30 p.m. PST / 8:30 p.m. EST. During the ceremony, Academy Awards ...
, but it didn't make the final shortlist.
Early life
Born in 1946 Abd El-Sayed graduated in 1967 from the Higher Film Institute in Cairo as a film director. Daoud Abdel Sayed started his career working as an assistant director in several movies such as “Al Ard” by Youssef Chahince, “Al Ragol Al Lazy Faqad Zaloh” by Kamal El Sheikh and “Awham El Hob”. However, he found that the job of assistant director was not for him as he had higher ambitions such as directing and producing his own movies: “This job is not for me because it needs a lot of focus, something that I simly do not have”.That is why he chose to film several documentaries in order to depict the daily agonies of the Egyptian society such as “On the people and prophets” produced in 1980 and “Working in the field” produced in 1979. Those documentaries gave Daoud Abdel Sayed the opportunity to mingle with the Egyptian mainstream society and deepen his knowledge about the different social classes that compose the Egyptian society. All those factors deeply affected his film making later on in his life.
Daoud Abdel Sayed and New Realism
Daoud Abdel Sayed is referred to one of the pioneers of a school of thought in Egyptian cinema called “New Realism”. According to Viola Shafik, professor at the American University in Cairo and author of Arab Cinema: history and cultural identity, New Realism appeared in the 1980s as a revival of the wave of realism that had dominated Egyptian cinema in the 1960s. The rise of the original realism in the 1950s called for filmmaking that reflected the daily life of the indigenous Egyptian population, paying attention to the choice of the “simple man” from the lower social class and portraying him as the protagonist. New Realism in turn, called essentially for the same thing but using different mechanisms of action and police film rather than melodrama.Daoud Abdel Sayed films not only attempt to portray the realistic existence of the indigenous Egyptian peoples, it also attempts to show how their reality is undergoes processes of change. Daoud Abdel Sayed’s “The Search for Sayid Marzuq” is a police film that attempts to look at the issue of citizenship as “measured along the malfunctions of the modern nation-state.”. A newsletter article of the Middle East Studies Program issued by the American University in Cairo tells the story of the film and alludes to the fact that Daoud Abdel Sayed is arguing, through the hero’s eyes, that reality has changed since the early 1970s as a result of the pressure imposed on countries such as Egypt to “modernise.” The account of the film in this publication reads as follows:
Yusuf, a bachelor and white-collar wakes up late one day and rushes to work only to find out that it is a holiday. The last twenty years he had hardly been out and spends the day drifting. He meets different odd people, among others an organ grinder, a mysterious young woman, a prostitute and last not least, Sayyid Marzuq, a rich business man who invites him in order to tell him his story. In the evening Marzuq asks Yusuf to look after his expensive car for a moment. A while later the police arrive and accuse the protagonist of being a thief. Since that moment Yusuf flees through the city with the police in hot pursuit, who does not stop chasing him even after the car’s owner has been found and the error cleared up. The chase lasts a whole exhausting night and has no logical explanation, the same applies to Yusuf’s antipode, Marzuq, who appears and disappears frequently, comforts him but leaves him a short while later to his pursuers. If we believe the hero’s perception since the early 1970s, reality has changed basically. Events and people became absurd, arbitrary and unpredictable, whereas an omnipresent and unreasonable police apparatus controls life.